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There are performers who scale the heights of imagination and feeling, who walk the high wire of entertainment with such aplomb it leaves audience members giddy. When Ariana sings a€?Oh The World,a€? about an act of love so precious, it seems too good to be true. In one of her many YouTube videos, we watch as she and her father, David, play a€?Oh The Worlda€? as a duet. When Ariana was 15 or16, she attended an Ontario Council of Folk Festivals (OCFF) Conference.
When she was 16, she released a self-titled demo which had only 300 copies printed a€” primarily used for her appearance at her first conference. At her fathera€™s urging, Ariana attended more folk conferences which continued to raise her profile. Ariana didna€™t really become serious about music until a three-month bout with double pneumonia brought her close to death.
Arianaa€™s first album, To Make It Make Sense, was released in 2009, when she was 18 years old.
I asked Ariana about the source for the allegorical song, a€?John and the Monster.a€? She couldna€™t pinpoint anything in particular.
In the video, her father, ever the supporter and mentor, sits across from her and when she finishes, he murmurs, a€?Not bad.a€? In response, Ariana laughs. When we first encountered Ariana at the 2011 NERFA last November, we were shocked to discover that the youthful-looking sideman on guitar, Dobro and mandolin was Arianaa€™s father, David.
Ariana and David will be making a number of appearances in the United States this fall, and specifically the Living Room in NYC each month. We discussed the underlying truth of the fantastical story in the song a€” that something of beauty can be destroyed by a society who would imprison it and destroy its magic.
Frozen Fiefdom - AFFIDAVIT OF ANNA KATHRYN SANDERS, Former ALASKA STATE TROOPER, and MY OLDER SISTERA A Fortunately, someone's curious questions reminded me that I still have much more information to publish, including this Affidavit. It happened at the Northeast Regional Folk Alliance (NERFA) Conference last year when we first saw Ariana Gillis, and it happens over and over, every time we see her.
Ariana took piano lessons when she was young and didna€™t become interested in guitar until she got one when she was 12. When I mentioned that I found her to be a lot like Josh Ritter in her imaginative storytelling, she verified that observation, saying a€?I like it that he [Josh] tries to intertwine another story with a love songa€¦ it makes it more interesting.
When Ariana was around 13, her father would take her with him when he was playing certain gigs, especially ones that hea€™d booked himself. David started calling around asking bookers for venues to let Ariana open for artists theya€™d already booked.


These soul-defining experiences are the catalyst that affects the skewed stories she is compelled to tell. She got a publicist who helped her introduce her CD, getting radio airplay even before it was officially released, and who helped her get bookings a€” and they were exclusively her gigs. Wea€™re used to it now, but it hasna€™t lost that sense of a treasured combination of father-daughter bonding in such an exalted endeavor a€” the making of music. We find ourselves wondering, a€?Just how good can she get?a€? Her powerful voice, soaring through the high registers, suggests the pinnacle is not yet in sight.
During that time she thought shea€™d overcome it, but had to retreat to bed as it hadna€™t really gone away.
She played recordings of her original work for the interviewer and, highly impressed, he advised her not to attend school, but to stick with her own work.
Sometime soon after that six-month period, Ariana was in the studio doing the vocals for her first full CD.
We learn from her bio that: a€?David Marsh played the track, a€?John and the Monstera€™ to his radio audience a€” one response was a phone call from an enthusiastic listener who wanted to know more about the unusual song, and the singer. John, dying of a brain tumor rows out to the middle of the lake and coaxes the monster out of hiding. We have all these dreamsa€¦ but it slowly starts to disintegrate in front of us and we wonder, what happened to my shiny dream?a€? Ita€™s difficult to express here, its sound and the way it packs such an emotional wallop.
Likewise, her song-stories, fed by a keen mind open to both reality and parables of fantasy, spark a wonder in us.
Catherine until Ariana was a year old, then moved further west to Vineland a€” about an hour south of Toronto. She also took music lessons in high school, studying oboe and upright bass and drums a€” and still wants to learn trumpet. More often than not, it would be Ariana and a girlfriend whoa€™d do a cover song, something that the student body could relate to and that reflected the sermon that day.
David would also perform at an annual Christmas show and would have Ariana perform as well.
She slept in an upright position to keep breathing, waking up every hour, each night, coughing from the fluid in her lungs. The mystery caller was Elton Johna€™s lyricist and songwriting partner Bernie Taupin.a€? Thata€™s quite a connection a€” and one hell of a quote that came out of it.
At the songa€™s end, the captured monster is dying, so John, sacrificing himself, sets him free, becomes sick again and perishes. He would constantly stop to play his guitar sitting nearby and finally gave up the piano and just stuck with the guitar.


He wanted me to get better.a€? She said that shea€™d often co-opt Patty Griffin material and turn it into something of her own.
His play Not Medea was staged atMabou Mines in a special laboratory production.He is also a co-translator into English of the fullcorpus of Ukrainian epic poetry Dumy, publishedby Harvard University. David created his own arrangements of songs and eventually competed in the annual United States championship contest in Winfield, Kan. Even though her illness left her debilitated, she still managed to graduate from high school and made the honor roll. A  Plenty of hearsay, and inaccurate facts are presented below in this Affidavit of Anna K. He had a small career going when he was younger but gave it up and decided to help Ariana when he saw how talented she was. Sanders.A  I wonder how accurate her formal reports were when she was an Alaska State Trooper? Alsotwo chapbooks, one called Puyallup,Washington (an interrogation) andanother called Treesisters.
He is the editor-inchiefand publisher of Brooklyn Arts Press,serves as the poetry editor for the arts magazineHyperallergic and small press editor for BoogCity, and is the founder of the services-orientedactivist group Brooklyn Artists Helping.
His piece“Ode to the MQ-9 Reaper,” a hybrid work aboutdrones, was excerpted and praised in The NewYork Times. A  There's an Unsolved Mystery right there:A  How could I have been "Found" by LAPD or anyone, when I was never "Missing" nor Lost? A  I assumed she was feeling a bit down over the slumping economy and her own financial position, and wasn't keeping up with personal grooming, and wasn't concerned about her appearance. Grant would like to request the videotapes of the Key West Airport baggage claim during my arrival on that date, so we can all have a review of the appearance of Anna, and me. Grant, Attorney at Law, Juneau, AK From Wedding Bells to Tales to Tell: The Affidavit of Eric William Swanson, my former spouse AFFIDAVIT OF SHANNON MARIE MCCORMICK, My Former Best Friend THE AFFIDAVIT OF VALERIE BRITTINA ROSE, My daughter, aged 21 THE BEAGLE BRAYS! HELL'S BELLS: THE TELLS OF THE ELVES RING LOUD AND CLEAR IDENTITY THEFT, MISINFORMATION, AND THE GETTING THE INFAMOUS RUNAROUND Double Entendre and DoubleSpeak, Innuendos and Intimidation, Coercion v Common Sense, Komply (with a K) v Knowledge = DDIICCKK; Who's Gunna Call it a Draw? AFFIDAVIT OF ANNA KATHRYN SANDERS, Former ALASKA STATE TROOPER, and MY OLDER SISTERA A Fortunately, someone's curious questions reminded me that I still have much more information to publish, including this Affidavit. A  How about some facts, such as the Officer's name, time, location of the vehicle, etc.



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