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In the left column of your script, you will describe all the VIDEO your viewer will see (b-roll, a-roll, photographs, diagrams, screencaptures, etc).
Depending on how much detail you want to include, you can draw out every shot or every scene in each storyboard "box".
Poetic This type of documentary often breaks spatial and temporal continuity and is focused more on conveying a mood or tone rather than presenting facts. Expository This type of documentary tries to persuade the audience with an argument, presented by a voice-of-god commentary or voice-of-authority commentary.
Self-Reflexive This type of documentary exposes the process of filmmaking within the documentary. Performative This type of documentary features the filmmaker, who is usually testing out a theory or undergoing a personal experiment, as the subject of the film.

Ten Tips for Effective Brainstorming - Great tips for getting the most out of your brainstorming session. Even if you don't know what your interviewees will say or what footage you might shoot, writing a script predicting what you want your final film to look like is a great way to stay organized.
In the right column, you will describe all the AUDIO the viewer will hear (interview bits, music, narration, sound effects, etc).
Images are usually arranged into patterns, actors don't represent characters, and there are loose visual associations. Subjects are seen interacting with the film crew and information about the production process is often revealed.
Once you do shoot your documentary, you can update your two-column script to reflect what video and audio you actually have to work with.

Think of each row as one scene of your documentary,  with the audio playing over the video. Observational documentaries generally exclude voice over, supplementary music or sound effects, intertitles, behavior repeated for the camera, historical reenactments, and even interviews.

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