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DESCRIPTION:This seminal work was initially compiled in manuscript form on vellum, with drawings in red and black.
The author, a seventh century Bishop of Seville (Spain), leaned heavily himself on classical writers, as well as the teachings of the Church Fathers. In view of the extraordinary influence of this treatise, the following excepts (the translation is taken from G. Concerning the earth we are told that it is named from its roundness (orbis) which is like a wheel; whence the small wheel is called a€?orbiculusa€?.
As to size, Isidore accepts Eratosthenesa€™ estimate (via Macrobius) of 252,000 stadia for the circumference of the earth. The Ancients did not divide these three parts of the world equally, for Asia stretches right from the south, through the east to the north, but Europe stretches from the north to the west and thence Africa from the west to the south. Interestingly, Isidore was the first writer to clearly define the Mediterranean by that proper name.
It contains many provinces and districts whose names and geographical situations I will briefly describe, beginning from Paradise . This obvious Biblical note coming so early in the topographical section of the treatise might lead the reader to expect its continuance in subsequent chapters; but apart from one or two entirely understandable references to Biblical lore - Scythia and Gothia also are said to have been named by Magog, son of Japhet and the River Ganges which sacred scripture calls Phison, flows down from Paradise to the realms of India - only the most sparing use of this source is made. In the extreme east of Asia the country of Seres is rich in fine leaves, from which are cut fleeces which the natives who decline the merchandise of other peoples sell for use as garments .
Europe, in the true classical fashion, is divided from Asia by the river Tanais [todaya€™s Don] and is bordered on the north by the Northern Ocean. Moreover beyond [these] three parts of the world, on the other side of the ocean, is a fourth inland part in the south, which is unknown to us because of the heat of the sun, within the bounds of which the Antipodes are fabulously said to dwell. This concession by Isidore as expressed in the brief quote above indicated that he more than half believed in the sphericity of the earth and quite fully in the doctrine of the Antipodes. As far as his own graphic expression of the worlda€™s geography, one of the map designs frequently associated with Isidore of Seville is actually a survival of the ancient Greek tripartite division of the world into Asia, Africa and Europe, surrounded by the Ocean Sea. The T within the O produced a world image divided into half (by the cross of the T) and two quarters. Regardless of experience and all knowledge to the contrary, the most important city regionally was located in the center of the habitable world.
In addition to the usual tripartite circular map of the world, some manuscripts of the Etymologiarum feature other map designs as well. Caius Crispus Sallustius, generally known as Sallust (86-34 BCE) was a Roman senator and historian, who subsequent to his falling out with the Caesar, was sent to Africa as a governor of Numidia (In the north-west of Africa}. He produced his most important works on the conspiracy of Catiline and the war of Rome with Jugurtha. The Medes and Armenians connected them selves with the Libyans who dwelled near the African sea, while the Getulians lay more to the sun, not far from the torrid heats; and these soon built themselves towns, as, being separated from Spain only by a strait, they proceeded to open an intercourse with its inhabitants. Some copies of Sallusts manuscripts, which have reached us, do also include a simple T-O map, which relates to his narrative of the Jugurthine War. As mentioned above, Sallusta€™s works were copied and re-copied and were in use until the late medieval period and many of the later copies of his manuscripts have reached us. Sallust mappamundi, ninth century, a€?University of Leipzig Library, Leipzig, Germany, MS 1607, f. Since Sallust was the governor of Numidia, he has naturally paid more attention to the details of this continent. In the bodies of water dividing the world into the three continents, the Mediterranean bears no legend. Another variation of the basic Isidorean design was called the Byzantine-Oxford, or B-O T-O maps.
More prominently than in any other example of the biblical school, the Holy Land dominates the center of the map. The map was brought back to England or Ireland after the First Crusade, which conquered Jerusalem in 1099. Christian scholars adopted the T-O map for its simplicity, as had the classical writers who first employed it.
These T-O maps, whether actually contained in the Etymologiarum of Isidore, in later editions of the same, as modified derivatives thereof (Sallusts, B-O T-O), or as maps that were merely influenced by the basic design format (Hereford, Ebstorf, et. At the Benedictine monastery of Thorney in East Anglia, a large and elegant computus book was finished in 1110, designed to be an ornament of the newly completed church. The continents are arranged with Asia at the top, Europe apparently in the center and Africa in the southwest corner.
Like the map within the rota of sunrises and sunsets, this is a T-O map with Asia in the top half, and Europe and Africa in the lower half. In form, content and function, MS 17a€™s map represents a recent development in medieval cartography. On the other hand, this mappamundi is also closely connected in content and context to Byrhtfertha€™s Diagram on fol. But there is also a particularly insular connection between computus and universal geography, one that is connected to the debates over the correct system of calculating Easter that marked the early years of Christianity in England. Schematic maps of the oikumene of the T-O type are often embedded in computus diagrams as a shorthand representation of the earth; zone maps illustrating the climates of the earth, derived from Macrobiusa€™ Commentum in Somnium Scipionis (#201), appear in anthologies of cosmographic materials as illustrations of passages from Isidore (cf. In about 1446-1451 Jean Mansel composed a universal history titled La fleur des histoires, and then in the 1460s wrote a longer version of the same work. The map is placed at the start of the prologue to Book IV, in which a description of the regions of the world is given in alphabetical order. The name gorgato recalls the medieval Latin gargata and Old French gargate, meaning a€?throat,a€? perhaps alluding to the creaturea€™s voracious nature, but these monsters seem to have been invented by the cartographer. The T-O map tradition did not die out as a cartographic form of expression until as late as the 17th century, as may be seen from a book such as the Variae Orbis Universi, by Petrus Bertius, 1628.
The Matenadaran archive collection in Yerevan, capital of Armenia, contains some 14,000 manuscripts from the golden age of Armenian literature, beginning in the 5th century, and from later periods.
One exception to the general lack of maps in the Yerevan archives is MS 1242, a collection of eighteen unrelated essays on religious, moral, mathematical and astronomical subjects dating mainly from the 13th to the 15th centuries.
The map on folio 132r can be described as of the T - O type, but its construction has been modified. Also as in many maps of the T-O genre, the centre is occupied by the Holy City of Jerusalem, which is shown with its six gates, each inscribed with its name in Armenian. In both shape and arrangement, the city sign is akin to that on the Hereford mapparnundi, c.1290 (#226), although it lacks the enclosing crenulated walls of the Hereford map sign. As shown in the following Table, in addition to Jerusalem, twenty-seven place- names are found on the map. The inscription to the left of the stem of the T, below the triangle formed by three dots, reads, Ays koghms Eropa [This side is Europe]. The Red Sea [Karmir] dzov; only the word sea is legible on the map) is shown as a bold open circle on the borders of Africa and Asia. The division between Europe and Asia, normally marked with the horizontal crossbar of the T, here is demarcated with a single red line and is more complex.
In keeping with T-O maps in general, the greater part of the Armenian map is allocated to Asia, inscribed Ays koghms Asia [This side is Asia].
In the east, in the upper part of the map close to the Ocean are the names Khaytai [China] and Zaytun [Zaytun], another Chinese trading port city. The presence of these toponyms in the area between Europe and China bears witness to the importance of these towns and provinces in trade and commerce between East and West and is perhaps indicative of the period of the mapa€™s creation. There is nothing, then, untoward in the inclusion on the Armenian map of Sara (Sarai), a city founded only in the 1240s by Batu Khan, the grandson of Mongol leader Gangiz Khan, who took over the territory of southern Russia and its Turkic speaking peoples during the early 13th century. Khachaturian also proposed that based on palaeographic evidence, the map was made in the Cilician Kingdom of Armenia during the Crusades, unfortunately not specifying which Crusade. Caffa, the first town listed in the row of toponyms along the northeastern periphery of the map, was only a small Crimean seaside town until the 13th century. The presence of the name Caffa on the map is a strong indication that the map was made during the citya€™s heyday, namely in the 14th century. Since, in my view, the map has to postdate both the establishment of Sarai-Batu and Sarai-Berke (New Sarai, established 1257-1266) and the time when Caffa became an important conurbation, it cannot be dated to earlier than the third quarter of the 13th century. While the majority of T-O maps produced in the Christian West depict Armenia, Mount Ararat and Noaha€™s Ark, this Armenian mapmaker has chosen not to mention any of these Armenian features. In the end, the absence of reference on the Armenian map to Armenia itself or to any of its immediate neighbors, such as Persia and Assyria, is more puzzling.
The existence of this Armenian language T-O map, though, may be owed simply to the curiosity of an individual whose interest in Western maps and literature would have been a sufficient reason for him to create a map of his own in line with those of the Western mapmakers of the time, leaving us an Armenian map as remarkable for its uniqueness as for the hints it gives of the interconnections underlying the T-O maps and the mappaemundi of the West. This is a very late example of a T-O world map, probably made in Bruges in 1482 for King Edward IV, the founder of the old Royal Library. 205CT-O map from Isidore of Sevillea€™s Etymologiarum, unknown, 10th century, 11.5 cm dia, Biblioteca Medicea Laurenziana, Florence, Plut. 205CCDiagram map from MS of Bedea€™s De natura rerum, Bede, 9th century, 24 cm square, Bayerische Staatsbibliotek, Munich, Clm 210, f. 205DD Isidore mappamundi, unknown, 11th century, 26 cm dia, Bayerische Staatsbibliotek, Munich, Clm 10058, f.
205ET-O map from Isidore of Sevillea€™s Etymologiarum, unknown, Santarem s Atlas compose de mappemondes . 205GG Circular Plan of Jerusalem, unknown, 13th century, 26 cm diameter, British Library, Additional MS. 205HT-O Sallust map from Bellum Jugurthinum, unknown, 14th century, Biblioteca Nazionale Marciana, Venice, Fond. 205HH Reverse T-O map from MS of Isidorea€™s De natura rerum, unknown, 12th century, 19 cm diameter, Cathedral Curch of Exeter, MS. 205JJT-O map from MS of Isidorea€™s De natura rerum, unknown, 9th century, 12.5 cm diameter, Burgerbibliothek, Bern, Codex 417, fol. 205LLSallust T-O map from De bello Jugurthino, West oriented, unknown, 6.8 cm diameter, Bibliotheque Nationale, MS.
205MT-O map from Isidore of Sevillea€™s Etymologiarum, unknown, 8th century, 22 X 29 cm, Vatican Library, MS Vat. 205MM Sallust T-O map with symmetrical rivers, unknown, 13th century, 10.5 cm diameter, Gonville and Caius College, MS. 205NSallust T-O map, unknown, 13th century, 10.5 cm diameter, Gonville and Caius College, Cambridge MS.
205OT-O Sallust map, unknown, 13th century, 4.3 cm diameter, Bibliotheque Nationale, Paris, MS Lat. 205QT-O map from Isidore of Sevillea€™s Etymologiarum, unknown, 10th century, 11.5 cm diameter, Biblioteca Medicea Laurenziana, Florence, Plut.
205TT-O and -V maps from Isidore of Sevillea€™s Etymologiarum, unknown, 12th century, 7.2 cm diameter, BnF, Manuscrits (Latin 10293 fol. 205TTT-O world map by Chatillon, Gautier de Chatillon, 13th century, 7 cm diameter, Bodleian Library, MS Bod. 205V1Gauthier de Chatillon mappimundi, Alexandreis, Gauthier de Chatillon, 13th century, Bibliotheque Nationale, Fonds Francais 11334, fol. 205WY-O map from Macrobiusa€™ Commentarium in somnium Scipionis, unknown, 12th century, 8.7 cm diameter, Bibliotheque Nationale, Paris, MS.
205YT-O map from MS of Commentary on the Apocalypse of Saint John (Beatus), unknown, 11th century, 4.7 cm diameter, Bibliotheque Nationale, Paris, MS. 205ZT-O map from MS of Bedea€™s De natura rerum, Bede, 12th century, 8.1 cm diameter, Bibliotheque Nationale, Paris, MS. DESCRIPTION: This is the largest map of its kind to have survived in tact and in good condition from such an early period of cartography. These place names are in Lincolnshire (Holdingham and Sleaford are the modern forms), and this Richard has been identified as one Richard de Bello, prebend of Lafford in Lincoln Cathedral about the year 1283, who later became an official of the Bishop of Hereford, and in 1305 was appointed prebend of Norton in Hereford Cathedral. While the map was compiled in England, names and descriptions were written in Latin, with the Norman dialect of old French used for special entries.
Here, my dear Son, my bosom is whence you took flesh Here are my breasts from which you sought a Virgina€™s milk. The other three figures consist of a woman placing a crown on the Virgin Mary and two angels on their knees in supplication. Still within this decorative border, in the left-hand bottom corner, the Roman Emperor Caesar Augustus is enthroned and crowned with a papal triple tiara and delivers a mandate with his seal attached, to three named commissioners.
In the right-hand bottom corner an unidentified rider parades with a following forester holding a pair of greyhounds on a leash.
The geographical form and content of the Hereford map is derived from the writings of Pliny, Solinus, Augustine, Strabo, Jerome, the Antonine Itinerary, St. As is traditional with the T-O design, there is the tripartite division of the known world into three continents: Europe, Asia, and Africa. EUROPE: When we turn to this area of the Hereford map we would expect to find some evidence of more contemporary 13th century knowledge and geographic accuracy than was seen in Africa or Asia, and, to some limited extent, this theory is true. France, with the bordering regions of Holland and Belgium is called Gallia, and includes all of the land between the Rhine and the Pyrenees. Norway and Sweden are shown as a peninsula, divided by an arm of the sea, though their size and position are misrepresented. On the other side of Europe, Iceland, the Faeroes, and Ultima Tile are shown grouped together north of Norway, perhaps because the restricting circular limits of the map did not permit them to be shown at a more correct distance.
The British Isles are drawn on a larger scale than the neighboring parts of the continent, and this representation is of special interest on account of its early date.
On the Hereford map, the areas retain their Latin names, Britannia insula and Hibernia, Scotia, Wallia, and Cornubia, and are neatly divided, usually by rivers, into compartments, North and South Ireland, Wales, Cornwall, England, and Scotland. THE MEDITERRANEAN: The Mediterranean, conveniently separating the three continents of Asia, Africa and Europe, teems with islands associated with legends of Greece and Rome. Mythical fire-breathing creature with wings, scales and claws; malevolent in west, benevolent in east. 4.A A  For bibliographical information on these and other (including lost) cartographical exemplars, see Westrem, The Hereford Map, p. 10.A A  For bibliographical information for editions and translations of the source texts, see Westrem, The Hereford Map, p.
11.A A  More detailed analysis of these data can be found in my a€?Lessons from Legends on the Hereford Mappa Mundi,a€? Hereford Mappa Mundi Conference proceedings volume being edited by Barber and Harvey (see n.
16.A A  Danubius oritur ab orientali parte Reni fluminis sub quadam ecclesia, et progressus ad orientem, . 23.A A  The a€?standarda€? Latin forms of these place-names and the modern English equivalents are those recorded in the Barrington Atlas of the Greek and Roman World, ed.
From the time when it was first mentioned as being in Hereford Cathedral in 1682, until a relatively short time ago, the Hereford Mappamundi was almost entirely the preserve of antiquaries, clergymen with an interest in the middle ages and some historians of cartography. FROM THE TIME when it was first mentioned as being in Hereford Cathedral in 1682, until a relatively short time ago, the Hereford Mappamundi was almost entirely the preserve of antiquaries, clergymen with an interest in the middle ages and some historians of cartography. Details from the Hereford map of the Blemyae and the Psilli.a€? Typical of the strange creatures or 'Wonders of the East' derived by Richard of Haldingham from classical sources and placed in Ethiopia. Equally important work was also being done on medieval and Renaissance world maps as a genre, particularly by medievalists such as Anna-Dorothee von den Brincken and Jorg-Geerd Arentzen in Germany and by Juergen Schulz, primarily an art historian, and David Woodward, a leading historian of cartography, in the United States. The Hereford World Map is the only complete surviving English example of a type of map which was primarily a visualization of all branches of knowledge in a Christian framework and only secondly a geographical object.
After the fall of the Roman empire in the 5th century, monks and scholars struggled desperately to preserve from destruction by pagan barbarians the flotsam and jetsam of classical history and learning; to consolidate them and to reconcile them with Christian teaching and biblical history. There would have been several models to choose from, corresponding to the widely differing cartographic traditions inside the Roman Empire, but it seems that the commonest image descended from a large map of the known world that was created for a portico lining the Via Flaminia near the Capitol in Rome during Christ's lifetime. Recent writers such as Arentzen have suggested that, simply because of their sheer availability, from an early date different versions of this map may have been used to illustrate texts by scholars such as St. Eventually some of the information from the texts became incorporated into the maps themselves, though only sparingly at first.
A broad similarity in coastlines with the Hereford map is clear in the Anglo-Saxon [Cottonian] World Map, c.1000 (#210), but there are no illustrations of animals other than the lion (top left).
The resulting maps ranged widely in shape and appearance, some being circular, others square. A few maps of the inhabited world were much more detailed, though keeping to the same broad structure and symbolism.
Most of these earlier maps were book illustrations, none were particularly big and the maps were always considered to need textual amplification.
From about 1100, however, we know from contemporary descriptions in chronicles and from the few surviving inventories that larger world maps were produced on parchment, cloth and as wall paintings for the adornment of audience chambers in palaces and castles as well as, probably, of altars in the side chapels of religious buildings.
A separate written text of an encyclopedic nature, probably written by the map's intellectual creator, however, was still intended to accompany many if not all these large maps and one may originally have accompanied the Hereford world map.
These maps seem largely to have been inspired by English scholars working at home or in Europe. The most striking novelty, however, was the vastly increased number of depictions of peoples, animals, and plants of the world copied from illustrations in contemporary handbooks on wildlife, commonly called bestiaries and herbals.
Mentions in contemporary records and chronicles, such as those of Matthew Paris, make it plain that these large world maps were once relatively common. At about the same time that this map was being created, Henry III, perhaps after consultation with Gervase, who had visited him in 1229, commissioned wall maps to hang in the audience chambers of his palaces in Winchester and Westminster.
The Hereford Mappamundi is the only full size survivor of these magnificent, encyclopedic English-inspired maps. An inscription in Norman-French at the bottom left attributes the map to Richard of Haldingham and Sleaford. 1906: Availability of panchromatic black and white film and therefore high quality color separation color photography. G+ #Read of the Day: The Daguerreotype - The daguerreotype, an early form of photograph, was invented by Louis Daguerre in the early 19th c. The first photograph (1826) - Joseph Niepce, a French inventor and pioneer in photography, is generally credited with producing the first photograph. Easy Peasy Fact:Following Niepcea€™s experiments, in 1829 Louis Daguerre stepped up to make some improvements on a novel idea. From this it is quite evident that the two parts, Europe and Africa, occupy half of the world and that Asia alone occupies the other half. Proceeding to a systematic description of the countries of the world, of Asia Isidore says that it is bounded in the east by Lake Maeotis [Sea of Azov] and the river Tanais [the river Don].
Other maps give definite localities for the Twelve Tribes of Israel and the abiding places of the Twelve Apostles. The most closely related or influenced maps of the T-Oa€™s are those that accompany manuscripts of Sallusta€™s works and may have originally been drawn to illustrate a passage from Sallusta€™s De bello Jugurthino which, like Isidorea€™s treatise, also attempted to briefly describe the countries of the world. Both accounts appear bound in one manuscript that was copied and used as a textbook of history for almost a millennium. The sea is boisterous, and deficient in harbors; the soil is fertile in corn, and good for pasturage, but unproductive of trees. The name of Medes the Libyans gradually corrupted changing It in their barbarous tongue, into Moors.
Many copies of this map mention the name of Armenians in North Africa, along with the names of the Medes and the Persians These were probably the forbearers of the first T-O maps, as we know them today. Some of these include basic T-O maps, which show the continents, including the names of some countries and peoples.
The copy dates from the ninth or tenth century and is drawn on vellum and taken from a Sallust manuscript now in the University of Leipzig in Germany. In the area of Europe there are no legends, only the city of Roma is represented with a vignette of a castle and its name, attesting to the importance of the power of Rome in the Empire.
Affrica contains 24 legends, which include cities of Harran, Cartage [Cartage] plus four other cities. The left arm of the T is inscribed Tanais, but the right arm, which should have borne the name Nilus, is only connected to the Nile at the right extremity, where the Nilus is shown as a vertical line. There are 15 toponyms and the countries of Phoenicea, Carthago, Ethiopia, Numidia and mountains of Catabatmon are shown. This area is divided first into the lands of Judea, Galilee, and Palestine, and further by the names of seven of the Twelve Tribes.
One of the most interesting features of this map is its highly abstract form: it is mostly comprised of straight lines with only a few concessions to irregular geographical forms.
Most puzzling is that the label for Europe crosses what would normally be the Mediterranean. The division of the earth among the sons of Noah, Noaha€™s ark, seven of the twelve tribal territories of the land of Israel, Jericho and the city of refuge (Joshua 20) for those guilty of involuntary manslaughter under Hebrew law, all come from Jewish history. These divisions are treated rather casually, however, for the label EVROPA straddles the boundary between Europe and Africa; locations in the Holy Land are indifferently assigned to Asia and Africa, and Athens and Achaia are placed in Asia. Running horizontally across the middle of the map, and dividing Asia from Africa and Europe, is a band labeled HIERVSALEM. Europe in principle occupies the left hand side of the lower half of the map, but the label EVROPA actually straddles the vertical divider. Great Britain, Ireland and Thule are represented at or over the edge of the orbis and in the northern rather than western quadrant.
The prominence given to Jerusalem, together with the double representation of the Cross (once on its own, and once on Mount Zion), is a case in point. Evelyn Edson, on the other hand, argues that MS 17a€™s mappamundi is one of a small group of complex maps directly inspired by computus themes. A famous and often reproduced world map in a manuscript of the short version of Mansela€™s book, which was probably made by Simom Marmion in about 1460, illustrates the division of the world among the three sons of Noah. Mansela€™s description includes ancient places such as Carthage and Delos, biblical places such as Babylon and Judaea, and lands of contemporary importance such as Westphalia and Gascony.
Of course that is the easy conclusion, but it is rendered very plausible if we look at the names of some of the islands in the circumfluent oceana€”golgavatas terra, lapides presiosa (for lapides pretiosi, a€?precious stonesa€?), habundans terra, illa deserta, tamaria, alphaua terra, and illa arcana, for examplea€”which are quite clearly invented.
It immediately precedes the prologue to Book IV, which includes a regional description of the world in alphabetical order. Among these manuscripts are many illustrated works on astrology and astronomy as well as some on geography, but virtually nothing contains a map. The circular legend around the city reads The city of Jerusalem populated in ancient and recent times by the Israelites [the Armenian phrase reads Bnakui hin yev nor avrinatz qaghaq I[sra] letzotz vor e Yerusaghem]. It also resembles the plan of Jerusalem in another Armenian manuscript in the Matenadaran, the much later MS 1770 which dates from 1589. This is shown by the pair of vertical red lines that descend from Jerusalem in the center to the outer Ocean and represent the Mediterranean, which is identified only by the word Sea. Between the inscription and the Mediterranean, that is in western Africa, is a small circle which, being inland, can only denote a lake.
It is outlined in black, colored solidly in red and interrupted as if to indicate the traditional crossing of the Israelites as they fled from Egypt. Two black lines, drawn at right angles to each other and to the red lines of the continental division and the Mediterranean, indicate the Aegean and Black Seas. In the north, following the curve of the encircling Ocean, and on the borders of Europe and Asia, is written Rusq [Russia]. Zaytun was the Arabic name given to the port of Quanzhou or Tseu-Tung in the province of Fujian, China. It may also be that this is the earliest Christian map on which the toponyms Caffa, Azov, Sarai, Zaytun and Khansai are found.


The geographer Mkrdich Khachaturiana€™s suggestion that the map dates from 1206 is unlikely to be correct.
The Flemish Franciscan William de Rubruck (1220-1293), who in 1253 travelled to the region, stated that [Sarah] Batu was one of the most important cities of the region.
It is hardly possible to date a manuscript precisely based on palaeography alone, and, furthermore, the script used on the map is similar to that in a manuscript produced in Caffa in 1445 (Matenadaran, MS 8963), which is another collection of astrological and scientific subjects, with diagrams and calendars. Only after Genoese merchants had leased it from the Mongols, was it transformed into a flourishing commercial centre, trading with the East and rivaling the Venetian- controlled city of Tanais on the Sea of Azov.
Such a date would fit the suggestion that the Armenian mapmaker, who was most likely to have been a monk, either saw or was told about contemporary Italian T-O maps in Caffa, a city not only administered by the Genoese, but also to all intents and purposes functioning as an Italian city, and one of the most suitably located Armenian communities for intellectual as well as commercial contact with the West. Hovhannes Hovhannisian, the other Armenian geographer who has studied the map, argues that the presence of the commercial centers of Khorazm [Oxiana] and Sarai are indicative of the period when the Mongols had close connections with Khorazm (that is, from the 1240s to the 1360s), and this explains the rationale behind his dating the map to as late as 1360.
Other biblical events and places are shown on the map, however: Jerusalem, the giving of the Tablets of the Law to Moses, Mount Sinai and the Red Sea. While the Hereford mappamundi, c.1290 (#226) and the Sawley map, 1180 (#215) each show a monastic establishment, the references to these have been placed on the banks of the Nile. It can plausibly be deduced, that the author was familiar with Central Asia since current trends in commercial and political relations are well represented by the depiction of the Silk Road cities and major trading centers such as Baghdad, Damascus, Constantinople and Venice. A sumptuous example of Flemish illumination illustrating an encyclopedic work, it embodies the spirit of medieval civilization.
The circle of the world is set in a somewhat rectangular frame background with a pointed top, and an ornamented border of a zig-zag pattern often found in psalter-maps of the period (#223).
Show pity, as you said you would, on all Who their devotion paid to me for you made me Savioress.
Olympus and such cities as Athens and Corinth; the Delphic oracle, misnamed Delos, is represented by a hideous head.
James (Roxburghe Club) 1929, with representations from manuscripts in the British Library and the Bodleian Library, and a€?Marvels of the Easta€?, by R. The upper-left corner of the Hereford Map, showing north and east Asia (compare to the contents on Chart 3). 1), however, call attention to a remarkable degree of accuracy in the relationship of toponymsa€”for cities, rivers, and mountainsa€”both in EMM and in Hereford Map legends.A  On the Asia Minor littoral, for example, one passage in EMM links 39 place-names in a running series, 23 of which are found in Chart 4 (and visible, in almost exactly parallel order, on Fig.
5, above).A  Treating islands separately from the eartha€™s three a€?partsa€? follows the organizational style adopted by Isidore of Seville, Honorius Augustodunensis, and other medieval geographical authorities.
Note Lincoln on its hill and Snowdon ('Snawdon'), Caernarvon and Conway in Wales, referring to the castles Edward I was building there when the map was being created. In England, a detailed study of its less obvious features, such as the sequences of its place names and some of its coastal outlines by G.
The Psilli reputedly tested the virtue of their wives by exposing their children to serpents. The cumulative effect has been to enable us at last to evaluate the map in terms of its actual (largely non-geographical and not exclusively religious) purpose, the age in which it was created and in the context of the general development of European cartography.
The Old and New Testaments contained few doctrinal implications for geography, other than a bias in favor of an inhabited world consisting of three interlinked continents containing descendants of Noah's three sons. This now-lost map was referred to in some detail by a number of classical writers and it seems to have been created under the direction of Emperor Augustus's son-in-law, Vipsanius Agrippa (63-12 BC) for official purposes.
As the centuries went by, more and more was included with references to places associated with events in classical history and legend (particularly fictionalized tales about Alexander the Great) and from biblical history with brief notes on and the very occasional illustration of natural history. Note also the Roman provincial boundaries, the relative accuracy of the British coastlines (lower left) and the attention paid to the Balkans and Denmark, with which Saxon England had close contacts. Some, often oriented to the north, attempted to show the whole world in zones, with the inhabited earth occupying the zone between the equator and the frozen north. They were never intended to convey purely geographical information or to stand alone without explanatory text.
Often a 'context' for them would have been provided by the other secular as well as religious surrounding decorations. For many maps continued to be used primarily for educational, including theological, purposes.
They reached their fullest development in the thirteenth century when Englishmen like Roger Bacon, John of Holywood (Sacrobosco), Robert Grosseteste and Matthew Paris were playing an inordinately large part in creative geographical thinking in Europe.
In most, if not all of these maps, the strange peoples or 'Marvels of the East' are shown occupying Ethiopia on the right (southern) edge, as on the Hereford map.
Exposure to light, fire, water, and religious bigotry or indifference over the centuries has, however, led to the destruction of most of them.
Both are now lost but it seems quite likely that the so-called 'Psalter Map', produced in London in the early 1260s and now owned by the British Library, is a much reduced copy of the map that hung in Westminster Palace.
Despite some broad similarities in arrangement and content, however, there are very considerable differences from the Ebstorf and the 'Westminster Palace' maps in details - like the precise location of wildlife, the portrayal of some coastlines and islands, or in the recent information incorporated. Talbot was active from the mid-1830s, and sits alongside Louis Daguerre as one of the fathers of the medium. Niepcea€™s photograph shows a view from the Window at Le Gras, and it only took eight hours of exposure time!The history of photography has roots in remote antiquity with the discovery of the principle of the camera obscura and the observation that some substances are visibly altered by exposure to light. Again employing the use of solvents and metal plates as a canvas, Daguerre utilized a combination of silver and iodine to make a surface more sensitive to light, thereby taking less time to develop. The former were made into two parts because the Great Sea (called the Mediterranean) enters from the Ocean between them and cuts them apart . His treatment of the habitable earth enables one to arrive fairly easily at the scope of his knowledge. During his mission there he was involved in various rebellions and conflicts with neighboring powers and has left accounts of his activities.
In his Jugurthine War Sallust writes about Africa, describing its geographic location and climatic conditions, as well as its demography where he narrates how the Armenian mercenaries settled in North Africa and intermingling with the Libyan tribes, gave rise to the peoples that inhabit the region today.
Since they are about the history of northern Africa, this particular area is shown in more detail. In Europe only the name of the continent and two countries of Italia and Hyspania are shown.
Near the Nile the land is described as Exusta [parched], a reference to the southern parched areas.
Jerusalem was the focus of that Conquest for more than two centuries of Crusaders, and it would remain the center of attention on maps until the invention of printing and the publication of Ptolemy in the 1470s. The whole is illustrated by instructive diagrams, including five world maps: two T-O centers of rotae, two zonal maps, and one larger, more detailed map. Another oddity is that Achaia, where St Andrew [preached] is in Southeast Asia, far from Athens, the preaching site of Paul. These are the usual numbers for the descendants of Shem and Ham, but the source of the numbers for Armenia and why this country is singled out are not clear.
There is no attempt at cartographic realism: this is a diagram containing a list of places.
ASIA MAIOR: glossed QVOD SVNT SEPTVAGINTA DVE GENTES ORTE, and beneath this De Sem gentes XXVI.
In the Europe zone, reading from top to bottom and left to right are: Terra macedonum, Campania, Italia, ROMA, tiberis flumen, Tuscia, mons Ethna, sicilia, KARTAGO MAGNA. These independent maps tend to occupy the full width of the page, or the page in its entirety. Anna-Dorothea von den Brincken claims that this map is the first to position Jerusalem in the centre of the world, and not at its eastern extremity. A mappamundi with identical arrangement and legends appears in the Peterborough Computus (Harley 3667 fol. The British Isles and Ireland were little corners of the outer margins of the orbis terrarum, which further served to marginalize the deviant computus of the island churches. But the ADAM device, to say nothing of its proximity to Byrhtfertha€™s Diagram both in MS 17 and in the Peterborough computus, argue forcefully for its derivation from Byrhtferth or his milieu.
In this category she includes oikumene maps, often quite large, such as the one in Vatican City BAV 6018 fols.
Another world map in a manuscript of the long version of the book, this one created c.1480, for this map contains large and prominent sea monsters in the circumfluent ocean. His aim was to show how Rome developed from a small town to a global empire, almost every corner of which had been penetrated by Christianity before the empire passed to the Franks.
In fact none of the islands in the circumfluent ocean which are discussed by Mansela€”Grande-Bretagne, iles Fortunees, Gales, Irlande, Orcades, Escosse, Thanatos, Taprobane, Thule, and Islandea€”appears on this map. The oldest geographical work originates from as early as the fifth century and is titled in Armenian Ashkharhatzuytz or Mirror of the World. The horizontal arms of the letter T (stretching north and south from Jerusalem at the centre) are not represented by the rivers Tanais (Don) and Nile, as in conventional T-O maps, but by single red lines ruled, it would seem, to demarcate Asia from Europe and from Africa. The considerable prominence given to Jerusalem can be explained by the fact that the Armenian Church had, and still has, close ties with the Holy City and is one of the four custodians of the Holy Places, with a church, seminary and religious order active since the 5th century. Outside the double-circle frame of the map are the names of the four cardinal directions Hyusis, Harav, Arevelq and Arevmutq, and the word Dzov [Sea] is written seven times. Further in from the Ocean two cities are named, Kostandnupolis [Constantinople] and Venejia [Venice].
Indeed, that is how it is identified, with the phrase Ays dzovis anunn Tuman [This Sea is named Tuman]. The legend that appears to refer to the Crossing of the Red Sea is worn and partly illegible. A gap in the horizontal line for the Aegean, filled with the name Kostandnupolis [Constantinople], seems to imply that the line also represents the Dardanelles, the Sea of Marmara and the Bosporus.
Zaytun and Khansai appear on the Catalan Atlas of 1375 (#246) as Ciutat de Zaytun and Ciutat de Cansay, respectively; Fra Mauroa€™s map of 1459 (#249) contains these toponyms as Cayton and Chansay. His conjecture was based on the assumption that all the toponyms on the map are contemporary with the time of its creation. This posed a problem for Khachaturian, however, and he therefore had to insist that the toponym Sara related not to Sarai-Batu but to some other location, perhaps a putative island in the Caspian Sea, even though the Caspian is neither mentioned on the map nor has it ever had an inhabited island named Sara.
Looking at the toponyms shown on the map, the question arises why a Cilician-Armenian mapmaker would have included the names of cities along the distant northern Silk Road, instead of the toponyms in his locality.
The earliest mention of Caffa in Armenian literature dates from the middle of the 13th century. In Rouben Galichiana€™s view, the most creditable hypothesis is that the map was created between the late-13th and mid-14th centuries, or even slightly later, which is in line with Hovhannisiana€™s proposal. The legend to the southeast of Palestine, between Mount Sinai and the Nile reads Takhtak orinatz zor yet[ur] a[stua]tz Movs[es]i, which translates Tablets of law that God gave Moses. The Armenian language has several different words that mean monastery, among them liana, menastan and ananpat. It may also be suggested that the mapmaker was a native of the region, very likely from 14th century Caffa, then one of the most important Armenian cultural centers and the source of a large number of manuscripts of that date.
In Phrygia there is born an animal called bonnacon; it has a bulla€™s head, horsea€™s mane and curling horns, when chased it discharges dung over an extent of three acres which burns whatever it touches. India also has the largest elephants, whose teeth are supposed to be of ivory; the Indians use them in war with turrets (howdahs) set on them.
The linx sees through walls and produces a black stonea€” a valuable carbuncle in its secret parts. A tiger when it sees its cub has been stolen chases the thief at full speed; the thief in full flight on a fast horse drops a mirror in the track of the tiger and so escapes unharmed. Agriophani Ethiopes eat only the flesh of panthers and lions they have a king with only one eye in his forehead. Men with doga€™s heads in Norway; perhaps heads protected with furs made them resemble dogs. Essendones live in Scythia it is their custom to carry out the funeral of their parents with singing and collecting a company of friends to devour the actual corpses with their teeth and make a banquet mingled with the flesh of animals counting it more glorious to be consumed by them than by worms. Solinus: they occupy the source of the Ganges and live only on the scent of apples of the forest if they should perceive any smell they die instantly. Himantopodes; they creep with crawling legs rather than walk they try to proceed by sliding rather than by taking steps. The Monocoli in India are one-legged and swift when they want to be protected from the heat of the sun they are shaded by the size of their foot.
Flint, a€?The Hereford Map:A  Its Author(s), Two Scenes and a Border,a€? Transactions of the Royal Historical Society, 6th ser.
Nevertheless, it placed a somewhat misleading emphasis on the map's geographical 'inaccuracies', its depiction of fabulous creatures and supposedly religious purpose, all clothed in what for the layman must have seemed an air of wildly esoteric learning and near-impenetrable medieval mystery. Recent research suggests this is a reference to African traders in medicinal drugs who visited ancient Rome.
Today, with the map in the headlines of the popular press, it may be time to give a brief resume of what is currently known about it and to attempt to explain some of its more important features in the light of recent research.
In the eyes of some (but by no means all) theologians, a fourth inhabited continent, the Antipodes, would implicitly have denied the descent of mankind from Noah, and the depiction of such a continent was deemed to be heretical by them. It was based on survey and on military itineraries and reflected the political and administrative realities of the time. Where space allowed, reference was also made to important contemporary towns, regions, and geographical features such as freshly-opened mountain passes.
Most of the maps, however, like the Hereford Mappamundi, depicted only that part of the world that was known in classical times to be inhabited and they were oriented with east at the top. Traces of the maps' classical origins could regularly be seen in, for instance, the continued depiction of the provincial boundaries of the Roman Empire (which are partly visible on the Hereford map) and for many centuries by the island of Delos which had been sacred to the early Greeks being the centre of the inhabited world. They and the texts that they adorned continued to be copied by hand until late in the 15th century and are to be found in early printed books. God dominates the world and the 'Marvels of the East' occupy the lower right edge of the map, as they do on the Hereford map.
Together they would have provided a propaganda backdrop for the public appearances of the ruler, ruling body, noble or cleric who had commissioned them, and some may have been able to stand alone as visual histories. The Hereford map, as an inscription at the lower left corner tells us, was certainly intended for use as a visual encyclopedia, to be 'heard, read and seen' by onlookers. Because of the maps' size, they were able to include far more information and illustration than their predecessors. More space was also found for current political references and information derived from contemporary military, religious and commercial itineraries. Today, the earliest survivor, dating from the beginning of the thirteenth century, is a badly damaged example now in Vercelli Cathedral, probably having been brought to Italy in about 1219 by a papal legate returning from England. We know from Matthew Paris that the Westminster map was copied by others, and it is likely to have had a lasting influence even though the original was destroyed in 1265. A Latin legend in the bottom right corner of the Hereford map refers to the 5th century Christian propagandist Orosius as the main source for the map, but as we have already seen, it incorporates information from numerous ancient and thirteenth century sources and adds its own interpretations of them.
The map is an outstanding example of a map type that had evolved over the preceding eight centuries.
Porta (1541-1615), a wise Neapolitan, was able to get the image of well-lighted objects through a small hole in one of the faces of a dark chamber; with a convergent lens over the enlarged hole, he noticed that the images got even clearer and sharper. Though he is most famous for his contributions to photography, he was also an accomplished painter and a developer of the diorama theatre. As far as is known, nobody thought of bringing these two phenomena together to capture camera images in permanent form until around 1800, when Thomas Wedgwood made the first reliably documented although unsuccessful attempt. These maps are taken from various manuscript copies of Sallusts works some of them dating from as late as the 13th and the 14th centuries, when they were still in use as textbooks by historians and scholars.
The fourth line from the center bottom, near mount Athlas reads Medi - Armeni, a reference to the Armenians and Medes having settled in the area. In Asia beside the name of the continent, river Nilus, Egypt and Mare Rubrum [Red Sea] are mentioned, while the tall rising tower bears the legend Jrslm [Jerusalem]. These are the people, that according to Sallust settled in North Africa, giving rise to the North African tribes of today.
Its heavily biblical content is also unusual: note Hierusalem on the central axis with the cross and Mt.
Of the sons of Noah, Shem is found in Asia and Ham in Africa, as usual, but Japheth stands next to Shem in Asia, instead of Europe. In the centre, at the juncture of the horizontal and vertical dividing bands, is an omega-shape with a cross in the centre, labeled beneath Mons syon.
The only place names in the Africa zone are at the very top, and two of them, TERRA IVDA, and PALESTINA, may have been intended as part of the central band (B above). They absorbed significant amounts of text into the schematic frame, such as lists of the provinces of the inhabited world. She associates this with the piety of the First Crusade, and the attention given to the Cross would support this claim. 8v), a manuscript very closely related to MS 17 in space and time; and the Peterborough computus also contains the only other extant copy of Byrhtfertha€™s Diagram (#205Z13). Moreover, in Book 5 of the Historia ecclesiastica, Bede follows up his account of Adomnan of Ionaa€™s reception of the Roman Easter with a paraphrase of his De locis sanctis: now it is Jerusalem, not Rome, which is the center of the world, but the link between computistical orthodoxy and the universality of the Church in space is still the underlying message. The map (shown below) is in a chapter on the a€?Provinces du monde,a€? but there is almost no connection between the map and the list of provinces in the chapter. The legend hic sunt dragones, a€?Here there are dragonsa€?, sounds like a legend that would appear on many medieval mapsa€”such is our tendency to associate monsters with medieval mapsa€”but in fact it appears on only one other cartographic object, namely the Hunt-Lenox globe of c.1510 (Book IV, #314), where on the southeastern coast of Asia there is a legend that reads HC SVNT DRACONES. The prominent sea monsters on the map are thus invented dangers, rather than being based on the descriptions of sea monsters in a bestiary or encyclopedia, and the labels, like those on the islands, are attempts to convey an authority and accuracy which in fact are absent. Under the letter a€?Aa€™, for example, we read first about Asia and Assyria, then Arabia, Armenia and Albania. One full and almost sixty abridged manuscript copies of this work have survived, thirty-three of which are in the Matenadaran. Only the northern end of the single red line might be considered to represent the river Tanais, the traditional divide between Europe and Asia. It may be worth bearing in mind that for the first four centuries of Christianity it was predominantly an Asiatic and North African religion, and that the Christian world was not divided into a Latin West and a predominantly Byzantine East until after the Council of Ephesus in 431. In Section 11, containing a text related to the Old Testament, there is circular plan of the city of Jerusalem (fol. Because the encircling Ocean touches two sides of paper, the words Hyusis [North] and Harav [South] have had to be split.
West of this water body, an unnamed river is shown by a pair of parallel red lines bearing the simple inscription Sea.
North of Constantinople, the vertical black line, inscribed only as Sea, represents the Black Sea.
According to Ibn-Battuta, this was the largest port [he] had ever seen, which could easily accommodate more than 100 large Chinese junks.
Furthermore he claimed that since Mardin appears prominently on the map, it must have been made before the conquest of that city by the Arabs, in the early 13th century. By the middle of the 14th century, when numerous monastic scriptoria were in operation, the majority of Caffaa€™s population of 70,000 were Armenian. Arguably, the lack of any references to Armenia itself could be attributed to the fact that he lived far from his homeland and felt no particular affinity with it. The Mediterranean Sea is not shown and only the black African faces convey a hint of reality.
From its literal meaning in Greek it also signifies the plant ox-tongue, so called from its shape and roughness of its leaves. Conventionally holds a mirror in one hand, combing lovely hair with the other According to myth created by Ea, Babylonian water god. The large city at the top edge is Babylon (its description is the map's longest legend [A§181). 12-30.A  The conservator Christopher Clarkson drew my attention to the gouge in the Mapa€™s former frame. Talbert (Princeton: Princeton University Press, 2000), which I employ throughout my book, but with the caution that in dealing with the manuscript culture of medieval Europe, it is misleading and anachronistic to speak of a€?standarda€? or a€?correcta€? spellings, especially of geographical words. Casual visitors to the dark aisle where it hung could see only a dark, dirty image which they were encouraged to view in a pious, but also rather condescending manner.
Crone of the Royal Geographical Society, revealed that despite the antiquity of many of the map's sources much was almost contemporary with the map's creation and was secular. Much of the text that follows is an amplification of information panels and leaflets prepared for the British Library's current display of the map.
Most medieval mapmakers seem to have accepted this constraint, but world maps showing four continents are not uncommon: notably the world maps created by Beatus of Liebana (#207) in the late 8th century to illustrate his Commentary on the Apocalypse of St. It may have incorporated information from an earlier survey commissioned by Julius Caesar and, to judge from some early references, it may originally have shown four continents. These texts owed much to classical writers, particularly Pliny the Elder (23-79), who himself derived much of his information from still earlier writers such as the fifth century BC Greek historian Herodotus.
As befitted the encyclopedic texts that they illustrated, the maps became visual encyclopedias of human and divine knowledge and not mere geographical maps. Many were purely schematic and symbolic, showing a T, representing the Mediterranean, the Don and the Nile, surrounded by an 0, for the great ocean encircling the world, sometimes with a fourth continent being added. It was only from about 1120 that Jerusalem took Oclos' place as the focal point of the map, as it does on the Hereford Mappamundi. They retained and expanded the geographical and historical elements of the older maps - coastlines, layout and place names on the maps frequently reveal their ancestry - but to them they added several novel features. Inscriptions of varying lengths amplified the pictures and sometimes contained references to their sources. Much better preserved, until its destruction in 1943, was the famous Ebstorf world map of about 1235. It is difficult to account otherwise for the striking similarities in detailed arrangement and content between the Psalter world map, the recently discovered 'Duchy of Cornwall' fragment (probably commissioned in about 1285 by a cousin of Edward I for his foundation, Ashridge College in Hertfordshire) and the Aslake world map fragments of about 1360.
In many of its details it particularly resembles the Anglo-Saxon World Map of about 1000 and the twelfth century Henry of Mainz world map in Corpus Christi College, Cambridge.
Schulze mixes chalk, nitric acid, and silver in a flask; notices darkening on side of flask exposed to sunlight. A daguerreotype, produced on a silver-plated copper sheet, produces a mirror image photograph of the exposed scene.
Most of them die by the gradual decay of age, except such as perish by the sword or beasts of prey, for disease finds but few victims. The page is composed with the map above and a week-day table arranged under the arches below. Athens, Ephesus, Achaia, and Caesarea are mentioned specifically as sites where the apostles preached. The only significant difference between the Peterborough version of the map and the one found in MS 17 is that MS 17 alone contains the marginal note on Asia maior. A map of the Macrobian type also appears in the Abbonian computus manuscript Berlin 138 fol. Adam, Eve, and the serpent are in Eden at the top (east) of the map, with the rivers of Paradise flowing downward from it to the west (the river Jordan is labeled). Heads symbolizing the four principal winds surround the habitable world, on which a number of historical or encyclopedic features are portrayed, such as the Tower of Babel, the Trees of the Sun and the Moon, the river Jordan, Jerusalem with Mount Calvary, the Red Sea, Rome, and some of the monstrous races. These monsters, though invented, nonetheless have their effect, and render the circumfluent ocean a place of terrors, in contrast to the apparently peaceful buildings of the inhabited world.
The original Ashkharhatzuytz is attributed by some to the 5th century Armenian historian Movses Khorenatzi, while others believe that it is the work of the 7th century scientist and astronomer Anania Shirakatzi.


Two vertical parallel red lines (running from Jerusalem to the western edge of the map) represent the unnamed Mediterranean Sea that separates Africa and Europe. Christianity had reached Armenia through the preaching of the Apostles Bartholomew and Thaddeus.
392r), which is similar to the plan of the same city drawn in the centre of the world map of MS 1242.
The significance of the two circles is made clear by the note, also on the outside, The all encompassing ocean, which is in this shape.
Venice was an important entrepot for Armenian merchants, and Constantinople, capital of the Byzantine Empire, was the most important religious and political centre outside Jerusalem. These lines, drawn almost at right angles to the Mediterranean, connect with the outer Ocean.
Misr is the Arabic name of Egypt, used also in old Armenian, which the mapmaker has chosen to employ in conjunction with the later-day Armenian name of the country. The northern extremity of the red line dividing Europe and Asia, beyond the eastern end of the Black Sea, must also stand for the Sea of Azov (for which there is no place-name) and the river Tanais.
Sarai refers to the capital of the Mongols; it is either Sarai-Batu (Old Sarai), built in 1240s, or Sarai-Berke [New Sarai], dating from around 1260.
These are doubtful lines of argument; information took time to be disseminated, and maps were only slowly updated. In addition, two legends in Palestine read Yekin anapatn [Came to the monastery] and Yekin Ye[rusaghe]m sakavq [A few came to Je[rusale]m]. The monastery on the Armenian map is not named but is defined as ananpat, which suggests a conscious choice, since on the Hereford map the whole legend reads Monasteria Sancti Antonii in deserto.
Crone points out that this reference has special significance because Augustus had also entrusted his son-in-law, M. Sometimes identified with Sirens, the mythical enchantresses along coasts of the Mediterranean, who lured sailors to destruction by their singing. Amazon means a€?without a breast,a€? according to tradition these women removed the right breast to use the bow.
At the right edge, a looping line shows the route of the wandering Israelites in their Exodus from Egypt; it crosses the Jordan to the left of a naked woman who looks over her shoulder at the sinking cities of Sodom and Gomorrah in the Dead Sea (she is Lot's wife, turned into a pillar of salt [A§254]. 400), a text that was often attended during the Middle Ages by diagrammatic a€?mapsa€? illustrating the concept.A  See also David Woodward.
Others delved into the question of its authorship, which had previously been assumed to be obvious from the wording on the map itself.
The medievalized depiction on the bottom left corner of the Hereford world map of 'Caesar Augustus' commissioning a survey of the world from three surveyors representing the three corners of the world may be based on a muddled - and religiously acceptable - memory of these classical events. Even though the inscriptions on the maps gradually became more and more garbled and the information more and more embellished, distorted, and misunderstood, they nevertheless retained their tenuous links with ancient learning. More than simple geographical shorthand, such maps were also meant to symbolize the crucifixion, the descent of man from Noah's three sons and the ultimate triumph of Christianity. Palestine itself was usually enlarged far beyond what, on a modern map, would have been its actual proportions. A note on one of the most famous of them, the Ebstorf, says that it could be used for route planning.
Although the maps were still dominated by biblical and classical history and legend, most other information seems to have been acceptable and was accommodated within the traditional framework.
Far larger than the Hereford Word Map and much more colorful, it was probably created under the guidance of the itinerant English lawyer, teacher and diplomat, Gervase of Tilbury. In transmission some facts and text became garbled and some inscriptions are gobbled gook or wrong.
The alchemist Fabricio, more or less at the same period of time, observed that silver chloride was darkened by the action of light. Chemistry student Robert Cornelius was so fascinated by the chemical process involved in Daguerrea€™s work that he sought to make some improvements himself. Uniting these two gives us Garden of Delight; for it is planted with every kind of wood and fruit-bearing tree, having also the tree of life.
Several of the districts are rich in gold and precious stones but are rarely approached by man owing to the ferocity of the Griffens . Animals of a venomous nature they have in great numbers, Africa, then, was originally occupied by the Getulians and Libyans, rude and uncivilized tribes, who subsisted on the flesh of wild animals, or like cattle, on the herbage of the soil.
Place names are almost entirely omitted from Africa and Asia Major, and a note in the upper right adds a€?[Asia] Major has in the east Alexandria and Pamphiliaa€?. The only places without a biblical link of some kind are in Italy (Sicily, Mount Etna, Tuscany, Campania), Constantinople and Britain, Ireland and Thule. However, the Peterborough map does not represent Mount Sion as a round a€?hilla€? with a cross, but as a triangle, and spells IERUSALEM without MS 17a€™s initial H. When these Greek names for the cardinal directions are read as if making the sign of the cross, that is, east-west-north-south, their initial letters spell ADAM. Jerusalem stands out at the center of the world and is labeled, as are Calvary, Babylon, the Red Sea, and Rome; the Trees of the Sun and Moon visited by Alexander the Great are also easy to identify. As this manuscript is the only one of the long version of the work that contains a world map, it seems likely that the map was the result of a specific request by the patron commissioning the manuscript, namely Philippe II Sans Terre (1438-1497).
The text also retains Isidorea€™s distinction between the Fortunate Islands and the earthly paradise and repeats the belief that Enoch and Elijah dwelt in the Garden and that the noise of the waters of Paradise falling to earth from a such a great height caused the local population to be born deaf.
The text is based on the work of Pappus of Alexandria (late third or early 4th century AD), but the chapters relating to Armenia and neighboring countries have been expanded.
In accordance with the Western Christian T-O maps, the Armenian map is oriented with East at the top.
It became the state religion in 301, after the conversion of King Tigran III, which makes the Armenian Church one of the oldest Christian entities.
Although made in geographically widely separate locations, a common source or tradition may be suspected, especially were the Armenian map to prove to have been made before the end of the 13th century, which would place all these maps to within one hundred to one hundred fifty years of each other.
The term Sea, it should be noted, as used on the Armenian T-O map, refers any substantial body of water, whether it be an ocean, sea, lake or river. One of these is located at the eastern extremity of the Mediterranean Sea, within the parallel lines, whereas the other two lie just to the north of the lines. On the other (eastern) side of the legend indicating Africa a large red circle contains the legend Paravon yev zorqn Yegiptosi [Pharaoh and the army of Egypt]. Directly south of the Red Sea, near the shores of the surrounding Ocean, lies Ethiopia, named Hapash. The 13th century traveler Marco Polo mentions Zai-tun and Kin-sai as being important cities, trading with Japan (Zipangu), as well as with the Arabs and Persians. Moreover, in the case of the Western mappaemundi the very essence of the map was the inclusion of old (historical as well as biblical) information together with contemporary places and events. Since the two Western maps and the Armenian map seem to have been made within one hundred and one hundred fifty years of each other, we can see the reference on the respective maps as further confirmation of the possibility of a common source.
The circle one-third of the way from the bottom is Jerusalem, the Map's central point, with a crucifixion scene above it ([A§387-89]). Its images and decoration have been examined from a stylistic standpoint by Nigel Morgan and put into the context of their time, while the late Wilma George examined the animals in the light of her own zoological knowledge [2] The chance discoveries of fragments of other English medieval world maps in recent years [3] have expanded the context within which the Hereford World Map can be examined, and the Royal Academy exhibition, 'The Age of Chivalry' of 1987 enabled the map to be displayed in the company of other non-cartographic artifacts of its own time.
Generally, though, it was not difficult to adapt surviving copies of existing, secular world maps to suit the purposes of Christian writers from the 5th century onwards. This was in order to match its historical importance and to accommodate all the information that had to be conveyed.
Christ would, for instance, be shown dominating the world, or the world might even be depicted as the actual body of Christ.
The world was shown as the body of Christ and much space was devoted to the political situation in northern Germany: an area of particular concern to the Duke who may have commissioned it. It was only two hundred years later that the physicist Charles made the first photographic impression, by projecting the outlines of one of his pupils on a white paper sheet impregnated with silver chloride.
It was commercially introduced in 1839, a date generally accepted as the birth year of practical photography.The metal-based daguerreotype process soon had some competition from the paper-based calotype negative and salt print processes invented by Henry Fox Talbot. And in 1839 Cornelius shot a self-portrait daguerrotype that some historians believe was the first modern photograph of a man ever produced.
They were controlled neither by customs, laws, nor the authority of any ruler, they wandered about, without fixed habitations and slept in the abodes to which night drove them. These islands, the only ones represented, break the frame of the map, perhaps as a burst of patriotism on the part of the scribes. The popularity of this ancient conceit was primarily due to St Augustine, who compared Adama€™s progeny filling the earth and the sons of Noah re-populating the globe. A list map using the T-O form as a symbolic frame for displaying the names of provinces in Asia, Africa and Europe appears in Cotton Vitellius A.XII, fol. But otherwise the mapa€™s geography is vague; it presents much of the earth as a a€?jumblea€? of land and water.
Adam and Eve, the tree and the serpent are shown within an ornate architectural frame, as if to emphasize the uniqueness and splendor of the Garden. But once he had been assigned this task, the artist seems to have given his fancy free rein.
A later version of the Ashkharhatzuytz by the 13th century historian and geographer Vartan Areveltzi is also extant in multiple copies (MS 3119, 4184 and others). Armenian Christianity's ties with the Latin churches were severed in 554 over irreconcilable doctrinal differences.
The city plan in the 16th century MS 1770 also would seem to have been derived from the same common source or tradition.
Similarly the term Land does not denote a territory as such, but is placed wherever there is a significant gap between neighboring toponyms. The Nile is placed well inside Asia, where a vertical (easta€”west) red line running from close to the eastern Ocean towards the Red Sea bears the legend Ays dzovis anun Nil asen [This Sea is named Nile].
Although the whole representation may be highly schematic, the way that the Aegean Sea is depicted as branching off from the Mediterranean to the west of Jerusalem and the easta€”west alignment of Black Sea, shown at right angles to the northern end of the Aegean near Constantinople, presents a more faithful picture of reality than many other T-O maps.
Then comes Ashkharq Hndkatz [Lands of the Indians], followed well to the southeast by Hndkastan [Hindustan or India]. It was usual for medieval maps, in short, to depict conditions in existence some time before their creation. Carte marine et portulan au XIIe siA?cle:A  Le Liber de existencia riveriarum et forma maris nostri Mediterranei. The amount of space dedicated to the other parts of the world varied according to their traditional historical or biblical importance and the preoccupations of the author of the text that the map illustrated. From the middle of the Garden a spring gushes forth to water the whole grove and, dividing up, it provides the source of four rivers [see #205C and Q].
The northern (left) half of the cross bar represented the river Tanais [Don], and the southern (right) half of the cross bar represented the river Nile. But after Hercules, as the Africans think, perished in Spain, his army, which was composed of various nations, having lost its leader, and many candidates severalty claiming the command of it, was speedily dispersed. Around the circle of the map the cardinal directions are ostentatiously given in Greek and glossed in Latin: for example, Anathole vel oriens vel eoi, in the east. Like MS 17a€™s image, it gives considerable prominence to the circumambient ocean, as well as to the islands of Britain, Ireland and Thule: its creator seems to have been especially concerned to situate his own region with respect to the extremes of the world, both to the east and to the west.
It should also be noted that a second, incomplete copy of this map is found in Cambridge, Corpus Christi College 265, p. It appears in Bedea€™s commentary on Genesis, and is prominently featured in Byrhtfertha€™s Diagram. 29r) in which only the northern temperate zone -- the oikumene or inhabited world -- is treated like a map, while the remainder of the disk is occupied solely by text. From Paradise the four rivers flow out to give life to the earth and to establish a mysterious yet material connection between paradise and the human realm.
Both the earlier and the later versions display the influence of Ptolemy, and as in the case of Ptolemy, no maps accompany these manuscripts.
By adding the word Land between the toponyms, the mapmaker has tried to show that although these towns are widely separated and distant from each other, they constitute a chain of cities along a route that can only be the Silk Road. In the Middle Ages, the designation India was used loosely to refer to the lands east of Persia, Media and the Middle East. Behind the blue band of the river is a grim array of grotesque figures to indicate the existence of primitive peoples.
There may be significance in the soulless mermaid placed in the map close to the unattainable Holy Land, or she may be a possible temptation to sea-faring pilgrims. Phillott, wrote that it shows a a€?rejection of all that savoured of scientific geography, . Because of this, space devoted to the author or patron's homeland was often much exaggerated when judged by modern standards, as in the case of England, Wales and Ireland on the Hereford Mappa Mundi. Crone demonstrated, the Hereford also contains sequences of the more important place names along some major thirteenth century commercial and pilgrimage routes.
The photos were turned into lantern slides and projected in registration with the same color filters. Approach to this place was barred to man after his sin, for now it is hedged about on all sides by a sword-like flame [romphaea flamma], that is to say that it is surrounded by a wall of fire that reaches almost to the sky.
Of its constituent troops the Medes, Persians and Armenians having sailed over Into Africa, occupied the parts nearest to our sea. A note to one side says, Maior habet in oriente alexandriam pamphiliam, a reference to Asia Major at the top of the map. Kartago Magna, which could be Cartagena in Spain as Cartago appears elsewhere on the map, is another non-biblical site. It is very close to such contemporary elaborations of the Sallust map as Vatican City, BAV Reg.
Insular writers were particularly attracted to this theme, because they associated the conversion of their lands, at the very edge of the known world, with the fulfillment of Christa€™s command to take to Gospel to the ends of the earth. 64, underscores the magnetic attraction of these two ways of listing the inhabitants of the world, and how innovative MS 17 was in fusing them. In his book, Mansel described Paradise as a wonderful region surpassing all other earthly lands, fit for mana€™s initial perfection, surrounded by a wall of fire and situated on an exceptionally high mountain that reached the sphere of the moon.
So here Lands of the Indians most probably refer to the northern and western neighbors of India, such as Persia and its neighboring countries, while Hndkastan denotes India proper. On a world map, though, as opposed to the strip itinerary maps produced by Matthew Paris in about 1250, the route planning could only have been very approximate and very much incidental to the main purposes. In 1802, Wedgwood reproduced transparent drawings on a surface sensitized by silver nitrate and exposed to light.
Englanda€™s geographic position may have made it especially sensitive to this apocalyptic dimension: the second of two notes on chronology in Oxford Bodleian Library Auct. The manuscript is dated to the last quarter of the 11th century, and this addition to the second half of the 12th century but the hand of the map bears an extraordinarily close resemblance to that of Scribe A of MS 17, and the palaeographical indicators point to a date closer to 1100. This fulfillment would be the climax of history, and would usher in the last days; hence the world-maps included in the Apocalypse commentary of Beatus of Liebana were essentially maps illustrating the preaching of the apostles to the gentes descended from Noaha€™s three sons, but expanded to encompass the whole world and the entirety of the world-age (#207). Its presence in the manuscript raises questions about how such an essentially non-Armenian-style map came to be made by an Armenian, and when, considering that this is the only T-O type map bearing Armenian inscriptions known to exist. Nicephore Niepce (1765-1833) had the idea of using as sensitive material the bitumen, which is altered and made insoluble by light, thus keeping the images obtained unaltered.
Long before the first photographs were made, Chinese philosopher Mo Ti and Greek mathematicians Aristotle and Euclid described a pinhole camera in the 5th and 4th centuries BCE. In every part of their body they are lions, and in wings and head are like eagles, and they are fierce enemies of horses. The frame of the map, a double circle, was drawn in drypoint, and at the right and left upper corners of the page are two smaller drypoint circles. Indeed, mappaemundi have a pronounced historical dimension: they are found in association with chronicles more frequently than in scientific works, and as illustrations of sacred history, they were infused with an allegorical vision of time. 14), which may have resulted from the survey of the provinces ascribed by tradition to Julius Caesar. In the Hereford map they could revel in this pictorial description of the outside world, which taught natural history, classical legends, explained the winds and reinforced their religious beliefs. He communicated his experiences to Daguerre (1787-1851) who noticed that a iodide-covered silver plate - thedaguerreotype -, by exposition to iodine fumes, was impressed by the action of light action, and that the almost invisible alteration could be developed with the exposition to mercury fumes. In the 6th century CE, Byzantine mathematician Anthemius of Tralles used a type of camera obscura in his experimentsIbn al-Haytham (Alhazen) (965 in Basra a€“ c. 82v, a manuscript contemporary with MS 17, adopts a four-ages scheme somewhat like that found in the dating clause on fol.
Hence this world map is a logical addition to a manuscript devoted to the reckoning of time. Edson tentatively suggests a comparison to the maps of the Holy Land created by the Talmudic scholar Rashi to expound the sacred text; however, MS 17a€™s map does not illustrate a text.
It was then fixed with a solution of potassium cyanide, which dissolves the unaltered iodine.The daguerreotype (1839) was the first practical solution for the problem of photography. 3v, but the fourth age, instead of ending in the annus praesens, runs from the Incarnation ad iter ierusalem, as if this event closed the series of years and ushered in the end times.
In 1841, Claudet discovered quickening substances, thanks to which exposing times were shortened.
In fact, the only bodies of water to be named on this map are the rivers Jordan, Euphrates and Tiber. In this respect, MS 17a€™s map is an integral part of a monastic encyclopedia, in which the study of the world and time is itself a serious discipline.
The two upright fingers branching up from the Mediterranean are the Aegean and the Black Sea with the Golden Fleece at its extremity.
More or less at the same time period, EnglishWilliam Henry Talbot substituted the steel daguerreotype with paper photographs (named calotype). Wilhelm Homberg described how light darkened some chemicals (photochemical effect) in 1694.
The land of Hyrcania, bordering Scythia to the west, has many tribes wandering far afield on account of the unfruitfulness of their lands. XII): the latter is of exceptional interest in that the map shares the page with a schema of the divisions of philosophy not dissimilar to the one on fol. Niepce of Saint-Victor (1805-1870), Nicephorea€™s cousin, invented the photographic glass plate covered with a layer of albumin, sensitized by silver iodide. The novel Giphantie (by the French Tiphaigne de la Roche, 1729a€“74) described what could be interpreted as photography.Around the year 1800, Thomas Wedgwood made the first known attempt to capture the image in a camera obscura by means of a light-sensitive substance.
Maddox and Benett, between 1871 and 1878, discovered the gelatine-bromide plate, as well as how to sensitize it. The interpolated Biblical references include the ark of Noah in Armenia, and cities such as Athens and Caesarea that are explicitly connected with the missionary activity of the apostles. As with the bitumen process, the result appeared as a positive when it was suitably lit and viewed. A strong hot solution of common salt served to stabilize or fix the image by removing the remaining silver iodide.
On 7 January 1839, this first complete practical photographic process was announced at a meeting of the French Academy of Sciences, and the news quickly spread. At first, all details of the process were withheld and specimens were shown only at Daguerre's studio, under his close supervision, to Academy members and other distinguished guests.
Paper with a coating of silver iodide was exposed in the camera and developed into a translucent negative image. Unlike a daguerreotype, which could only be copied by rephotographing it with a camera, a calotype negative could be used to make a large number of positive prints by simple contact printing.
The calotype had yet another distinction compared to other early photographic processes, in that the finished product lacked fine clarity due to its translucent paper negative. This was seen as a positive attribute for portraits because it softened the appearance of the human face.
Talbot patented this process,[20] which greatly limited its adoption, and spent many years pressing lawsuits against alleged infringers. He attempted to enforce a very broad interpretation of his patent, earning himself the ill will of photographers who were using the related glass-based processes later introduced by other inventors, but he was eventually defeated.
Nonetheless, Talbot's developed-out silver halide negative process is the basic technology used by chemical film cameras today. Hippolyte Bayard had also developed a method of photography but delayed announcing it, and so was not recognized as its inventor.In 1839, John Herschel made the first glass negative, but his process was difficult to reproduce.
The new formula was sold by the Platinotype Company in London as Sulpho-Pyrogallol Developer.Nineteenth-century experimentation with photographic processes frequently became proprietary. This adaptation influenced the design of cameras for decades and is still found in use today in some professional cameras.
Petersburg, Russia studio Levitsky would first propose the idea to artificially light subjects in a studio setting using electric lighting along with daylight. In 1884 George Eastman, of Rochester, New York, developed dry gel on paper, or film, to replace the photographic plate so that a photographer no longer needed to carry boxes of plates and toxic chemicals around.
Now anyone could take a photograph and leave the complex parts of the process to others, and photography became available for the mass-market in 1901 with the introduction of the Kodak Brownie.A practical means of color photography was sought from the very beginning. Results were demonstrated by Edmond Becquerel as early as 1848, but exposures lasting for hours or days were required and the captured colors were so light-sensitive they would only bear very brief inspection in dim light.The first durable color photograph was a set of three black-and-white photographs taken through red, green and blue color filters and shown superimposed by using three projectors with similar filters.
It was taken by Thomas Sutton in 1861 for use in a lecture by the Scottish physicist James Clerk Maxwell, who had proposed the method in 1855.[27] The photographic emulsions then in use were insensitive to most of the spectrum, so the result was very imperfect and the demonstration was soon forgotten. Maxwell's method is now most widely known through the early 20th century work of Sergei Prokudin-Gorskii.
Included were methods for viewing a set of three color-filtered black-and-white photographs in color without having to project them, and for using them to make full-color prints on paper.[28]The first widely used method of color photography was the Autochrome plate, commercially introduced in 1907. If the individual filter elements were small enough, the three primary colors would blend together in the eye and produce the same additive color synthesis as the filtered projection of three separate photographs.
Autochrome plates had an integral mosaic filter layer composed of millions of dyed potato starch grains.
Reversal processing was used to develop each plate into a transparent positive that could be viewed directly or projected with an ordinary projector. The mosaic filter layer absorbed about 90 percent of the light passing through, so a long exposure was required and a bright projection or viewing light was desirable. Competing screen plate products soon appeared and film-based versions were eventually made. A complex processing operation produced complementary cyan, magenta and yellow dye images in those layers, resulting in a subtractive color image. Kirsch at the National Institute of Standards and Technology developed a binary digital version of an existing technology, the wirephoto drum scanner, so that alphanumeric characters, diagrams, photographs and other graphics could be transferred into digital computer memory.
The lab was working on the Picturephone and on the development of semiconductor bubble memory.
The essence of the design was the ability to transfer charge along the surface of a semiconductor.
Michael Tompsett from Bell Labs however, who discovered that the CCD could be used as an imaging sensor.



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