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Chloe Grace Moretz has some pretty big shoes to fill as the telekinetic teenager in director Kimberly Peirce’s Carrie. While promoting the film at New York Comic Con, Moritz didn’t seem the least bit nervous about taking the torch, and after an impressive turn in 2010’s Kick-Ass and formidable on-screen training with the likes of Martin Scorsese and Tim Burton, it seems the young actress is ready for the challenge. What I found so amazing is the dimensions that go along with Carrie and how in the book she’s not just this angry girl who has no reason to be mad and just wants to hurt people for the sake of hurting people. In the original film, Carrie is very wide-eyed and much like a victim, whereas in the book she’s much angrier. Addressing the promotional image that was released, of you covered in blood, first: What was it like to recreate that iconic scene?
What sort of weight or responsibility did this film take on with the term “bullying” being such a socially conscious subject now?
The role, made iconic by then-27-year-old Sissy Spacek in director Brian DePalma’s 1976 adaptation of the Stephen King novel, would be daunting to most adult actresses, yet Moretz is just 15. During a roundtable interview, she expressed her intricate understanding of King’s novel, and teased a reimagined cinematic version that nods to the written material.
Because I have a good life, I have a really supportive mother, I have a great family – and that type of stuff is just kind of boring for me. Carrie is this person who is put down by everyone around her, even by the person who she loves the most, her mother. What I really wanted to show with my character is that she wasn’t naive to the point of stupidity. And also, it looks like you’re not standing in a gymnasium – does the scene happen in a different setting?


I can already tell that it’s going to be a great movie, since I became a big fan since 2010, ever since Shake It Up. I was talking specifically about camera style and tone, of the first movie compared to how I shot the new installment with a very big scale, cinematic style.
She also discussed her penchant for dark roles, details of the infamous prom night sequence, and breaking down her personal confidence in order to embody the character. She understood everything that was going on around her to the point that she over-comprehended what people were saying to her.
Like anything as grandiose as live-action dinobots, Bay needs a big stage, so the 2014 Super Bowl is perfect.
It’s not exactly just going for a genre, and it just happens to fall into the darker region. What happens with Carrie is that every bad that is put out towards her, she takes it in more than people even realize. So yeah, also, being in the blood was really fun and it was like crazy and everything and yeah – the typical fun stuff actually happened, too.
I wanted to read the book because the book takes you way farther back than a script can ever take you, and it adds another dimension and another layer to your character.
In this movie I was able to connect with Kim on such a personal level … we created such an amazing bond together – this maternal bond. Por lo que contar con un nuevo protagonista liderando la pelicula, seria explorado un nuevo punto de vista. And every day on set, every scene I had, I compared the scene in the book to the scene in the script.


I felt so safe and so comfortable to do whatever I had to do to make this movie the fullest that I could make it, because she could put me in the position where I have never felt so secure, and insecure, at the same time.
I wrote down all the notes that I had and all the ideas that I had and all the beats that I had for the character, and then I would go to the novel and I would look at what Stephen did. The telekinesis takes whatever is your strongest feeling at the moment and it multiplies it by a thousand.
It’s such an insecure character that I had to take everything that I’d built up with myself, and the opportunities that I have been given and where I am now … and I had to strip it away. I melded the two together, and that’s when I created this kind of great collaboration between the book and my idea.
That’s why, when you see this movie, you see something that – as me – I’ve never done before on screen.
And in this movie I did, because Kim and Julianne [Moore, who plays Margaret] allowed me to. Then the crazy, lazy game of reporting on what other writers story’s reported me saying and then suddenly it becomes skewed Internet truth.



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