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We believe that a WordPress theme must be natively featureful, intuitively easy to use, flexible and user friendly, so we spent eight months, yes that’s true, 8 long months on developing and delivering the Cosmix Theme to you. We have worked on so many details to make sure the product we are delivering to you is easy to use yet so powerful and flexible to make your life much easier, and help you create almost any kind of websites, be it a portfolio website to showcase your artwork online or a corporate or business website for your new startup company or a creative website to introduce your new mobile app to the world or even a simple but elegant blog to share your thoughts with others. The top three is completely stable this week, a chart oddity that hasn't happened since mid-November. Itch holds the top slot for a fourth week, which is the longest that a song has spent atop the chart since Nothing But Thieves' last #1 hit, Trip Switch.
Miike Snow take over the chart's top billing with Genghis Khan in their eighth week in the Top 100. Genghis Khan adds a second week to its rule, as Miike Snow holds off all challengers without much effort. Genghis Khan hits #1 for a third week as Miike Snow continue their strong hold on the chart. This seller is currently away until May 31, 2016, and is not processing orders at this time. By clicking Confirm bid, you commit to buy this item from the seller if you are the winning bidder. By clicking Confirm bid, you are committing to buy this item from the seller if you are the winning bidder and have read and agree to the Global Shipping Program terms and conditions - opens in a new window or tab. By clicking 1 Click Bid, you commit to buy this item from the seller if you're the winning bidder.
This means if you click on the link and purchase the item, we'll receive an affiliate commission at no additional cost to you. It's likely they'll spend at least one more week atop the chart without a significant challenge.
The song enjoyed a steady rise to the throne and should hold for at least another week or two.
Itch has taken up residence at #2 after their four week run at #1, spending their third week in the runner-up slot. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag.
Import charges previously quoted are subject to change if you increase you maximum bid amount. Vice Grip holds at #2, grabbing its 11th week in the Top 10, becoming the 25th song to claim that milestone.
Run Or Hide is making strong progress however, bolstered by the release and first listen of Drinking From A Salt Pond. Run Or Hide holds #2, as well as the "highest ranked song to never hit #1" crown for the sixth straight week, tying the longest mark there (with alt-J's Every Other Freckle).
Wide Open gets the first positive move of the week, as The Chemical Brothers and Beck set up for a potential challenge to the #1 slot in the next few weeks. If you reside in an EU member state besides UK, import VAT on this purchase is not recoverable.
While it isn't the ideal title to claim, the song may be stuck with it if it can't gain more momentum before the next chart.
Now attention turns to whether Ban All The Music can continue the band's impressive Top 2 peaking streak.
Robbed of their #1 chances, Run River North slide back to #4 as Run Or Hide starts to fall down the chart.
The Chemical Brothers and Beck may be stuck with a #3 peak, as a large battle is unfolding for the next song to hit the top. Pop Evil continue to push the boundaries of their highest-charting song, as Ways To Get High slides to #4. Pop Evil surge into the Top 3 with Ways To Get High, the track has now firmly established itself as the band's biggest hit. Genghis Khan slides smoothly through most of the Top 10, jumping five slots from #8 to #3 this week.
Rabbits Foot drops to #5 and State Of My Head holds at #6, two songs that have lost most of their upward momentum. The song will probably struggle to repeat the chart-topping performance of its predecessors but has had an impressive run in its own right.
The laid back vibe of the track has zero burn rate and continued to receive heavy play throughout the week. Latchkey Kids and Return To The Moon both gain one position, desperately trying to keep momentum in a highly competitive top group. The day where I binge on all of the Silversun Pickups I have yet to hear is approaching rapidly. Wide Open moves into the Top 5, giving Beck his third song in the Top 5 and his first as a featured artist. Pretty Pimpin jumps through the Top 10 from #10 - #6 this week, as Kurt Vile looks towards the chart's ultimate peak. From The Pinnacle To The Pit slides to #9 as the third Ghost track prepares to attempt a Top 10 peak.
Rabbits Foot falls to #6, just barely staying ahead of Return To The Moon, which continues its slow climb to #7.
King Of The World continues its momentum-filled surge through the Top 10, rising three positions. I hope the track can be picked as the third radio single (if SSPU go that far), as it's my second favorite on the album.


Weezer's impending release of their new self-titled album should boost the song even more for the next chart.
Ray LaMontagne compeltely blindsided me this week with lead single Hey, No Pressure, and it earns the highest debut at #62.
That song has a bright future ahead, which could be even greater once I give their new album a proper listen.
Return To The Moon seems to have peaked right outside the Top 5, and cracks under pressure dropping two spots this week. He previously charted with Supernova(#55) in Fall of 2014, but this song should easily surpass that song's peak.
The first of two new Top 10 tracks is Wide Open, surpassing The Chemical Brothers' previous highest peak (Go, #11) as well as giving Beck some more Top 10 action as the featured artist. The one new entry to the Top 10 this week comes from Weezer, as recently announced second radio single King Of The World flies from #16 to #9.
Parkway Drive refuse to stay a one hit wonder, throwing The Sound Of Violence into the ranks at #73. The first new entry to the top 10 is Kaleo's Way Down We Go, jumping to #8 as it continues to grow on Alternative.
The Mud Howlers grab the #79 slot with Give Me Something, a band and song I had never heard of before this week.
Rabbits Foot hops down to #9, still without a followup (though that should change very soon). 29 debuts 41 spots lower than its namesake at #70, but could climb above that slot in the future. It took a few listens to grow on me, but I really like the minimal production and the catchy chorus. Atlas Genius charts their fourth song from Inanimate Objects, as Refugees enters at #75 after several weeks leading the Bubbling Under chart. Also worth mentioning is Everything Everything's Distant Past, which earned HSD honors last week. It's already among my favorite tracks from the band, and with a strong debut at #68 it shouldn't take too much effort to outpeak the band's highest charting track Agora at #28 (not counting their feature on Big Data's Sick For Me, which hit #8).
It gives the chart favorites sole possession of the most Top 10's record with 6, though now 2nd-place Big Data's 5 songs were all on the same album. The song notches an impressive 32 position jump, moving from #72 - #40 in its second week on the chart. Next up is the chart's first re-entry since January, as Duke Dumont's Ocean Drive jumps back into the ranks at #73 after 24 weeks off, already beating the track's old peak at #87.
Radio single Saint Cecilia enters at #89 as the third track to chart from the Foo Fighters EP of the same title.
It's the fourth song to chart from Better Nature, all of which are still currently charting.
It marks the largest jump in a single week in 2016 (leading Genghis Khan by 8 slots!) and is tied for the third largest jump in chart history, matching chart staple My Demons from Starset. Only Kongos' I Want To Know spent more time off the chart before its re-entry (29 Weeks), and re-entries on the chart have traditionally had mixed results.
It's still a very tight race, and it should be interesting to see what happens next week, as these odds could change rapidly.The top debut of the week is a song that I completely wrote off on title alone, and even after a few initial listens didn't grab me. I just listened to PVRIS' White Noise for the first time this week (oddly a day or so before they dropped a new single), and really enjoyed a few tracks I hadn't yet charted.
Kanye West returns to the chart with his first new material since Yeezus, as Ultralight Beam is in at #85.
The Man album (maybe even double album?) has been nearly confirmed by the band for the summer. Watch out for this song if it continues its dominant run.Top debut this week is the fifth track from current chart darlings Nothing But Thieves.
Even with history fighting against it I expect the song to have a really strong peak before dropping off once more.
But hearing it on the radio gave it the depth it initially lacked for some reason (or Stockholm Syndrome kicked in). White Noise leads the charge at #92 as the first of several tracks the group should see have chart time over the next few months.
Haven't heard all of The Life Of Pablo yet, but if it's as interesting as this track expect more to chart. Expect a massive debut for that single when it comes out in a few months.Top debut of the week goes out to a group I've been interested in for a while, but never really sat down to listen to until this past week.
If I Get High is a beautiful operatic number that showcases the heavenly tones of Conor Mason's voice.
Robert DeLong adds his third radio single Jealousy to the mix at #88, attempting to recapture the great success of Long Way Down(#2) and Don't Wait Up(#1,3w). The debut at #59 is among the highest debuts of the year and signals a positive future for the incredible track. Much like the main chart, the Top 2 of the Bubbling Under chart stay stationary for a third straight week, as Refugees patiently waits to make the Top 100.
Lukas Graham enters with 7 Years at #93, a catchy track that I'm surprised to see moving up the Alt charts. The song fits a little bit into alt-J's playbook, but with more of a Remain In Light-esque driving nature to it.
In at #67 is Eminence Front from The Who, a track that I had never heard until very recently.


Florence + The Machine chart Delilah at #97 after Ship To Wreck peaked in the Bubbling Under chart a few months ago. Get To Heaven has been on my album backlog for a while, and it should get a listen if this track continues to do well.
One of the great things about my chart rules is decades-old discoveries getting their chance to shine regardless of their age. With their upcoming Pulse Top 10 ballot I'm excited to familiarize myself with their full catalog.
Louise Is Listening falls off the main chart after 26 weeks, and immediately gets to hold the #1 slot on the Recurrent chart, a main chart honor it just missed out on a few months ago. Never listened to anything beyond the 70s from the band, and despite middling reviews I might have to dig another diamond from the rough in the future. Despite losing Internet access for a few days I still managed to keep this up on time, you guys just get the delayed version.
There are still a few tracks left waiting to chart before their massive streak will come to an end (unless an incredibly unlikely reunion happens) EL VY bring their second track to the chart, as Need A Friend joins up at #83.
Gay Nineties add Letterman to the ranks at #95 after ten long weeks Bubbling Under, becoming only the eighth track to hit the main chart after a 10+ week stint on the BU chart.
I still haven't listened to their album but if I find another good track it should shoot up the to-do list. I'm a big fan of the bass in the track, and it has a more laid back feel compared to the current radio track. Finally, Fightstar's Floods enters at #98, a discovery from one of the tournaments on the board that has potential to rise in future weeks.On My Mind hits a third week atop the Bubbling Under chart, at a critical point where next week's placement will probably decide its main chart fate.
Marilyn Manson has charted quite a few songs from The Pale Emperor under the radar, and Cupid Carries A Gun enters at #88, perpetuating that trend. We're coming up on the end of the first quarter already, and some songs are starting to pull ahead of the pack. Shaman's Harvest add In Chains at #85, a song from the Active charts that I had on my periphery for a while but finally gave a shot this week.
Hopefully it can crack the Top 50 and near some of the top peaks that the 48:13 tracks managed.
Electrify, a 2009 MUTEMATH track is in at #92, with a few tracks from their latest effort Monument on its heels.
Finally, Last Dinosaurs push Zoom in at #98, a track that will have to fight to earn major chart success.Mummy Dust surges to the Bubbling Under crown, set to be a surefire debut in a week or two. I wasn't really a fan of Cold Cold Man, but digging back to 2009 I found a heavier Saint Motel with Dear Dictator, and it debuted after a pleasant first listen to give the band a proper followup to My Type (#14). I'm not completely sold on this track and it won't match Here's impressive Top 5 peak, but her voice is still a strong highlight and the song could grow on me further as the weeks progress. Also of note, the whole chart broke a nearly year-old record, as the average weeks charted across all 100 songs is 10.83, the highest all-time. Lydia falls off the chart after 37 weeks, the 4th longest in chart history and the longest for a song that never peaked at #1. Finally, after ten long weeks Bubbling Under, Turn Your Love from Half Moon run joins at #98. Frank Turner dropped a companion EP with his single release of Mittens, and on it I found the newest entry, Least Of All Young Caroline. This is clearly supported by current 4th and 5th longest charting songs in history, Lydia and Trip Switch, who continue to push ever closer to Starset, Big Data, and Tame Impala. Only six other charts have made it to the Top 100 after that long of a stint in the BU chart, producing mixed results.
Not sure if the EP was comprised of the leftovers from Positive Songs For Negative People, but another song or two could chart from it in the future. As the first quarter of the year winds down (already?!?), next week's chart should bring the statistics from that period, and shed some light on the early favorites for high YEC placements at the end of 2016.
Trip Switch logs its 36th week on the chart, moving closer to Carnivore's 39 week standard. A Spotify discovery, Plumage from Menomena debuts at #95 with an uncertain future but a high ceiling. The first quarter is over, get ready for the quarter countdown in a few days as well as the next chart this time next week. Ellie Goulding has had success on the chart before, but after taking a poppier turn her returns diminished. The Man's Sugar Cinnamon gets a mention as it spends its 15th week on the BU chart, only one week away from tying Paolo Nutini's all-time record (Let Me Down Easy). Louise Is Listening holds #1 on the Recurrent chart for a fourth straight week, making up for its #2-peaking near-miss on the main chart over the fall.
It should surpass the mark, but it depends if the chart speeds up over the next few charts.
As the first quarter of the year winds down, the chart is still rolling 111 weeks after its inception.



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