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In more than 200 films made over 50 years, John Wayne saddled up to become the greatest figure of one of America’s greatest native art forms, the western. But it was for millions of moviegoers who saw him only on the big screen that John Wayne really existed. He had a handsome and hearty face, with crinkles around eyes that were too lidded to express much emotion but gave the impression of a man of action, an outdoor man who chafed at a settled life. More recently, he found himself the target of much hate mail from the right wing, whose political idol he had been, after he supported President Carter’s espousal of the Panama Canal treaties. He was recently presented with a special Congressional medal of the kind given to such national figures as the Wright Brothers. His entrance into films was as fortuitous as any made by a young fellow who grew up near the Hollywood badlands. He worked as truck driver, fruit picker, soda jerk and ice hauler and was an honor student and a member of an outstanding football team at high school. While he was still at school, he got a job, as other football players did, as a scenery mover at Fox Films. In an early film, Republic Pictures gave him a screen credit as Michael Burn and, in another, as Duke Morrison.
The organization, which eventually disbanded, was accused of having given the names of suspected Communists in the film industry to the House Committee on Un-American Activities, although Mr. You are currently viewing the Rainbow Valley (John Wayne: Great Western Classics) Movie Poster. By clicking Confirm bid you commit to buy this item from the seller if you are the winning bidder.
Import charges previously quoted are subject to change if you increase you maximum bid amount. Wayne became something of an American folk figure, hero to some, villain to others, for his outspoken views.


Wayne was recognized as some sort of American natural resource, and his various critics, political and film, looked on him with more respect. Wayne had become a symbolic male figure, a man of impregnable virility and the embodiment of simplistic, laconic virtues, packaged in a well-built 6-foot-4-inch, 225- pound frame. Wayne made his last public appearance at the Academy Awards ceremony in April, where he drew an emotional standing ovation when he strode out on stage to present the Oscar for best picture.
Wayne shot his way through generations of film fans with little change in style or personality.
But the Wayne saga actually started much farther east, in the small town of Winterset, Iowa, where he was born May 26, 1907, and was named Marion Michael Morrison.
Morrison, had a drugstore, but when Marion was 6 years old, his father, because of ill health, moved the family to Southern California and became a homesteader with an 80-acre farm. In Glendale, he saw movies being made at the Triangle Studios, where they often shot outdoor scenes.
His athletic talents brought him a football scholarship at the University of Southern California, but in his second year he broke an ankle and dropped out. Wayne had already been transformed from a dashing young adventurer to an older one, no less dashing, but in a somewhat more restrained tempo. Wayne to help found the Motion Picture Alliance for the Preservation of American Ideals in 1944, and he was its president for two terms. Wayne, who had invested in oil and also in a shrimp business in Panama, among other things, became more financially conservative than he had been. He lived with his third wife, Pilar Palette Wayne, who was born in Peru, in an 11-room, seven-bathroom, $175,000 house in Newport Beach, Calif., where he had a 135-foot yacht.
Wayne’s first two marriages, to Josephine Saenz and Esperanzo Bauer, also Latin Americans, ended in divorces.
If you reside in an EU member state besides UK, import VAT on this purchase is not recoverable. He was politically conservative and, although he scorned politics as a way of life for himself, he enthusiastically supported Richard M. The movie was assailed by many major critics on all grounds, political and esthetic, but the public apparently did not mind; in only six months, it had earned $1 million above its production cost of $7 million.
And when he shambled into view, one could sense the arrival of coiled vigor awaiting only provocation to be sprung.
The link between horse and camera was yet to be forged, but the influences were there from the beginning.


Ford was making a submarine film on location in the channel off Catalina Island, the regular stuntmen refused to go into the water because of rough seas.
Between 1933 and 1939, he made more than 40 westerns, all Grade B or C undertakings, interspersed with several that took him off the range but not into any particular recognition. He never made a television series and had deep reservations about the medium’s approach to the western. He had not kept a very tight hand on his money earlier, and at one point realized he was not as well off as he had thought.
His demeanor and his roles were those of a man who did not look for trouble but was relentless in tackling it when it affronted him. He did believe that things were either right or wrong, and he came back against great odds.
He had even shown up at a function to congratulate Jane Fonda, who was to the left what he was to the right, on winning a screen award.
The picture was very dear to his heart because, he said, “We wanted to re-create a moment in history that will show this generation of Americans what their country still stands for .
Wayne played a disreputable, one-eyed, drunken, fat old man who was a Federal Marshal called Rooster Cogburn. Agnew, Ronald Reagan and others who, he felt, fought for his concept of Americanism and anti-Communism. This screen presence emerged particularly under the ministrations of John Ford and Howard Hawks, the directors. In 1964, a malignant tumor was removed from his chest and left lung, and within several months he was on location making another movie. Wayne portrayed a ruthless cattle baron, not altogether a good guy, but one with some depth to him. In 1970, the Academy of Motion Picture Arts and Sciences awarded him an Oscar for his portrayal.



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