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Single Fiber Collimator Description 1.Fiber collimator is the basic element for in-line fiber optics components, it has insertion and high return loss. When I last looked at it, Sony Movie Studio was slow, and did badly in terms of user-friendliness.
Setup took just 2 minutes, and like most fully-featured video editors, it took up a good chunk of disk space – over 1GB for the program plus its disc authoring companion. On first run, a message window told me that the installer program requires administrator privileges to run, so a UAC dialog had to be okayed. The program has a professional, usable, no-nonsense feel, but it lacks some important aids for consumer-level video editors found in Corel VideoStudio, PowerDirector, and Premiere Elements. When you first run Movie Studio, you’ll see its still somewhat too-light-grey interface (you can fortunately change this colour), with a Welcome window in the centre, offering to let you create a new project using common presets, start tutorials, or simply start the editor. The interface is actually one of the most flexible around, in terms of letting you resize and move panels around.
The interface looks like most video editing software, with a three panel layout dividing the top half of the screen into a left-side source panel and a right-side video preview window, with a timeline running across the entire bottom half of the window.
For the version 12 update of Movie Studio, the maximum number of video tracks you can use has increased from 10 to 20, and even though this is likely to be enough for most hobbyists, it’s still far more restrictive than what you get in PowerDirector or Premiere Elements, which let you go to town with 100 tracks.
Sony Movie Studio offers loads of more complicated transitions and effects – literally hundreds.
You can’t just drop a transition between clips and have the program figure out the necessary overlap. Effect plug-ins from the respected NewBlue come along with the Platinum version of Movie Studio, and you can install any effect plug-ins that work in Sony Vegas, including professional ones like those from Red Giant. In my chroma key test using a green screen to fake a background for my subject, I could either choose green or blue screen, or choose the dropper to set my background colour to clear. Forget picture-in-picture presets or resizing video within the preview window – you have to go to the Video Event FX window with its host of adjustments.
3D production is not new for this version of Sony Movie Studio, but version 12 does add 3D project templates for both Internet and Blu-ray, and an improved stereoscopic adjuster to smooth production.
Pixelcast is a new photo and video sharing site from Sony, to which you can directly upload your creations from Movie Studio. Sony Movie Studio’s newfound use of 64-bit processing, and its continued use of graphics hardware acceleration for both Nvidia and AMD architectures bring it into the fold of decent performing video editors.
In a timed video rendering test, Movie Editor showed a nice improvement over its predecessor. Commendably, the program did open a window encouraging me to send an error report to the company, and offered a link to info on the problem.
Movie Studio 12 includes a healthy selection of audio effects, but the installer DVD no longer includes Sony’s Sound Forge Audio Studio, a capable sound editor and fixer. The speed improvement and truly rich set of tools the app sports offsets the usability issue somewhat.
The unique processing and high quality AR coating also enable this collimator to handle high power. With the new version, Sony Creative has made progress in the performance stakes, and the program remains chock full of near-pro-level tools, including 3D and Blu-ray support. It’s now a 64-bit app, which helps with performance when keeping a lot of large video footage in memory.


Happily the installer doesn’t try to load unrelated software such as browser toolbars onto your system, as is all too common these days. This is something that’s been available in other products, such as CyberLink PowerDirector, for years. The capture option let me get video from a webcam and camcorder, but there’s no stop-motion capture tool like the excellent one in Corel VideoStudio Pro. You can break any panel out into its own window, and the video preview window has a button that lets you send it full-screen to a second monitor. Along the top are the menu row and a toolbar row loaded with small, perplexing icons, but thankfully tooltips appear to explain their functions when you hover the mouse over them. Unlike most apps, spinning the mouse wheel expands and contracts it, rather than just moving back and forward.
This program is not very visually intuitive; every other consumer editor and even the pro-level Apple Final Cut Pro X has icons that visually indicate their purpose. Within each clip display on the timeline are icons for Event FX and Pan-and-crop, and these useful choices are also available from a right click context menu. A simple star wipe opened a box with 14 different slider settings for the transition – I could set the number of arms the star had, its border colour and feathering, and animation direction, among other things. You can either drag the left or right edge of a whole clip, hold Ctrl, and drag to enlarge or shrink the timeline entry. The initial result wasn’t as simple and correct as with Premiere, iMovie, or PowerDirector, but Movie Studio gave me high and low threshold sliders that let me clear the background nearly as effectively as those competing apps. Finally, there is a stabilise tool buried in the Media FX options (I’d love more of these to be available from a right click), and it did a decent job smoothing out footage shot from a train window. But the Make Movie dialog offers both of these, including Blu-ray burning for true HD output. However, the very first movie I uploaded went awry, as it should have been 4 minutes long, but I only saw a 5 second clip in my account, and indeed, the upload dialog finished much too quickly for the full video. For testing, I used a movie consisting of four clips and the same transitions in competing consumer video editing packages. Sony’s software helpfully displayed pretty accurate time remaining and time elapsed counters. Seule la responsabilite du vendeur ou de l'acheteur en cas de litige est engagee.Nous vous invitons a lire nos conditions generales d'utilisations. But Movie Studio hasn’t come far along enough in terms of usability to earn a high score, and neither has it kept up with competitors that offer new capabilities such as 4K support.
A pleasant wizard takes you through the installation process, and you can choose whether you want to install DVD Architect (pictured above) for disc authoring along with the video editing software. But to run the program, I had to enter the longest serial number I’ve ever encountered.
When I plugged in a USB video camera, no AutoPlay option was added the way other software video editors such as PowerDirector and Adobe Premiere Elements 11 do. Another help is the Show Me How button, which opens tutorials for common procedures like adding fades or crops. In fact, there are more ways to zoom and unzoom the timeline than you can swing a cat through: There are plus and minus buttons, a magnifying glass icon, the scroll bar, and the up and down keyboard arrows. Audio tracks are shown separately as voice tracks, and these display the audio’s waveform view.


The transition previews show the effect with standard A>B demos, rather than with your own content.
The 4 minute and 27 seconds long movie took just 4 minutes and 15 seconds to render to MPEG2 720 DVD format in Movie Studio 12, much faster than version 11’s 6 minutes and 30 seconds. I realise that video editing is a very intensive computing activity, and crashes like this occur in even the best software, but other apps have made better progress at eliminating these glitches. This is accessible from a menu choice or right click, but there’s no main tab for audio unless you dig into settings and enable it. Sony Creative is going to have to do more than adding a few trim and split buttons to make this program appeal to the consumer audience it targets. But if you want an equally powerful but far more usable consumer video editor, check out CyberLink PowerDirector, which just seems to keep pulling away from the competition in terms of performance, advanced capabilities, and ease of use. Vous pouvez aussi vous rendre sur nos FAQ et consulter notre page d'informations sur les risques lies a la contrefacon. But just moving back and forth in the timeline is less straightforward than in other apps, because when you drag Sony’s insertion point head, it only moves at the actual speed of playback. As in most apps, you can drag a line down in this waveform track view to lower the clip volume.
You can also trim clips before they’re on the timeline, by clicking the Trim tab under the source panel.
You can also animate the text’s position, scale, and pretty much every other property from clock icons next to each. However, there are still no 3D titles for adding to your 3D movie in this piece of Sony software. Features include noise reduction, echo, panning, and chorus, and you can use the package to restore vinyl recordings, create loops, change bit-depth, fade, normalise, and much more.
Even a fellow colleague in the office familiar with video tech found Movie Studio difficult to master. The folder browser didn’t recognise Windows 7 Libraries, instead making me navigate down to the actual folders containing the media. Another thing missing in Movie Studio is a storyboard view, which can make arranging clips and applying transitions simpler.
And the mouse wheel doesn’t advance you in the timeline as it does in most other apps.
And in a departure from what you can do in the main window toolbar, you can’t customise the buttons on this trimmer. Unfortunately, there’s no direct Facebook uploading, which most other apps have added by now. If you click above the play head in just the right area, though, you can jump around in the timeline. One useful button it does offer is Create Sub-clip, and you can send your cuts right to the timeline.



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