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When Coober Pedy was founded after the first opal discovery in 1915, it was with the zeal and the promise of the gold rush of the American Wild West. Nationalities with as diverse a cultural and linguistic heritage as Chinese, Greek, Serbian and Australian aboriginal share the town, speaking their own languages, eating their own foods, and practicing their own faiths and cultures. A dusty golf course and a sandy rugby field are embraced by the locals who enjoy sporty pastimes in the open air, and a shooting range comes to life at night when the temperatures are lower. The utopian sublime of the earlier settlers, characterized by outward exploration into the promising sweep of new opal territory, has perhaps shaded into a more dystopian sublime, where psychological territory, including best survival skills in a new urban futurism, replaces plundering fresh geographic territory. As for the effect of the latest “Mad Max” film, a town resident comments with signature casualness, “It was screened at the local drive-in theater last night but I was out enjoying the Painted Desert. Before I get into the list, I think a distinction between dystopian and post-apocalyptic films is necessary. Both classifications have been run together too often in recent years to the point that they’re nearly indistinguishable.
The Dystopian genre is distinguished by a lack of a specific global catastrophe that dramatically impacted society, for it is more about a possible future our society could bring about, while an Apocalyptic or Post-Apocalyptic one is about the fallout, how human beings cope in the aftermath. As I made the list, I was shocked to discover how many great dystopian films there were, and how few good post-apocalyptic ones existed.
Long after mankind has abandoned a trash-filled Earth for luxurious lifestyle aboard spaceships, a Waste Allocation Load Lifter – Earth Class cleans up the mess. The gold standard that determined the post-apocalyptic world in the 80s as post-nuclear Australian world, filled with leather and spikes and belts, the slap-dash vehicles and that razor boomerang. A classic anime masterpiece based on a great manga that chronicles the competition between rival biker gangs as they speed through a post-nuclear version of neo-Tokyo. Indeed a post-apocalyptic film, since the true reality consists of a wasteland filled with dominant machines that employs human beings as batteries.
A violent post-apocalyptic world filled with people infected with a virus that drove them to a murderous rage.
One of the most bleak and depressing films of all time where a survivor and his son travel south for less inhospitable climate in order to find solace from a world ravaged by an unspecified nature. An early dystopian film that succeeded at the box office, it included a terrific social commentary where a group of astronauts land on a world populated by civilized apes. The only reason this does not qualify on either list is because it spends more time in the modern day than it does in its post-apocalyptic future of a depopulated world.
I actually thought The Road was garbage – both as a stand-alone film, and in relation to the novel on which it was based. As a stand alone film, I took issue with Kodi Smit-McPhee as the child, and this largely had to do with his constant crying, screaming, and basically childlike ignorance despite essentially being born and raised in a post-apocalyptic world. In films like Le Temps du Loup (Time of the Wolf) where children have been raised in similar traumatizing experiences, we see a more realistic portrayal where the pain gets swallowed and acted out in other ways than what amounts to crybaby temper tantrums. The violence of survival in this world was also overstated to the point of kitsch, instead of just a reality of a starving wasteland, which was exceptionally irritating.
Post TitlePost IDPost URLCommentsThis field is for validation purposes and should be left unchanged. In typical New York fashion, the Dodge Charger from Fast Five got the high-attention spot on the main floor of the New York Auto Show to flaunt its matte-black paint and automatic transmission. Vince Grashaw, one of the film’s producers and actors, has been promoting the movie by driving Medusa to colleges around the country. The Skylark’s major modifications are the rear flamethrowers, which feature a 30,000-volt ignition system.
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A Latvian baron in hiding since 1945, known locally as Crocodile Harry, ended his colorful journey in Coober Pedy, leaving the many photographs of his wrestling wild crocodiles in a loin cloth, along with his collection of wilderness tools, bones, primitive art and visitor mementos, in his underground nest. What unites them is their hard-working lifestyle and their hunt for fortune, which for many of them, is a dream that really does comes true. Aside from the gruelling man-made work of mining, the natural climate is inhospitable to humans.
The Greek, Asian, Italian and Eastern European dishes found in local restaurants are as authentic and excellent as if eating out in their best metropolis eateries, or as a guest in a local loved one’s home in these world capitals so far away.
However, a good understanding of cinema requires clear and distinct earmarks of each genre, and that will lead to a rich & robust discourse. The built-in advantage of cinema to portray a possible world should not matter to either genre.
WALL-E eventually develops a personality, collects trinkets, and eventually encounters others.
The film is basically an allegory of human life without oil where a vicious marauding gang attacks a group because they operate the only oil refinery for miles in a depopulated world. However, the cyberpunk gang members are interrupted by children with psychic abilities and they awaken a dormant super-human force that goes out of control. A computer hacker discovers the true nature of the Matrix, and finds his destiny as the One and joins an underground resistance society against the machines. A terrific homage to zombie and invasion films like Dawn of the Dead and Omega Man, 28 Days Later… is a relentless thrill-ride that does not let up until the final frame.
With starvation and cannibalism right around the corner, The Road is an endurance test for anyone.
The ape world is totalitarian and has a caste system, and they treat the humans as inferior species. Although I can see why the kid would have major issues, being desensitized to this world would probably render him more equipped to deal with horrors than his father. Even in movies like The Hunger Games, the characters of children who have been raised in trauma and hence have somewhat adjusted to it are much more realistic than the boy in the film adaptation of The Road.
The Coen Brothers adaptation of another McCarthy novel, No Country for Old Men, was fantastic because it made use of the silences of the book. Described as a post-apocalyptic love story, the movie’s centerpiece is the junkyard transformation of a 1972 Buick Skylark into a fire-breathing tarmac terror. What started as a $2,600 Skylark bought off Craigslist evolved as the producers added mods as they shot their independent movie, combining two of the most money-thirsty hobbies known to man. The 350-cubic inch V8 has been bolstered with a supercharger; Fast Five-quality smoke comes from a bleach-spraying system on its rear wheels. You can set any of the images you like on wallpaperswa as your computer desktop wallpaper background and also you can share your own favorite hot wallpapers with others include but not limited to the themes of nature, animals, anime, celebrities, hot girls and so on. In the world that Pedersen has conjured, overgrown cities (though absent of their typical, busy inhabitants) are full of life.


It’s like a vision from the “Mad Max” movies (“Mad Max: Beyond Thunderdome” was filmed here) with ‘white men,’ and women, working, living and surviving industrially inside those holes. They all got rich and built the community that has remained relatively unchanged since (though the current town infrastructure was dug out of the desert rock in 1960); a population of approximately forty-five nationalities that hovers around 3,500 people. One local couple recently found the largest black opal ever discovered, and many others contribute to the $15 million local annual opal trade. In high summer, daytime heat exceeds 108F and in winter, desert night temperatures plummet to below freezing. Then again, dystopian films are often deeper on a philosophical level than the post-apocalyptic, thematically. The best dystopian films are listed here.
Upon escape, the lone survivor flees to a forbidden zone and realizes he landed on [SPOILER] an post-apocalyptic Earth. The Road did not – it could have been a nearly dialogue-free movie (with much more stark visual and emotionally eviscerating impact), but instead the silences were shortened, or flashbacks and unnecessary dialogue were interjected.
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Migrating to this far-away place to spend a life underground digging for what the silica minerals in an ocean 150 million years ago left behind: precious cosmic-looking opal gemstones, is a journey the non-aboriginal populace come here from all over the world to do. The official census doesn’t count a fluctuating margin of several hundred drifters that arrive for Opal Season, which kicks off at Easter and ends in November, or those who come to Coober Pedy to evade society, the law or other undesired attentions, or who live here but don’t speak English and prefer not to be counted as official residents. With seventy opal mines supplying the international market with gem quality opals, Coober Pedy is the opal capital of the world.
To save on costs of heating and cooling, locals live in underground dwellings called dugouts. Inside the IGA supermarket, an oasis opens up with some of the freshest produce and best organic food sections in South Australia.
He bears the markers of a child but his trauma is writ clear without reducing him to a blubbering, helpless mess – the mess that Kodi Smit-Mcphee portrays.
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But the digital works have their quiet aspects too- deer slowly pick their way through the brush; and stoic, masked tribesmen explore their bizarre surroundings. These are two to three bedroom homes with living rooms, kitchens and bathrooms that remain a steady 77F but let in no light.
Good green smoothies provide amnesia against the extreme isolation, dust storms, drought and greenless expanses that lay beyond.
Beneath the environmental destruction is a fondness for consumer goods, complicating the overt critique of consumerism. Most of the important infrastructure is underground—Orthodox Serbian and Greek churches, hotels, bars, businesses, the local casino and historic museum. Above ground, the local tree is constructed of iron scraps and stands over plains that stretch forever in all directions towards cattle stations and sacred aboriginal grounds.



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