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Chef stars Jon Favreau, John Leguizamo, Scarlett Johansson, Dustin Hoffman, Sofia Vergera, Robert Downey Junior and countless others.
With the buzz that has been created around the star studded film, the Phoenix Public Market Cafe and Short Leash Hot Dogs have teamed up to provide a Lunch & Learn to help celebrate the movie as well as initiate a conversation about the focus of the film. Editor and Chief Eating Officer of PhoenixBites, Taryn grew up in a small town in Illinois with a doting Grandmother who taught her the way around a kitchen and that food is representative of love. In addition to running all things PhoenixBites, Taryn is also a monthly contributor to So Scottsdale and Uptown Magazines, sharing her insight on the best dishes and where to get them each and every month. A mother is a pretty amazing human. They watch out for you, teach you the ways of the world and are always there when you need them. Providing food-enthusiasts with the latest news on the Valley's dining scene, our local culinary guide features all things food-related--you’ll find anything from restaurant news, interviews with local chefs, updates on Phoenix's culinary events, recipes, giveaways for your kitchen, and the scoop on the 'latest and greatest' kitchen gadgets, tools and appliances.
Upon being burdened with the knowledge that the end is looming much faster than for most, all anyone could want is a kindred soul to share in the last remnants of the transience of life, or for a source of reassurance that happiness still lurks in even the most heartbreaking of circumstances. As she announces via equally knowing and mournful narration, Hazel Grace Lancaster (Shailene Woodley, Divergent) is the recipient of a reduced lifespan, first diagnosed with thyroid cancer at 12 and now living on borrowed time. Part of the difficulty in trying to dismiss the rampant fantasy seething within The Fault in Our Stars, as adapted from John Green‘s best-selling book by writers Scott Neustadter and Michael H. It is to the key cast’s credit, rather than any reflection of the merits of the surrounding feature, that they toil valiantly at offering something more than the slightest of renderings of their characters. With a sense of occasion at its outset, The Fault in Our Stars makes an obvious point of pontificating about the choices made in telling sad stories – the sweet and shiny version, or the warts-and-all tragedy; however for all its declarations otherwise, the film repeatedly falls into the former category. From restaurants to farmers markets all the way to the food truck community, there is a strong presence and following to the stand outs in our community.


The film, in a nutshell, focuses on a chef who loses his high profile restaurant job after succumbing to his ego and responding to a negative review. On Friday May 16th, the official release date of the film, the community is invited to attend a lively lunch and learn at 11:30am at the Phoenix Public Market Cafe. If you are lucky enough to still have your mother in your life make sure that you appreciate them each and every day. The Fault in Our Stars appropriates these quests as its own, with the added filter of youth and tragedy.
When her mother (Laura Dern, TV’s Enlightened) forces her to attend a support group with her similarly afflicted peers, she meets the upbeat Augustus Waters (Ansel Elgort, Carrie), sparks flying despite their differing outlooks. Weber (The Spectacular Now) and director Josh Boone (A Place for Me), is in the dialogue that makes grand pronouncements and sweeping statements on the futility of life and all that romance can bring without any trace of realism. In her third movie translation of a young adult literary property in less than a year, Woodley is at home with themes for teens, and skilled at breathing on-screen life into on-page creations. Though technically proficient – the glowing sheen of the imagery sympathetic in framing of its characters, and the age-appropriate soundtrack hitting all the expectedly schmaltzy notes – every aspect carefully contributes to the feature’s rampant attempt to simultaneously jerk tears and position itself as an alternative idyll to sickness-focused movies-of-the-week it might otherwise be saddled amongst. It appears that Hollywood has caught on to the community and significance and has attempted to encapsulate that in the upcoming film Chef. He then starts up a food truck in order to regain his passion and piece together his estranged family. PPMC chef and owner Aaron Chamberlin and Short Leash co-owner will be hosting a discussion about the real lives of Chefs, how street food is influencing the way we all look at and approach food as well as the importance of passion in the kitchen.
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The numbering of one’s remaining days alive is already inherently and overwhelmingly sorrowful, but more so, of course, when the snuffing out of existence blights someone with seemingly so much longer to live.
A tentative friendship forms and then something more, as they bond over a book and funnel their affection into the pursuit of finding its answers from a reclusive author. Accepting the idea of world-weary and correspondingly wise teens tempered by their terminal sentence isn’t implausible, but their on-screen treatment is. Hers is a naturalistic portrayal that successfully elicits empathy in her demeanour and expressions, though every attempt at evoking emotion is threatened whenever words – either in conversation or via voiceover – intrude.
So it is that the maudlin and the exaggerated combine with sentiment so saccharine and symbolism so blatant that they may as well be painted on.
Of course, even as they flirt with fleeting bliss in each other’s company, their solace remains in the shadows of their respective illnesses. If the characters were older in years, their interactions would instantly be relegated to the realm of wish fulfilment populated by airport romances, trashy novels and Nicholas Sparks’ output; instead, here they prolong a precocious adolescent weepie. Elgort fares better with the spoken remnants of the text, his verbose charms and seductive swagger effortlessly channelling the easy, breezy heartthrob most girls stereotypically dream about. Pure escapism masquerading as contemplative catharsis, The Fault in Our Stars presents itself as a cooler, calmer, more considered kids-with-cancer film, but remains content with going through the melodramatic motions.



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