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01.11.2014 admin
April 1: Annette O'Toole, Lana Lang in Superman III and Martha Kent in Smallville, born in Houston, TX in 1954. April 1: Sam Huntington, Jimmy Olsen in Superman Returns, born in Peterborough, New Hampshire in 1982.
April 2: Christopher Meloni, Colonel Nathan Hardy in the 2013 Man of Steel movie, born in Washington, District of Columbia in 1961. April 7: Russell Crowe, Jor-El in the 2013 Man of Steel movie, born in Wellington, New Zealand in 1964. April 10: Chyler Leigh Potts, Alexandra Danvers in the 2015 Supergirl TV series, born in Charlotte, North Carolina in 1982. April 14: Mark Pillow, Nuclear Man in Superman IV, born in Leeds, West Yorkshire, England in 1959.
April 16: Joan Alexander, best known as Lois Lane from the 1940s Superman Radio Series, born in Louise Abras in St. April 18: Action Comics #1, Superman's debut comic book, was released on this day in 1938 (although some argue it was actually May 3). April 22: Cassidy Freeman, Tess Mercer in the Smallville TV series, born in Chicago, Illinois, in 1982. April 24: Stacy Haiduk, Lana Lang in the Superboy TV series, born in Grand Rapids, Michigan in 1968. The Nintendo 3DS is official, now in Japan, the United States, and Europe -- with pricing finally uncovered. The idea behind this sweet, little animated piece is to remind us of the comfort a little light gives us when the sun goes down and we’re left alone in the dark.
I've always been passionate about films, clothes and characters - so designing costumes for film was definitely the right fit.

Nintendo also announced that they will have upwards of 30 games available after the 3D gaming unit's launch, leading up to E3. Obviously Nintendo believes that the 3D technology, and the advanced graphics of the titles available on the 3DS warrant a price increase, but it will remain to be seen whether or not gamers think the same. Please enable JavaScript on your Web browser to properly view this Web site, or upgrade to a Web browser that does support JavaScript; Firefox, Safari, Opera, Chrome or a version of Internet Explorer newer then version 6. However, the company is being quite on which titles are actually going to be considered "launch titles." Furthermore, Nintendo isn't opening up on pricing for those titles, either. When he initially approached me to work on "Man of Steel", I was committed to another project, and so in the meantime Zack started up with the legendary Jim Acheson with the concept work and designs for the suit.
There was a determination to get it right, to design a Superman for the 21st century - so no idea was left unexplored. Q: What was the process like when trying to come up with the designs for the film? Did you look through comic books, previous films and TV shows for inspiration or reference? A: All of us working on the project did our homework very thoroughly and looked at all the variations of the Man of Steel's universe that had been presented in the last 75 years. I can't speak for Jim, but for the costumes that I designed my main influences were the Richard Donner movie, the Frank Miller graphic novels, and the beautiful illustrations of Alex Ross.
However, for all the characters, we started from scratch, from the ground up, as it were, in order to stay fresh and to create costumes that suited the world that Zack and the writers had set up in our film. Q: Can you talk to us about the 3-layers we've heard about that make up the Superman costume?
What material was used? A: The first layer was a fitted body suit onto which some supplementary sculptural shapes were mounted, made of foam latex with a bright chromed finish. Then there was a thin mesh layer that was dimensionally printed with a chainmail-like pattern. Finally, additional foam latex details were applied - the "S" glyph, the cuffs, the side-waist trim etc.
Zack wanted the audience to wonder what it would be like if an alien entity had actually been discovered in our world.

Can you talk us through the thought-process behind those designs? A: Zack conceived Krypton as a planet that had flourished centuries ago, but was now in such deep decline that it was about to implode, through apathy, fear and conservatism.
In this sense, it was a lot like the medieval Dark Ages, where the culture and learning of the Greeks and the Roman had been forgotten. And so the Kryptonian skin suit was created, whose texture echoed that of a medieval suit of chain mail.
The clothes of the Kryptonians were designed to incorporate the "glyphs" on the chest - which is the equivalent of a family's coat of arms. The favorite became the longer one, which catches the wind as Superman walks and creates a dramatic, billowing silhouette.
I imagine, as in previous films, there would have been costumes and capes created specifically for various scenes and requirements (i.e. Some of them had different fabrications due to the requirement of the script - there was a black+silver one for the Nightmare scene with Zod, and a couple with slightly less padding in the shoulders for the flying scene (so that Henry could stretch his arms into the iconic flying position).
The amazing thing about the Superman myth is that there are endless interpretations of the look of the story-variations that reflect different social periods in history, different formats - video games, TV, films, graphic novels, etc, etc. It is not to be reproduced in part or as a whole without the express permission of the author.

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