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BUCARDOCapra pyrenaica pyrenaicaThe bucardo, or Pyrenean ibex, lived high in the Pyrenees until its extinction in 2000. PASSENGER PIGEONEctopistes migratoriusBillions of the birds once filled the skies of eastern North America. THYLACINEThylacinus cynocephalusThough it looked like a wolf and was called a Tasmanian tiger, the thylacine was actually a marsupial—a relative of kangaroos and koalas. WOOLLY MAMMOTHMammuthus primigeniusWoolly mammoths retreated to eastern Siberia by the end of the Ice Age, about 10,000 years ago, then died out. SABER-TOOTHED CATSmilodon fatalisSaber-toothed cats went extinct after the Ice Age; paleontologists are not sure what caused their extinction. GREAT AUKThe great auk (Pinguinis impennis) was the penguin of the Northern Hemisphere, a flightless goose-size bird that dove into the North Atlantic to feed on fish and other prey. Go behind-the-scenes with our storytellers and join conversations about photography, art, and journalism.
Our goal is to provide you with the best information so that you can compare and decide which magazine site has the best deal for your magazine subscription. When it waddled onto the shores of rocky islands to breed, it was helpless against sailors who killed the great auk for food. Zimov argues that mammoths and other large Ice Age herbivores sustained the Siberian steppe that sustained them: They ate the grass, but they also fertilized it and tilled the soil with their hooves.
Packed with exciting articles on everything from animals, space, and the deep blue sea, plus fun experiments and games, National Geographic Kids makes learning fun.
Most often, this means that familiar neighbourhoods are giving way to glass-clad towers, that vacant plots are being built over with blocks of flats. On June 3, 1844, sailors clubbed them to death, and the great auk has never been seen alive since.
Horses, bison, and other introduced herbivores are already transforming the park’s moss-dominated tundra back into grassland a mammoth could call home. The group’s 30-odd teenage members, the paper said, could be identified by the letter L branded on their forearms. The Luniks carried knives and knuckledusters, which they deployed to waylay courting couples and drunks on deserted streets, and in their frequent turf battles with other gangs.
Their rivals included a bunch from Pali (who had christened themselves “The Boys of Knobhill”) and dandies from Mahim known as the Forkers (who prided themselves on their three-inch trouser forks). They will send you an email reminding you of the renewal and automatically charge your credit card unless you notify them that you don‘t want to renew. Most of the Luniks lived on the parallel streets of Chapel Road and Waroda Road, Blitz said, and had been “brought up in the company of bootleggers, smugglers, and dope dealers”.When I was a teenager in 1980s Bandra, Waroda Road was viewed with some ambivalence. The working-class area was home to some of India’s best hockey players and to Frankie’s circulating library, crammed with Tintin comics and Enid Blyton books. These paintings—among them were yellow fish, Elvis, and a fat bird with spectacles—had been executed, improbably, by French graffiti artists with friends in the locality.


It has everything that I like to read about-the newest movies, newest technology, great animal stories-without all that junk that you get from most kid's magazines nowadays! As bungalows in the rest of Bandra began to give way to residential towers in the mid-1980s, the cluster of streets around Waroda Road retained their hamlet-like quality because the houses were too close together to rebuild and the plots they stood on too small to make redevelopment lucrative. I'm a kid, and I don't like reading all that gossip about moviestars that everybody knows isn't true.
Long-time residents of the old Roman Catholic neighbourhood spent much of the day lounging on verandahs in banians, greeting friends on their way to the bazaar; every evening in May, they gathered at crosses along the street to say the rosary. Charmed by the vernacular architecture and the neighbourliness, several French expats—a programmer at a music club, a journalist, a chef, among them—began to rent homes here. Before long, they were followed by electronica musicians, DJs, and scriptwriters from around India.I didn’t immediately warm to the changes. I was irritated that many of the murals had Bollywood themes, even though few of the area’s Catholic residents care much for Hindi films.
Organisers of walking tours began to put the area on their itineraries, but they took to calling it “Bandra Village”, an invented identity that blurred the distinctiveness of individual pockets like Ranwar and Waroda, Colwad and Bombilwadi. Where city-centric websites waxed eloquent about the “quaint by-lanes”, all I noticed was the unruly traffic honking at pedestrians as cars used the narrow Chapel Road as a shortcut to the Bandra-Worli Sealink. Recently, there’s been intense debate about Delhi’s Hauz Khas, another urban village that has become the site of speciality restaurants and stores selling overpriced film posters. Over the last decade, most of Hauz Khas’s working class residents have been displaced as landlords have profited from renting to commercial establishments.
My belief that the neighbourhood was being transformed by insensitive people from elsewhere crumbled under scrutiny. Both Bruce Rodrigues, who runs Imbiss, and Jennifer Mullick, a partner at Birdsong, turned out to be locals.
They were eager to preserve the area’s character and as concerned as I was about cars clogging the street, so they urge customers to walk to their restaurants instead of driving there. Everyone seemed to have a sibling or cousin living abroad and all my friends from Waroda Road had travelled the world, working for airlines or shipping companies, or taking assignments in the Gulf and East Africa. They now had a taste for art exhibitions, schnitzel, and oatmeal cookies, and were pleased that they didn’t have to go far to get them. Though some were disconcerted that spaces of consumption had replaced community spirit as the defining feature of Waroda Road, they said that having an organic cafe in the neighbourhood was preferable to the country liquor bars of the old days.Among the people with whom I discussed the exploits of the Luniks and the Forkers was my friend Rajesh Tahil, whose father owned a tiny tailoring shop in the area.
Rajesh, for his part, runs his own publishing company and I often turn to him when I’m trying to make sense of India’s transfigurations. We came to the conclusion that gentrification wasn’t an accurate description of the process unfolding along Waroda Road. This is the place that deftly melds India and France, with the tang of sea salt in the air.
But most of all, I like it because it has the uncanny ability to slow things down for me.Goubert Avenue or Beach Road (sometimes called Goubert Salai) is a boulevard that runs for a little over a kilometre on the eastern flank of Pondicherry town (officially Puducherry).


On one side is a parade of the town’s historic buildings, many of them restored to their original splendour, and on the other is a broad esplanade along the sparkling Bay of Bengal.This part of Pondicherry hasn’t seen much of the frenetic construction that has enveloped other Indian cities.
This is where Pondicherry comes to exercise, eat, play, talk,  or simply watch the world go by. It helps that for a few hours every morning and evening, the road becomes a pedestrian zone.A more visible change is the transformation of the popular, government-run Le Cafe.
The unfussy, squat building, almost at the mid-point of Goubert Avenue was once the office of the old Pondicherry port.
When I first visited about a decade ago, it was festooned with lurid signboards and jarring extensions. Following a tasteful restoration, Le Cafe is now all whitewashed walls and clean lines, evoking memories of its nautical past. The food and service at the cafe may be iffy, but it’s the perfect place to spend forever and a day staring out into the blue yonder.Le Cafe is just one of the many old buildings in Pondicherry that has been given new life as hotels, cultural centres, galleries, and boutiques. Sometimes, I spot a bunch of men playing petanque and linger for a while.If I’m in the mood for an exhibition or concert, Maison Colombani, the Alliance Francaise de Pondichery’s second building, is my best bet.
There’s almost always some cultural event happening in this restored mansion sandwiched between Goubert Avenue and Dumas Street. Especially significant is the growing interest in Creole cooking, with more restaurant menus now featuring Franco-Indian dishes. For the lowdown on the best places to sample this fare, I turned to Srinath Balachandran who’s lived in Pondicherry for much of his life. Srinath, who runs a chocolate dessert boutique called Zuka, recommended Hotel Atithi’s Le Boulevard restaurant, particularly the seafood. Other options include the restaurants at Hotel Calve and Hotel de l’Orient.I must confess that there’s more to Pondicherry than Goubert Avenue. So are some interesting cafes, galleries, boutiques, and even some of its most splendid heritage buildings. Kochi’s old trade centre had already become the place for chic boutiques and art depots but the Biennale also changed the way the old warehouses and spaces in this city are viewed. The ancient district of Mattancherry, which has preserved traditions and cultures brought by ships from East Asia and the Middle East centuries ago, has recently begun to show off its beautiful architecture and welcoming ambience.Starting from Mattancherry’s Bazaar Road, several buildings with Arab and European influences have been converted into creative spaces. One of the first to emerge was the studio of artist Abul Kalam Azad, which adjoins  a number of small stores selling designer labels. Next came the large Kashi Art Gallery, which brought to Mattancherry art shows from across India.
Pepper House is an art gallery, cafe and residency for artists from across the world.During the Biennale, works of internationally renowned artists were displayed in abandoned warehouses and offices, turning Mattancherry into a wondrous amalgamation of ideas.



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