Top movie documentaries of 2013,wilderness survival pack list hawaii,homeland security and emergency management market - Test Out

Most of these conspiracy theories are so bizarre and out there, you’ll find them hilarious. Interviews with cast, crew, producers and critics form a solidly woven history of the Halloween franchise. Interviews with Wes Craven, John Carpenter, Tom Savini, Stan Winston, Greg Nicotero, Robert Oppenheimer, and many many more.
Going to Pieces provides priceless insight into the creation and production slasher villains, and why audiences seem to love gore, and bloody, graphic deaths as much as they do. This is a definite must-see for any horror fan, as it not only explains the story telling process, but how all the different elements from story boards to matte paintings fit to make a cohesive and utterly chilling movie of paranoia and impending doom.
By far one of the most entertaining horror documentaries I have ever seen. It features some candid, and at times hilarious, interviews with the cast and crew of the all seven of the original Nightmare on Elm Street movies. Cassie has loved horror films ever since her father sit down with her and watched the Saturday afternoon monster movies on cable TV in the 1980s. Whenever Cassie goes out for a walk, she always sees three crows, which she firmly believes are stalking her.
Tagged  Best Worst Movie, Doc of the Dead, Freddy Krueger, Friday the 13th, Going to Pieces, Halloween The Inside Story, His Name was Jason, horror documentary, John Carpenter, Michael Myers, Nightmare on Elm Street, Not Quite Hollywood, Room 237, slasher films, The Shining, The Thing, Top 10, Troll 2, Wes Craven. To justify some of my choices here, we all know that you need charge stations for these things or you spend even more on batteries. Gamers come together with crusty old DJ's, slutty models and dancing pricks for Test Drive Unlimited video. I guess you can't argue with Eminem even if I'm no fan, so once again the present day loses out.
Thanks to streaming services such as Netflix, we’ve never had better access to documentaries. I’ve defined modern as being from 2000 onwards, which means some of the greatest documentaries ever made will not feature here.
Shane McConkey was an extreme skier and BASE jumper who lived life on the edge, and very much to the full.
The ultimate tribute to the ultimate film critic, Life Itself is the adaptation of the legendary Roger Ebert’s memoir from Hoop Dreams director Steve James. Based on the 2003 bestselling book by Bethany McClean and Peter Elkind, the Enron scandal is artfully deconstructed here - basically, how could a company that was rotten to the core project such a healthy and enviable public appearance? The result of the two directors year with a US Army platoon in Afghanistan, Restrepo is an almost purely visual experience of a soldiers life on the front line.
For those who think that when big name directors such as Scorsese or James Cameron take time away from making scripted mega-budget films to pursue documentaries they’re not giving us ‘real films’ I urge to watch something like this and reconsider. An incredible piece of filmmaking that captures the events of the Egyptian crisis, starting from the mass protests in Tahir Square. Rightly described as a ‘miniature masterpiece’ by the Village Voice, The King Of Kong depicts the vicious battle between two men striving to gain the world record score for Donkey Kong.
This Oscar winning film charts the life and career of former US Secretary of Defense Robert S. The documentary is an incredible insight into global security, and why certain decisions are made. Any film which posits Blade Runner as a vision of perfect city planning rather than dystopian nightmare has my attention. The story of The Green Prince seems like it comes straight out of the most cliched thriller imaginable.
Herzog’s first entry onto the list is a sublime 3D sensory experience which takes us deep into the heart of the Chauvet Cave in southern France, which contains the oldest cave paintings known.
A beautifully pure documentary, painstakingly put together from decades of footage never before seen and only recently released by NASA. Another Herzog entry (the man’s a genius), this time he tackles the subject matter of a man on death row.
I often think it might be useful for the current UK Government to watch this film, which handily and accessibly explains the 2008 financial crisis.
From the insane deregulation of Icelandic banks, to the investment banks borrowing hugely against their assets, and the fuelling of the the subprime mortgage market, the seeds of destruction and what they reaped is laid clearly out. Girlhood takes the documentary concept of following two lives over several years and crafts something truly special with it. The first and best of two documentaries that Anthony Baxter has made on a similar theme, this one following professional Twitterer Donald Trump's decision to build a luxury golf resort in a wilderness area of Scotland. Hugely powerful, Control Room is a documentary about Qatar news agency Al Jazeera and its relationship with US Central Command during the 2003 Iraq invasion.
Ostensibly about the time Pittsburgh Pirates pitcher Dock Ellis threw a legendary no-hitter (a game where the opposition fail to record a single hit) while apparently tripping on LSD, No No: A Dockumentary is far more than a sensationalist tale about drug use in sport.
Proof that documentary often offers as much range for genre innovation (if not more) than fiction films comes with this masterpiece.
There have been great strides recently in normalising many people’s views on physical disability.
The super low budget compliments the lo-fi aesthetic, with the sport of wheelchair rugby proving charming in its rough and ready approach, but above all the film is a huge amount of fun. The story of 250 children competing to win the 1999 Scripps National Spelling Bee in the USA could have been a horrendous look at pushy parents and their over-achieving brats. Marking Mike Myers directorial debut, this is a unashamedly entertaining film about talent manager Shep Gordon, who due to his all-round excellent personality managed to become the manager of Alice Cooper shortly after moving to Hollywood. The life of an artist and their collaborators and co-conspirators can be as fascinating and full of spectacle as any fiction. Some of the films here offer a chance to tell an otherwise untold story, to reveal the uncelebrated heroics that go into making soundtracks of our everyday lives. A strong candidate, alongside Larry ‘Wild Man’ Fischer, for the title of godfather of outsider music, and another musician with the load of manic-depression to bear, Daniel Johnston was revered by many, including Kurt Cobain, during his prolific recording output in the 1980s and 90s. While The Guardian’s Peter Bradshaw somewhat rightly pointed out that the film follows the well-worn narrative arc of “fat old cult singer-songwriter finally gets recognition, though poignantly not the massive success he once pined for”, it would take a cold-hearted viewer not to be profoundly moved by Johnston’s story and his often beatific, childlike songs. Like Buena Vista Social Club before it, Paul Justman’s Standing In The Shadows of Motown takes the classic film premise of ‘getting the band back together’ to new heights, telling the hitherto untold story of The Funk Brothers, the humble, unsung heroes being the legendary music that put Detroit square in the of the musical map.
While the resulting performance, with guest star vocalists, may now appear dated and is a bit hammy at times, laid-back conversational anecdotes from such greats as pianist Earl van Dyke and drummer Richard ‘Pistol’ Allen more than make up for the final concerts small misgivings as the boys get back together to recount how they, through the alchemy of talent and sheer graft, created the sound that defined a decade.
Legendary musician Ry Cooder travelled to Cuba in the late 1990s to assemble a long-forgotten but majestically talented group of musicians whose music was practically buried following Castro’s revolution. Documented by Wim Wender, Cooder’s visit to Havana is shot in colours as vibrant as the people and music he discovered, and the stories the musicians tell, as well as the music they go on to make once reunited, make for a heartwarming and spirited film. Even Cooder’s faintly arrogant, professorial demeanour is overshadowed as these ageing virtuosos cross the border to America for a triumphant return to performance. Be Here To Love Me tells the story of a man who truly lived the life he sang about in his weather-beaten, downtrodden songs about drinking, rambling, lost bets and lost women. Born into money but shrugging it off like an unneeded overcoat, Townes van Zandt was every bit the itinerant country singer, who chose to deal with his clinical depression by self medicating with drink, drugs and music.
Twenty years after The Great Rock & Roll Swindle, Julien Temple’s heavily stylised, fictional account of The Sex Pistols’ formation, this documentary from 2000 takes a more traditional format, looking at the short but influential career of the band that shook Britain to its core. Now that the dust has settled, the royalties have been counted and the myth has been carved into the cultural landscape of Britain, Temple gives the surviving band members a chance to tell their side of the story, and it makes for very interesting viewing. Without the self-mythologising svengali swindler Malcolm McClaren present to lay claim to all and sundry, the band give their testimony and, true to the punk spirit, appear silhouetted throughout.
With this, the film inhabits the form of part conspiratorial, anonymous confessional, part whispered revelation, and smashes the myth McClaren built while telling a surprisingly emotional story of friendship, betrayal and a country in turmoil. Josh Rubin takes on the task of documenting the life and career of Larry ‘Wild Man’ Fischer, paranoid-schizophrenic, manic-depressive cult musician and one-time friend of Frank Zappa.
Inevitably, it’s not an easy ride as Rubin charts the unlikely success of a man who was institutionalised at 16 and spent the resulting years playing his songs to passers-by on the streets of L.A. Discovered by Zappa and then later dropped after he threw a jar at Zappa’s daughter, Fischer, despite his cult following, descends into obscurity and deeper mental illness – at one point he disappears in Los Angeles for days, reappearing at his beloved aunt’s house in a state of near-feral wildness, convinced ‘they’ are trying to kill him. The film also rather interestingly – and perhaps unwillingly – forms part of a body of evidence which backs many claims that Zappa was a pretty ruthless, business-minded musician with few heartstrings to pull when it came to the fortunes of those around him.
This, however, is a point of contention among many and all part of a subtext that the viewer can choose to read at their own volition – what Derailroaded does is celebrate Fischer’s extraordinary music while telling the heartbreaking tale of his extraordinary life.

A heart-warming and at times heart-wrenching tale of two Canadian metal-heads and their band Anvil, Sacha Gervasi’s film explores the almost exclusively fraternal bond of hard rock musicians with the utmost warmth.
Having vowed as teenage friends to ‘rock together forever’, Anvil members Rob Reiner and Steve ‘Lips’ Kudlow wound up on the bill of Super Rock Festival in Japan, 1984, along with Whitesnake, Bon Jovi and Scorpions. The film follows the pair, desperate for the success they rightly feel should be theirs, on a disastrous European tour, a costly recording session in England with their one-time producer and a final show to a packed house back in Japan. What Gervasi – ex roadie and self-proclaimed biggest Anvil fan in England – manages to capture here are not the trials and tribulations of success and fame, but the various tolls that failure and ostensibly blind determination take on the lives and relationships of two men with a truly indomitable human spirit. Regardless of what they might tell you, nobody has stuck to their guns like these guys, and their gratitude at what they achieve is tear-jerking, living as you do every minute of their journey. Convinced that he is permanently on the cusp of a musical revolution, Newcombe drags ‘his’ band The Brian Jonestown massacre, a talented, fiercely independent, paisley-swathed troupe, through drug induced meltdowns, aborted tours and record company bewilderment. The band he hopes will assist them on their dismantling of the music industry are Taylor’s The Dandy Warhols, an altogether more commercially-minded outfit whose rampant success not only leaves them in a desperate bid for credibility, but on the receiving end of some of Newcombe’s more vitriolic, drug-fuelled assaults. Both bands unquestionably have either one or the other, but there are no sentences cast here, only leanings to and fro, and which side of the fence you’d like to sit on is left to your own judgement.
Guided by two design students who then became ad-men, the five young musicians were plucked from their lives playing covers in post-Beatles Hamburg and reinvented as a living, punk art project more than a decade before punk was even a word in music, playing feral rhythms awash with screeching organ, untamed feedback, pounding banjo and shouted snippets of vocals (example: Vietnam?
Given a handbook which insisted upon them living like Monks at all times while emanating a sense of ‘danger’ and ‘sexy’, and having tonsures shaved into their heads, Monks created not just a revolution in conceptual art but in sound as well, having since been considered forerunners of punk, metal and industrial music. As if this wasn’t incredible enough, their story is told by the band members themselves as they prepare for their 1999 debut American performance in front of a crowd of cult enthusiasts, and their testimonies, comprising a mix of pride, disbelief and dismissal, come from five men as fascinating now as they were then.
What results is a groundbreaking piece of documentary filmmaking, cinema verite that provokes and receives its willing subject in equal measure, and featuring a prototype music video with Dylan performing some now-typically agile wordplay on a series of cardboard sheets to the sound of the equally groundbreaking Subterranean Homesick Blues. Dylan himself is most certainly a creature in transition; from the earnest folk of his early records to the smart, full throttled rock and roll that he would return with a year later. Some people recoiled at the spoiled, arrogant brat on their screens, his acerbic treatment of the press, self-referential comments regarding his public image and his generally salty demeanour. Dylan is a delight to watch as he dismantles numbskull journalists one by one, resplendent in dark sunglasses and smoking a series of cigarettes; a proto-punk railing against the inadequacies of his interrogators and his contemporaries. Cut with scenes of live performances a revealing bedroom jams with Joan Baez, his soon-to-be ex, and his sparring with members of the press, Dylan is magnetic and Don’t Look Back is compelling throughout, a portrait of an artist as a young man, who doesn’t even seem to be of this earth.
About the AuthorEditor of Top 10 Films, Dan Stephens is usually found pondering his next list.
There’s never been a soundtrack available for the film, but you can now get the playlist and select songs on MusicFilmWeb. However, having said this, there is no way a loon like Wild Man Fischer would have been able to make a commercially unviable DOUBLE album (just three or so years after the release of Freak Out! As for Beefheart, my theory is that FZ was secretly miffed by the fact that one of the best albums he ever produced was the good captain’s Trout Mask Replica. John Carpenter, Jamie Lee Curtis, and many others talk about the character development, the musical score, and the set up of the scares. If you want to watch a documentary about vulgar, offensive exploitation films, this is the one to watch.
They even discuss the amazing sled dog and how they got it to perform for them under such stressful circumstances. But her passion for horror isn't limited to movies, she also loves horror video games and books. It's best not to walk to close to her, you never know what sort of crazy thing is going to happen next. I went for the new model of the console because it has a big sticker that says "Kinnect Ready" on the front.
Former christian vocalist Perry and former black man Snoop Dogg aren't even good enough to compete with Elton's mysterious hat. The Will Wright classic is a tough competitor, but 2010 must have something that can stand up to it. A whole new audience can discover that these real life stories are just as thrilling, entertaining, and incredible as the latest big-budget blockbuster. Built around footage and interviews with Ebert in the final months of his life, the film showcases his cultural legacy. Darlings of the financial markets, Enron in fact built up fake companies to trade with, reported false profits, and were implicated heavily in the California Energy Crisis - which may have had a political motivation to it. Covering the adrenalin rush off combat, the day to day duty of guarding their fort, the rebuilding and outreach work with the community, and the tense boredom of life at war, Restrepo is one of the best examples of recent Cinema Verite you can find.
Direct Cinema is pure fly-on-the-wall, with no interference, while Cinema Verite allows the filmmaker to impose themselves within the film.
Raw and uncompromising, it highlights how the people’s revolution was snatched away from them despite the hope and high energy of the initial movement.
What if the son of Hamas leader Sheikh Hassan Youssef was secretly a spy for the Israeli secret service?
It’s also completely off limits to the public, and for those who do get to go down there, you’re only allowed a few hours due to toxic levels of carbon dioxide. But the kicker is really in just how those responsible walked away with their fortunes intact - almost as if the entire crisis had been planned to defraud the ordinary Joe. It follows two Baltimore girls, Shanae and Megan, who both go into juvenile detention, and proceeds to examine the system, and the people who try to make it function. Baxter certainly takes a side with his film, giving voices to the local residents, whilst also shining a light on authority figures within Scotland who cleared the path for Trump to press ahead with his plans.
Through archive and interview, How To Survive A Plague is one of those documentaries that reveals another facet of a history you thought you knew, but actually only understand in the broadest sense.
If that doesn’t immediately interest you as a subject matter, then know that it’s handled spectacularly well. Through archive and interviews, it’s the history of black players in Major League Baseball at a time when civil rights were still being fought for, and prejudice high. While a huge amount of credit goes towards events such as the 2012 Paralympics, and the accompanying C4 series The Last Leg in opening up the subject, for me it began with the success of this film.
That it is instead a riveting and hugely enjoyable story is fully down to the charming and eccentric kids who demand your attention as they are put through intense pressure to spell on stage. Sebastian Marroquin, aka Juan Pablo Escobar, returns to Colombia after more than ten years of exile in order to meet victims of his father, and to apologise to the sons of his most infamous assassinations, that of presidential candidate Luis Carlos Galan and Justice Minister Rodrigo Lara Bonillo.
It’s an improbable story which only gets weirder when you find out he’s become good friends with the Dalai Lama, but the way it’s told is hugely enjoyable. It often takes an exceptional set of circumstances to drive a person to art and to draw deeply creative, unique personalities together in order to express a world view which is almost invariably aroused and influenced by some truly remarkable lives.
Some allow us to just sit and marvel at the charisma, ability and daring of some of the most idiosyncratic members of the human race. Indeed, Buena Vista Social Club touches on politics, love and life as much as it does music. His family most certainly lost out, but the world of music gained a talent so profound that a who’s who of country music stars turn out to pay their respects. Margaret Brown, though, clearly has an intimate understanding of the man and his fragile, heartfelt songs, and chooses wisely to cast the singer at the front of the film rather than turn to a string of living stars clamouring to heap praise on a man who lived it as he sang it. In the intervening period, Reiner and Kudlow have wound up making a living as a delivery driver and construction worker, all the time playing and recording together, self-releasing their home-made records.
The only trouble was that nobody really heard it, and they disbanded after one badly-received album. This is a film about a young man undergoing a profound change in his consciousness and aesthetic vision under the scrutiny of millions of adoring fans and a team of cameramen.
This, though, is a man in his early-to-mid twenties, on the defensive from a lazy press who are always three steps behind their subject yet still keen to pigeonhole him. The site also features news and reviews on the UK’s online DVD rental providers including Lovefilm. An unhealthy love of 1980s Hollywood sees most of his top 10s involving a time-travelling DeLorean and an adventurous archaeologist going by the name Indiana. I might add, as a runner-up, The Artist Formerly Known as Captain Beefheart, a John Peel-produced BBC doc. It’s lovely to read someone else who shares a passion of mine, combining music and movies.

A brilliant and fitting homage to one of the most influential films Carpenter has ever made. Everything you’ve ever wanted to know about the movie, from the creation concept to the iconic sound effects to its influence on pop culture is in this documentary. It’s such a good documentary that it will make you want to sit down and watch the entire series all over again. A mission where you protected a guy who was stabbed while his friend, trying to get him to safety, rowa€™s a gondola down narrow streets. The actual gameplay throughtout this game was fun but the conbamt was repetitive and the controls were a bit floaty. This mean that this xbox doesn't need an extra power cable for the Kinnect camera, it plugs in to the console itself to draw power. Something positive and life affirming like Marioworld, but with the subtle sense of humour and lightness of touch of The Sims. The result is this documentary, hands down one of the most thrilling sports-action films you’ll ever see.
This is done via an exploration of his friendships with fellow critic Gene Siskel, filmmaker Russ Meyer, as well as Martin Scorsese and Wener Herzog. If you ever feel like the world is an evil place, then watch this film and have all your worst fears confirmed.
These directors normally deal in tightly controlled artifice, so to see how they react to events outside of their immediate control is a joy - and having the Rolling Stones let rip at Beacon Theatre is the perfect stage for Scorsese’s camera to roam over. Of course, it’s an incomplete record of the Egyptian crisis, and the further we get away from 2011 the more will change and be revealed about how despite appearances, Egypt remains in the grip of a dictatorship. With the astronauts themselves providing commentary, it’s a incredible testament and legacy to what humans achieved during the 60s and the 70s.
You’ll still left with an outstanding documentary which excels in preying on our modern fears about social media, and presents the world online bursting into our reality with creepy effect - most of the film takes its cues from horror, and you expect Schulman to come to a sticky end. Split into five parts, director Charles Ferguson expertly sorts out the pieces of the puzzle to show just what went wrong, how it wrong, and why it went wrong. From the accelerated drug trials, to the fact that for many the only treatment available at the beginning would most likely cause you blindness, it’s frequently heartbreaking but often inspiring. The nature of bias, propaganda, and the literal nature of ‘pics or it didn’t happen’ are all hugely important, but it’s the characters in the middle of this war that really make this film riveting. Dock Ellis comes across as an anti-authority figure, whether through wearing curlers in his hair, or tripping on acid during games, but an anti-authority figure with something to say, and far more to prove to his contemporaries. While it’s top line may be ‘guys in wheelchairs beat the crap out of each other’, it quickly becomes a compelling film on what drives elite competitors, for whom being a quadriplegic is just one of many factors in their lives. It acts as a portrait of a nation obsessed with competition, and rising above any class or ethnic barriers to succeed. While the film’s narrative is about tying the reign of Escobar to the more recent violence and fate of the drug trade, at its heart it is a piece about peace and reconciliation, the weight of family history, and whether or not we can ever truly forget or forgive.
It’s like you’ve been invited to dinner with all these people, when they’re all having the best time sharing stories about each other. Pennebaker’s film followed a young superstar as he spent three weeks touring England in the period just preceding his decision to ‘go electric’.
I was less enamoured with Anvil than you, and I’d add Still Bill to this list and possibly the Tribe Called Quest doc, but this is a solid list. Even better, it has some really cool stop motion animated sequences throughout it featuring Freddy as a puppet. Youa€™re constantly hopping from one side of the canal to the other pulling archers to their death from balconies and taking the enemies out. The way that the main character had lots of custom, situation dependant animation without taking control away from the player was wonderful though and the sheer graphical splendor was a sight to behold. Nintendo have even abandoned the sill waggle games and have a solid line up this year for the hardcore crowd.
Something that reminds you that games can take you away from the worries of the world like war, terrorism and horrible Team-America style fist pumping and bomb dropping. But with a new found glut of them comes the ever more impossible choice, what’s worth your time?
Charting the story from his young days making a reputation as a truly talented skier, but one who would often do it naked to shock people, all the way to his untimely death, McConkey utilises thousands of hours of footage Shane and his friends shot of him over the years.
Poignant and enlightening, there are few voices worthy of their own film, but Roger Ebert is first among them. But nothing will take away the rawness and immediacy of this film, and as an on-the-ground account of turmoil, it’s second to none. Arcade nostalgia, obsession, low level dirty tricks and accusations of cheating, public apologies, and decades old feuds all rear their head in the his ultimate low stakes battle. Born during World War I, McNamara served as a Whiz Kid officer during World War II - the whiz kids being 10 officers who after reorganising management of the war, decided to offer their services as a business unit, all ten or nothing. Based around interviews with Mosab and his handler Gonen Ben Yitzak, this documentary turns what is essentially town men talking for 90 minutes into a taut thriller and fascinating examination of the Israeli-Palestinian conflict. The system may be broken, but those who try to fix it are by and large truly decent people trying to make a difference. But conversely, he also granted an interview to the documentarian, which you can see in his follow-up feature, 2014's A Dangerous Game. Reporters Samir Khader, David Shuster and Tom Mintier, and US military press officer John Rushing, bring the human element tot he forefront, and show just what journalistic embedding in a war really means - especially when Al Jazeera is attacked by US forces in a ‘friendly fire’ incident. This film is a ode to his quest for perfection, and how he teaches his two middle aged sons to look for the same. It showcased everything great about the game and the design and layout of the whole section was exceptional.
I had to just hang off the train and look at the environment at one point, and its been a while since a game made me just stare at it in amazement. This was a man who was pushed to chase adrenalin thrills and pursue perfection, all with the camera watching. Ford were the company they went to, and McNamara eventually rose to become president of the company. Made originally in 2003, but only widely available since 2014, Los Angeles Plays Itself is essentially a super-cut of all of the City Of Angels on-screen appearances, but dissected, complained about, and put into their correct context.
Once again Herzog’s trademark narration guides through the haunting images, with interviews with scientists interspersed throughout. He is almost entirely absent here, and in refusing to engage in the debate on innocence or guilt, and the right and wrong of the death penalty system, he encourages the audience to think about it even more intensely.
While it sweeps you up in its riveting narrative, it doesn’t really hold up to post-film questioning. It’s a film which finds the prefect balance between light and dark, and while informing, never judges. The shots of sushi being prepared is truly art, as is the finesse with which Jiro watches his customers, making adjustments on how they react to his food.
It allowed you to complete the mission in a freeform way, but all the while it looked as good as the most heavily scripted part of an Infinity Ward game. This kind of thing was what I dreamed games would like in the distant future back when I was playing Flimboa€™s Quest on the C64. He then followed that up by becoming Secretary of Defense for JFK and Lyndon B Johnson, which led to his involvement in both the Cuban Missile Crisis and the Vietnam War.
Simple, elegant, and riveting - who knew watching three men create sushi could be so enticing? Browse the top movie torrents with high number of seeders, only high quality and top rated movies.
It’s also hugely informative, slightly too long, and guaranteed to make you look at this misunderstood city in a whole new way.

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