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Wilderness survival and bushcraft are thoroughly aspirational - even to incurable stay-at-homes. To help you create the experience of a lifetime, ISN Leiden is here to create your home away from home. We've made it our mission to help newly arrived students to find their way. This Survival Guide on our website will act as your first tool to make yourself feel at home in Leiden. You will create a wilderness survival guide, including ten items that you should never be stranded without and five tips for surviving on a tropical island. Hayley McKenzie is a Script Editor and founder of Script Angel, helping screenwriters elevate their craft and advance their screenwriting career. If the development process was all about collaboration, being the screenwriter of a script in production is all about compromise, if you’re lucky, or watching helplessly from the sidelines as your beloved script gets ruined if you’re not.
The first thing to remember is that in film the creative vision is considered to be that of the director and not that of the screenwriter. The other thing to bear in mind is that what your script means to you and what it means to the (possibly hundreds of) people involved in making the film a reality are worlds apart. Your script is no longer a piece of art or a wonderful story full of emotional associations.
Getting your script made is a joy and a thrill and is ultimately the reason you wrote it in the first place. Hayley McKenzie runs Script Angel working as a Development Consultant and Script Editor on feature films and television dramas in the UK and USA. The Screenwriting Directory is an online resource with more than 2,500 verified listings for Hollywood industry insiders.
Attend a live Online Screenwriting Webinar from the Writers Store and learn from top screenwriters, agents, and instructors.
In what realm four different schools for our five children ever made sense, I will never know. Joe keeps it simple and describes in straightforward steps what to do to make yourself safe and comfortable: how to build a shelter that will really keep you warm, set a trap that will really catch food, identify plants that will really feed and nourish you and build a fire that will really light in all weathers. This book encourages the values of improvisation and self-reliance in extreme situations - a form of escapism enjoyed by most viewers of survival TV programmes.
We will help you create memories you will cherish forever and find friends you will never forget. Our mission is to represent international students, thus providing opportunities for cultural understanding and self-development under the principle of Students Helping Students. You’ve made it through script development and your precious script has finally been green-lit for production. It might be something many writers strive for, but being the Showrunner and the creative vision behind a show isn’t for everyone. The chances of a screenwriter, even a successful one, being fired or replaced on their own original work are incredibly high compared to television.
The chances are that you, as the screenwriter, have had nothing to do with choosing the director.


For the film crew it is merely a template, a set of instructions, a guide that dictates what their job will involve for the coming months. Understanding, or at least having some vague notion of, what all these people in a film crew do, the kind of hours they work and the pressure they’re under is vital if you want to stay involved. But filmmaking is an extraordinarily difficult process, and you might not like what comes out the other end of it. Rather than vent to your friend over the phone about all the craziness, take it to the streets and catch up over a nice walk.
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We are the international student organization of Leiden, based on the principle of Students Helping Students. You’ve survived an onslaught of script notes, some of which made it vastly better, some of which made it different, but thankfully, at least not worse, and others you persuaded the giver against.
Russell T Davies writes brilliantly about the joys and stresses of showrunning Doctor Who in his book The Writer’s Tale. If you’re lucky, the director will share your vision of the piece and sprinkle their own magic dust over the top of your already brilliant script, turning your pages into cinematic gold. You might not want to change a single word of your script after green-light but the reality of what happens to a script in this pre-production stage and again during shoot is eye-watering. My advice: hope for the best but expect the worst, that way you won’t be disappointed and you might be pleasantly surprised. Hayley was Development Executive at ITV Studios and script edited primetime UK shows ‘Casualty’ (BBC) and ‘Blue Murder’ (ITV).
So here are a 15 tips from my End of the School Year Survival Guide with a few applications from last week.
Because you never know when a kid might come downstairs minutes before we have to be out the door and in the car missing all but 2 buttons on his shirt (How has he been wearing that thing?!) or when the front cover of your washing machine might decide to fall off. Especially on those evenings when one of the kids announces that a project, never before mentioned, is due the next day.
Yes, a lady shoo’d me at the end of our crowded street last week, motioning me to back up so she could get through. The last thing you need during end-of-the-year craziness is feelings of self-doubt creeping in because an outfit is tight when it should be loose. No worries that you arrived at carpool early, sat for 25 minutes waiting for school to dismiss, drove up to the cone only to not see your child because he has a standing commitment after school on that day – let it go. During your stay in Leiden - whether you are here for just a semester, a year, or perhaps even longer - ISN will introduce you to the Dutch culture and the Leiden student life. Each item or piece of equipment should be on it own page with a short description, picture, place to purchase it, and cost listed.
If you’re unlucky, the director will have a different vision of the film your script should be but perhaps it will be different but not worse than what you had in your mind.
You have lived with this story and these characters and this world for a long time, perhaps years.


Production is a compromise between the ideal (your script) and what is practical and possible.
If your school is already out, maybe some of the tips might help in other stick-a-fork-in-me-I’m-SO-done situations. Who cares if you cut watermelon for the fun end of the year swim party that is actually this week, not last.  Let it go.
When you feel like everything is closing in, go outside for a moment, notice the flowers blooming, the birds singing, Seems silly, but such sights and sounds offer serenity … and a reminder.
I'm a recovering enabler, procrastinator, controller, grammar hacker and am calendar challenged (among other things). We organise parties, excursions, international dinners, charity initiatives, sports activities and much more. OK, now stop, because there’s the small matter of production to get through yet before there is a film for anyone to see.
And if you’re really unlucky, the director will have a completely different idea of what the film will be, and you’ll hate that vision and the film that comes out the end of this extraordinary process. You have been through agonies and ecstasies together, and that has created a bond that is hard to break, but break it you must if you want to stay sane in this business. In the spirit of the water bottle, and other trash, that fell out of the car earlier that day, Roll With It.
Remember, his brain is as fried as yours and that he’s ready for summer, just like you.
Emotions can run high in a stressful day, just be sure to follow a flub with a genuine mea culpa. On top of that, we have our very own ESNcard, which does not only act as a membership card, but also provides you with many discounts in local bars, restaurants and other businesses.
However skilled your writing, much of what is on those pages is open to interpretation, and you now have to leave that interpretation to other people and trust in their skills and artistic choices. Of course, all that assumes that anyone’s even bothering to involve you post green-light in the first place! Plus, even though it might not feel like it in the moment – everything will actually get done. Most of the film world works on the assumption that once the script is bought, the screenwriter’s job is done and their involvement ends. If you want it to be different you’re going to have to fight to make it so, but it is possible.




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