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Somewhere during 1998, I rediscovered the 1995 CD, Performing Songwriter Magazine's Top 12 Independent Releases. Regrettably, the album from which this is taken, Chalk this One Up to the Moon, by this time, is no longer in print.
I then found out that she was going to be one of the acts on the bill at the First Night concert in Oakland, New Jersey, on the eve of 1999. We were lucky that she was sharing a workshop performance with Buddy after the main performance. At my 9-to-5, the department chairman, Ben, is into contemporary folk, going back to Phil Ochs and Tom Paxton.
Some of the songs on Slightly Haunted are, for me, riveting enough to keep me playing them over and over.
By the time this issue hits the streets and our readers pick it up in the venues throughout NYC and surrounding burbs, we will have seen Lynn once more at the Towne Crier, in Pawling, NY on Halloween eve where she's sharing the bill with Richard Shindell.
1999 ASCAP-award winning singer-songwriter Laura Wetzler sings, plays and composes a wide range of material, all with great flair and verve. As she told me on the phone, she inherited an early passion for music from her mother, a professional musician with a specialty in Jewish folk songs who also worked as a folk DJ.
Her debut CD release, Songwriter's Notebook, is currently receiving airplay on 260+ radio stations around the world. There's something about seeing a favorite performer in a house concert, up close and intimate, that has me clinging to my ownership of an old, beat-up, but still costly automobile. Sam half sings, half speaks in a gently sand-blasted drawl, and it took until 2006 for people to start taking notice. In 1986, a friend asked Sam, then 32, if he wanted to join him on a trip to the mountains of Peru.
Part of Sama€™s ability to focus on the drama within the lives of ordinary people is his small-town upbringing. During that time, Sam played guitar (right-handed, then) in bars for fun and to meet people, particularly pretty girls.
Still in a panic mode, he felt driven, in a nebulous way, needing to recover what he had lost.
He suffered phobias, always seeking to keep objects between himself and large store windows, fearing shards of glass that might be hurled by an explosion. Looking back, he realizes that he was suffering from a form of post-traumatic stress disorder. In 1998, his sister, musician Chris Baker-Davies, made a record, Southern Wind, and included some of Sama€™s early songs. As one reviewer put it so aptly: a€?Therea€™s a conspiracy between Sam Baker and his studio production team to break your heart. If those of us living in the New York metropolitan area are lucky, more venue operators here will put this brilliant songwriter to work and wea€™ll see a lot more of him. Sam Bakera€™s awareness and appreciation of the beauty and detail in lifea€™s moments extend to his photography skills.
Clad in a black turtleneck, Sam Baker peers out from the cover of his debut album Mercy, released in 2004. Somewhere in the almost three decades since his near-destruction, in order to move forward, he managed to find some forgiveness for the Shining Path. We headed for another room in the High School where the concert was held and listened to them both for another hour. The production is sheer perfection, showcasing Lynn's voice and melodies without going too far.
She tours in over 150 concerts and workshops a year, singing contemporary folk and Jewish roots music in Hebrew, Yiddish and Judeo-Spanish. As a kid, Laura always loved the strong, poetic lyrics of Leonard Cohen, Joni Mitchell and others. It features songs about lost jobs, group home buddies, sudden deaths, ancient texts, notorious NYC canals and long-haul relationships.


During the pot luck lunch before the concert and during the break, it gets even friendlier when the Blixt's two big, gentle dogs come 'round to see who'll give in and offer them a snack.
Sam, an outdoor-loving, whitewater river guide, said a€?Sure.a€? After hiking ice-capped peaks for six days, they wanted to see Machu Picchu, so they went to Cuzco and got on the tourist train to get there.
In the wake of the explosion, he couldna€™t walk, and the back of his left hand had a channel-like hollow blown out of it. Hearing his songs played by others made him want to push further, to really learn the craft of songwriting.
Wilkins told Sam he knew how he should sound and arranged for Sam to visit Nashville, his recording base. I saw him perform the song a€?Mennonitea€? from that album in 2013 at a house concert at Kathryn_space in Manhattana€™s East Village. In a€?Ditch,a€? wea€™re treated to a peek inside the mind of a man who lays pipe and is grateful for the work.
He felt driven (and still does) to make sense of why his life was spared and why the boy he was talking with died in the blast. As an aspiring songwriter, long ago, compulsively and with very limited results, I tried to emulate Gordon Lightfoot. Her voice is soft but enormously expressive, with the barest hint of a catch in her throat. Again, she spun tale after tale, weaving her voice through songs with more hooks than a tackle box.
I loaned him my copy of Night in a Strange Town and he promptly went out and bought two copies of the first CD of Lynn's that he could find, her previous album, Slightly Haunted, and gave me one. Sitting in a small compartment, two abreast, a German couple opposite him and their teenaged son next to him, Sam took no notice of the red rucksack on the shelf above the head of the boya€™s mother seated diagonally across from him. A pilot rest stop was scheduled on the way, but a young girla€™s mortal injuries caused the flight to proceed directly to San Antonio so her family could see her and she could have her last rites.
He also wrote a few love songs, but, as with many a budding songwriter, these were mundane, a€?I love you, you love me, you dona€™t love mea€? affairs. He told one interviewer: a€?The big things in my life have encouraged me to look at the small things. It was real loud a€” there were trucks going by, people were eating and they were dropping plates and stuff.
Wilkins and co-producer Tim Lorsch recorded Sama€™s voice, guitar and harmonica on a dozen originals, then layered background instruments and vocals to create Sama€™s brilliant 2004 debut, Mercy.
However, the most affecting of these, from Pretty World, may be a€?Broken Fingers,a€? which he performed live on Harrisa€™s show, a song in memory of that German boy: Forget his face? His cracked, raspy vocal rides the scalpel-sharp quicksilver combination of pedal steel and fiddle. Larger, more viewable versions of these photographs (and many more, plus his paintings) can be found on the blog page of his website.
Other giants to come south across that northern border and blow people away have included Leonard Cohen, Joni Mitchell, Neil Young, Bruce Cockburn and Sarah McLachlan. It's just her voice and her acoustic guitar with a bass in the background and just the right amount of echo added. All were exciting, but it was Lynn, who I'd never seen live before, that I was most eager to watch. Belatedly, I decided to run out to the front lobby where the CDs were being sold to get her latest, Night in a Strange Town. She's scheduled to play Nashville, Philadelphia, Winston Salem, North Carolina, San Louis Opisbo and Santa Barbara, California. I felt every room I walked in, every car I rode in, every plane I flew in, was going to blow up. The biggest push came from Morlixa€™s leverage with influential British disc jockey Bob Harris, who played it on his national radio show.
Her words show that she's seen those late afternoons with the long shadows that coat the loneliness with a wistful amber light.


The guitar and mandolin set up a mantra-like rhythm and the pedal steel sighs in the background.
We got to hear a bunch of great new songs and Lynn worked a sardonic brand of humor on the living room full of guests.
Her back-up musicians on the album include some wonderfully familiar names: David Hamburger, Mindy Jostyn, George Wurzbach, Greg Anderson and others.
Suddenly, a bomb planted in the rucksack by Shining Path guerrillas went off with the train still in the station, sending shrapnel outward, killing the German family and four others immediately. There was time to travel in those days, so when his friend suggested that fateful trip, Sam eagerly agreed. When his survival was assured, they finally did tendon implants and Sam began rehabilitation. I would write long pieces, word after word after word.a€? His writing kept improving, but it just wasna€™t good enough. Every song, one after another, was movingly satisfying, filled with surprising melodic turns and articulate phrases. When she mentioned that she'd gotten a feature spot in November in the main showcase at the Northeast Regional Folk Alliance Conference in the Poconos, we thought it would be a good idea to do a feature on her, sharing our fondness for her work with the others in attendance at NERFA.
Some favorites who've appeared there include: Cheryl Wheeler, Cliff Eberhardt, Hugh Blumenfeld, Vance Gilbert, Lucy Kaplansky, and Richard Shindell.
Sam was still alive, but the explosion severed the main artery and vein in his left thigh and he almost bled to death. It didn't hurt that she's also attractive, with a mantle of dark hair framing a striking face with eyes that seem to brood in their intensity. Enormously popular with Cabin-goers, Richard is booked for two shows on Sunday, January 16th. It would take 17 reconstructive surgeries and a long time for the gestation to finish and fully emerge, but it did, from a life totally redirected. His left hand was still a mess and there was a cut tendon and a knuckle blown off the right. An operation in a local hospital saved his life, but he developed gangrene and was dying from the damage to his brain and kidneys. When Sam toured Britain in support of Pretty World, he did a live slot on Harrisa€™ radio show, and told Harris how grateful he was for sending his career to a brand new level. While I was doing that, melodies would come and they would be like a cardinal, a very bright red bird that flies against the window, saying, a€?Pay attention to me. He said: a€?I dona€™t know that you know how instrumental you are in my being here, not just in London, but wherever I am as a writer or a player. He laughed and said, a€?That hand just went up all by itself, didna€™t it?a€? Sama€™s warmth and humor made it a special night. John Flynn is pencilled in for December and Pierce Pettis and Michael Smith are scheduled for the spring of 2000. It would be left-handed picking this time, since those fingers would never again finger frets.
By the late a€™80s he had gotten a guitar, strung it upside down and learned to fret with his right hand. Sam added, a€?Not only that, ita€™s killing your favorite children.a€? Knowing what to take out is important. I was shocked.a€? Harris acknowledged how eager he was to hear someone Morlix had rhapsodized over, and subsequently, how much he loved Sama€™s work. The power of a€?noa€? when I leave stuff out makes the power of a€?yesa€? much more compelling.



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