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Chasing UFOs joins a lineup of shows on the National Geographic Channel that hover somewhere between taking an earnest look at unusual phenomena and making mild fun of marginal American subcultures. The eight-part series follows a team of investigators as they follow up on UFO sightings and alien abduction stories around the United States.
Premiering on 29 June, Chasing UFOs joins a lineup of shows on the National Geographic Channel that hover somewhere between taking an earnest look at unusual phenomena and making mild fun of marginal American subcultures.
Just so, two early episodes of Chasing UFOs focus on repeat sightings of objects in the sky.
To increase our anticipation, the program here offers a rapidly edited combination of landscapes, UFO sighting reconstructions, and eyewitness videos. These sections are the most amusing parts of the show because the team strains so visibly to conjure suspense—as when McGee and Ryder scale a rock face or Fox becomes worried that he is being pursued by a pack of wild hogs. For the show’s purposes, apparently, open-minded skeptics Erin Ryder and Ben McGee, and UFOlogist James Fox are disinclined to debunk stories outright.


Like Alaska State Troopers and Doomsday Preppers, it mixes procedural logics with offbeat interviews and far-flung destinations.
In Fresno, California, local people report seeing strange lights over a nearby airbase, while in the Texas towns of Stephenville and Dublin, multiple eyewitnesses claim to have seen triangular lights passing over town. The mystery of the hogs is one that’s left unresolved, but serves to demonstrate how much the show consists of the chasers doing very little chasing.
If nothing else, the show reminds us that some communities see shadowy earthly forces and government surveillance as likely occurrences. As a result, Chasing UFOs is notable for its mostly straight-faced attempts to cover up a lack of substance, and its unintentional humor. In its own quasi-scientific way, Chasing UFOs both confirms the obvious and insists on its subject’s significance. Some witnesses claim to have been physically affected by the UFOs, others link their sightings to a large-scale military cover-up.


They do, however, sneak around old government bases and remark that their NV cameras remind them of The Blair Witch Project. The show doesn’t question this casual paranoia overtly, and sometimes actively encourages it, turning its cameras on town hall meetings and interviews.
Ryder, McGee, and Fox collect the statements and stake out sighting areas, which means they set up cameras to monitor any physical effects of the sightings they mean to have. Herein, the team scrambles around at night over mountainsides, down into ravines and through the woods, all the while filming with their night vision cameras: they generally end up scaring each other.



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