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admin 05.05.2016

We had to do a little reshuffling in order to appease the fourth dimension, which frankly is kind of being a bitch lately, by the way, and that means I’m taking over recaps for Dating Agency Cyrano. We pick up at the high school, where Operation: Idol Crush is supposed to be heading toward its happy ending. Byung-hoon looks less thrilled at the reunion than Yi-seol, who lights up at the sight of him. Se-kyung realizes that he faked this (to help Ho-yeol escape the reporters), and it’s duly crushing.
Idol boy Ho-yeol finds her outside, and though he sort of acknowledges her, he continues on his quietly dejected way.
Min-young finds Arang in the theater and guesses that he really does like Se-kyung, but played it the opposite way for the sake of the mission, giving the twist another twist. Hearing that Byung-hoon missed it because he got distracted, Arang asks her to keep it a secret. She doesn’t agree right away, musing that she would rather root for his romance to succeed. When she sees his strategy boards, he whips up lies on the spot, saying he’s planning upcoming projects. She recognizes Arang, who is the sole remaining member of the old troupe, and assumes that Min-young is one of the current members. Byung-hoon offers to bring them out again but she declines, adding that they were gifts from Do-il.
The debt collectors come by again, and to preserve the ruse Byung-hoon introduces them as more troupe members whose gangster appearance is a product of Method acting. The gangsters head next door to report the new arrival to their hyungnim, and Seung-pyo sees them walk by—and recognizes Yi-seol by name.
Byung-hoon sees her off, and she hands him an envelope that Do-il had wanted to give to him personally, which bears the Cyrano logo. Pretty waitress Hye-ri arrives for her shift, and Moo-jin visibly stiffens, which is remarkable since he’s so reticent and stiff to begin with. It’s team meeting time but Min-young drags her feet, undecided on how to approach this idol case. She sighs that it’s especially complicated when your first love is part of a love triangle, because it enhances the memory in a painful way. Flashback to the day when Se-kyung had first noticed Arang, thanks to the hallway hockey he’d been playing.
Then Moo-jin informs them that the boss must have seen the video footage, which means he knows about the kiss. Byung-hoon joins them and first offers Arang a Cyrano business card (and an employee discount, HA) to have them work on the case for him.
He tells Arang to tell the target his honest feelings, which makes Min-young’s day—so he is giving Arang a chance after all.
Meanwhile, Ho-yeol waits with bated breath near the alley where they had previously hidden from his fangirls.
Arang is so flustered at this unexpected chance that he’s silent for long moments, and Byung-hoon yells at him to do it already. The light starts to flicker, and she walks closer to see something stuck to the wall—that band-aid she’d given him. Moo-jin rides up to find Arang sitting alone nursing his broken heart, and gives him a shoulder to lean on. It takes her a while, but finally Se-kyung comes to that convenience store where she’d once run into Ho-yeol. Watching from the van, Min-young wipes away happy tears, happy with the fulfilled romance and with Arang’s maturity. He sinks into melancholy thoughts, and looking at that Sherlock Holmes charm triggers a flashback of when he first received it.
Min-young drops him off at a storefront, and he bursts inside where Yi-seol is at work with her marionettes. I’m in the mood for a breezy romantic comedy, and Dating Agency Cyrano is fitting the bill—it moves quickly, offers up enough comedy without feeling like a gag reel, has a dash of intrigue, and shows character growth.
For instance, despite the fact that Byung-hoon is masterminding everything (to a level of precision that even his teammates don’t always know about), he lets the feelings breathe in the end, which is a good sign. I also like how the Client of the Week allows the show to offer a variety of perspectives about love, which is also shown in the very different personalities running Cyrano Agency. Master Seung-pyo is an interesting one, and they’re keeping him in the shadows for the time being.
The pacing of the show is brisk enough that we keep from sticking to one particular character or emotional beat for too long, which I consider an asset. Most of all I’m enjoying the rapport of our main cast, and I find myself liking the heroine a surprising amount. My only quibble with this episode was the example of the dinner being cooked: In my view, that meal was being made for a customer.

I am counting on you to answer some of my questions again ?? and on you to chime in as well (in response to my comments, if you feel the desire to.
At the same time, before Arang’s confession, Sekyung already to develop feelings for Ray, thats why she chased him to the hall, when she found out he is supposedly leaving school. To me, it looked like Ray’s problem was that Sekyung refused to see him as anything besides an idol.
If Se-kyung is such a naive girl to interpret romantic gestures as love , then i doubt someone would approach Cyrano to make her fall in love with them.
Well, in the movie [spoiler?] there’s a scene where the former target found out that everything was a lie and blaming Cyrano Agency for ruining her life. And the basis is faulty for sure, but it gives an opportunity (however deceitful its methods), to at least start the relationship.
So what Cyrano agency is doing is making a great start for people, getting people to notice eachother, but nothing more than that.
I really liked episodes 4 and 5, especially the scene where Arang confessed to Se-kyung and how that led to the scene after. This drama is about a dating agency that orchestrates romantic scenarios for paying clients, all in an effort to raise enough money to save an old theater.
After Seo Byung Hoon (Lee Jong Hyuk) loses his best friend in an accident, the once-renowned theater director suffers from guilt and decides to save his late friend’s theater troupe. He is in charge of equipments, hitech and gatgets in Cyrano, which makes special project success. Have you ever wished a drama production team would make your life perfect—choosing your outfit, compiling a soundtrack, manufacturing reasons for you to spend time with your crush, and even giving you the perfect script for the occasion? Mixing a heist-film mentality and classic romantic hijinks, the movie opens with a bang: the team organizes a series of primetime calibre meet-cutes for a sad sack customer intent on dating his favorite barista. Played with slouching charm by Uhm Tae Woong, Byung Hoon does everything in his power to stay off the case, but money is scare and the rest of the team eventually convince him to move forward. Standout among the movie’s cast is Daniel Choi, as the star of Byung Hoon’s greatest scheme.
But things appear to be skidding sideways with our mastermind Byung-hoon dashing off to catch up to that first love he never got over, Yi-seol. Arang blocks Se-kyung from view as the reporters get click-happy with the cameras, and they belatedly realize that there’s no star here. We can see her wanting to follow him or engage him, but she doesn’t know what to say.
Moo-jin did see the kiss from his surveillance van, but Arang says he’ll talk with him.
Then Yi-seol notices the space where her marionettes used to sit, which Byung-hoon packed away the other day. She touches her lips in memory of the kiss, then looks over at Ho-yeol’s handkerchief.
Oh no, it turns out he had seen the kiss after all—after running out of the theater to evade the reporters, he had seen them through the glass doors.
Ho-yeol had been trying to impress her, but Arang had gotten hit with the puck instead of her and earned her admiration. Then she asks about Yi-seol (oh so casually), and hears that she was going to marry the other theater head, Do-il. Byung-hoon says it’s not about money (and for once I believe him), adding that Arang just had his chance.
Byung-hoon checks that he’s okay with it while Min-young tries to get him to reconsider, telling him that first loves can stick with you a long time. These kind of story-of-the-week shows have a certain procedural element to them, which can be both a positive and a negative trait.
I was extremely wary of this character from promos and descriptions, because she seemed way too naive on paper and very been-there-done-that as far as dramaland heroines went.
My problem with the scenario is that the customer doesn’t know this is the best version of the dish that can be made. If the cook is cooking for his own happiness, then if eating his own dish will make him happy, go for it. Of course, watching someone is a superficial love too, but there is just nothing to convince me that she now really likes Ray and Arang no longer. But when the agency set up situations where she saw him more vulnerable and as a person, she started liking him.
She idealizes romance but the fact is, Byung Hoon’s methods are truly more effective than the grand gestures she sighs over.
Even after doing all those scenarios to get the girl with the agency’s help, the former client ended up cheating on her. Meanwhile for now, we get the two leads debating the concept of love and the validity and sincerity of the whole operation… so I guess the show will eventually get to there too, pointing the flaws and what not.
One of my closest friends is literally someone I was forced to sit next to back in high school.

Driven by guilt of the death of his best friend because of accident, he forms a dating agency to save his late friend’s theater troupe. He is a moneylender, who visits Byunghoon regularly, to collect money that Doyil borrowed for obtaining thetheater. He is also a moneylender, who visits Byunghoon regularly, to collect money that Doyil borrowed for obtaining theater.
Told in a clever montage that cuts between planning sessions and real-life events, it shows the dating agents—and the movie—at their finest. His shared past with the agency’s newest prey is told in fragmentary flashbacks that gradually reveal the details of their love, from a gum-driven meeting to a teary breakup. His easy-going energy is perfectly showcased here, thanks to a script that gives plenty of opportunities for both physical comedy and puppyish sweetness. The biggest of them all, of course, is at the very heart of the agency’s work: Why would you ever want someone who would only want a “perfect” version of you, not the real thing? Meanwhile, Arang makes a last-ditch confession to Se-kyung, throwing a wrench into the works. They walk out muttering about how fast kids are these days (spoken like an old fogey, no?), and Arang apologizes to Se-kyung—this was the best way he could think up to deal with the reporters.
They haven’t seen each other in years because she never made it to a certain funeral, and Byung-hoon never visited her in the hospital.
She says in her chipper way that she was right and that was his first love and basically annoys him batty. He let Ho-yeol believe that Se-kyung wasn’t coming, and as a result his reaction when she does arrive is 100 percent real.
On one hand, it keeps stories short and sweet, enough to satisfy with a small dose without needing to get bogged down in too many details. The best procedurals use the episodic thread to shed light on its main players, which is a great framework to get our two leads arguing about their diametrically opposing views on romance. He turns on a dime with unnerving ease, one second being friendly and helpful to Min-young, then next clenching his jaw and shooting daggers at Byung-hoon. How many more overly romantic chronic dreamers do we have to see butting heads with cynical heroes, right?
If the cook is a cook for the sake of his customers, or money, or the happiness of his customers, then of course the food would go to the other person. Realistically speaking, it is not possible for the chef to eat the dish and just cook another less-appetizing dish for the customer because there is only one Se Kyung.
Also, I left you a response to your comments (actually two, one under my post, and the other under yours). Then Ho-yeol confesses, runs down the street with her from some silly fans… and now she likes him?
In any case, you shouldn’t kiss the girl unless you mean it, especially when you know she likes you. Knowing someone likes you is a powerful thing, and I think her eyes were opened to sincerity.
What she brings to the agency isn’t a skill but her heart, forcing the others to take the feelings of the client and target into account. In the restaurant, she was talking about not liking love-triangles because they hurt anyone — she would have felt bad for Ray too had it not gone his way. The person we bond with the most might be someone we would have passed off — we can never know. Uggh it’s so true since it is really hard to determine whether you really have a feeling for someone or you are just carried away by the good things they say and do.
As he choreographs the client’s quest for her hand, Byung Hoon is forced to decide between a broken past and an uncertain future not only for himself, but also for his former sweetheart. In an underused role, Park Shin Hye also shines as a no-nonsense businesswoman working to keep the agency afloat. But he can’t betray the client for his feelings, and worries what his hyungs will say about breaking from the plan. On the other hand, these clients are in and out, so when procedurals are clumsily handled they can feel like emotional drive-bys.
But her bubbly nature is turning out to be the glue of the agency—and the restaurant too—and I’m enjoying how the two younger guys are bonding with her as well. The outcome is important, but his comment about the kid needing a little bit of suffering along the way speaks to the process having merit as well.
You have to remember that Arang rejected her pretty clearly so she probably thought she didn’t have a chance with him.

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