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The Heart of the Matter: What Does America Really Know about Coronary Artery Disease Treatments? A blistering version of a€?Stagger Leea€? occurs seven tracks deep into Danielle Miragliaa€™s most recent album, Box of Troubles. So it is that Danielle Miraglia puts her own stamp on a€?Stagger Lee.a€? Of course, ita€™s not her own composition, but surely a cornerstone of her repertoire. An interview with this refreshingly affable, down-to-earth performer reveals how she became the player and writer she is today. While her musical aspirations took a back seat during her college career, there was still some dabbling. When Danielle left Emerson, she felt lost for a while, describing herself as a€?unfocused.a€? She wasna€™t able to translate a degree in writing into meaningful employment. Danielle had a fantasy about moving to Arizona and starting a whole new life out there, getting a fresh start.
Her first songs, coming off the dissolution of a relationship were (again) a€?cheesy breakup songs,a€? she said.
At that point, she was a€?writing a ton,a€? and within about six months she enlarged her repertoire to six decent songs and another six months to beginning her first recording. In addition to the strong, steady thumb beat on the bass strings, Danielle also uses a hollow foot stomp, sometimes amplified.
I asked her about the guitars shea€™s favored and she mentioned that the Yamaha her boyfriend got her in high school was a nice beginnera€™s guitar (he took it back when they broke up a€” song opportunity!). Danielle feels that her first two CDs were of little consequence a€” a part of the learning process a€” and that her recording career started in earnest with the album, Nothing Romantic.
In a€?You dona€™t Know Nothin,a€™a€? a reaction to some right-wing radio talk shows, Danielle flashes metaphoric sharpness.
The a€?eight oa€™clock shadowa€? then displays his own ignorance, condemning abortion rights marchers on the bara€™s television. Although I first got cold-cocked by a€?Stagger Leea€? and a€?Loud Talkera€? from Daniellea€™s latest CD, Box of Troubles, there are other standouts. Wea€™re ecstatic that wea€™ve caught up to this supremely intelligent and talented performer. Danielle has had purists disagree with her about not following original styles note-for-note. A video from that impromptu showcase session, taken by Dennis DaCosta, is posted on Youtube and can also be viewed on her website. So, a€?Wowa€? being the operative term, when the opportunity to feature her presented itself, we jumped at it. Layah grew up in the east end of Toronto in an area called a€?The Beaches,a€? near Lake Ontario. This was the point at which Layah connected with long-time friend, Oliver Johnson, to handle the studio end of making the demo. As Oliver recounts it, he was lucky to have gotten supportive parents in both his father and stepdad.
When he was at his fathera€™s house, theya€™d jam till the wee hours and sometimes the police would come. In order to learn musical theory, Oliver approached a guitarist, Wayne Cass, to show him what he needed to know to get into the Humber jazz program. Toward the end of his first year at Humber, he damaged his hand while moving a heavy table. At a certain point, the road started to wear Oliver down and he decided to focus on production. At this point, Layah approached Oliver to produce the demo for which shea€™d gotten a grant. In the statement that follows, we can see the wheels turning as she weighed her options: a€?I came home knowing that I really wanted to pursue music and I made my first recording. Layah enrolled in and completed a three year program at The Toronto School of Homeopathic Medicine and received a DSHomMed, Homeopathic Certification. While involved with her studies she was pursuing music as well, performing quite a bit with Oliver.
Not strictly a purist, she believes that a mixture of alternative and traditional Western medicine, a€?the best of both worlds,a€? according to each patienta€™s needs is the best solution.
For two or three years, Layah and Oliver remained friends while they played music together. Layah says that Oliver has influenced her, injecting some jazz, R & B, soul and funk, given that he had gone on tour with some of the better Canadian players in that realm.
Ita€™s easy to see why The Ontario Arts Council, and the Foundation to Assist Canadian Talent on Records (FACTOR) came through with grants at critical moments. Additionally, Acoustic Live will be hosting its own annual guerrilla showcase at the Northeast Regional Folk Alliance and wea€™ll get to watch Layah and Oliver play a set in our own room. The new CD, Honey, from Layah and Oliver is just about ready for release and wea€™ve gotten to hear a few sample songs. When Oliver was 9, his mother married a Canadian folk artist, a childrena€™s songwriter, and he then split his time between Toronto and New Hampshire. After high school, following her year of touring and playing, the artistic and practical sides of Layah collided. We here in the Northeast can thank our lucky starsA  for a number of chances to see her live. Tom Bianchi, her husband and producer on this album, uses an electric violin, a blues harp and a sinuous lead electric guitar with a wah-wah pedal to sustain the cloud of doom that hangs over this historic piece. Her family lived in Everett until she was 8, then moved to nearby Revere, where she grew up. As kids will, she and some friends tried to form a band, even though no one actually played an instrument.


She took a couple of lessons from the aforementioned frienda€™s father who was going to teach her friends to play their instruments. Using an acoustic guitar, shea€™d get together with a friend back home to play and write songs. Her first stop was the open mic at The Kendall Cafe in Cambridge (now closed), just to a€?check it out.a€? She saw people who were very advanced and some raw beginners. However, a€?They had grit to them.a€? Although she cringes when she looks back on her early writing, she still feels that the songs werena€™t all that bad considering her level of development. She was a fan of the late Janis Joplin and would belt her songs out, Janis-style,without giving thought to vocal dynamics or microphone control. Additionally, she studied the Stefan Grossman transcriptions (written and audio) of the guitar of Mississippi John Hurt. Shea€™s been told, a€?If youa€™re not doing it exactly the way they did it, youa€™re not doing it.a€? For Danielle, ita€™s all about enjoying it and getting into the a€?feela€? of it [we agree].
Although shea€™d seen performers like Chris Smither use this sort of device, she never intended to copy it.
She later got an Ovation, then a Guild and then found her first love in a Gibson [lots of blues in those Gibsons]. Thata€™s about when we made her acquaintance (as well as taking note of her impact at the 2009 Northeast Regional Folk Alliance Conference). She uses a nimble Mississippi John Hurt-style fingerpicking pattern for this philosophical gem. Tongue-in-cheek, she asks for a drum machine, and, in a reference to Robert Johnson, Tell me where the roads cross, Ia€™m ready to sell my soul. Ita€™s a plus that finding out how good a writer she is now reinforces our first impression of a highly energetic blues artist. During the 2009 Northeast Regional Folk Alliance Conference, he said, a€?Youa€™ve got to head over to the DJsa€™ afternoon meeting. He played Bruce Cockburn, Joni Mitchell, Dire Straits, The Pointer Sisters, Bruce Springsteen, The Beach Boys, Cyndi Lauper, Kate Bush a€¦ I never did any rebelling against my parentsa€™ choice of music. The question concerning what direction to take with her life still hung in the air and she appears to have approached it with a calm deliberation in incremental stages.
Although music was primarily a hobby, he had an array of musical instruments in the living room, including a drum kit. Hea€™d jam with friends at his dada€™s all summer and then spend the school year with his mother and stepdad in Toronto.
Hea€™s still amazed at the way his father would cajole the officers, claiming the sound wasna€™t all that bad.
He never really studied a€¦ until he went to Humber College in Toronto, which has a program similar to Berklee College of Music in Boston. Cass was a€?a great guitar player and a great teacher,a€? a favorite that Oliver would watch play in clubs. He found a partner and opened up a studio that, today, works predominately on television projects. She got the grant for her first demo and began recording, but decided that she wanted to pursue a degree in homeopathy as well.
In addition, some readers might remember the Dove Self Esteem Funda€™s 2006 a€?True Colorsa€? TV Campaign. Each time Layah had any doubts about music as a chosen path, every time she needed it, a grant would come through. Layah had to put the guitar aside and let Oliver provide the instrumental accompaniment solo. When I touched on this, Oliver demurred, saying that Layah had brought her own wide range of influences for him to have had all that much effect on her sense of style.
Layah and Oliver will be playing Music on 4 in Manhattan on November 18th and Our Times Coffeehouse on Long Island on November 19th. Theya€™ll also play a formal Tricentric showcase and numerous other showcases (see the performance list below).
Layah will always have a keen ear for the vagaries of love and relationships, but she has her eye on the fate of humankind as well. During the 2009 Northeast Regional Folk Alliance Conference, he said, a€?Youa€™ve got to head over to the DJsa€™A  afternoon meeting. TheA  question concerning what direction to take with her life still hung in the air and she appears to have approached it with a calm deliberation in incremental stages.
Hea€™d jam with friends at his dada€™s all summer andA  then spend the school year with his mother and stepdad in Toronto.
He never really studiedA  a€¦ until he went to Humber College in Toronto, which has a program similar to Berklee College of Music in Boston. Her soaring, pitch-perfect vocals and melodic sense are mesmerizing.A  Then, therea€™s the writing. Layah and Oliver will be playing Music on 4 in Manhattan on November 18th and Our Times Coffeehouse on Long Island onA  November 19th.
Danielle had a Casio keyboard; a frienda€™s father played guitar, so it was assumed that hea€™d show others in the group how to play their instruments. There were writing courses of every kind, including journalism, childrena€™s writing and poetry. She figured, a€?OK, I can fit into this mixa€¦ I can pull this off.a€? She signed up to play the following week and found that others were very polite, offering encouragement.
It wasna€™t until she got to the open mic of blues master Geoff Bartley at the Cantab Lounge that her mistakes were pointed out. The practice really evolved from using a foot stomp on stage to keep rhythm and provide percussion. It actually took another year for her to digest and learn what Geoff had taught her.A  a€?It was like I got all the food and then I processed it,a€? she told me.


When I started taking piano lessons at home at 8 years old, I started studying show tunes, so I could sing along with what I was playing, and I got into musicals. Their families were close friends and theya€™d have various holiday dinners, celebrating a variety of spiritual doctrines together as they saw fit. During those 3 months, he got a job in a computer store that sold software for digital recording. During the first few years of pursuing music, I had some questions about how it would pan out and whether this really was a good spot for me.
She credits two older boys, her upstairs neighbors, in helping to add to her musical knowledge. She went back again and again and found a€?a whole new crew of friends.a€? They were a€?on the same wavelength,a€? she said. On a gig where she needed to use a box for added height, she found herself rhythmically tapping on the box and liking the sound.
Although she told me that her husband Tom hosts it now, shea€™s still listed as the host on The Burren website.
Danielle developed a a€?roguea€? mixture of what Geoff taught her and the Grossman transcriptions.
We have home videos of me prancing around in my diapers, singing along with the music that he loved.
He learned about the software and about producing and, as an employee, was able to purchase the software at an affordable price. The a€?lemonade-from-lemonsa€? character of both accidents might lead one to believe that a certain magic guided them. Danielle and another friend, Brenda, who Danielle said, a€?has a twisted sense of humor,a€? would write songs with ridiculous lyrics.
For Danielle, they included John Irving (for his humor as well as his dramatic flair), Tim Oa€™Brien (Vietnam War novelist, not the bluegrass performer), satirist David Sedaris and Lorrie Moore (a€?humorous and poignant short storiesa€? a€” Wikipedia). There was an epiphany of sorts in that they both realized life is too short to waste on doing things you have no love for.
Later, she asked a friend to follow her design to make a hollow device like a footrest that she could attach to her stool. Also, she mentioned that it seemed less desperate than standing when playing in a noisy bar. For Danielle, they includedA  John Irving (for his humor as well as his dramatic flair), Tim Oa€™Brien (Vietnam War novelist, not the bluegrass performer), satirist David Sedaris and Lorrie Moore (a€?humorous and poignant short storiesa€? a€” Wikipedia).
She finds it fundamentally impossible to repeat someone elsea€™s stylings note-for-note a€” shea€™ll develop her own version instead.
Their style is what might be termed a€?jazzy folk.a€? I asked if shea€™d be singing for the DJs and she responded that it had already taken place. In 3 months, Oliver learned everything he needed to know to get into Humber, entering at age 22. When it came time to re-enroll in school, he was tapped to play for a group that toured all over Canada. Stepping off the stage during a pause, she fell when the overturned plastic bin that was placed as a makeshift step collapsed [too late for a lawsuit at this point, I suppose]. However the world views her as a blues singer, shea€™s well-prepared for original songwriting. Danielle also studied from an instructional DVD of Mississippi John Hurta€™s guitar style by Happy Traum and John Sebastian that combined video and tablature transcription.
He learned a lot of theoretical things that allowed him to communicate ideas, rather than hashing them out by demonstrating on the guitar.
He chose that and, between playing on the road and producing when he got home, he never went back to school. Even though Ia€™m primarily pursuing music at this point, it enriched my life in such a great way, in terms of being able to help myself and my family and friends and broadening my understanding of the human body. When she returned home, Danielle began attending open mics, kick-starting what would become her career. I would be putting together help desk manuals, and then Ia€™d write a song about how miserable I was.
A couple of other interested presenters showed up, as I suggested we go to my own guerrilla showcase room. The male of the species got off easy this time, but that doesna€™t mean she hasna€™t been watching. Then Ia€™d tell someone to re-boot their computer, which is usually the solution to every problem.
Thus, about six of us got our very own private Layah Jane showcase performance a€” about 3 songs.
It wasna€™t like one day it occurred to me, a€?Oh, I could do this.a€™ It just naturally grew, I think. She tinkered around with some acoustic fingerstyle guitar while in high school, copying selected songs by Randy Rhodes and the band, Heart. In concert, sometimes she sings solo with just Oliver on guitar and on some songs, she and Oliver both play guitar. I wrote in the following montha€™s NERFA wrap-up issue: a€?Shea€™s like Diana Krall with a guitar.
Layah Jane would be the result.a€? On paper, that might not seem like much, but seen live, it packs quite a wallop. Additionally, it happens that Oliver is a brilliant, seasoned guitarist, having toured Canada with top-of-the-line acts.



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