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As a new photo editor at National Geographic, I was eager to learn more about the photographers we work with, many of whom I haven’t met in person. A wall of water 100 feet tall inundated the village of Lampuuk in northern Sumatra on December 26, 2004. In the midst of her memory loss, my mother Madje posed for me during a weekend visit to my home in Miami. Memory loss is sad for all but there can be gifts as well that allow us to celebrate a life and to be the warrior on their behalf to the end. I shot this image of Galen Rowell in 2002 on my first National Geographic expedition crossing the Chang Tang Plateau of Tibet with Galen, Rick Ridgeway, and Conrad Anker.
I took this picture during an introduction to color photography and printing class in 1995, when I was 19-years-old. To be able to photograph the sisters at work, I first had to work at the hospice and clinic to show that I was serious about what I was doing.
I would go out everyday to photograph the very shy, only slightly habituated gorillas and make one bad image after another. Whenever I travel to the polar regions I am always secretly hopeful that the dire predictions and forecasts scientists have been warning us about, will somehow be less worrisome than the last time I was there.
As our ship approached the massive ice cap in Nord Austlandet, I was shocked to see a string of waterfalls that straddled the entire expanse of the melting ice cap. It is so refreshing to see that there are still people that see beauty in everything they touch or experience. I think that the love in the eyes of the photographers is reflected through their work and that they have inspired more than they have been inspired. I have been touched by most of the photos, but the one of little boys in Haiti and the dead of bears in the Artic were the most touchy. It’s great to see all the positive comments about these photographs, to which I wholeheartedly add my voice. These photos by themselves are beautiful…but the stories accompanying them make them more poignant! No one denies there has been climate change since the earth was formed and began its journey through the Milky Way. Usually, they say a picture is worth a thousand words… In this case, as amazing as the photos were, the words made the picture!
Thank you to all photographers,very nice pictures,to Maggie S,you remind me of my mother,she lost her mind because of deep depressed ,I never had a picture with her…. Thank you so much for sharing such heartfelt moments in your life and I pray there are many more that you will share with the world in waiting. With such dramatic photographic evidence provided by Paul can there still be Climate change deniers?
I just hope that through these photographs, we can be in awe of God’s gift and honour it. By the way – would you show me where I would sign the petition to stop this money hungry project. Though i am unable to fulfill my dream of travel to see our beautiful world National geographic photographers are Angels to see some of it May god bless the entire team.Thank you. Steve Raymer and Ed Kashi are seen at National Geographic Offices on October 18, 2013 in Washington, DC. The talented group of 11 female photojournalists included in National Geographic's "Women of Vision" exhibition seem to have taken Lange's words to heart: they've ventured into all corners of the world, minds and eyes open, and come back with spectacular results.
The exhibition, on view at the Cranbrook Institute of Science in Bloomfield Hills, Michigan, was conceived by Kathryn Keane, National Geographic's vice president of exhibitions, and curated by the magazine's senior photo editor Elizabeth Krist.
Nujood Ali stunned the world in 2008 by obtaining a divorce at age ten in Yemen, striking a blow against forced marriage.
While a wide range of work is covered in the exhibition, it is striking how many of the photographers take a deep and nuanced look at the lives of other women of all ages, from a young woman peer-pressured into getting a piercing to a Yemeni girl who broke free of a chid marriage. The exhibition includes the work of photojournalists Erika Larsen, Kitra Cahana, Jodi Cobb, Amy Toensing, Carolyn Drake, Beverly Joubert, Stephanie Sinclair, Diane Cook, Lynn Johnson, Maggie Steber and Lynsey Addario, all of whom have contributed to National Geographic. Prostitutes, who are known as cage girls and are often sex slaves, display themselves on a Mumbai street.
Getting her tongue pierced was “exciting and scary” says a teen in Austin, Texas who succumbed to pressure from her best friend.
In Hotan, a Uygur town with a rising Han Chinese population, Uygurs socialize at their own nightclubs.
The photographer’s mother, Madje Steber, suffered severe memory loss during her final years at a Florida facility. Nestled in their bed in Miami, Florida, four young sisters nap on a Sunday afternoon after attending church. Simon Booth remembers when he grazed 250 head of cattle on his ranch in southeastern Australia -- a sight his children Ryan and Claire may never see. The "Women with Vision: National Geographic Photographers on Assignment" exhibition on view at the Cranbrook Institute of Science in Bloomfield Hills lasts through Dec. Nikon UK has teamed up with National Geographic in a partnership that aims to inspire wildlife and photography enthusiasts, using a broad range of media platforms.
The activity is aimed at inspiring enthusiast photographers to get out and about with their cameras. Jeremy Gilbert, Group Marketing Manager, Nikon UK: “It was a natural choice for us to work with National Geographic on a television campaign as there is a clear synergy between brands and distinct crossover of messages.

To complement the television activity, Nikon will also be sponsoring an exhibition of Andy Rouse’s work, titled Vanishing Worlds, to be held at the National Geographic Store on Regent Street, London, from 16th October – 26th October. Our provides the latest photography news and our fan page is the best place to communicate with other Digital Photographer fans. The sunrise and late evening scenes create fantasy and attraction, time is most important in landscape photography. In honor of Thanksgiving, I asked ten of them to share an image that they were especially thankful for having taken – one that had perhaps changed the way they thought about something, or had a large impact on the trajectory of their career. The human impact was minimized as much as possible, local guides and porters were employed for expensive guided excursions, and money was earned.
I knew enough to know that photography could transport you to another place, time, and emotional state.
Later, when I was striking out on my own as a photographer, I heard the same orphanage also had a home and hospice for children in Haiti. I suppose it is true that “seeing is believing” so the silver lining for me was that through SeaLegacy I was able to show one of our donors first-hand how her support helped raise awareness and build constituencies of support for climate action.
As well as to read the beautiful and grateful comments of the people that see through the lense of someone elses eyes. And to think there are fools who think nothing is happening, everything is OK with the planet. Special thanks to Jimmy Chin for reminding us how special Galen Rowell (& Barbara) was. Has everyone forgotten the ice ages and warming periods the human race has survived through thousands of years? Your photographs are so beautiful, powerful and soul revealing : the small human beings against the backdrops of immense caves and formations, the butterflies, the plants growing on stones… Mange tak! It is a contradiction – want to bring people to nature at the same time to be afraid of the destruction of nature. This was wonderful and not only pics but the stories surrounding them just seem to frame up the whole story so completely.
In a conversation published on National Geographic, the two women talked about how they were struck by the number of female photographers in the last decade who had been working in extreme settings and dangerous situations to bring important stories to the magazine. The channel sponsorship of National Geographic and National Geographic Wild & HD takes shape as a series of programme idents and three short vignettes, featuring renowned wildlife photographer, Andy Rouse. The collection of images encapsulates both the beauty and vulnerability of stunning wildlife and landscapes taken all over the world, from Rwanda to The Arctic. My goal is to encourage and inspire photographers to get out and visually experience and record the wonder of wildlife for themselves, as I have done with my Nikon D3 and D3x digital SLR cameras. Most of people had the experience of driving through gorgeous and eye catching natural landscapes.
Now, though, Sun Group and the Austrian Doppelmayr Company are planning a six-mile long cable car.
I never imagined I would get to meet or work with him, much less go on an expedition with him.
At the time, I was using artificial lighting to see how colors on film could be enhanced and change.
I decided to go and give something back by photographing a story to bring awareness and funding. Pre-digital by about 25 years, it was almost impossible to capture the black gorillas in the dark forests.
Not only was this the year in which I saw more dead polar bears than in the previous 25 years I have spent roaming the Arctic, it was also the first ice-free summer I spent in the Arctic. Erika Larsen’s image and essay made me sad to ponder on the loss of a nephew you was just getting started developing his art with photography.
Thank you to all the photographers and also to the comments of the audience for giving others hope that there is still love and hope on this earth. As 71% of the earth is covered with water & our bodies are 70-90% water, it is revolutionary to find new insights into the living substance that literally surrounds us. Humans are tenants for a very short time on this beautiful earth and I hope the planet we live on continues to thrive for future generations. On a scale of 1 to 10, I give the collection a thirty (30)… I’ve bookmarked the page, so please leave it up! As a young photographer myself, it is so fascinating to see a more personal side to some of my heroes and their views of their own workflow. With his impressive experience and expert eye, Andy is sure to inspire viewers of all photographic levels to get out and take great pictures. I am grateful for Mejgon’s friendship that day and the impact she has had on my life and my work. It will transform the cave in a mass tourist attraction and change the delicate ecosystem and structure of the cave dramatically. I had been photographing throughout this melancholic voyage of dementia to help me get through it, being the only child of a single parent, and just to make new memories for myself.
We spent a month tracking the endangered Chiru and successfully discovered their birthing grounds, which we aimed to document and protect from poachers. In this specific image I lit the sunflower with a flash and walked through the frame with a flashlight to create the light in the sky. Those images inspired me, but there is no class, textbook, or technique that can teach how to do this.

In Port-au-Prince, many of the children at the orphanage had been abandoned on the doorstep of Mother Teresa’s Sisters of Charity. The lack of light had me shooting at impossibly slow settings and using a flash would have scared the shy animals. The reasons are simple: for polar bears, survival hinges on their ability to find, stalk, and ambush seals, their main prey, and this can only happen if there is a healthy layer of multi year or annual sea ice that they can use as a hunting platform.
She and my father, wed for 67 years, have been together since the instant she saw him at the top of a junior high school stairway wearing a white shirt with the sleeves rolled up.
All these pictures have meaning in some form and you can truly see it through the photographs.
This sense of wonder, awe, respect & then responsibility is our heritage from our Creator. It takes an amazing amount of human hubris to think we are going to prevent global warnings and coolings, or prevent the expansion and contraction of ice sheets in various parts of the planet. We have compiled today Most Famous Landscapes Photography By National Geographic Photographers. In this photograph are the thankful few who survived, saying evening prayers while fires still smoldered in the devastated landscape through the shattered walls of this holy place.
After I shot the photo, I can’t even say why but I asked my mother to remove her dress. We were completely exhausted from hauling 200-pound rickshaws over 300 miles at more than 17,000 feet. It is a gift that is given when you are finally ready to make that leap yourself as an aspiring image-maker. The little boy with the mouse on his shirt spoke that day and gave me a hi-five when I left. Tim and I dove into the dark bamboo and experienced the birth of ecotourism, a movement that would save the almost extinct Mountain Gorilla. Photography is all about moments and at one point I was so close to Mrithi that the frame filled with his black face, but while the shutter was open he moved slightly. In the polar regions, ice is like the soil in a garden; it is the substrate that supports all life and more and more we are seeing vast expanses of the Arctic that are ice-free during the summer months. Armed with a consciousness of waters true potential would have an incredibly beneficial impact on both people & planet.
Are scientists calculating the increase in global food production that might occur in Canada and Russia if warming were to continue in our lifetimes. I learned a great deal during many months covering this tragedy, a disaster where there was no one to blame.
Looking at the map, we still had over 100 miles to go over the Kun Lun mountains to get to our pick-up point up. With this photograph, I remember feeling that for the first time I had finally been able to reveal the world that I had experienced during the moment I made the image. When I first met the boy in the Mickey Mouse shirt he hadn’t spoken for six weeks – he was so traumatized by the experience. Jane and Charles are working to keep Jack alive; one by calling his name, the other by reporting the latest football scores. Such events solidifying how precious our time is, reminding us how astonishingly alive is our earth, how nature gives but also takes, and how important it is for all of us to to hold sacred this gifted period we have to do something, no matter how grand or small.
I always thought showing natural beauty would generate respect and awe and contribute to the protection of the environment.
I was astonished but I took the picture because she was so beautiful—the vessel that brought me into life. True to form, on our way out, Galen looked up at the biggest mountain in the range and said, “Let’s go climbing!” I was sure I had misheard him, but I hadn’t. Just months before, I had documented the death of Phyllis, a friend’s mother, for a National Geographic assignment about the end of life. The photo story received the World Press Photo Award and the Picture of the Year award, but most meaningful for me was the National Geographic Photographers Photographer Award. In this case, I feel, I totally failed: Maybe without my coverage this development would never have gotten this far. This image was pivotal in helping me believe that it was possible to make images that brought people into other states of mind. From hearing Phyllis’s last breaths—a fragment of audio seared into memory—I realized that my father was slipping away.
After two days of climbing, I burrowed through the summit cornice and happened to see Galen coming up the ridge another way.
I barely got the camera out in time to snap this quick shot of Galen, in his element, stomping up the mountain. National Geographic decided to use this photo as his tribute photo, and it became my first spread in the magazine. I was sad Galen never got to see the story or my image published but the Chang Tang expedition, my time with Galen and this photo, changed the course of my career.

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