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The country looks to Hollywood this Sunday for the 84th Annual Academy Awards, but Hollywood has been looking to politics for great material since its very beginning. Cold War fervor and fear at its black-and-white best, complete with real-life brainwashings before George Romney made them famous. Michael Douglas is a drug czar, Benicio del Toro is a Mexican cop, and Catherine Zeta Jones is the wife of a major drug cartel boss in this star-studded film that takes an unapologetic look at the drug war on multiple fronts: the users, the dealers, the politicians and the police. I don't know if this is really my favorite, or if it's just been conditioned to be by the years of constant repeats on cable television. Take a conservative tycoon with a compelling life story, a way with folk music, some slicked-back hair and absolutely no moral compunction -- and you've got Bob Roberts, the 1992 comedy in the vein of mockumentaries like "This is Spinal Tap." It's one part farce, A two parts satire and probably a little bit of genius by actor, writer, director Tim Robbins. In this dark comedy, Chance the Gardener accidently becomes Chauncey Gardiner, an upper class, highly educated business man. Though the plot of this film was more romance than politics, it definitely has a political undertone. This classic Washington movie, written by Aaron Sorkin, is chock full of quotable lines and has one of the most star-studded casts ever to work inside the Beltway.
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. FFC Gerardo Valero reexamines the 2015 James Bond film "Spectre" after the dust has settled. It is hard to make a good love story, harder to make a good comedy and harder still to make an intelligent film about politics. Extremely minor edge wear, pinhole in each corner & at the top & bottom edge centers, Small line of print loss dots (Near bottom left corner), Otherwise Very Good ! A romance set in the high altitude world of the White House, The American President benefits from a stellar cast and a balanced blend of love and politics, although the idealism does get somewhat mawkish. Democratic President Andrew Shepherd (Michael Douglas), a widower, is three years into his first term, eyeing reelection, and riding high in approval ratings. Shepherd is immediately attracted to Wade, and a courtship ensues, sending Washington into a tizzy. Written by Aaron Sorkin, The American President is intellectual, romantic, thoughtful and witty. But Sorkin cannot avoid veering into the land of idealistic grand gestures, and when the President's love life finally collides head-on with the realities of his political agenda, the resolution is through the sort of noble policy U-turn, delivered with sombre drama in the White House press room, that can only exist in a screenwriter's head. Director Rob Reiner provides steady pacing and avoids extremes of emotion or drama, allowing a relatively plausible story to unfold at a relaxed pace. With glamorous Washington DC settings providing an enchanting backdrop, The American President glides to success, perhaps not in a landslide but with a comfortable majority. Plot Outline: Boy meets girl – and the press tracks their every move, rivals fire broadsides and a President with a 63% popularity rating plunges to 41% in seven weeks. Quick Hit Review: The American President, directed by Rob Reiner from a script from Aaron Sorkin, is a great movie that hinges on the performances to go along with a unique story. Politically speaking, like “TWW”, it’s a bit idealistic and romanticized at how these characters are portrayed on one side of the aisle, but after 17 years, the film is still well made headlined by the performances and music by Marc Shaiman.
The American President arrives on Blu-ray presented with a 2.40 aspect ratio and 1080p high-definition transfer. This earnest, intelligent, and well-written romantic comedy is enjoyable and optimistic in classic Hollywood style, even if its idealism doesn't seem quite so credible against the cynical political backdrop of the Nineties. If the GOP race isn't providing you with enough excitement, check out some of the titles on our list of the best political films to get in the campaign spirit. You realize that Frank Sinatra was a terrific actor, and the filmmakers were right not to cast him as the presidential candidate but as his friend.

Senators Harry Reid, Charles Grassley, Orrin Hatch, Don Nickles and Barbara Boxer all make cameo appearances. This movie has a political agenda, but more than that, it has rich characters that suggest the question, What kind of a person would want to give up their entire life to run for office anyway? Chance has rarely ventured out from his job as a gardener at the townhouse of a wealthy D.C. Not only do you have Michael Douglas as President Andrew Shepherd, but as an added bonus, Martin Sheen plays his loyal chief of staff before he went on to serve as president himself for seven seasons on "The West Wing" (another Sorkin gem). This movie is to politics what "Cinderella," "Snow White" and "Beauty and the Beast" are to relationships. Rob Reiner's "The American President" cheerfully does all three, and is a great entertainment - one of those films, like "Forrest Gump" or "Apollo 13," that however briefly unites the audience in a reprise of the American dream. The president of the United States, Andrew Shepherd (Michael Douglas) has been a widower for several years. You will receive a weekly newsletter full of movie-related tidbits, articles, trailers, even the occasional streamable movie. Fox, Anna Deavere Smith, Samantha Mathis, Shawna Waldron, David Paymer, Anne Haney, Richard Dreyfuss, Nina Siemaszko, Wendie Malick.
While Wade's new cachet helps her to win support for the carbon reduction bill, Republican presidential hopeful Bob Rumson (Richard Dreyfuss) seizes on the President's White House romance to question his character, and starts to mercilessly attack both Shepherd and Wade. The film is a rarity in targeting an adult audience, avoiding any boorishness, and finding moments of humour without ever descending to childish behaviour.
Sorkin would go on to create television's The West Wing as a quasi spin-off from The American President, television a more appropriate venue to peddle simplistic solutions to complex issues. Michael Douglas finds the perfect balance portraying the decisive leader of the free world who is also a living, breathing family man with emotions, reservations, and a need to love. To add colour Reiner calls on an outstanding supporting cast to keep the proceedings lively, with Martin Sheen a steadying influence as the President's long-term friend, confidant, and now Chief of Staff. Michael Douglas and Annette Bening share wonderful chemistry and the supporting cast, a few number of whom would move on to starring on Sorkin’s “The West Wing”, are phenomenal, especially Martin Sheen and Michael J.
President Andrew Shepherd (Michael Douglas), an unabashedly liberal Democrat, is just gearing up for re-election when he meets an attractive and sharp environmental lobbyist named Sydney Wade (Annette Bening). What's more, who wants to give up their life to work for the person who wants to run for office? Obese adults permanently tethered to their armchairs where they eat all their meals through a straw and watch endless hours of television? The tale of a widowed president finding love with an environmental lobbyist may seem like the plot of your basic romantic comedy, but with its rapid-fire policy debates and Washington lingo, The American President will make any viewer feel like a political insider.
So I guess that's how I feel about the electoral process in general, which makes this movie the most accurate reflection of politics I've ever seen.
One day, he meets an environmental lobbyist, newly arrived in Washington, named Sydney Ellen Wade (Annette Bening).
The President takes the high road and his popularity starts to plummet, jeopardizing passage of the gun control bill, and forcing Shepherd into some difficult decisions. Annette Bening is a perfect match, and she triggers some of the funniest moments as Sydney Ellen suffers severe foot-in-mouth during her first few interactions with the President.
President Andrew Shepherd (MICHAEL DOUGLAS) falls for lobbyist Sydney Ellen Wade (ANNETTE BENING), then free-falls in the polls.
Often times with these catalogue titles, you ever know what you’re going to get but this is a case where the upgrade is worth it. You also get to watch a presidential candidate (Laurence Harvey) with a bizarre accent and remember this came out during the Kennedy years.

But once his benefactor dies, Chance is taken in by Washington elites including an adviser to the president.
Once the romance blossoms, Douglas and Bening make an attractive couple, generating believable warmth and as much comfort as a relationship with the President can afford.
Fox is the highly strung, phenomenally smart domestic policy advisor, built and designed to anticipate and worry.
It veers into the fanciful toward the end, but the early scenes of Tim Robbins melding Bob Dylan with Gordon Gecko into a vanity senatorial campaign are hilarious and a bit alarming because they seem almost plausible. Clearly this is an argument for environmental conservation and a reassessment of American priorities. Smith's wide-eyed optimism that he can make a difference, change the world and help the helpless make Washington seem like a place where dreams can come true. Shepherd's first priority is the passage of a gun control bill, while an environmental initiative calling for carbon emission reductions is also on the agenda.
Richard Dreyfuss sinks his teeth into the role of the antagonist Senator Rumson, breathing concealed fire while offering nothing of substance in a naked lunge for power.
FOX), a sneering opponent (RICHARD DREYFUSS), state dinners, formal protocol, informal moments, global crises – all come into focus as the balance between private romance and public Presidency is explored. And with the utter unhappiness in America, especially when it comes to politicians, we could use a reminder of what a politician should be, even if Jefferson Smith is about as realistic as Prince Charming. Convinced she is talking to a prankster, she compliments him on his "great - - -." Because both Douglas and Bening are believable in their roles, and because the power and bureaucracy of the White House already have been credibly established in the opening scenes, this moment works not as sit-com but as explosive comedy. The Global Defence Council, an environmental lobby group, hires Sydney Ellen Wade (Annette Bening) to lobby the President and Congress and ensure that the carbon emission reduction targets are not watered down. Some may say Chance's qualities as a "Washington outsider" resonate with voters today more than ever. But how can he order flowers over the telephone when his credit cards "are in storage with your other stuff in Wisconsin"?
How can he bring a date home when the White House is ringed by breathless tabloid reporters? And what about Sydney, a serious career woman, who is told by her boss (John Mahoney), "The time it will take you to go from presidential girlfriend to cocktail party joke can be measured on an egg timer." The screenplay by Aaron Sorkin keeps three elements in tension all during the movie. What's admirable about "The American President" is that real issues - gun control, the environment - are handled realistically, in a series of subplots leading up to a presidential press conference that has a certain resonance even in the current political climate.
The inevitable strategic questions (like whether the power of "the most powerful man in the free world" extends to his bedside prowess) are part of the general embarrassment that both feel because the presidency, in a sense, comes between them.Douglas has specialized recently in more overtly sexual roles, as in "Disclosure," where he seemed like the hapless instrument of the plot. And Bening is simply luminous; I had hoped to conduct my career as a film critic without ever once writing that a smile "illuminates the screen," but something very like that happens here. Fox is his ideological conscience, Anna Deavere Smith is his press secretary, David Paymer is a pollster. Now the title is like the butt of a joke; both parties have lessened the office by their potshots at its occupants. It is also a film with a liberal political point of view, and that takes nerve; it would have been easier to create an Identikit president with manufactured issues.

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