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Yet another bout of end-times hysteria is sweeping the nation, or at least our flat screen TVs. One of the most popular new dramas on broadcast TV this year has been Revolution, which depicts a world in which all electricity has gone off, and stayed off, for 12 years and counting. Meanwhile, on the cable “reality” front, the National Geographic Channel’s most popular show is Doomsday Preppers, in which a weekly collection of actual citizens are shown preparing for whatever apocalyptic scenario has seized their fevered brains—from Abrams’ universal power outage to a currency collapse or a terrorist takeover. Y2K may have passed with a whimper, but September 11 and the looming likelihood of a climate catastrophe have since given plenty of inspiration for those inclined to expect the worst. NBC’s Revolution seems to take much of its inspiration from The Hunger Games series of young adult novels and now films. But this is TV, after all; and the real drama in the series turns out to be the moral crisis of a middle-aged character, Rachel Matheson (Elizabeth Mitchell), who must struggle with the choice between individual desire and the common good in the starkest of terms. Once you’ve accepted those far-fetched premises, it makes perfect sense to spend every spare moment doing target practice, or maybe mapping the sewer system under your town. Back in the late 20th century, there was a spate of pop culture doomsday mongering—including the film Testament and the TV miniseries The Day After—prompted by what was then the very real threat of global nuclear war. The preppers are right that we have some pretty apocalyptic problems today, with climate change topping the list. Danny Duncan Collum teaches writing at Kentucky State University in Frankfort and is the author of four books, including the novel White Boy (Apprentice House 2011). Lynda on Best places to survive a (zombie) apocalypse?:I think a major airport would be a good place to secure and live. Wherever you walk here it is hunks of buildings standing up without roofs or sides, and people living in them. Picture this: you are making your dream After the End film, comic, manga, or book, and you need a way to really knock it into your audience that this world is, indeed, a Crapsack World. Scenery Porn refers to lavish attention to background details, made in order to suck the viewers into a beautiful, gloriously detailed otherworld.
High Dynamic Range (HDR) renderings seem to go hand-in-hand with Scenery Gorn, as everybody taking pics of real-life examples (below) seems to be addicted to HDR.
Crapsack World pretty much always involves Scenery Gorn, but the principle difference is that Scenery Gorn is just the scenery aspect. Closely related (possibly sub-) tropes are Saharan Shipwreck and Ribcage Ridge, and often includes an Empathy Doll Shot. The German painter and World War I veteran Otto Dix's hellish landscapes from the trenches of the western front. Inverted in the movie - buildings crashed by the hundreds in a perfectly spherical crater, but nearly all the dead are completely disintegrated.
One comic in the Marvelman series, featuring Kid Marvelman, has London becoming just about the closest definition of Scenery Gorn after he goes on a murderous rampage through the city and gruesomely murders nearly every inhabitant in a highly disturbing manner. The Invisibles has the blasted, holocaust-slum lands of the Outer Church, devastated cityscapes filled with impaled corpses and stalked by the nightmare figures of the Archons and their servants. Bio Apocalypse has the entire planet covered by a hideously mutated, constantly evolving organism where lesser organisms are being perpetually consumed, defecated, tortured, impaled, and digested out of other constantly evolving and rotting orifices.
At least once per issue of Heavy Metal Magazine is a story set After the End or in a still-functioning Dystopia that begins with an Establishing Shot displaying all of its wretched beauty. Aftermath: Population Zero and Life After People are both Speculative Documentaries that focus largely on envisioning the world as it would look if humanity suddenly disappeared.
Time Gate LBT has some scenery gorn depicting the entire US in the aftermath of a nuclear holocaust. Poke Wars shows the raw power of undampened Pokémon by describing the ravaged landscapes that the battles leave behind. The first few pages of Gormenghast in particular are so full of rotting corridors and oppressive kitchens that readers may find themselves suffering from an abstract kind of seasonal affective disorder until the lens of narrative rises above the tower and surveys the sunset over a wooded mountain.
A Series of Unfortunate Events has the ruins of the Baudelaire mansion, and Olaf's house in The Film of the Book. The Dark Tower contains numerous, detailed descriptions of the post-apocalyptic land of Mid-World. In the book and radio versions of The Restaurant at the End of the Universe, Zaphod Breeblebrox visits a bombed-out wasteland of a planet, littered with the crashed hulks of numerous buildings. In the later Harry Potter books, as Voldemort has risen to power, Diagon Alley (the reader's original introduction to the fantastical magic world) is depicted with abandoned storefronts and dark figures. In the short story "Ananke" from Stanislaw Lem's Tales of Pirx the Pilot, a long time is spent describing the wreck of a huge (as in, 100000 tons heavy) crashed rocket. The Zone from Roadside Picnic is a town that got turned into a disaster area by an alien visitation.
The Deltora Quest series has the Shadowlands, a completely desolate, flat, empty grey wasteland, where the sky is always covered with clouds and the only inhabitants are feral monsters and the occasional heaps of imperfectly made Grey Guards.
Although it did not happen in the Miniseries, The Plan had shots of (almost) every Colony during the Cylon Holocaust, with Nightmare Fuellerrific images of burning cities and fleeing (or dying) people in a 10 minutes sequence.
FlashForward (2009): The first 17 minutes of the first episode is dedicated to showing the destruction that occured in downtown LA when the entire world's population simultaneously blacked out for 2 minutes and 17 seconds.
Life After People: Doesn't just show us scenery gorn, it gives us a depressing play-by-play of just how well the stuff we made would last without constant maintenance. Revolution: Many shots of overgrown modern stuff, such as a city being overgrown with plants in the pilot episode. Sanctuary: Taken somewhat literally in one episode, with the shredded bodies of hundreds of mermaids floating in the ocean. Threads: From the moment when the bomb hits Sheffield, there's nothing but scenery gorn - collapsed, burning buildings, piles of corpses, feral dogs.


Warehouse 13: At the end of Season 3, we get a rather graphic depiction of the Warehouse being completely destroyed in an explosion. Low Winter Sun is set in Detroit and uses many of the city's more clapped out locations to emphasise the show's Crapsack World setting. In the Supernatural episode "All Hell Breaks Loose, Part One" (S02, Ep21), the Roadhouse is burnt to the ground and as Bobby and Dean search through the debris we get close ups of familiar items in the debris as well as at least 3 badly burnt bodies.
The cover of Midnight Oil's 1984 album Red Sails in the Sunset features a spectacular image of Sydney Harbour, with famous Opera House and Bridge, as a water-free, crater-strewn, post-nuclear-holocaust wasteland. News Corp is a network of leading companies in the worlds of diversified media, news, education, and information services.
A flood of postapocalyptic stories is now headed toward movie theaters and TV screens: Expect to see characters fending off cannibals, picking up day-to-day survival techniques and struggling to maintain their humanity amid the ruins. In “The Book of Eli,” a movie scheduled for January, Denzel Washington plays the fierce protector of a book that holds the key to mankind’s redemption in an American wasteland created by a war 30 years earlier.
First there was the Christian radio evangelist who predicted that the rapture would occur on May 21, 2011. Certainly Revolution has plenty of very attractive young people engaged in lots of choreographed hand-to-hand combat. Rachel triggered the worldwide blackout by unleashing electricity-absorbing nanites to keep her terminally ill son alive.
For these folks it’s all about “me and mine.” Preppers have convinced themselves that some sort of natural, economic, or political disaster is imminent. Then you have to consider the fact that a social collapse could result in martial law and the confiscation of firearms, which means you’re going to need that catapult you’ve been working on.
But those tales of apocalypse, while they often placed typical families at the center of the drama, ultimately were not hymns to the primacy of kinship ties. But we can’t save ourselves from that, or any other looming disaster, as individuals, or even as families. Except the Ghetto, where it is just a great plain of bricks, with twisted beds, and bath tubs and sofas, pictures in frames, trunks, millions of things sticking out among the bricks. Scenery Gorn, on the other hand, means to bludgeon viewers with a lavishly detailed depiction of absolute hell on earth, or scenes of complete and utter destruction and deprivation.
Seems to be uniquely useful here since interiors lit only with sunbeams through windows or holes can't be accurately depicted with normal photographic technology when lit as they actually occur, and that natural lighting is essential to remaining authentic to the scene. Especially in settings where the abandoned ruins have long since been reclaimed by the forces of nature.
The aftermath of the psychic explosion from the post-teleport death of the creature Ozymandias beams into New York.
Some of the things shown include people running from a rain of severed hands and feet, skins hung up on clothes lines, corpses impaled on the hands of Big Ben, the Tower Bridge in ruin, mounds of severed heads, heads on pikes, cars full of people plummeting to earth, mutilated children wandering screaming through the streets, and countless dead bodies.
Civilization collapses into Scenery Gorn, but over longer periods of time it blossoms into Scenery Porn, as plants and wilderness reclaim everything.
The descriptions of ruined environments, destroyed cities, and the active annihilation of the landscape is done with almost worrying relish.
Sonic and his friends find many worlds devastated by the Metarex conflict and Shroud pandemics, and some changed beyond recognition from losing their Planet Eggs. Even then, it's a bleak and thorny world Mervyn Peake paints in this foreshortened masterpiece.
Hell boasts such attractions as the Dandruff Desert, the Swamp of Partial Birth Abortions, and the Great Ocean of Wasted Sperm. It's described as looking completely normal, if deserted, at first glance, yet having many subtle unsettling details - non-decaying trucks, shadows that point in the wrong direction. It's so gorntastic that just being there is fills you with magically induced soul crushing despair. Lovecraft generally preferred describing attractive scenery, but when ugly scenery did show up, he certainly didn't skimp on descriptions of that, either.
Jeff wakes up after a nap in his car to find the entirety of Greendale empty, with every square inch covered in dots of paint. Other Doctor Who stories to feature this include just about ANY Dalek story, "The Brain of Morbius," "Survival," and countless others. And when the action moves into the countryside, nuclear winter has taken care of all plant and animal life.
One beat cop even jokes that if some terrorists were to "fuck up" the Western district, nobody could even tell.
Wells' original, Jeff Wayne's Musical Version of The War of the Worlds evokes a barren, rarefied London stricken with Red Weed, its buildings devastated by Martian weaponry - the music, especially, evokes a kind of sickness. Previous waves of pop-culture disaster, from the Atomic Age paranoia of “War of the Worlds” to Watergate-era flicks such as “The Towering Inferno,” have depicted calamity in stunning detail. Then, for the post-Christian types, there was the claim, allegedly based on the ancient Mayan calendar, that the world would end December 21, 2012. Abrams (who made the long-running cult favorite Lost), Revolution focuses on the former United States, which has devolved into a patchwork of fiefdoms at war and a rebel movement that aims to bring back the old republic. Rumors of apocalypse seem to be a natural by-product of the Judeo-Christian tradition’s linear view of history that sees all of time aiming toward a messianic fulfillment. In addition to several upcoming end-time-themed releases, this spring saw the opening of both the post-apocalyptic Tom Cruise vehicle Oblivion and an apocalyptic parody, This is the End. Also the series’ central female character, Charlie (played by Tracy Spiridakos), is, like The Hunger Games’ Katniss Everdeen, a mean hand with a crossbow. She knows how to bring the power back, but for a dozen years she has watched her nation degenerate into a Hobbesian war of all against all.


So they devote their time, and sometimes their entire lives, to building bunkers, collecting weapons, and devising schemes to escape the doom awaiting the rest of us.
Or, as a last resort, you might want to bury a solid steel bunker, so your family can ride out the storm unscathed. They were cautionary tales meant to inspire a mass movement to turn back the threat of nuclear armageddon. However, dark becomes pitch black, when the scenery gorntastic descriptions of a war ravaged Great Valley come in.
Others have been turned into glassed hellholes by the Demon Empire or transformed into living conduits of Dark Chaos Energy.
The first does this with Earth at the end of the planet, and the second does this with a barren, Red Weed-stricken London. The 3 Doors adds the Saltings, which is basically the proto-Shadowlands, only completely filled with carnivorous Snails. The "blasted heath" from The Colour Out of Space is particularly notable (though in that case, it's relevant to the plot). Lewis's The Magician's Nephew (the sixth book in The Chronicles of Narnia series, but the first in internal story history), two children, Polly and Digory, accidentally stumble into the wrong world in the Wood Between the Worlds (by jumping into the wrong pool with their magic rings on their fingers). Shutters are closed, everything's flipped over to form cover and there's things strewn all around. The camera pans over the volcanic hellscape of the Siberian Traps or a beach strewn with corpses choked by hydrogen sulfide.
We get to see it at the height of the Time War - the city dome broken, the ground littered with destroyed Dalek saucers, the Time Lord Citadel in ruins. For extra pizazz, the game uses a rotating color cylinder inside the cabinet to make the table and model buildings appear to be on fire. In his next movie, “2012,” which comes out in November, the earth will rip apart, fulfilling an ancient prophecy. Despite 12 years without electricity or modern personal care products, all these young people of the future are remarkably well-groomed as they go around in horse-drawn wagons waving their swords.
Familiar objects are weathered, rusted, rotted, sun-bleached, and may be encrusted in dirt and dust which has been wetted by rain at some point and dried. Instead of arriving back in Earth, they find themselves in an ancient, totally lonely, lifeless world seemingly covered entirely by a devastated, crumbling city - the sun has gone red and hovers forever on the western horizon, in a dark sky. What's most impressive about this is that the first paintball episode wasn't the season finale, so somebody had to clean up the entire set ready to begin filming the last few episodes. One of the best known is of course the rampage of the Dragonzord towards the end of the Evil Green Ranger saga from Mighty Morphin' Power Rangers.
The director previously leveled civilization with an alien attack in the 1996 movie “Independence Day,” unleashed Godzilla a couple years later and orchestrated a climate disaster in 2004’s “The Day After Tomorrow.” His new film, he says, reflects a darker world view.
Finally Rachel had to acknowledge that his life had not been worth the damage done, and she set out on a journey of redemption aimed at restoring the juice. If you're doing a Cyber Punk work, be sure to have gloomy, twilit, ominous skyscrapers towering over masses of stinking poverty — lots of smokestacks, toxic waste and pollution by the slums, and decadent advertisements choking the more economically robust areas. Buildings, vehicles, etc may be half-buried in sediment as if a flood had come through, basically they're melted into the ground.
It is here that Digory foolishly obeys a verse posted by a bell and hammer tempting one to strike the bell with the hammer, and does so, and brings to life once more Queen Jadis, who later becomes the White Witch in the first book, The Lion, the Witch and the Wardrobe - and of course desperately wishes he could undo his action, but cannot. Strong buzz has been building since last year for “The Road,” this October’s film adaptation of Cormac McCarthy’s best-selling novel, about a boy and his father trudging through the scorched remnants of an unspecified cataclysm.
Not too long ago lots of otherwise sane and normal people really expected that every computer in the world would stop working on January 1, 2000. If you're making a Disaster Movie, be sure to have tons of destroyed skyscrapers, overturned cars, general burning chaos, or in the aftermath, mute, smoky desolation.
Cracked desert soil is common, though not required, the next likely option is jungle-like overgrowth as the Earth retakes the city.
Jadis reveals that it was she who, aeons ago, destroyed the world whose ruins the three are now in, known as Charn, by uttering the Deplorable World, which totally destroyed her enemies, and, in the process, their entire world. Many of these elements are directly based on what has already happened in real abandoned locations. It’s about a town that is isolated from the world thanks to a giant dome that mysteriously fell over it. Season 3 will premiere on CBS with a two-hour opening on June 25.Adventure TimeAdventure Time is finishing up its current season NOW. An alien race also tries to take over the Earth but their attempt fails (while almost destroying civilization in the process.) This show is about the aliens and humans trying to live together while rebuilding the world. If you want to catch up on this AMAZING show that is the definition of everything post-apocalyptic, then check it out on Amazon here.ContainmentContainment is VERY similar in premise to Between.
It’s about a town with a mysterious, lethal virus (in this case, Atlanta) that is immediately quarantined and isolated from the world.
This is more about avoiding the apocalypse and how a town handles being hit by a potential one. Her favorite shows of all-time are Battlestar Galactica and Lost, and she's always happy to talk about her cats.



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