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14.12.2014 admin
If you haven't seen the two-DVD set, "The Impressionists", you don't know what you're missing! I spent a few days teaching a workshop at Olana in the area of the Wagon Wheel Education Center. This is a painting I did as a plein air demo during the three day workshop I taught at Olana a couple of weeks ago.
We were using a three color palette of slow-drying Golden OPEN Acrylics, so I mixed the basic color for the path from the three primaries, then used OPEN Gloss medium to create a glaze. Whenever I haven’t been to Olana for awhile, I have to do at least a couple of paintings from the top overlooking the Hudson River. This was painted 99% on location at Olana, the estate of Hudson River School artist Frederic Church. I then mixed the color and glazing liquid on a white paper palette to match the color on the plastic wrap, and painted it over the surface of the actual painting. This field leading up to Frederic Church’s Olana estate is a constantly-changing palette of colors and patterns.
A friend came over a couple of weeks ago and we sat in the back yard and painted by the stream. I took a quick cellphone snapshot of the painting in the frame (below), but hopefully you can at least get an idea of how lovely this frame is. En este post puedes elegir uno de los bonitos dibujos de perritos bebes para colorear, pintar e imprimir. Add a PostTo post images to Juxtapost is easy, but you'll need to install our bookmarklet which will allow you to post images from any website to your organized postboards. Paintings and photos displayed on this site may not be reprinted, copied, downloaded, displayed elsewhere, or used for any reason without her written permission. It is an enactment of the lives of Monet, Renoir, Manet, Cezanne, Degas, and other Impressionist painters living at that time around Paris.
I glued the map pieces to archival, acid free foam board with Lineco acid-free bookbinding adhesive, rolled it with a brayer, and weighted it down to set. I laid down a thick layer of the orangy glaze over the whole panel, and sketched in my composition by drawing in the glaze with the wooden handle tip of a brush. This one was done in the late afternoon, just as the warmer color started moving into the atmosphere. Jurors have gone through the artist applicants for the three day Olana Paintout and Art Auction on October 3-5. The Hudson River appears as a streak in the foreground amidst farmland and low hills, before arriving at the dramatic skyline of the Eastern Escarpment of the Catskills. They were such a pleasure to work with, staying juicy and blendable all through the painting process.

Often after plein air painting, I get the painting home, and when I see it with indoor lighting, there is something that needs adjusting. Because acrylics dry so fast and cannot be removed when dry, laying on too much color while working transparently can suck all the light out of a painting.
This gave me a guideline of color and proportion of paint to glazing liquid, in order to achieve my desired result. The acrylic medium is flexible and archival, and will not yellow, darken, nor crack over time. It was that perfect time in spring when there is enough foliage to give some texture to the landscape, and enough color to give it variety.
There is a lovely, late day glow above the cliff line past the horizon, and soft fall colors abound in the foreground tree, distant hillside, and water reflections. First, display your Bookmarks bar by clicking "Starred box on top-right > View Bookmarks Toolbar"2.
Then I applied a couple of coats of Golden Matte Medium, mainly because I love the working properties of the surface once the matte medium is applied, and it will also help to seal and protect the maps. The miniature black easels are also included, so you can set them right out in a favorite spot. When the class ended, the first thing I did was pull up a chair into the shade and paint its majestic form.
The path was actually paved, but I wanted to turn it into an inviting path through the trees that was more welcoming for a lazy afternoon walk than a drive along a paved road.
I used them on an Arches hot press board that I sealed with two coats of Fluid Matte Medium.
Initially, the yellows in this painting were too cool compared to what the painting and scene looked like on location. To be certain that I laid down the right color in the proportions I needed, I first covered the painting with clear plastic food wrap, and set it on the easel.
It always surprises me how little color is needed when I see the glaze I used against a white surface! That means that if I decide to darken or intensify a glaze, I can always add another layer.
Whether looking down at the Hudson River from the top, or up at the residence of one of the greatest Hudson River school painters, there is no shortage of subject matter here for a landscape artist.
You can see the paintings, help United Way, do some holiday shopping, and buy your fresh produce and groceries all at the same time! I have also included hanging hardware, in case you have a special, small wall space that you want to brighten up. Sin embargo hay animales tiernos, que podemos incluso convivir con ellos tranquilamente, como los perritos y los gatos.

I also felt that the image displays much more personality than a typical pet-sitting-on-the-soft portrait. I love doing tree portraits, and I’d like to do this one again in a larger format, when I have more time. The scene was overwhelmingly green, which is another reason why I wanted to have a warm-colored path.
The clouds are always moving, and the landscape changes with the time of day and the seasons. So I’ve been spending some time strolling the grounds there and doing lots of small plein air pieces at different times of day, to help familiarize me with vistas both old and new on the 250 acre estate.
With a mixture of Acrylic Glazing Liquid and transparent color, I tested the glaze color and result on top of the plastic-covered painting.
Testing the glaze layer this way does take a few extra minutes, but it is well worth it in the end.
I’ve painted this scene a number of times, but I have to say, I am especially happy with this particular rendition! The image below was taken with warmer indoor lighting at night, so you can see how much the color changes depending on the room lighting at the time.
Others are sites where Cole, Church, Durand and others did paint, but due to difficult access or some other reason, they are not on the Art Trail registry. We were initially painting from another spot, but were afraid we’d have trouble getting back down the trail in the dark. There is also a great air conditioned studio space if the temps get brutal or we have a rainy day. The client wanted a holiday painting for her husband, done from his favorite photo of Maggie. So we stopped there well before sunset, and went on to this spot, where we remained until the sun fell below the horizon.
It’s one of my current favorites, and the varnished paintings look absolutely stunning. This is the perfect introduction to painting for teenagers with some time on their hands during the summer, and Olana will provide the paints, brushes, and painting panels.
Restoration is expensive, and most private buyers don’t have a huge art conservation budget!

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