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admin 11.01.2015

With the influx of in-your-face and exploitative horror that’s come out of both the Hollywood and Independent filmmaking scene since the popularization of horror entertainment in the ‘80s, it’s easy for fans to forget how the genre essentially began as a form of haunted allegory.
That consistency can also be spoken about Jim Breuer, who, throughout the years of willfully painting the image of a rock star stoner comic and impressionist to appeal to his loyal fan base, has been maturing and shaping the opposite of his personal life.
DIABOLIQUE: You’ve spoken about your love for horror films before in your radio appearances and have referenced them in your comedy in the past.
DIABOLIQUE: Despite you not necessarily being into the newer batch of horror films, is there any new horror film that you enjoyed? DIABOLIQUE: As someone who has seen the changes of horror through time, what would you say is the biggest difference between the horror films now and then? DIABOLIQUE: With horror being the most interactive cinematic genre, is there any memorable in-theater horror movie experience that you can recall?
BREUER: Well, I remember going to see the older ones, and with the first Halloween, I remember people literally yelling and screaming every time you thought Michael was dead and he would just sit up in the background. DIABOLIQUE: Is there any particular trope or recurring convention in the horror genre that you can’t stand? BREUER: Well, everyone who is in that scene has families and stuff now, so they can all relate to it.
DIABOLIQUE: Do you think that by retaining that attitude it may have been difficult to steer away from reprising your older material or do you think that it, inversely, compliments the older material? DIABOLIQUE: You also recently released your documentary, More than Me, which I personally thought was really affecting because you never tried to paint your father in any particular direction in terms of morality and your attitude towards him.
DIABOLIQUE: Did you ever feel that in you, specifically, in making a documentary that you needed to subvert the expectations of the now-popular comedian road documentary?
DIABOLIQUE: Beyond your time on Saturday Night Live, you’ve forayed into the world of acting as well, albeit never specifically with genre films. DIABOLIQUE: Through your stand-up and radio show, you’ve expressed your love for metal as well, which is in many ways ingratiated into the world of horror, with guys like King Diamond, KISS, Alice Cooper incorporating horror and theatricality.
DIABOLIQUE: Well, one thing I noticed is that in a lot of your work, and in your words about the horror genre as well, your tastes are embedded in works that either take on an evolution or a journey. DIABOLIQUE: Do you think that now that you have a family that you’re so close to that you’re more susceptible to family-centric horror, ala Poltergeist? Remember, you can learn more about the evolution of horror comedy in Issue #17 of Diabolique, now available at the App Store, Google Play, Barnes and Noble and wherever horror magazines are sold!
And Laughing For All Creature from the Black Lagoon Dracula Frankenstein Halloween Jim Breuer Ken W. Tagged with: And Laughing For All Creature from the Black Lagoon Dracula Frankenstein Halloween Jim Breuer Ken W.
To some, the genre is that of cheap thrills, startles and nightmare fodder to allow entertainment to be entertaining without the need to turn on one’s brain. Folk tales, The Brothers Grimm and the work of Mary Shelley, Bram Stoker and Edgar Allen Poe often served as metaphors for the horrors of reality, often to put people on a path of righteousness.
And as of the last few years, the Saturday Night Live alumni has melded both that familiar attitude to his honest experiences, making him a stronger force of comedy than ever. What is it about that rock and roll attitude do you think compliments this new material as well as the old stuff?
From doing that kind of stuff from the past, I kind of isolated my audience, like if you weren’t into it, you were lost.


Considering your father was at the focus of the film, did you find it difficult to remain objective to the direction of the documentary? It brought so much life to him, and he loved being funny, and I’d learn about him and our relationship when we’d go on the road. As a fan, do you like the incorporation of horror into metal or do you prefer straightforward rock and roll?
I want what they’re about, so if I’m going to see Five Finger Death Punch, I’m not expecting to see wizards, blood and all of that. Both horror and rock and roll, especially metal, have suffered from saturated markets and a need to package marketable material. In metal, I’d love to see that ‘80s “really good lyrics, great melodies and really crunching rock” vibe.
She’s always like, “Dad, can I see this?” “You’re not seeing that.” Whereas I just showed her The Shining and we visited that Shining hotel out in Colorado. Furthermore, you can check out the previously mentioned Jim Breuer: And Laughter for All and Half Baked on Netflix Instant Streaming, and you can find his documentary, More Than Me, on Amazon, iTunes and at his official store. Next Monday, we’ll be speaking to writer, actress and star of the still-unreleased Poughkeepsie Tapes, Stacy Chbosky! Hanley is the Web Editor for Fangoria Magazine, as well as a contributing writer for Diabolique Magazine.
To others, Horror is a conduit that our deepest fears, anxieties and paranoia are visualized, hence why the community of horror fans has become as large, vocal and intertwined as any group in modern popular culture. And whether or not those tales resonated, those allegories survived even past the ‘80s, as most slasher films at the advent of the genre served as allegories for maturation and sexual independence and the resurrection of the haunting film serves as an allegory for the importance of family. Furthermore, Breuer has decided to branch out in his exploration of self, shaping together his first documentary, the William Philbin-directed More Than Me, following his relationship with his 84-year-old father while on his stand-up tour.
We suppress it inside of us by the society we live in and those corny education events or school events or planning birthday parties or whatever.
Now, everyone can be a part of it because everyone can relate to it and I’m able to take them on journeys, like when I saw The Big Four and was trampled by adults, meanwhile I’ve got to call the babysitter. Honestly, what I wanted to get out of [the documentary] is that I wanted to inspire people.
The best compliment I get from More than Me is that people come to me and honestly, on my kid’s life, tell me that movie changed their lives. I still had all that footage, and then a lot more [tour documentaries] started coming out, and it’s like watching [a documentary] of a band, where it’s like, “Oh, here’s them walking into here.” I’m a fan of comedy, but even with podcasts, I get bored. I feel like this is the age of ‘90s rock, where everything is dreary and dark and everything sucks. Back then, it almost seemed like they really believed what they were singing about, and now, I don’t know if that was naive for my age, but now, the older I get, it looks like they’re just putting on a magic show. She liked it, and I still watch The Shining and I think it holds up just as hardcore today. When I’m in the woods, there’s a little part of me that’s worried about being attacked by a werewolf or some kind of crazy creature out there.
I’ve got a podcast coming out, and I’m going to be doing a lot more of my own stuff, including shows that I’m creating, and it all has to go through my official website. He’s a graduate from Montclair State University, where he received an award for Excellence in Screenwriting.


Horror molds around our individual perceptions of shock and terror, and often times can be discussed with the enthusiasm and passion that may not apply to other genres. In that respects, it’s somewhat incredible how consistent horror has stayed, thematically, throughout the decades of its existence while evolving, shuffling and even becoming self-aware enough to give alternative medicine to the more nihilistic of its supporters. I have had a harder time with horror as I’ve gotten older watching it, but as a kid, it was HUGE. It was stuff I was going to put on my website because I have been traveling with my father for years. I wanted to inspire people to think a little deeper about what their relationships are as they get older and the ups and downs of that, and how close you become, no matter who you are. It’s like, “Okay, in an hour, how many times can you talk about comedy or interview someone?” It’s like, “Alright! I think I’m a lot more sensitive now since I have three girls and I’m growing up, so it all seems kind of kooky.
There’s some new stuff coming out in the very near future and you’re going to be a really big fan of it.
I wish I had; I argued sometimes that I should have been able to, and Lorne would go, “What the fuck are you talking about? Therefore, Diabolique Magazine presents Talking Terror, a weekly column where we speak to actors, comedians and other public figures about their relationship to the world of horror.
It was the Jaws effect where it was just like, “Okay… they’re lurking and here it comes.” Nowadays, it’s just torment, torture and a lot more death going on. I’ve got to wait until I’m in the car, alone, with closed doors before I can blast out “Rapid Fire” by [Judas] Priest or “The Ultimate Sin” by Ozzy [Osbourne]. What’s great is that now, anyone who is not into that music or genre find it comical when they watch my stand-up. It’s not different because my heart is still there, but people howl and can relate to it better. I have a deep faith believing, although I’m not religious, and I’ve never read a bible, clearly, but he was just like, “Pfft. She watched The Shining and I asked, “So, what did you think?” “It was alright.” I’m like, “Alright?!
I’ve been doing it for years and every time I go out, one of the biggest compliments I always get- even though it’s not so much as a compliment as much as it is an inspiring moment- is when I hear, “Wow, you brought your father? None of those positive outlets are out there and that’s another reason why I put More than Me out there.
Ballet?” So, I know what to expect from bands, but if it’s kind of from left field, I’m like, “Yeah. That thing threw off my rhythm for months!” Not until I was an adult did I feel not awkward in long hallways when I’m in hotels. That was the last time I saw people literally grabbing each other, screaming out loud and yelling. Very popular … he has a good run and then he starts doing Half Baked and I think he has another movie in development.



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