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How to Make Money Selling Drugs is one of the greatest films of 2012 with such famous actors like Matthew Cooke, Arianna Huffington, Woody Harrelson, Eminem who are playing their roles so cool.
The film takes the job seriously, as if it were a corporate training video (cheesy effects included).
Some of the best advice comes from a nameless low-level crack dealer in Detroit, who speaks through heavy voice distortion and never shows his face. But once Cooke’s instructional video winds its way to Mike Walzman, its satirical roots begin to show.
If Cooke and company had stuck with this winning formula straight to the end, they would have made a terrific film.
Cannabis Now Magazine is a group of individuals passionate about the topic of Cannabis and the debate surrounding it.
You should just stop looking for some other things if you are looking forward to spend a delightful night alone or with some of your friends watching the Documentary movie. It’s TV-MA rating does not begin to describe its inappropriateness for child audiences; the film exposes viewers to images of shocking violence, hateful racism and the indignities of the booze-filled club scene.

Taking the viewer through seven hierarchical stages of the international drug trade, Matthew Cooke’s audacious documentary refuses to skimp by with trite tips or satirical one-offs; this film breaks down “the game” by seeking out its best players. These dealers and more share their hardlearned lessons with remarkable candor – and at first the film seems determined to play it straight all the way to the end. Walzman represents everything the great white majority of America most fears about drug dealers; he made a brief but explosively lucrative career out of supplying addictive drugs to wealthy teenagers in Beverly Hills and hosted wild parties encouraging a wide range of risky behaviors. Sadly, the documentary’s final third descends into a ham-handed didacticism which considerably blunts the glimpses of greatness occasionally peeking through the first hour.
The shocking frankness exposing the ease of subverting drug laws is shown with equally harsh brilliance on the risks of the trade, of which the cops are the least dangerous: rival dealers who may hold no compunctions against committing heinous acts of violence, or even ambitious workers within the dealer’s own organization.
But most incendiary of all is its apt title – structured as a “how-to” for the down-and-out entrepreneur, this feature-length documentary actually does teach its viewers how to make money selling drugs.
The result is a lineup of drug trade all-stars, divulging their best secrets, drawing audiences higher and higher up the lucrative chain of the trafficking industry.
Yet when he was caught, the consequences for this scurrilous profiteer of the children of America were surprisingly mild, and the episode allows the filmmakers to convey their most salient, if least pragmatic, suggestion: anyone who wishes to minimize their risk in the illegal drug trade should first make sure they’re white.

But, most harrowing of all is the risk of becoming addicted to one’s own wares, as nearly every dealer interviewed for the film seems to have done at some point.
Running time of the movie is 96 min and you would for sure enter the world of impressions that Matthew Cooke and other actors of the movie are showing you during this time.
But the pragmatism is in no way reserved for the street corner hustler – even students aspiring to kingpin status can learn some very practical lessons on how to succeed, from the mouths of dealers who made it big. Perhaps that is why nearly every dealer in the film also speaks of their stint in “the game” with nostalgia-tinged regret.
Vi ser narkobetjenten, der er opsat pa at foretage flest mulige anholdelser og vi moder politikeren, der er sikret genvalg, sa l?nge han foretager flere stramninger pa stof-omradet. Netflix foretager lobende en justering af deres indhold og desv?rre bliver vi ikke orienteret om, hvilke film og serier de fjerner.

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