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Woodshedding is an outgrowth of the aural tradition in jazz, where a player works out by ear and intuition the music he or she heard played in public. Another version of the origin of woodshedding comes from barbershop harmonizing and street corner singing.
John Coltrane and Eric Dolphy, both modern jazz innovators and saxophone legends, were renowned for their dedication to practicing and investigating new musical ideas. Now that jazz is taught in universities and high schools, aspiring musicians have a multitude of resources for learning the art. Woodshedding is the nuts-and-bolts part of jazz, the place where you work out the techniques that form the foundation of your improvisational ability. It is a recognition of the need to sequester oneself and dig into the hard mechanics of the music before you can come back and play with a group in public. The amazing solo, the intricate bebop melody, the complex rhythmic pattern, can be learned, if one is patient.

While many jazz musicians have also been trained in written music, jazz improvisation developed aurally and orally, as older musicians passed on their innovations and discoveries to the younger, both through live performances and jam sessions and then, later, through recordings. Bebop legend Charlie Parker, after his embarrassing attempts to solo at several Kansas City jam sessions, spent the entire summer of 1937 honing his technique while playing a resort gig in the Ozarks. They would practice all day, and then practice between sets at their gigs, when the other musicians were hitting the bar and hitting on women.
There are a plethora of books, videos, even computer software for learning jazz improvisation. This art hearkens back to over a century ago, to the origins of barbershop quartet singing, where four men would gather (frequently at the local barber shop) and harmonize to the familiar tunes of the day.
He took all of Count Basie’s records, from which he learned all the Lester Young saxophone solos. Coltrane in particular served as an example of the spiritual discipline that can be part of woodshedding.

Be that as it may, the common theme between jazz and other musical woodshedding is the emphasis on the aural discovery of the right sounds, a trial-and-error process that hones your musicianship.
At the end of this marathon woodshedding session, he reemerged as a mature player to be reckoned with.
You have to dig deep into yourself, discipline yourself, become focused on the music and your instrument, before you can unlock the treasure chest. It is a reminder, conscious or not, of the deep roots jazz has in the blues, gospel, and the merging of African and European musical traditions under slavery.
You still have to take your axe in hand, go to the woodshed, and chop that wood before you can light the fire.

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Author: admin | 08.01.2016 | Category: Building A Shed Floor

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