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Washington, DC, USA — National Geographic Cinema Ventures (NGCV) has announced that it will distribute the giant screen film Jerusalem, which takes audiences on an eye-opening tour of one of the world’s oldest and most enigmatic cities. Jerusalem, an original production from Cosmic Picture and Arcane Pictures, aims to increase public awareness and appreciation for the city’s historical, spiritual, cultural and artistic contributions to the world.
Opening today at the Shoppers Drug Mart OMNIMAX Theatre at the Ontario Science Centre in Toronto, the spectacular large-screen film Jerusalem. Written and directed by Canadian filmmaker Daniel Ferguson, narrated by British actor Benedict Cumberbatch, Jerusalem provides viewers with remarkable new perspectives on the ancient holy city.
The filmmakers were granted special permission in the region's strict no-fly zone to obtain the first-ever large-format aerial images of Jerusalem's Old City and other memorable sites such as the Dome of the Rock, Jordan River, Sea of Galilee and the mountain fortress Masada. The use of multiple cameras--including IMAX 15-perf 65mm film, Sony F65, RED Epic and NikonD800E--allowed the filmmakers to capture stunning flyovers as well as street scenes that create an immersive experience. At a media preview held at the Ontario Science Centre on February 25, 2014, director Daniel Ferguson stated his goal was to attain a "balance of spectacle and intimacy" and make viewers feel as though they've been to Jerusalem.
The three young women who star in Jerusalem also attended the Toronto preview, fielding questions from students and the media. Jerusalem opens at the Ontario Science Centre as complement to the new exhibition Sultans of Science. To find other theaters worldwide now showing Jerusalem, see the official website of Jerusalem the movie. Lesley PetersonToronto Cultural Travel ExaminerLesley Peterson is a Toronto-based writer specializing in travel, art, architecture, history, culture and legendary landscapes.
Outside In" is a giant-screen visual symphony that aims to artistically bridge science and spirituality as it journeys from the big bang to the Cassini-Huygens Mission at Saturn. Composed entirely of still photographs using innovative visual techniques developed by the filmmaker, "Outside In" stretches the boundaries of the motion picture form. Using tens of thousands of still images manipulated to create full motion, "Outside In"A? takes the audience from the big bang to our present day.
The film will be presented in IMAX quality 4K resolution on massive screens and concert-level surround systems with a synchronized light show to audiences in planetariums, museums, galleries and limited IMAX release. The wind was gusting at 40 miles an hour, carrying a fury of snow and ice crystals that felt like they were cutting into my face even through my wool mask. Temperatures with wind chill dipped below minus 30?F, and my fingers had started to lose feeling even in puff mittens intended for climbers scaling Mount Everest. Standing in a tiny alcove amid the flank of a massive frozen waterfall that plunged 150 feet into the edge of frozen Lake Superior below, I squinted through the snow, searching for the pink jacket of my friend Rachel hanging somewhere below me, trying to keep her extremities warm. We were waiting for a mini-blizzard to pass so that the film crew manning an IMAX 3-D camera, waiting below in the whiteout, could continue shooting our climb.

Much to the bewilderment of locals, who rarely see visitors during the arctic winter months, we had come to Pictured Rocks National Lake Shore to produce the final scene of National Parks Adventure, a new IMAX documentary by McGillivray Freeman Films, narrated by Robert Redford—and just in time to celebrate the 100th birthday of the National Parks Service. Eight months before, I had received an email asking if I would be willing to participate in an IMAX film about national parks. My stepfather, professional climber Conrad Anker, my high school friend Rachel Pohl, and I set off from our hometown of Bozeman, Montana, on a brisk morning in early September 2014 to meet the film crew for our first stint of production at Devils Tower National Monument, located on the rolling high plains of northern Wyoming.
From the standing columns of rock on the sides of Devils Tower, which we scaled for the cameras, we drove south and into the Utah parks for our next long stint of shooting. This last week—after almost two years of working on a project sparked by Greg McGillivray, the director and mastermind behind the film and an IMAX veteran of the highest standing—the film screened in theaters from Los Angeles to Washington D.C. Sitting and watching a year of our lives and the story within unfold amid some of the most beautiful imagery ever captured of America’s wild leaves me with a changed perspective. Through the meticulous work of Greg and the efforts of every person on his production crew, we were able to draw the magic and elegant beauty out of the punishingly cold climbs on Lake Superior in winter and to paint the amazing, pristine quiet of Zion, Arches, and Bryce Canyon in Utah. Being behind the scenes and in front of the camera with National Parks Adventure opened my eyes to the work it takes to create a masterpiece in film, but seeing the final product sparked my belief for the message the film carries. Get up-to-date information on new and upcoming big movies, the latest big movie buzz, multimedia clips, and the latest Big Movie Zone features.
After years of working with various government ministries and religious and community leaders, the filmmakers were granted the exclusive permits necessary to capture aerial shots above the Old City of Jerusalem, and throughout the Holy Land.
Viewers feel they are actually wandering through crowded markets, tucking a prayer note between stones at the Western Wall, entering the Church of the Holy Sepulchre, and participating in a Palm Sunday procession. He described the experience as revelatory and Jerusalem as "authentic, diverse and charismatic", like its three young stars. In the film, Farah Ammouri (Muslim), Nadia Tadros (Christian) and Revital Zacharie (Jewish) represent the three Abrahamite religions and take viewers on tours of their personal Jerusalem: the markets, places of worship, even their homes. Hooley McLaughlin, VP, Science Experience and Chief Science Office at the Ontario Science Centre, pointed out that science stems from religious beliefs and that for a long time Jerusalem was considered center of the world.
A member of NATJA (North American Travel Journalists Association), Lesley divides her time between Toronto and Sicily when she’s not on the road indulging her curiosity and love of the arts.
The film will feature powerful music by Ferry Corsten, William Orbit, Samuel Barber and melds non-narrative visual poetry & science documentary into a rich experience for audiences. With visual and audio mashups & photo-motion collages, the camera journeys into the zeitgeist of our age of mass media but music carries us to Saturn. It was, without a doubt, one of the coldest days I could remember spending out in the elements, with some of the harshest winter weather conditions I had ever seen—and we were in Michigan.
To say I recognized the beauty in that moment may have been a stretch, as I struggled to hold onto the ice in the face of increasing wind and with fingers I couldn’t feel.

I read the long, formal letter several times with an air of cynicism, scanning my mind as to why anyone would want me as a feature character—in an IMAX movie nonetheless. Going from my background—producing small-form documentary films with a crew of two at most—to having a production staff of 30 people, a small convoy of vehicles to haul them around, some of the largest cameras I’d ever seen, and an expedient form to which the whole unit functioned, all for the intended purpose of capturing Conrad, Rachel, and me in “normal” interaction with the world was shocking. Though I had traversed these landscapes countless times before, doing so with the might of a 70mm film 3-D IMAX camera crew capturing our every move in ultra HD was at first difficult to appreciate. National Parks Adventure will continue opening across the country and world over the the next few months, bringing the parks in all their majesty to thousands of people young and old. Without a unified awareness and appreciation for pristine nature, we will not be able to preserve that which we now hold, and we will be even less able to continue developing protected wild places, as they become a rarity on this planet. Whether you’re going to Yellowstone, Yosemite, Pictured Rocks National Lake Shore in the middle of winter, or just spending an afternoon in your city park with friends and family, the value of nature is something we must yell from the mountaintops.
As a result, audiences are given a rare bird’s-eye view of the storied city as well as unprecedented access to iconic holy sites and little-known parts of the After years of working with various government ministries, and religious and community leaders, the filmmakers were granted the exclusive permits necessary to capture aerial shots above the Old City of Jerusalem. Director Ferguson said the film's intent was not to dwell on conflicts but rather focus on daily life and deeper, timeless attachments to the city. There, we soar around, into and through the incredible photographs of Saturn taken by Cassini using "2.75D" photographic flythrough tech. Before writing it off as an Internet scam to pilfer my social security number, I noticed that, among others, my dad was cc’ed, confirming that this was indeed a legitimate invitation, one that would again change my perspective on storytelling and the role of being an ambassador to our wild places, including parks both in the U.S. Much of the value I’ve gained from the outdoors has been in more intimate settings, alone with the quiet and immaculate wild.
The film tells the stories of real-life inhabitants of the ancient city and of prominent archaeologists exploring the enduring appeal of this unique crossroads of civilization. As a result, audiences are given a rare bird’s-eye view of the storied city as well as exclusive access to iconic holy sites and little-known parts of the region in one powerful, 45-minute giant screen film experience. Jodi Magness takes viewers underground to explore some of the Jerusalem's most mysterious sites. Moving through the parks on such a mammoth scale, even shooting with helicopters for several scenes during our time in Utah, seemed to be the opposite experience of the one I look to chase when retreating into the sanctuary and soulful peace of nature. Aside from the breathtaking scenery, Jerusalem also explores some of the surprising intersections between Judaism, Christianity and Islam, which come together in this sacred city. Did I really want to push thousands of people more into these wild places that I valued for their pristine emptiness?

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