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What fun to get the correct spacing for this particularly French punctuation in a reflowable eBook! PagetoScreen - Want to be part of a collaborative authored project?  Penguin is asking for you.
Here we see the example of the first footnote in the chapter and the reference number in the text.
Notes: Attention to detail - for PrintFootnotesThese need to be separated from the main body of the text, and are best set with a smaller size and possibly event a different typeface and colour. T-Enami.org - A Welcome, all who like old Photos of Japan !YOU ARE ONE OF OVER 100,000 VISITORS TO THIS SITE.
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Estimated delivery dates - opens in a new window or tab include seller's handling time, origin ZIP Code, destination ZIP Code and time of acceptance and will depend on shipping service selected and receipt of cleared payment - opens in a new window or tab. This item will be shipped through the Global Shipping Program and includes international tracking. Will usually ship within 2 business days of receiving cleared payment - opens in a new window or tab. By submitting your bid, you are committing to buy this item from the seller if you are the winning bidder. By clicking Confirm, you commit to buy this item from the seller if you are the winning bidder. By clicking Confirm, you are committing to buy this item from the seller if you are the winning bidder and have read and agree to the Global Shipping Program terms and conditions - opens in a new window or tab. Your bid is the same as or more than the Buy It Now price.You can save time and money by buying it now. By clicking 1 Click Bid, you commit to buy this item from the seller if you're the winning bidder. You see that the text alignment (left or right), is automatic depending on recto or verso achieved by the paragraph style using Towards the Spine. The idea of any notes is that it is supplementary information and it is entirely optional that the reader even bothers to look, so setting in a style that does not distract from the flow of the reading experience is important.Footnotes are best numbered with an outdented figure, although (for technical reasons) the numbers are most often aligned to the main text block. Contact the seller- opens in a new window or tab and request a shipping method to your location. You have read and agree to the Global Shipping Program terms and conditions - opens in a new window or tab.
Import charges previously quoted are subject to change if you increase you maximum bid amount. Robert Bringhurst doesn't need to bother with those little superscript numbers because the supplementary information is very much nearby for the reader.Still, tradition dictates that in some books, there are footnotes and some there are endnotes (either at the end of the chapter or the end of the book).
If you reside in an EU member state besides UK, import VAT on this purchase is not recoverable. Most publishers will favour the numbers to begin again for each chapter, otherwise the numbers could get unweildy (superscript numbers of more than two digits could look ugly).
Let's face it, book design and usability does not often win-out over commercial considerations. Where footnotes are long, they can be split across more than one page, although this will compromise the usability somewhat.EndnotesNotes are often placed at the end of the chapter or even at the end of the book (before the index). Lots of space for the text to breath.How I dislike some books that give me less than a centimetre of margin.


This approach means that the reader will need to 'hunt down' the note referred to in the text. Cadmium Yellow, for instance, is made from the compound of cadmium zinc sulfide, and calcined iron oxide is the chemical name for Burnt Sienna. This usually means that the endnotes will be sectioned by chapter or section.The advantage of endnotes is that the page composition in the vertical plane is not compromised for the sake of the note space. A way to determine whether a tube of paint contains a genuine color is to look for the ASTM designation (usually on the back of the tube, and occasionally on the face).
If there is a single ASTM number, the paint is made from a genuine pigment of a single substance. Ridiculous as this seems, we have seen books with footnotes that take more page space than the main text itself!Sidenotes (sometimes called Margin Notes)Clearly the page layout needs to provide the space in the margins for this to be an option. If you find more than one ASTM number, it means several different pigments were combined to make the paint and it is not a genuine color.A An ASTM designation starts with the letter "P" for pigment, followed by a letter or set of letters for the color group, such as "Y" for yellow or "Br" meaning brown, and then a one to three digit number for the specific color. OTHERWISE, BEGIN SCROLLING DOWN FOR A TREASURE-TROVE OF RARE AND BEAUTIFUL PHOTOS OF OLD JAPAN. In this we can set the way the references are displayed in the text (superscript etc), and how the footnotes appear at the bottom of the page.
We need a paragraph style set up for the display of the footnotes themeselves and we can (optionally), use a character style for the reference figure in the text.As you can see from the first example spread the footnote list figure is aligned to the left edge of the text box.
ENAMI WEARING SAMURAI ARMOR, TAKING A REST BETWEEN POSES IN HIS YOKOHAMA STUDIO, CA.1898-1900.
You will often see this in the books on your shelves, however, a more attractive arrangement is to 'outdent' these listed figures so that the footnotes are are aligned to the text and the figures are offset from this text box.InDesign does not provide the means to set footnotes outside the text box, so we need to plan for this by indenting all of the text inside the text box by an amount that we then remove from the left margins. Kings Blue, for instance, is just Zinc White (PW1) or Titanium White (PW6) plus Cobalt (PB36) or French Ultramarine Blue (PB29), yet it saves the landscape painter much time by not having to mix it on the palette each time she needs a sky color.A Some convenience colors are intended to replace an obsolete but useful pigment.
For instance, the production of genuine Indian Yellow is now barred by law, so today producers create alternatives from mixtures of other colors.A imitationLike a convenience color, an a€?imitationa€? is a mixture, one that allows the manufacturer to offer an inexpensive alternative to a costly color. ENAMI, OTHER WELL-KNOWN JAPANESE PHOTOGRAPHERS WHO OPERATED DURING THE MEIJI-ERA (1868-1912) ARE MENTIONED THROUGHOUT THE COMMENTS.I HOPE YOU FIND THE STORY AND DATA BOTH INTERESTING AND HELPFUL. You will see from the image provided here that we are using guides to make sure that these items align. Also like a convenience color, properly labeled imitations are identified with two or more ASTM numbers.
FOR THOSE WHO ARE HERE PRIMARILY TO LOOK AT THE IMAGES, I HOPE THAT YOU EXPERIENCE SOME ENJOYMENT IN GAZING AT A FEW OF ENAMI'S"LOST PICTURES" OF OLD JAPAN.
THOSE THAT LIVE FOR DISCOVERING NEW DATA AND CONNECTING THE DOTS WILL NO DOUBT FIND SOME EYE-OPENING REVELATIONS HERE.A OF COURSE, WE ALL LOVE KIMBEI KUSAKABE AND THE REST OF THOSE ILLUSTRIOUS JAPANESE PIONEERS OF PHOTOGRAPHY WHO GOT THEIR START LONG BEFORE ENAMI OPENED HIS OWN MEIJI-ERA STUDIO.
The one that I use here is called 'convert footnotes to (dynamic) endnotes' – meaning that the numbering will change if further notes are added.As always when using scripts to change content, save your work first! THEIR BEST WORK IS ENOUGH TO TAKE YOUR BREATH AWAY.HOWEVER, ENAMI ALSO HAD HIS FANS AND FRIENDS, BOTH AS A PERSON AND AS A PHOTOGRAPHER.
Scripts will often run through a long sequence of actions; you can always use 'revert' (from the file menu), to get back to the previous. You will see from the image here that the endnotes have their own page(s) with a heading that matches other heading styles. AS YOU SCROLL DOWN THESE PAGES, FOR A FEW MOMENTS YOU MAY STEP INTO ENAMI'S SHOES, AND TAKE A PEAK THROUGH HIS LENS.A LIKE SO MANY OTHERS --- SOME NOW FAMOUS, BUT MOST BEING FORGOTTEN --- ENAMI DEDICATED HIS LIFE TO CAPTURING, AS BOTH ART AND DOCUMENT,A WORLD THAT WAS QUICKLY VANISHING BEFORE HIS EYES.
AS THIS SITE IS A PERSONAL HOMAGE TO ENAMI, YOU WILL FIND SOME AMATEUR ELEMENTS, AND THE OCCASIONAL PITFALL. Using these we can control the width and position as the footnotes are converted to side notes.


AT ALL TIMES, PLEASE "EAT THE MEAT, AND SPIT OUT THE BONES" WHILE DIGGING FOR VISUAL TREASURE.DISCOVERING THE OCCASIONAL GEM OF A PICTURE, OR ODD BIT OF INFORMATION, WILL HOPEFULLY MAKE THE SCROLLING WELL WORTH IT. The general wording seen above was fairly common to all photographic self-promotion during the Meiji-era, and actually contains less specifics than some of his studio ads which he placed in various guide books of the time. OGAWA, who was actually a year younger than Enami, was still his "elder" in terms of experience. It was photographed by Enami's friendly competitor and neighbor Kozaburo Tamamura, whose studio was located at No.2 Benten Street. It would be built in 1894 just down the street on the right hand side, and appear in endless views and postcards as the most recognizable landmark of Benten Street. Other images of Enami's studio -- both interior and exterior views -- are shown farther down on this page.A  While offering many of the same services and productions as his contemporaries, he also engaged in other activities that made him unique. Further, while no photographer did "everything", Enami worked and published in more processes and formats than any other Japanese photographer of his time.
A He was one of only a few photographers born during Japan's old Edo-Bakumatsu period, who went on to photograph right through to the Showa period of Emperor Hirohito.Enami was also one of the few to experience, and then successfully outgrow his roots as a traditional maker of the classic, large-format "Yokohama Shashin" albums. While successfully embracing the smaller stereoview and lantern slide formats, he added to that a portfolio of Taisho-era "street photography" that maintained his own unique and artistic content.
Enami and Kimbei Kusakabe are now the only two Japanese photographers known to have a surviving list of their commercial 2-D images. While Enami's 2-D portfolio contained a sprinkling of older, public domain images, his 3-D images and slides made from them were wholly his own.A THE 3-D CATALOG "S 26. Girls Looking at Pictures" A Maiko and two Geisha Looking at Stereoviews in Enami's Yokohama Studio. One of over 1000 cataloged 3-D images of old Japan.A THE "CATALOG OF COLORED LANTERN SLIDES AND STEREOSCOPIC VIEWS"A  Not surprisingly, Enami matched his older Catalog of Meiji-era Prints with a separately published catalog of his classic STEREOVIEWS. In the case of the 3-D Catalog, the lantern-slides were all made directly from one half of the stereoview negatives. The Cover and two sample pages of the Stereoview Catalog are shown just below in the Enami Activity List numbers (6) and (9). ENAMI'S ACTIVITIES and CONTRIBUTIONS TO THE WORLD OF JAPANESE PHOTOGRAPHYA A  For the moment, based on a wide range of primary sources, it is now clear that T.
The coldest blue is French Ultramarine, followed by Cobalt, Cerulean, Manganese, and the warmest, Prussian and Phthalocyanine.
Phthalocyanine may be labeled Phthalo, Thalo, Monstral, or Winsor)i»?The darkest blues are Prussian, then Phthalocyanine. Both colors are so potent that even a tiny amount has a powerful impact upon other colors in mixtures. Even though they are transparent, due to their intensity they effectively hide what they are painted over unless worked out into an extremely thin veneer.
Rich, vibrant blacks can be made with them when combined with a strong red like Alizarin Crimson, Cadmium Red Deep, or Indian Red.
By adding white to these blackish mixtures, the blacks become handsome violet, pinkish, or greenish grays.



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