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When the new woodshop teacher at Ygnacio Valley High School in Concord was asked to share his woodshop for the summer, he was a bit nervous.
The Pleasant Hill Education Center was closed for the summer for Measure C work maintenance and repairs for summer woodshop classes.
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12 Amazing DIY Furniture Projects by Student BuildersAt the annual trade show for the Association of Woodworking and Furnishing Suppliers (AWFS), a contest called the Fresh Wood Competition celebrates the work of young furniture builders from high schools and colleges across North America.
Where: Appleton, MOMy goal was to take the idea of a common sport table and create a functional yet eye-catching woodworking masterpiece.
Where: Rockport, MEAs someone coming to the world of furniture-making as a way of satisfying my long-suppressed inner need to find a creative and concrete way of expressing myself, I want every piece that I make to convey a story upon first sight.
Where: Hillsborough, NCThe main inspiration for my project is the use of curves and the way one's eye is drawn toward them. Where: Fort Bragg, CAClothed in the beautiful orange-brown hues of Kwila, this cabinet was created to house a few special pieces of servingware and silver.
Where: Rolla, MOI was inspired by some benches I had seen but wanted to create something that would catch the eye.
As you can see in the 1st picture I also did ceramics , that’s a castle sitting on the coffee table.
I initially developed a sketch of a chest of drawers that consisted of variably curved sides. As I continued to work with the Kwila, my focus shifted to showcasing the wonderful color and prismatic qualities of this wood. I was looking for a modern design, and my instructor helped me formulate my thoughts into a solid design. And I knew if those limits were to be pushed, I wanted to do it in a manner respectful to simplicity of form and versatility of function. They have both been setting there at my mom’s house ever sense I brought them home from High school. Other shop-sawn veneers used were Douglas Fir and Maple laid up on Appleply plywood along with solid tan oak and doussie.
I then started looking at wood types and I came across two, wenge and maple, and thought they would complement the design and make it look exceptional.The construction of the project was fairly simple.
I wanted to take the concept of a Windsor armchair and add some whimsy.I started by steam-bending the back splats of varying dimensions over the same form. The pattern on the doors is meant to emphasize their outward curve, and this pattern set the rhythmic tone for the rest of the piece and other elements like the parquetry patterns on the sides and top and the pull placement are a response to the patterns and volumes established by the doors.When creating the parquetry patterns on the doors, with shop-sawn veneers assembled flat and then bent onto the door core, the joints holding the veneers together were a challenge to bend without snapping.


I had to make my frames and panels (the panels were veneered), the arms and feet, and of course I had to come up with a way to save material and time while being incredibly accurate on the top. What does this say about its owner?This piece was designed to show elegance in simplicity and to allow the wood to be the major design component. Also, the alignment had to be precise, as any shift in the pattern would result in an uncorrectable mismatch. To make the top, my instructor came up with the idea to glue up strips of wenge and maple and then cut the panels on a diagonal.
As such, while the desk consists of very few lines, and a few sensual but subtle curves, the choice of materials tells the observer immediately that this isn't just anyone's writing desk. To set my project aside from traditional Bombe chest designs, I decided to make the corner transition from the front profile to the sides by making a coopered, solid maple turning, which was quartered to make the two front posts for the case. I resolved this by ensuring that each joint in the parquetry pattern was sound and received sufficient pressure during glue-up.
Then I took those strips and laid them out vertically and alternated the pattern so that we received the intended design.To construct Ebony and Ivory, I broke it down into different pieces, and then when all those pieces were finished I attached them to each other.
Because of the difference of size, I knew that each would bend differently, but I had no real idea to what degree.
Diablo District Adult Education woodworking students, most of who are members of Diablo Woodworkers, a 250 member central Contra Costa County Woodworking club. And the size of the writing surface and presence of only a single drawer makes it equally clear that this isn't a desk one would sit at all day long and use for more than one purpose. To delineate the solid wood grain of the case members, I used book-matched curly maple veneer for the side panels, along with a butterfly grain veneer pattern for the top. To keep the patterns on the doors aligned, I left extra material on one side of the core to allow room for small countersunk nails that held the veneers in place. First the frames, which made the cabinet part of the bench, then the top, bottom and doors. Every time I got a blank out of the box and then off the form I knew I had to adapt to it while holding to my overall vision.The interesting thing that I didn't foresee was how all of these bends and unknowns would affect nearly all of my joinery. The students were looking for a home while their Pleasant Hill Education Center woodshop was being refurbished. But most important is the lesson that we all got about the importance of work ethic and in helping out in the community.
To get a smooth finish on the table, the sanding was necessary because a smooth finish is the most important part. The long slender legs suggest that this desk isn't used for paying taxes or grading papers.


To harmonize with the case sides the weight of the top is in proportion with the heavy bottom piece.
The bow front aspect required extensive use of the vacuum press, which was a new machine for me.
By having all of these pieces bend and splay differently, I essentially did away with all my points of reference—I took away my square, my parallel and my perpendicular. My students don't see much of that and a bunch of woodworkers, most of who are retired from other professions, came in to teach them about hard work and a job well done. This desk clearly belongs to someone extraordinary who wants to feel connected to the letters on the desk—the subtle curve at the front of the desk allows her to move closer to the letters.The unnecessary continuation of the veneer on the bottom where one would normally see the inner workings of the case construction conveys a sense of admiration for the owner by the maker. The drawer face dimensions are a play on the Golden ratio and partially the Fibonacci series.
The bending forms required for the doors, drawer fronts and applied edge bandings was also a new experience. All the sanding was done to individual pieces, so when I constructed the bench it would be ready to have the finish immediately applied.
The legs and net are removable so that it can be transported easily and used as a dining table (covered with a tablecloth).
This is a desk you want to touchonot just to feel the smooth surface but to connect with the desk's owner.
To finish, I applied four sealer coats of blond shellac followed by two coats of oil-varnish mix. I had to take all of these points in space and create a tangible reference that I could revisit throughout the mortise and tenon of the arm joint.It was just amazing fun to go through the process of shaping and carving and exactitude to make something that looks so simple and playful.
The ball doesn't really function–no bounce–but I chose to make it and the paddles to complete the project. This is the kind of furniture I want to make.The desk was designed to meet a simple design brief—build something with at least one curve and some veneered surface.
And the top of the desk is actually birch plywood covered in shop sawn thick veneer and commercial burl veneer. The use of Macassar ebony posed problems as the wood began to check as soon as it arrived in the shop. Wrapping shop sawn veneer over the curved legs utilized every small clamp available.Every step of the construction was challenging for me, but it was exactly what I was hoping it would beoa great learning experience that gave me a piece to be proud of when all was said and done.



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Author: admin | 21.10.2014 | Category: Shed Garden


Comments »

  1. Jetkokos — 21.10.2014 at 10:44:18 And delightful, you can also now have an attractive and organized stunning to take a look at.
  2. Ispanec — 21.10.2014 at 23:58:16 Solely half of the door allows the horses gadgets such as flower.