Movies about apocalypse 2013 movie,sins of solar empire next expansion,free movie team america uncut - Step 1

The end of days gets a romantic twist in this Friday’s Seeking a Friend for the End of the Word starring Steve Carell and Keira Knightley, about two folks who find love at the most unfortunate of junctures: weeks before an asteroid slams into Terra Firma. So let me pose a question and be sure to answer quickly (and truthfully) in your mind: do you consider Antz to be an apocalypse film? We also sometimes get films that despite being traditional in their setup go about things in very different ways.
2008’s Pontypool provides one of the most fascinating twists on how those pesky flesh-eaters could be approached. Shifting gears from the undead to the inhuman, aliens are a favorite harbinger of death for us earthlings, but that in no way means it has to be all fire and brimstone.
Speaking of different beasts, the most fascinating type of “apocalypse” film in my opinion is that of the mind-bending variety, the ones that ask a lot from the viewer and pay off in turn. The granddaddy of all these has to be Invasion of the Body Snatchers, in which a foreign race of “pods” slowly duplicates and replaces the inhabitants of a rural California town. 2011 saw three more great additions to this approach: the Michael Shannon-starrer Take Shelter, the stylish apocalyptic fantasy Bellflower  and the brazen erotic sci-fi comedy Kaboom! Kaboom!, on the other hand, tosses in nearly ever genre you could think off, meshes it with a coming of age structure and the strange dreams of the lead including ominous pursuers in animal masks, a mysterious cult and the destruction of planet Earth.
Jill Valentine (Sienna Guillory) uses the Smith & Wesson 5946 as her apparent sidearm throughout the film. Jill Valentine (Sienna Guillory) with her S&W 5946 drawn while in a standoff with Alice. When the survivors enter a church to take refuge from the zombies, they find Mackenzie (Geoffrey Pounsett) armed with a Smith & Wesson Model 629 Classic hiding there.
Cain (Thomas Kretschmann) tries to commit suicide with one of Alice's P-14s as the zombies surround him, only to discover he is out of bullets. Carlos Olivera (Oded Fehr) carries two black oxide finished Desert Eagle Mark XIXs in .44 Magnum caliber. A closeup of Carlos' Desert Eagles, clearly showing the lengthened cocking serrations, fluted barrel and scope rail. Actor Oded Fehr prepares to swing through the air while firing his Desert Eagles in this BTS image. The Nemesis digital vision specifies that his Desert Eagles are (incorrectly) Mark VII models, but correctly chambered in .44 Magnum. Peyton Wells (Razaaq Adoti) carries a Heckler & Koch UMP-9 with SureFire light in the gate scene. A Heckler & Koch UMP-9 is briefly seen carried by an Umbrella soldier that Alice takes out. When Raccoon City citizens attempt to storm a gate, Umbrella soldiers open fire with their SIG SG 552 rifles. When Alice runs down the side of the town hall tower, she knocks down a Umbrella guard who appears to be armed with a SIG SG 552 fitted with a weaponlight. Nicholai Ginovaeff (Zack Ward) is armed with an IMI Tavor CTAR-21 which is the compact version of the TAR-21 which Nicholai wields with an ITL MARS red dot sight, a flashlight and a laser sight.
A pair of M16A2 rifles are seen strapped to boxes inside (and three others attached vertically on the side) an Umbrella helicopter. On the left, a pair of M16A2 rifles are seen strapped to boxes inside an Umbrella helicopter. The Heckler & Koch G36C in the hands of Umbrella biohazard men re-opening the Hive at the beginning of the film.
Alice (Milla Jovovich) grabs a High Standard K-1200 Riot Deluxe Shotgun with rifle sights, out of a police car in the abandoned streets in a flashback to the first film.
High Standard Model K-1200 Riot Deluxe Model (Catalog # 8113) FLITE KING Shotgun - 12 gauge. As seen in the first film, Alice is ready to take the streets armed with the High Standard K-1200 Shotgun.

Alice (Milla Jovovich) carries and uses a Mossberg 590 "Compact Cruiser" throughout the film.
Alice (Milla Jovovich) uses a Mossberg 590 "Compact Cruiser" to blow away two lickers in the church. An RCPD officer fires his Mossberg 500 shotgun in an effort to hold back a wave of zombies. An Umbrella sniper (cameo role of director Alexander Witt) on top of Raccoon City's city hall (Actually Toronto City Hall) uses a Barrett M82A1. Apparently the scope of the gun, in the movie, had some sort of advanced computer targeting system that compensates for wind direction, wind speed, and target distance. Then the rest was furniture machined from aluminum to make it lighter, 60-80 pounds total, then we attached a feed chute that held 200 rounds in the chute and there you have it. The shipping crate for this weapon is labeled U-RL-012, no doubt a model number standing for "Umbrella Rocket Launcher." According to Nemesis' HUD the weapon is loaded with six rockets, which is precisely how many he fires in the film before being killed.
When Alice breaks into a surplus store, she is seen grabbing her pistol from underneath a glass counter, which also displays several other pistols and revolvers. So with that, we’re going to run through some past (successful) ways the apocalypse has been approached that doesn’t conform to the norm.
Of course not, but let’s consider the following: this colony of arthropods exists as an intricate society, an isolated universe that has no bearing on the global ant population. Earlier this year, The Cabin in the Woods bludgeoned us with our own conventions and twisted our conception of how the end of mankind should be handled.
Instead of the zombie virus being transmitted through blood or bites, it is certain words in the human language that triggers something deep within.
The low-budget Monsters had the ETs landing on Earth and ravaging South America and Mexico before being halted and quarantined by a mammoth wall and military action. Are the horrific events unfolding onscreen the truth, or hallucinations from the perspective of one troubled individual? The iconic closing sequence, which finds Kevin McCarthy’s Miles Bennell screaming wildly on a freeway “They’re here already! I would say Take Shelter is the purest example of this approach as visions of an impending super-storm plague the dreams of a single man, and even he has difficulty believing his tactile visions.
Bellflower arguably goes even further off the deep end into full-on mind**** territory with any number of trippy dreamlike fantasies colliding with “true” occurrences.
Horror comedies have been and still are very popular in the proper circles, with zombie spoofs like Shaun of the Dead and any member of the “Scary Movie” franchise poking fun at the previous year’s easiest targets. 21, we’ll have the pleasure of seeing first hand if the real cataclysm matches any of these less flashy instances of our extinction (Personally, I’m hoping for the erotic, sci-fi angle). A rogue scientist is the key to deciphering the symbols and humanity’s only chance at survival. The 2004 survival horror sequel once again stars Milla Jovovich as Alice, who struggles to find out what the Umbrella corporation has done to her as she leads survivors in an escape from a Raccoon City infested with the dead. Peyton Wells (Razaaq Adoti), Nicholai Ginovaeff (Zack Ward) and Jill Valentine (Sienna Guillory) all use a 92FS.
Jill (Sienna Guillory) uses his gun to shoot at the same licker until it's empty, and then discards it. After she crashes through a church window, Alice uses her P-14s to blow up the motorcycle with a licker on it. This particular shot was directly inspired by a cutscene in the Resident Evil 3: Nemesis videogame.
The newer Mark XIX models are most distinguishable by the scope rail mount above the barrel and the taller cocking serrations on the slide.
The Desert Eagles used in the movie are Mark XIX .44 Magnum versions, distinguishable by the fluted barrel clearly visible in this image.
The customization is similar to Dennis Hopper's mocked up SP89 in Speed, however this is not the same weapon.

They were several officers using this weapon during the shootout with the approaching zombies early on in the film. Yuri Loginova (Stefan Hayes) (and later Carlos Olivera) also uses a Tavor TAR-21 with an ELCAN scope, normally mounted on Canadian Military C7s but since filming for this movie was done in Canada, they would be available. While his name reads "Loginov" on the back of his vest, his name in the end credits is Loginova, the feminine version of the family name. Olivera uses his Galil with C-More red dot sight, a lasersight, a flashlight and a vertical foregrip.
This still is taken from the fullscreen version of the film, which shows the rifle in better detail. She is seen wielding the shotgun one-handed and most notably uses this weapon to blow away two lickers in the church. The launcher (like many movie rocket or missile launchers in movies) is a custom prop, designed and built from scratch. So at the climax, when the “lake” floods into the ant hill, threatening to kill all its inhabitants and wipe that subterranean universe from history, how can this not be viewed as an apocalyptic event? Even though the name says it all off the start, the arrival of the Spanish at the end marks the beginning of the end for the Mayans. Directed by Alexander Witt, the film features several characters from the videogame series including Jill Valentine (Sienna Guillory), Nicholai Ginovaeff (Zack Ward), and Carlos Olivera (Oded Fehr). In a continuity error, this gun becomes a Smith & Wesson Model 13 in several instances. According to the armorer, they shaved the beaver-tails and cleared up the back edges of her handguns. The Nemesis digital vision specifies that his Desert Eagles are older Mark VII models, however the fluted barrel, scope rails, and taller cocking serrations on the slide are all clearly visible in numerous shots. Note the fluted barrel and scope rails, both also indicative of the newer Mark XIX Desert Eagle. She most notably uses these weapons to shoot at a licker in the church, and trap it under a crucifix. This weapon is fitted with shortened barrels, individual flash hiders for each of the barrels, a green laser sight, custom aluminum barrel shroud and furniture featuring a fictitious ammo counter on the side. We do not intend to infringe any legitimate intellectual right, artistic rights or copyright. This unusual caliber (in American movies) was probably chosen because the film was filmed in Canada. Unlike previous films featuring these weapons, the ammunition is fed from the weapon offscreen rather than carried on the actor's back.
In wide shots where Nemesis doesn't fire the weapon, the ammo chute leads into the back of his trench coat. In the film's context, the weapon supposedly has 5000 rounds loaded, though the two ammo cans left in the shipping container imply that he has no more than 400 rounds minus the three or four linked rounds he left behind. In reality the gun had about 200 rounds loaded in the ammo chute, and the armorers attached a larger ammo can to the chute for scenes where they needed more sustained fire. In wide shots where Nemesis doesn't fire the weapon, the end of the chute is secured inside the actor's trench coat. In a continuity error, when he sets down his weapons for the final hand-to-hand fight with Alice, the Minigun doesn't have a chute installed at all, however, it does moments later when he uses it to destroy the Umbrella security detail. In addition to the weapon's fake ammo counter, the Nemesis also has a HUD that shows his health and weapon status for both the Minigun and the rocket launcher much like in a first person shooter.
Surprisingly, the ammo displayed on the weapon's ammo counter is not only consistent with what is displayed in Nemesis' POV HUD shots, but the numbers also imply a consistent on screen fire rate of about 4200 RPM.

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