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Working on other aspects of film post-production offers prospective film editors a way to gain experience and make connections in the industry. Traditionally, editors worked directly with physical film, though much of their work is done using computers today. Film editing is a demanding part of the filmmaking business that typically allows a person to express his or her creativity.
The process of film editing is technically involved, and there are some computer software programs that prospective editors typically need to be fluent in before they try to secure their first job. People who want to become a film editor could begin by practicing at home with their own computers and Final Cut Pro. It could be worthwhile to for you look for an internship, as it might be a great way to get your foot in the door.
Over the last 10 ceremonies or so, there’s been a bit of a sea change, as previously mentioned. The Artist is the first nominee, and for most (including myself at the moment), it’s the likely frontrunner for the prize. The Descendants is the second film nominated here, and it’s more or less been left behind in this category. The Girl with the Dragon Tattoo is the third nominated film, and the real dark horse of this category, if there can really be one.
Hugo is the fourth film up for the prize, and the second most likely to take it all the way. As I see it (this is my article, after all) at the current moment, the race is between The Artist and Hugo, with The Girl with the Dragon Tattoo a potential spoiler. When he’s not obsessing over new Oscar predictions on a weekly basis, Joey is seeing between 300 and 350 movies a year. I actually rank Editing as an equally big snubbed for Drive, what a wonderfully paced film that was. The Bourne Ultimatum won Best Editing without a Best Picture nomination (and I don’t think it was ever really in the conversation for one), and so did The Matrix. Another question occurred to me: Can a film win Best Picture WITHOUT an Editing nomination? Last year, it seemed as if the five films nominated for Editing, (127 Hours, Black Swan, The Fighter, The King’s Speech, The Social Network), were actually chosen from the Best Pic nominees!!
The Moviola UC 210 S is a 35mm film editor with a reproducer for magnetic or optical sound. Slideshare uses cookies to improve functionality and performance, and to provide you with relevant advertising. Learning objective? The Lumierre Brothers? Georges Melies? Edwin Porter? The Kuleshov Effect? Eisenstein and montage? D. The Lumierre BrothersTheir films where single, unedited shots such as ‘Larrive dun train a lacoitat’. The first film editThe process of editing film wasdone inside the camera bystopping the cranking of thefilm at the point of edit andthen continuing with the nextscene. Edwin PorterAmerican filmmaker Edwin Porter was an early pioneer of editingIn order to tell a simple story. Sergie Eisenstein Russian filmmaker Sergie Eisenstein believed film montage could create ideas that would have a greater impact on an audience.


Harold LloydHarold Lloyd, along with Charlie Chaplin and Buster Keaton made silent filmsthat used special effects with storytelling that helped put Hollywood on theMap. The Griswold Film SplicerFilm was edited simplyby splicing (cutting) thefilm at the exact frameand taping clipstogether. Generally, film editors have one of the most thankless jobs on the movie set since it is their job to cut and join segments of film so that that movie runs smoothly.
Avid and Final Cut Pro typically are recognized as essential programs to the editing process. Becoming proficient with the program could give them an advantage when the time comes to seek work.
Interns typically do not do a whole lot of real film work, but they typically get a firsthand look at how an editing room works and how the editor does his or her job. Assistants work to digitize footage, as well as pick out certain footage, music, and sound effects.
Working repeatedly with the same editors can be a great way to build credibility and increase your chances to become a film editor.
Scoring a Best Picture win without at least a nomination here, if not a win, is incredibly rare and almost unheard of. Now I think that the flick is incredibly deserving (and should have achieved more nominations than it was able to ultimately accrue), but the time has come and gone for any below the line recognition…in my regretful opinion, at least. Working in its favor is that this exact same team of editors are the defending Film Editing champions.
The quality is certainly there, but the storyline hasn’t made the film a true contender anywhere except Best Actor and Best Adapted Screenplay. But how do you justify a situation in which a film wins Best Editing, yet is NOT nominated for Best Picture??? One of my favorite movies ever, and even with its editing being arguably the best technical point of the film, it won Best Picture without even a nom in this revered category. This model, the type was devised first in 1954, has no dedicated spindles and is used for editing short lengths. The Lumierre Brothers found a subject the wanted to film, setup their camera and ran the camera until the film stock ran out. This allowed filmmakers to manipulate real time to a greater degree than just single shots.
Top-notch editors, however, usually are always in demand in the movie and television industry.
Another way to get started in film editing is to become a production or a post-production assistant – they spend a lot of time in the editing room. When one knows their way around the editing room, he or she usually will begin to develop relationships with editors. One generally needs to be patient, however, because it can take years to become a film editor. Of late, the field has been almost entirely filled with nominees for the top prize, but at times the Academy has seen fit to cite top notch action here as well. The previous winners have been The Social Network, The Hurt Locker, Slumdog Millionaire, The Bourne Ultimatum, The Departed, Crash, The Aviator, The Lord of the Rings: The Return of the King, Chicago, and Black Hawk Down. Being the odds on favorite for Best Picture is something of an asset here, but as much as anything I think this could wind up being the Academy’s best chance to send Hazanavicius home with a statue.


For those who forgot, the nominees are Kirk Baxter and Angus Wall, and this is now their third nomination as well.
The nominated editor is the legendary Thelma Schoonmaker, a 3 time Best Film Editing winner (and overall owner of 7 total nominations) and incredibly respected collaborator of Martin Scorsese’s.
All film editing is basically completed digitally – it is rare for someone to cut and splice an actual film.
To become a film editor, it typically is essential to be well acquainted with the entire project – both film footage and script. This year, 4 of the 5 nominees are also Best Picture contenders, and that makes this part of the race pretty interesting.
He’s got stiff competition from Martin Scorsese in the Best Director category (I flip-flop almost daily on that one personally), while I see Woody Allen a more likely victor than him in Best Original Screenplay. Had The Descendants maintained its perch as a strong contender for Best Picture, the chances for a victory here would have been higher, but it’s unfortunately positioned as the second least likely of the group as it currently stands now.
A few months ago Moneyball had a better chance here, but much like The Descendants, the time has mostly come and gone for it to be a major player. I’m not promising anything, but I have a feeling this one will come to pass when all is said and done. QuickTime™ and a QuickTime™ an d a decompressor decompressor are needed to see this picture.
They filmed an actorsresponse to different images; a bowl of soup (hunger), a woman (lust) and achild in a coffin (sadness).
It was the firstvisual representation of the Vampire and one of the first films to use editingfilm for more complex story telling and using reverse shots.
People that live near film schools could enroll to learn as much about filmmaking as they can; to be a good editor, they typically should learn about directing, acting, and narrative flow, as well.
More likely though, this movie just missed getting a Best Picture nod and that will end up costing it in the end. I still think it will ultimately go to The Artist both here and there, but an upset will begin here (and wouldn’t be undeserved at all), so keep that in mind. Although itappears that the actors expression doesnot change, when juxtaposed with thethree shots it may suggest to the audiencethat it does. Griffith made ‘The Birth of a Nation’ which used a greater variety of camera angles and editing techniques. This is hardly to say that they won’t opt to go in another direction, but at the current moment I see this as being the safest bet in the category. His films were very popular and he was the first director to produce a feature length film. Oscar voters could see things differently, but right now I don’t especially think that they do. Anyway, before we get too deep into it, let’s settle down for a bit of history, shall we?



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