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With fall upon us, it’s a busy season for books, and a look at the GeekWire Calendar shows some great events coming up in Seattle featuring some newly-published authors.
I’ve been engrossed by this book, and I can promise that the event will be an entertaining and possibly even inspiring conversation about startups, online communities, creativity and the future of the Internet. Meanwhile, on the comedy circuit, you won’t want to miss this special Halloween edition of Wine Shots, a monthly comedy show.
And of course, don’t forget all the upcoming activities for Seattle Startup Week, including GeekWire Startup Day on Oct.
Todd Bishop is GeekWire's co-founder and editor, covering subjects including smartphones, tablets, PCs, video games, and tech giants such as Amazon, Apple, Microsoft and Google. AVSLORERENDE BILDER: PA Facebook-siden la hun ogsa ut bilder fra innspillingen av neste seong med "Frustrerte Fruer".
Selv om 45-aringen sier hun na er kirurgi- og Botoxfri, innrommer hun at hun har gjort ulike inngrep tidligere.«Har jeg noen gang tatt Botox ?
Hatcher mener mye av grunnen til at kjendiser ser sa bra ut pa bilder og tv ikke har noe med operasjoner og sminke, men riktig og flaterende lyssetting.I samme post gir hun Julia Roberts skryt for a ha spilt inn filmen «Eat, Pray, Love» uten botox. Yet, I could never really forget my first love, those films like Rajat Kapoor's Mixed Doubles, Anurag Kashyap's No Smoking and Sagar Ballary's Bheja Fry. So I was absolutely thrilled to get to meet Ranvir Shorey in Cannes, where he has been celebrated as he truly deserves, one of the stars of Kanu Behl's stunning study of humanity Titli which screened in the 'Un Certain Regard' section of the festival.
Sitting across from Shorey, inside the Grey Goose Lounge right on the Croisette while noisy luxury cars zoomed in the background, proved the highlight of my festival. Ranvir Shorey: I think it's an alternative film in India, but here at Cannes, it shares the grammar of world cinema, as we call it. Shorey: Yes (chuckles, softly), I guess every generation gets a change to redeem themselves, not necessarily inherent to what they can spot as a problem. Shorey: No, because my empathy, like the director's and the audience, lies with Titli, the third brother. As an actor I imagine you don't always have the luxury to choose your roles under a microscope, but do you try to choose characters which will have an impact? Shorey: I don't know about change, about positive change, but I do consciously look out for characters which will stay with people. When I go to India I'm "the Other", when you go to Cannes you're "the Other", how do you deal with that?
Shorey: I've started some TV work, I just finished Celebrity Fear Factor, and the same channel wants me to host their version of Dancing with the Stars.
Shorey: The one sitting with you now, amazed that somebody has bothered to follow my career.


Connect yourself to free Last Voices exclusives: samples of powerful music, groundbreaking films, calming daily mantras, and inspirational music videos. Stay up to date with the most current news from the Last Voices movement to amplify the voices of vanishing cultures. Saban Films President Bill Bromiley said, “Backtrack is an unexpected and haunting psychological thriller.
Part of the negotiations include a theatrical release, so hopefully dates for that will come out soon. 16, at the SURF Incubator in Seattle, featuring speakers from the worlds of PPC, SEO, social media and more.
The event this Sunday will be a spooktacular performance from Seattle’s only Michael Bolton cover band, Lightning Bolton!
Dette gjor vi for at moderatorene vare skal kunne ha raskere responstid i debattfeltenes apningstid. By coincidence -- or perhaps not -- they all seemed to share one actor in common, the crowned prince of what is now thankfully called "alternative" Indian cinema: Ranvir Shorey. The film is a beautiful example of just how great and universally appealing Indian cinema can be, when given a chance by major producers (Yash Raj Films co-produced it, along with Dibakar Banerjee Productions). How do you feel about a film like Titli, and will newly elected Narendra Modi be really unhappy about it? Titli explores patriarchy, it explores the passing down of the affliction, generation to generation, sibling to sibling. I've been lucky enough to get some good scripts and some good filmmakers, but most of the time I'm just trying to make ends meet and get work. Fortunately, there haven't been many and now I've started doing some TV in India, so the turkeys will be even less. The more I travel, the more people I meet in all the world, the more I feel we're just the same. But I've been contemplating writing, I've been doing this for almost twenty years and I find that remains our biggest challenge. I always say my approach to acting is I'm the assistant director in charge of this character. This community of artists, thought leaders and experts are true leaders in the cultural sustainability movement, advocating for the preservation and reexamination of cultural works. When he uncovers the horrifying secret shared by his patients, he is put on a course that takes him back to the remote hometown he fled years ago. Michael Petroni is a great storyteller and his film was a major standout in the Tribeca Film Festival.
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But around 2010, even this kind of deeper, more cross-culturally enjoyable form of Hindi cinema seemed to be taking a turn for the absurd, there was little-to-no distribution for anything other than Bollywood mainstream, and so I moved on to independent cinema from the MENA region.


His dark turn as Abbas Tyrewala in No Smoking, his indecisive, sexually-curious typical male in Mixed Doubles, those were characters that stayed with me, long after the films ended, and through years to come.
But the man I interviewed, coming straight off his premiere, and the standing ovation the film got in the Salle Debussy, and dressed in tailored Indian fineries, was also insightful, kind, funny, intelligent and humble. It was not one of the films that I do to make money because I know it's going to do well at the box office. And it's just that sometimes we get caught up in the externals a lot, I guess because they exist. The problem I find about this whole Bollywood and art cinema and alternative, all these definitions, I find the problem is the material. Further, they are not just leaders of the movement but they stand on the front lines of the convergence of culture and art producing music, dance, film etc.
There in False Creek he is consumed by solving a decades-old mystery that holds the key to his strange and menacing delusions. Why I chose to do this film was because the material was very close to me and second, it was a good film.
And then we had these discussions because I found the material dangerously close to my own life. Language, cultural differences, some people eat with hands, some people eat with chopsticks, some people eat with forks and knives, unfortunately, call it the animalistic nature of mankind, people still have to worry about these differences. But if you start scratching under the surface, nowadays, the more I travel, I feel cities are the same. There may be cities with better infrastructure, or different kinds of weather, maybe, but it's the same. And for where I come from, I already feel pretty small within Bollywood, but when you come here and see how small Bollywood and the Indian film industry is it kind of puts you in your place, how much there is to this world. As for the nuts and bolts of it, we did a lot of workshops, Kanu briefed us a lot about how he wrote it. I don't think Bollywood to the layman, to the common man outside of India has that quality.
It shows the darker side than what we normally celebrate in films, which are slightly more rose-tinted about the Indian family.
The macro picture of this dystopian world, these poor people aspiring to get out of poverty and trying to make a life for themselves.
So the brother references were filled in for me, but the character itself was quite accessible to me.



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