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The festival is designed to attract students, faculty and community members interested in Latin American studies. Dance is the focus of “Tango Among Friends” that follows renowned pianist and conductor Daniel Barenboim who returns to his hometown in Buenos Aires to explore the origins of tango.
Now in its 22nd year, the AFI Latin American Film Festival showcases the best filmmaking from Latin America and, with the inclusion of films from Spain and Portugal, celebrates Ibero-American cultural connections. The NC Latin American Film Festival celebrates the power and artistry of Latin America's film and audiovisual production. The Festival was founded in 1986, by Sharon Mujica and for more than two and a half decades has shared both classics and new releases from different genres of a rich and prolific Latin American cinema tradition. Audiences have been exposed to a wide range of critical and responsible narratives from Latin America and the Caribbean. The Festival is produced and organized by the Consortium in Latin American and Caribbean Studies at the University  at UNC-CH and Duke University and directed by Miguel Rojas-Sotelo. The festival also promotes other film related activities throughout the year, including film series, documentary work, film discussions, and film screenings. This year the festival features a series focused on the life of diasporic communities,using films, documentaries, panel discussions, lectures, class visits and open forums, with a special attention to hemispheric Native and Indigenous audiovisual production. This year the festival features 27 films, from eleven countries, with the presence of fifteen filmmakers. Organized by The Consortium in Latin American and Caribbean Studies at the University of North Carolina at Chapel Hill and Duke University.
A personal and vibrant coming of age story about a young artist's determination never to surrender to the bleakness of her surroundings.
Winner of the top prize in the Critics' Week section of Cannes, Antonio Méndez Esparza's directorial debut radiantly captures the complex homecoming of a loving father.
Upon return to Buenos Aires Juan and his family take refuge with Juan’s uncle, whose chocolatepeanut business provides a front for their anti-government action.
A dance group from the outskirts of Havana strives to win the Cuban national dance competition. Fashioning nearly 200 hours of footage shot over a decade into a family portrait at once epic and intimate, the young Argentinian filmmaker Solnicki (whose previous film was süden) elevates the home movie to an art. The panel will introduce historically and in contemporary practices the presence of diasporas of Muslims and Jews in the Americas and their cultural expressions, which have been marginalized or silenced by hegemonic constructions of culture. Puerto Rican American rapper Hamza Pérez ended his life as a drug dealer 12 years ago, and started down a new path as a young Muslim.
Life in a middle-class neighborhood in present day Recife, Brazil, takes an unexpected turn after the arrival of an independent private security firm. Roberto and his daughter, Alejandra, travel to Mexico City to begin a new life after the death of his wife, Lucía.
Fatimetu is born to a Sahrawi family in a Saharan refugee camp in Algeria and later sent to live with foster parents in Spain. The Sahrawi are a Moorish ethnic group in Algeria that is still waiting for the referendum that will define their status under international law.


6 is “The Official Story,” which will be shown in Rough Ridge Room in Plemmons Student Union. 20 with “Central Station,” a 1998 Brazilian-French drama that tells the story of a former school teacher who makes a living by writing letters for illiterate people passing through Rio de Janeiro’s central train station, and the relationship between the teacher and a young boy who hopes to reunite with his father.
Its mission is to provide a space in North Carolina for Latin American images, sounds, and stories to reach a wider audience.
Beginning with only 3 films, the Festival has grown to encompass up to 16 campuses in the Triangle, Greensboro and the Charlotte areas, with up to 50 screenings. The Festival has invited important filmmakers and directors from many of the 26 countries of the region, it has shown films in 13 languages (not only Spanish), and has become a bridge between universities and cultural centers in the region. Partnering with educational and cultural organizations helps to bring exciting material to the area. At 15, Inocente refuses to let her dream of becoming an artist be caged by being an undocumented immigrant forced to live homeless for the last nine years. After many years in New York, Pedro returns home to Guerrero, Mexico, to an overwhelmed wife and daughters he barely knows. With scant resources and constant scrutiny by the despot’s watchmen, Saavedra and his team devise an audacious plan to win the election and free their country from oppression.
Four generations of his Buenos Aires clan are captured on vacations and at family gatherings, as well as in small everyday moments.
Raising his two kids as a single dad and longing for companionship, Hamza finds love on a Muslim networking website and seizes the chance for happiness in a second marriage. The presence of these men brings a sense of safety and a good deal of anxiety to a culture which runs on fear. Unable to cope with their grief and the pace of the unfamiliar city, the two proceed with their new lives at work and school, communicating less and turning inward. The Festival provides filmmakers the opportunity to showcase their work in a stimulating and community friendly context.
In response to the demographic changes in North Carolina, the Festival has also screened multiple films and invited speakers on issues such as migration, globalization, and new political landscapes in the Americas. Thanks to PRAGDA, an independent cultural initiative to promote Spanish and Latin American cinema and a film distribution company, through the Spanish Film Club, which offers to help universities bring the very best in contemporary Spanish and Latin American cinema to campuses to introduce students to the language and cultures of these territories.
Color is her personal revolution and its sweep on her canvases creates a world that looks nothing like her own dark past.
Pedro struggles to secure a job in town and establish his place as the head of the household. Digging into the family archives and incorporating the musings of his grandmother, Pola, a Holocaust survivor, Solnicki crafts a deeply affecting meditation on the meaning of family and the weight of history.
Meanwhile, Bia, married and mother of two, must find a way to deal with the constant barking and howling of her neighbor's dog. When Alejandra becomes the center of repulsive taunting and bullying, she remains silent to protect her father from further pain. Inocente is both a timeless story about the transformative power of art and a timely snapshot of the new face of homelessness in America: children.


Just as the family begins to regain their balance, Pedro and his wife Teresa are thrown into turmoil, facing a difficult pregnancy and the prospect of a new child.
As a heartbreaking series of events unfold, Juan observes life around himself – unsure of where he fits in or how to make his voice heard.
This is an authentic and rare view of Cuba today and the dancing that lifts the national spirit. He starts reaching for a deeper understanding of his faith, discovering new connections with people from Christian and Jewish communities. Her brother now expects her to stay and look after her sister Hayat, who has difficulty walking. The 1985 Argentine drama tells the story of an upper middle class family who learns that their adopted daughter may have been stolen from the birth mother. The challenges are staggering, but the hope in her story proves that the hand she has been dealt does not define her, her dreams do. A rare and authentic look into the realities of Mexican life and bureaucracy, the untrained cast offer moving performances that capture the love, traditions and customs many must leave behind.
Roberto is pushed to his limit when Alejandra disappears and the truth of her mistreatment is revealed. Fatimetu, who unlike the other women can drive a car, finds work transporting animals, meat and bread from one administrative district to another.
The international award-winning film tells the story of an elderly Mexican farmer and violinist who devises an ingenious way of smuggling ammunition to be used during the peasant revolts of the 1970s. The film follows the early travels of future revolution leader Che Guevara when he was a 23-year-old medical student exploring South America by motorcycle.
Set in Argentina, the film is a young boy’s point of view of his family’s efforts to hide from the military police following a 1976 coup d’etat. The film is based on the book by Julia Alvarez and tells the story of three sisters who were murdered for participating in a plot to overthrow Gen.
Garnering universal relevance, Here and There explores the rebirth of a family's relationship and a father's sacrifice to give his family an opportunity to succeed in a society destined to fail. Probing the causes of malice and violence, Michel Franco's second feature brilliantly juxtaposes a steady reflexive camera with his protagonist's passivity in the face of brutal torture. In time, the Sahrawi people become accustomed to the woman who tears about the desert without a hijab in her beaten up jeep. But Fatimetu is torn between life in the desert and her memories of her family and friends in Spain.



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