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To delete this file, click the file name with your mouse, then right-click and scroll down the menu to the "delete" option. To remove the photo permanently from the desktop, locate the photo on the hard drive and drag it to the trash. He is currently executive vice president of production & development for National Geographic Society production entity National Geographic Studios and will transition to the new position over the next four weeks, starting full time beginning Aug.
Pastore will be based in the New York office in Soho, overseeing the teams in New York, L.A. At National Geographic Studios, the exec was responsible for the development and execution of the studio’s production slate, including programming for NGC, Nat Geo WILD and PBS. Before joining National Geographic Studios, Pastore was vice president of factual programming and production at BBC Worldwide Productions. HELP HELP HELP National Geographics Alaskan Bush People-Off the Grid is a great show – EXCEPT that you CANNOT hear the dialogue half the time.
For an astrophysicist, Neil deGrasse Tyson is certainly having his media moment, and then some. Tyson amiably hosts the festivities out of his perch as director of the Hayden Planetarium, promising a discussion “where science and pop culture collide.” Given the initial guest roster — “Star Trek’s” George Takei and director Christopher Nolan, fresh off the space-and-time-bending “Interstellar” — so far, so good.
Still, what emerges is a disjointed affair, one in which Tyson is joined in each episode by different co-hosts — one a comedian, the other a fellow scientist — a format that dices the central interview into snippets, then features extended interludes in which Tyson and his fellow studio mates expand upon and dissect the conversation.
Honestly, though, a free-wheeling chat with Takei (even conducted without frills on the couch in Tyson’s office) about a life through the filter of “Star Trek,” or with Nolan about the science undergirding his films, doesn’t require, or much benefit from, the postgame analysis.
Nor do the producers do much in terms of illustrating these discussions with graphics or clips — which would seem to be a natural conceit — presumably because the emphasis is on filling an hour in the cheapest manner possible. It’s a shame, really, since the series has lined up an impressive roster of guests — including Jimmy Carter, Norman Lear, Arianna Huffington and evolutionary biologist Richard Dawkins — and where else is one going to encounter a talkshow that spends this much time waxing poetic about wormholes and black holes, or even the practical uses of a “Star Trek” transporter if we ever got around to building one. Tyson still seems like the right person to host that kind of show, but “StarTalk,” as constituted, isn’t it.
CrewExecutive producers, Neil deGrasse Tyson, Helen Matsos, Brian Lovett; co-executive producer, Drew Pulley. I’m science minded and have had a long career in science and I love shows about science.


It’s amazing to pay a quick visit this website and reading the views of all colleagues concerning this paragraph, while I am also zealous of getting know-how. Usamos cookies en todos nuestros sitios webs para mejorar tu experiencia durante tu navegacion asi como para obtener datos estadisticos. Las cookies son pequenos archivos de texto que se almacenan en su ordenador cuando usted visita ciertos sitios web. Beyond being the go-to guy for space talk in venues like “The Daily Show,” he’s become the host of the revived “Cosmos,” and this week not only narrates a National Geographic Channel special about the Hubble telescope but adds a weekly talkshow, “StarTalk,” to his media menu. And when Tyson tells Nolan that “Interstellar” is “an orgy of relativity,” it would be more fun to hear them explore that further than talk for 60 seconds or so before retreating back to the planetarium. That includes handing a few minutes in each installment to Bill Nye the Science Guy to deliver a brief rant about some topic or another, loosely related to science fiction’s relationship to society; these prove slightly stilted, but at least exhibit a bit of ingenuity and flair. Given the popularity of the genre, there’s a great deal to be said for a program tackling where science and fiction actually meet — and where they diverge. So for now, the cosmic journey from popular podcast to satisfying TV show will have to wait for a different time and place, or maybe an alternate universe.
Tyson has been entertaining and informative in other roles hosting visual, graphic, and demonstrative programs but he comes off clumsy, conceited and unsophisticated in this venue. Puede eliminar las cookies que ya estan almacenadas en su ordenador, pero pueden impedir el uso de partes de nuestro sitio web. He will also work closely with Hamish Mykura for National Geographic Channels International and the NGCI team in London. With so many architects involved, it is not surprising that the building incorporates a great many styles that are associated with European theaters.This grand opera house’s outstanding record of great performances is matched only by the host of famous artists who have graced its stage. From 1735 until his death in 1759 he gave regular seasonal performances here.The Bolshoi, Moscow, RussiaOne of Russia’s premier theaters, coupled with one of the best symphony orchestras in the world, the Bolshoi in Moscow has survived fire, war, and revolution.
Its stunning neoclassic portico, topped by a statue of Apollo in his chariot, is a precursor to the magnificent splendor visitors will find when they venture inside. The Bolshoi closed in 2005 for extensive interior renovations and reopened in the fall of 2011.Four balconies and a top gallery surround the orchestra, where the seats are Chippendale chairs upholstered in red damask.
Here, Yuri Grigorovich choreographed memorable productions of Swan Lake, The Golden Age, and Romanda.Sydney Opera House, Sydney, AustraliaSituated on a spit of land that juts out into Sydney’s harbor, the spectacularly contemporary Sydney Opera House has wonderful views of the sailboat-dotted water.


Even if attending a performance doesn’t suit your plans, you might want to visit the opera house just to see the building; tours are offered frequently.
The structure was designed by Jorn Utzon to suggest a series of overlapping shells and sails. All major performance areas have their own foyers.Paris Opera, Paris, FranceThe main facade of the Opera is an imposing sight, even in Paris, a city filled with architectural marvels. Some of the greatest ceremonial spaces in the world are here at the Paris Opera, lending their sublimity to lofty occasions.The rich and striking interiors capture the tastes and attitudes of France’s Second Empire. The result, nothing short of spectacular, is all the more remarkable for not conflicting with the formal character of the interior decor.Opera Royal, Versailles Court Theater, FranceThe interior of the Opera Royal in the famously opulent palace of Versailles is a clever creation. Gold is harmoniously blended with the pinks and greens of the marbling and the sky-blue curtain and upholstery. Breaking with traditional Italian-style theaters, two balconies ring the house, topped by an ample colonnade that seems to extend into infinity thanks to a play of mirrors.Ange-Jacques Gabriel built the theater in 1769 in preparation for the marriage of the dauphin, the future King Louis XVI, to the Austrian princess Marie-Antoinette. Today, special gala performances are often held there.Vienna Staatsoper, Vienna, AustriaBuilt in 1869, the Staatsoper was inaugurated with a performance of Mozart’s Don Giovanni.
Its reputation as the center of Viennese musical life has long been established, and the Staatsoper remains one of the world’s top opera houses.
Although much of it was destroyed on March 12, 1945, when the Allies bombed the city toward the end of World War II, the grand staircase and some of the other public areas miraculously survived. For an idea of how things looked before the air raid, walk through the main doors into the box office foyer. The theater you see now reopened after the Russian occupation of Austria ended, and the first piece performed there was Ludwig van Beethoven’s Fidelio, a hymn to freedom.Lincoln Center, New York, New YorkHome to the Metropolitan Opera, New York Philharmonic, and New York City Ballet, Lincoln Center for the Performing Arts also houses a library and two theaters. The Lincoln Center Institute for the Arts in Education is a global repertory promoting inspiration and creativity for students and professionals.




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