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WASHINGTON (March 8, 2013)—National Geographic Cinema Ventures (NGCV) announced today that it will distribute the giant screen film “Jerusalem,” which takes audiences on an eye-opening tour of one of the world’s oldest and most enigmatic cities. National Geographic Cinema Ventures is responsible for production and distribution of giant screen, 3-D and specialty films. Cosmic Picture was founded by Taran Davies and Dominic Cunningham-Reid to produce dynamic giant screen and theatrical films to entertain and educate audiences about culture, faith, history, science and the environment. Founded by George Duffield and Meg Thomson, Arcane Pictures’ mission is to make powerful and moving films. On a 1910 National Geographic Society expedition, a photographer crouches by the shore of Yakutat Bay, Gulf of Alaska, to wash his film in the seawater. A National Geographic milestone, this photograph of a Zulu bride and groom in Witwatersrand, South Africa, became the magazine’s first picture of a bare-breasted woman when it was published in the November 1896 issue.
When Editor Gilbert Grosvenor needed to quickly fill pages of the upcoming January 1905 issue of National Geographic, he published an unprecedented 11 pages of pictures, including this photo of a 600-year-old monastery nestled on Tibet's Minya Konka mountain. Inventor and early National Geographic Society President Alexander Graham Bell created this tetrahedral truss kite, designed with three-dimensional triangles that could support considerable weight, in order to study aerodynamic design before attempting to build airplanes. Archaeologists discovered this mummy and skulls in a cave in Peru in 1915, during a joint National Geographic-Yale Peruvian expedition headed by Hiram Bingham.
The Dome Room in New Mexico’s Carlsbad Cavern marked the first underground color photograph ever shot, published in the September 1925 issue of National Geographic.
National Geographic assistant editor Melville Bell Grosvenor made the first aerial color photograph when he took this shot of the Statue of Liberty by circling the monument in a Navy Airship ZM C2. Thirteen years after he was first photographed, a Guatemalan village mayor poses with a photo of himself taken by photographer David Alan Harvey in San Juan Atitan. Subscribe to National Geographic magazine and save. Print and digital editions available for as little as $12. At the Xcaret theme park south of Cancún a mythic Maya lord of death mingles with tourists before a spectacular re-creation of ancient pilgrimages.

Pleading for rain for the village of Yaxuná a kneeling shaman chants prayers at a rectangular altar, which symbolizes the four-cornered shape of the Maya universe. Archaeologist Guillermo de Anda descends into the Holtún cenote minutes before the moment on July 19 when the sun is directly overhead. Hovering above the offering shelf in the Holtún cenote, de Anda surveys a pile of bones. Guide Angel Canul is the last man out of Las Cala­veras cave, having made sure every tourist has emerged safely at the entrance some 60 feet above the water. In the once sacred waters of a cenote Karla and Justin Petraitis pose for photos after a wedding ceremony infused with Maya and New Age themes.
Go behind-the-scenes with our storytellers and join conversations about photography, art, and journalism. After years of working with various government ministries and religious and community leaders, the filmmakers were granted the exclusive permits necessary to capture aerial shots above the Old City of Jerusalem, and throughout the Holy Land.
Arcane is at the forefront of combining documentaries and the power of cinema to change the world.
Faced with limited technology and assignments in remote places, National Geographic’s early photographers devised ingenious methods to produce the best images. By bringing cameras to the field, National Geographic helped bring archaeology into people’s homes through the pages of its magazine.
The Geographic has made a number of color photographic firsts, including the first undersea color photographs and the first color photographs from the air. The photograph, which was published in the September 1930 issue, led the National Geographic Society to adopt the Finlay process, then the newest method for producing color photographs.
Photographers in the field often form lasting relationships with their subjects and return to visit friends and revisit the past.
This once powerful city was built in about the ninth century, likely aligned with four sacred cenotes and with the sun’s seasonal movements.

During this age-old ceremony, men circle with offerings of food, while crouching boys imitate the sounds that frogs make when it rains.
Thirteen people live in this thatched-roof adobe house, located in a village of farmers who grow the crops of their ancestors: corn, beans, and squash.
Local Maya got their drinking water here until about 30 years ago, when divers found bones. Its most recent film, “The End of the Line,” won the inaugural Puma Creative Impact prize for the documentary that achieves the largest social impact in the world.
Grosvenor, Bell steered the magazine in a new direction, favoring more photography and popular coverage. Such ties to the past draw visitors to the Yucatán from the rest of Mexico and abroad. De Anda believes the ancient Maya built a structure at the surface that caught the rays the same way.
The state, Quintana Roo, earned ten billion dollars from tourism last year, but little of that has trickled down to the smallest Maya communities. Archaeologists have recorded the remains of more than a hundred people, usually shrouded by the water’s primordial darkness. The film tells the stories of real-life inhabitants of the ancient city and of prominent archaeologists exploring the enduring appeal of this unique crossroads of civilization. Aside from the breathtaking scenery, “Jerusalem” also explores some of the surprising intersections between Judaism, Christianity and Islam, which come together in this sacred city. The villagers put it there for the tourists they hope will stop by while visiting the area’s archaeological sites.

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