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The Post-Apocalyptic Book Club and Waterstones Piccadilly are very proud to present an evening with esteemed authors Michel Faber, Catherine Chanter and Sarah Pinborough.
With tales of a troubled world and an increasing sense of isolation, join our authors as they explore the fate of humanity and the familiar made strange through their novels, The Book Of Strange New Things (Faber), The Well (Chanter) and The Death House (Pinborough). Enter your email address to subscribe to this blog and receive notifications of new posts by email. The First Days by Rhiannon FraterMore often than not, whenever there is any kind of situation in which someone needs to step up and lead, it is usually a male hero. The Postman by David BrinMany images that come to mind when people think of a post-apocalyptic world are bleak and barren lands, stretching forever into the horizon.
The Stand by Stephen KingSometimes, the more simple you can make something, the more effective it will be.
Ashes of the Earth by Eliot PattisonHere is an interesting cover that creates more curiosity and intrigue in the reader than other covers that are just trying to shove images down in their faces. About UsFrom targeting your audience and marketing strategies to bringing your book cover vision to reality, Adazing is here to guide you through the process of making you book a hit. Testimonials"I recommend Adazing for any author looking for a highly skilled team to design their cover. Lately been really busy so I did not have a lot of time for this website, but here it is, the Post Apocalyptic Wallpapers collection of March 2014.
Is there any possible way I would be allowed to use the destroyed skyline, the desaturated one, to use for sky replacement in a short film that I created for the 48 Hour Film Project? Lynda on Best places to survive a (zombie) apocalypse?:I think a major airport would be a good place to secure and live. This book’s cover automatically draws attention with two females on the cover, hinting that it is already stepping away from the norm by having heroines as the saviors instead of the typical male hero. This cover picture banks on that thought process perfectly, with a desolate landscape, obviously completely void of any kind of life, except for the one lone person standing in the distance. This is the case with this book cover for Stephen King’s The Stand, his epic novel about the final showdown between the forces of good and evil. The chain link fence is an automatic clue that either something is being kept out, or something is being kept in. His family owned a small bookstore throughout his early childhood, and he would spend weekends flipping through book after book, always sure to read the ones that looked the most interesting. We are the creative team behind authors of New York Times #1 Bestsellers, USA Today bestsellers and virtually every other bestsellers list on the market. As an indie author I understand how hard it is to stand out amongst professional covers of traditionally published authors. It is obviously by the image behind the title that the Earth has suffered an enormous tragedy; the ruins of a city lay crumbling in the background and a single, solitary dead tree stands ominously in the foreground. Then the reader notices the title and ideas start to form about what this book is actually about.
The book cover shows any potential readers the very basic information that they need: this is going to be a story about good vs.

In this case, from the view point of the reader, it looks as if both are happening at once: the reader is kept from what appears to be a book and other scattered objects, and vice versa. Not much has changed since then, except now some of those interesting books he picks off the shelf were designed by his company! The sky is tinted with reds, oranges and yellows, giving only the slightest hint to the reader as to what could have possibly brought this image into being. When it comes to post-apocalyptic books, they can be further split into many different sub-genres, but one of the most popular is whether the story takes place right after the end of civilization, or farther in the future.
That is of course, until the reader actually picks the book up and starts to read, thus figuratively allowing them passage through that gate.
And then there is the large, black circle framing the title in white letters; it is meant to stand out and meant to draw attention away from the disturbing scene of the image. This book, by the title, is obviously about mankind’s survival in the first days after the apocalyptic event. It all comes together perfectly to jump out at the reader and demand more than just a passing glance. With two characters frozen forever in the middle of a battle, one dressed in white to represent goodness, one dressed in black to represent evil, the desert their background to represent the desolateness of the earth after most of its inhabitants are swept away with disease. Other aspects of this cover that really help to secure that intrigue are the array of colors. Signs of civilization are still present, as is obvious with the gas station on the front, still alight with electricity. Even the font is simple; nothing fancy is needed because the picture gives you all the feeling you need for this novel. Nothing too bright, but nothing dull and boring either, just the perfect blend of everyday colors arranged in a way to attract attention without being too loud. The normalcy of the image is interrupted by the ominous colors in the sky and the dead trees taking over the background.
And to top it off, since this book was written before Stephen King became a household name, a small addition is made to let the reader know that if they enjoyed The Shining, then they will likely enjoy this novel as well. Then of course, there is the subtitle that tells the reader flat out that this book is about the mystery of the post-apocalyptic America. This is obviously the least subtle approach, but everything about this cover creates an intense curiosity that makes it hard to resist for those passing by. Ballard took a different approach with the characters’ attitudes to the end of the world when he wrote The Drowned World.
Here, catastrophe is welcomed, releasing dormant desires and a dreamlike regression of society.
It does not suppose a disaster, or any major catastrophe, simply asking what if humans were no more – if we all died, but the world as it stands today was otherwise unaffected.
Hugh Howey has changed the landscape of publishing with his ongoing silo series, and with all eyes on the regularly released shorter component stories, this has been something akin to the Dickensian serials of centuries ago. Consumed eagerly by readers in small chunks before being combined in this collection of three stories, like Wool before it, Shift is a compendium of tales designed to keep bringing readers back to the bleak world it explores.

It piles on the claustrophobic underground confinement, destructive apocalyptic conspiracies and a general overwhelming sense of misery. Split over three parts, divided by centuries, we are given an insight into the other silos in the time leading up to Jules’ escape in the first novel. There’s Silo 1, where the overseers keep an eye on the ongoing project, Silo 17, where a chaotic uprising leads to decades of isolation for a sole survivor, and Silo 18 itself (much earlier), where a lowly porter finds himself at the heart of a civil war. By expanding the scope of the tale, it loses a little of the claustrophobic grimness of Wool, but it’s a worthy continuation of the tale, and is sure to leave you wanting for more.
Spanning centuries of story, it is a literary tome that has been compared with many of the greats (such as Evelyn Waugh and Graham Greene) for its insights into the human condition. What starts as a little white lie, that he represents a Restored United States, brings hope to those he visits, and gradually builds into a very big white lie.
Certainly in the final third it slips more towards the action and adventure of more pulp fiction sci-fi. But there’s more to it than that, with its underlying philosophical message and the central themes of symbolism that pervade each section. The different leaders the post-apocalyptic survivors adopt represents a different kind of hope, and speak about people’s need, in general, for leadership. With more developed societies, including tribal groups who stockpile weapons, this story builds on the theme of how one man make a difference – and how one small idea can blossom into a big one. This leads him to looking into a scientist called Felix Hoenikker, who helped design the atomic bomb, and takes John on an eventual journey to the fictional tropical island of San Lorenzo.
On the way, and whilst there, John meets the Hoenikker children and gradually learns about a substance called Ice 9. He brilliantly combines satirical humour that harks back to the irreverence of Mark Twain with exciting sci-fi and adventure themes. As it should be deservedly preserved: the adventurous story is as strong as any in our book lists. A disaster, referred to as a plague, has killed everything else with a Y chromosome – and taken out a few women too, in the process. Hiding himself in disguise, Yorick starts a trek across America, determined to find his girlfriend (in far off Australia). It’s set aside from the usual wasteland survivor scenario by its religious undertone, as the deadly apocalypse leads to the rise of an altogether different destructive force, and sets the stage for a battle between good and evil. Fiction serial, Pilgrimage of the Damned, available to read free online at Jukepop Serials.Site designed and written by Copywrite Now.
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