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The new facade coupled with the intersection reconfiguration will be a great benefit to the immediate surroundings, if successful. In a sense they are - a new facade on the whole structure, from the looks of it, but largely in the footprint of the existing building still from what I understand. It seems they are incorporating some pedestrian connectivity between the campus and the project. The Department of Environmental Health and Safety (EH&S) moved from 125 Humphreys Service Building to our new location in the East Hill Office Building on Thursday, August 16, 2007. As shown on the map below, the East Hill Office Building is located on Pine Tree Road near CISER and behind the East Hill Plaza. The East Hill Office Building has its own parking area and receives TCAT bus service (routes 50, 51, 52, 53).
There are a limited number of visitor parking spaces available in the East Hill Office Building parking lot.
EH&S training programs will be held in room 140 in the East Hill Office Building and on campus. Town of Oneonta, NY (WBNG Binghamton) New York State Police arrested a Worcester man on Sunday after he was reportedly driving the wrong way on Interstate 88 and hit a bus. Andrew Scheiner, 28, was charged with aggravated driving while intoxicated, with a blood alcohol content of .22 percent, a misdemeanor.
Just before their arrival, Scheiner, who was driving his 2004 Chevy Impala westbound in the eastbound lane, struck the side of a bus that was being driven east. An investigation determined Scheiner was driving while intoxicated and had a suspended driver license.
Scheiner was arraigned at the Town of Oneonta Court and taken to the Otsego County Jail in lieu of $1,000 bail or $2,000 bond.
It was a mild October day in Hollywood, but a trace of artificial snow remained on the ground as Neil deGrasse Tyson, the director of the Hayden Planetarium, at the American Museum of Natural History, walked around a back lot at Paramount Studios. I recall when Diamante's was still there it was such a dismal place - the existing structure lets in next to no light whatsoever. For some reason I thought they were just going to renovate the structure that is currently there, yeeesh! It's not an entirely useless structure, just very dated - and the full reconfiguration combined with the new facade should fix those issues.
The wsyr9 report indicated that they are going to reconfigure the intersection from a five way to a four way signalled intersection.
A new shuttle service for faculty and staff runs between the East Hill Office Building and central campus. He was also charged with several other vehicle and traffic law violations, state police said.
Sunday, troopers responded to an Otsego County 911 report of a vehicle being driven the wrong way on Interstate 88 eastbound in the Town of Oneonta. Late the previous evening, the street corner outside a fake storefront had stood in for the bus depot on a snowy night in Ithaca, New York, and a young actor had portrayed the Tyson of nearly forty years ago: a senior at the Bronx High School of Science who had been summoned to Cornell University by Carl Sagan, at the time the best-known astrophysicist in the world.
Their previous recent construction (most recent fully new structure, to my knowledge, is still the Performing Arts building built in 1999-2000) are quite nice. A listing of staff and major program areas can be found in the Cornell EH&S Resources document.
Toeing snow with the tip of a cowboy boot, he told me, “I faced straight to the camera and said, ‘This is a moment from my past.’ ” In the flashback scene, Tyson is heading home to New York after a daylong visit.
Sagan hands Tyson his home phone number, telling him to call if the bus is delayed by weather. The encounter is being reconstructed for a thirteen-episode series, “Cosmos: A Spacetime Odyssey,” which Fox will begin airing on March 9th.
The show is a sequel to “Cosmos: A Personal Voyage,” the celebrated series that was hosted by Sagan and broadcast on PBS, in 1980.
Sagan, who died in 1996, was an erudite guide to the universe, conveying the excitement of discoveries within the solar system and beyond.
Tyson is the host of the new “Cosmos,” and he was in Los Angeles for the final days of shooting.
After nine months in locations ranging from Iceland to Italy, “Cosmos” had come to the Paramount lot to shoot special effects, including a simulation of how a New York City street would look in zero gravity. A common misconception is to think that, in such conditions, everything floats upward, as in a vision of Rapture. Tyson observed an extra, wearing a hidden harness, walk up a stepladder that had been placed in front of a green screen. Tyson hosted PBS’s “NOVA ScienceNOW” for four seasons, and he is a frequent guest on “CBS This Morning” and “The Colbert Report.” He has flown to and from Los Angeles within hours to appear on Bill Maher’s program. But “Cosmos” is Tyson’s first Hollywood production, and he was interested to discover that a movie set has laws almost as stringent as those of physics. Chatting with an intern, he debated the strengths of Shake Shack versus those of In-N-Out Burger.
He is tall and charismatic, with a deep, commanding voice that can shift register from a honeyed purr to a practiced roar of outrage. His wardrobe invites notice: bright patterned vests, suede shirts, broad-brimmed felt hats in the style of Indiana Jones. For a scene rendering the Big Bang, he posed against a green screen, coolly put on a pair of sunglasses, then flung out his arms in a gesture suggesting a crucifixion, all the while affecting the stony countenance of an action hero. Sagan, who was born in 1934, was a scientist of the Apollo era, when the year 2001 connoted not terror but Stanley Kubrick’s vision of a lone astronaut journeying deep into space, in pursuit of expansive enlightenment. Sagan was the chairman of a committee that selected the recordings included on gold-plated disks carried into space by the two Voyager interstellar spacecraft, in 1977: Beethoven, Chuck Berry, greetings in fifty-five languages. A few years ago, when the Museum of Natural History mounted an exhibition devoted to Charles Darwin, officials felt it necessary to train docents how to respond to challenges from creationists, who still number nearly half the American public, according to a 2012 Gallup poll.
Since the mid-sixties, NASA’s funding has dwindled from four per cent of the federal budget to half of one per cent.
Tyson, who is fifty-five, was a child when astronauts first landed on the Moon and barely a teen when the missions ended, in 1972. Recently, he has been obliged to contend with the conspiracy theory that the landings were a government-sponsored hoax—a theory promoted, in part, by a widely seen television special broadcast by Fox.
Sagan paid deference to high culture: he drew his comparisons from ancient history and his vocabulary from literature. This does not mean that he has unsophisticated tastes: his friends still talk about the hundred-year-old wine that he served at a nine-course dinner celebrating the turn of the millennium.

And he has a library of rare antiquarian scientific volumes, including a third edition of Sir Isaac Newton’s “Principia,” which he considers the most important book ever written.
His astronomical thinking has been featured, however, in a Superman comic: at the request of DC Comics, Tyson pinpointed a star that could support a planet like Krypton. David Spergel, an astrophysicist at Princeton, where Tyson did post-doctoral work, says, “Neil could have pursued a research career and been a good researcher. But he’s great at what he does.” Colleagues say that Tyson keeps close track of advances in his field, so that he can relay them to the public. Sean Carroll, a theoretical physicist at Caltech, says of him, “He has absolutely mastered the ability to convey not only the substance of the science but the real excitement and passion that scientists are feeling when they are doing it.” Tyson can go to goofy lengths to communicate that passion.
At a recent panel discussion, he got so worked up while debating the motives for space exploration that he rose from his chair, in mock anger, before being playfully restrained by Bill Nye the Science Guy.
Before going on “The Daily Show” for the first time, he studied past episodes, counting how many sentences Jon Stewart permitted a guest to speak before butting in with a joke. Stewart told me that Tyson’s compulsion to elucidate continues even when the camera is not rolling. But I also remember that we had a Rubik’s Cube sitting in the greenroom, and he had to solve it.
He can’t leave things unsolved.” Tyson is vigilant about correcting misrepresentations of science in popular culture.
You would have too, if you were made of ice and you buzz-cut the Sun.” The author or co-author of ten books of popular science, Tyson is considering compiling a volume of his tweets for publication. Tyson’s dark, cluttered office at the American Museum of Natural History is an environment fit to delight an eight-year-old boy. An almost six-foot-tall model of a Saturn V rocket stands in one corner, and in a desk drawer Tyson keeps a football-size fragment of an asteroid that belongs to the museum’s collection. Shelves are filled with science books and framed certificates, including one for an asteroid that was named in Tyson’s honor. There are also kitschy artifacts like glow-in-the-dark Band-Aids with cosmic motifs and a can of Dole pineapple chunks with a starburst theme on the wrapper. Tyson believes that such objects indicate a collective fascination with his sphere of expertise. We had just watched a preview of the Hayden Planetarium’s new space show, the first for which Tyson had provided the narration. The show tackles the esoteric subject of dark matter and dark energy, which together make up ninety-five per cent of the known universe, and which are only scantly understood. Koch has given twenty-two million dollars to the Museum of Natural History and is a member of its board of trustees. He says of Tyson, “I can listen to him for hours and not lose my attention in any way.” Tyson once visited Koch’s Southampton home, where he taught members of the family how to use a telescope. Being able to pivot comfortably between the general public and the political plutocracy is a skill no less complex than being able to analyze data from the Hubble telescope; being able to do both is very unusual. Bush, an experience that has given him insight into the horse-trading necessary to gain funding for any venture, and a pragmatism about the motivations of any elected official.
Not everyone agrees that finding life on Europa”—one of Jupiter’s moons—“is an interesting problem.” “Yes, I have taken my medication. Have you taken your medication?” Share Tweet Buy a cartoon His preferred strategy is to explain how funding space exploration will contribute to economic growth, by requiring an investment in science education that would open up the possibility of unimagined technological and scientific advances.
Before Wilhelm Rontgen discovered X rays, he wasn’t thinking, How can I create a medical device?” In 2012, Tyson wrote an influential essay for Foreign Affairs that made a case for manned missions to space, on the ground that they would serve the United States’ economic and defense interests, just as funding Columbus’s voyage to the New World served the interests of the Spanish crown. Unlike Sagan, who opposed President Ronald Reagan’s “Star Wars” program, and who was arrested during a protest at the nuclear test site in Nevada, Tyson refuses to take explicit political positions in public, or to criticize elected officials, even those who reject evolution; he would rather invest his energies in creating a more enlightened electorate. Nevertheless, his political and cultural leanings seem clear, and his insistence on objectivity can seem disingenuous. After the Newtown massacre, he tweeted, “In Walmart, America’s largest gun seller, you can buy an assault rifle. But company policy bans pop music with curse words.” On Christmas Day, he tweeted, “Born on this day, long ago, was a man who showed us all a way to know the Cosmos.
Isaac Newton, Dec 25, 1642 Lincolnshire UK.” Tyson attended a Catholic church as a boy, but he began questioning the Church’s tenets before entering his teens. When pressed, he calls himself an agnostic, but he resists labels, maintaining that atheism has come to imply activism. And, if they bring the evidence to me, that’s fine.” Tyson’s dogged nonpartisanship can be seen as a form of retreat. In an interview that has been watched 1.3 million times on YouTube, he says that he does not have the time, energy, or interest to enter a debate about atheism. A native New Yorker, Tyson first visited the Hayden Planetarium when he was nine years old. I grew up in the city, and you look up and there’s a tall building, and air pollution, and light pollution.
That is some pretty impactful life experience.” Tyson grew up in the Riverdale section of the Bronx. He was the middle of three children and showed an early aptitude for science; he rigged up a system of fishing weights that automatically closed the bedroom door that his sister always left open, and he periodically turned one of the apartment’s bathrooms into a darkroom.
When speaking to other educators, he stresses the importance of reaching not just the A students, who are already likely to succeed, but the B students, who might succeed if they were more deeply engaged by their teachers.
He is on the board of the Harlem Educational Activities Fund, which seeks to offer such encouragement to students in public schools. He recalls telling the administrators, “I am where I am not because of what happened in school but in spite of it, and that is probably not what you want me to say. Call me back, and I will address your teachers and give them a piece of my mind.” A more important education came from his parents. Every weekend, the family visited a museum or went to a sporting event, or to a Broadway play or the Metropolitan Opera. Tyson’s mother gave him a pair of folding opera glasses, which provided his first magnified look at the night sky.
In middle school, he bought a telescope with money that he earned by walking neighbors’ dogs—“It was the golden age of dog walking, because you didn’t have to clean up after them,” he recalls—and studied the sky from the roof of his apartment building. Tyson often took the subway alone to the Museum of Natural History, attending lectures and classes.
As he boarded, his mother buttonholed older couples and asked them to keep an eye on her son. Tyson’s older brother, Stephen, who is an artist, recalls, “The teacher asked, ‘Why do you want to go into science? At Bronx Science, he was captain of the wrestling team and the editor of the physical-science journal. He made a spreadsheet that listed recent contributors of physics and astrophysics articles to Scientific American, showing which schools they had attended and which faculty they had later joined.

In a memoir, “The Sky Is Not the Limit,” published in 2004, Tyson mentions that Caroline Kennedy was a classmate, but says that he had little time for social life: he was consumed by his studies, and he also joined the wrestling team.
Smith—an eventual Rhodes scholar, who intended to put his economics degree to use among impoverished communities—criticized him for devoting himself to science.
Tyson was undaunted, though, and after Harvard he began postgraduate work at the University of Texas at Austin.
As soon as he arrived, a faculty member encouraged him to join the department’s basketball team. Others suggested that he aim at teaching in a community college, or leave astrophysics for industry, where he could make more money.
Tyson was certainly an unusual student for a science department: he rowed competitively, and won trophies in local competitions as part of the school’s Latin-dance team.
In his memoir, he reveals that he considered supplementing his income by working as an exotic dancer in a strip club, until he discovered that one dance routine would require him to wear, and ignite, an asbestos-lined jockstrap soaked with lighter fluid.
He also published his first book, “Merlin’s Tour of the Universe,” a collection of pop-science columns that he had written for Star Date, an astronomy magazine.
While at Columbia, Tyson was interviewed for the first time by a local television reporter, about solar explosions. Watching the segment that evening, he had a realization that answered the challenge of his old wrestling teammate: this was the first time that he could recall seeing a black person being interviewed on television as an expert about something that had nothing to do with being black.
When Tyson graduated from Columbia, in 1991, he was invited to give a speech at the convocation. He described the lowered expectations that he had experienced at school in New York and, later, in Austin. In the mid-nineties, the board of trustees of the Museum of Natural History began a search for a new director of the Hayden Planetarium.
David Helfand, the president of the American Astronomical Society and a former chair of Columbia’s astronomy department, recalls, “I had many discussions with him about the degree to which he should focus, as some curators do, on his own research, rather than taking a larger role in the public presentation of science. In academia, there is a prejudice that the only thing that matters is research—teaching is a waste of your time and public education is a waste of your time.” It was clear, however, where Tyson was most effective.
One of his first tasks in the new job was selling wary members of the Landmarks Preservation Commission on building a modern replacement for the original planetarium, which was completed in 1935. The glass-walled Rose Center for Earth and Space, containing the revamped planetarium, opened in 2000.
Tyson decided not to include Pluto among the planets, relegating it to the status of an object in the Kuiper Belt—the band of icy bodies that astronomers discovered in 1992, six decades after scientists had named Pluto the outermost planet in the solar system. Gott calls the Pluto decision Tyson’s most significant contribution to science—even if, strictly speaking, the part he played had more to do with public relations than with astrophysics. In 2006, the International Astronomical Union voted to change the status of Pluto to a dwarf planet.
Tyson, who wrote a book about the Pluto controversy, has achieved the peculiar status of being an astronomer famous for losing a planet, rather than for discovering one. In early January, the American Astronomical Society held its annual meeting, in Washington, D.C. Daunting rows of chairs stood empty—a public speaker’s worst nightmare—but gradually people arrived, like stars materializing in the sky at dusk, until the room was densely populated. The talk started late, because there were technical difficulties connecting Tyson’s laptop to the large screens on either side of the stage. Eventually, Tyson launched into an entertaining disquisition about his quest to bring science to the general public, and about his conviction that there was a growing interest in scientific matters. He talked about going to Comic Con—“an extraordinary celebration of the geekiverse,” he called it—and showed a photograph of himself with a young woman in alien makeup and a scanty costume. He mentioned a tweet that he’d posted a couple of days earlier, on January 4th: “Merry Perihelion to all. Earth, in its oval orbit, is closer to the Sun today than on any other day of the year.” He told his listeners, “We all know this, but you keep it to yourself! Spread the love!” Tyson talked for an hour and a half; then, as technicians tried to clear the room, he kept talking, without amplification, to more than a hundred audience members, who mobbed him at the edge of the stage.
After a while, a conference organizer walked onstage to drag him off to a reception for which he was already late. He and other eminences spoke of Sagan’s vision, and of the ways in which scientific progress has fallen far short of Sagan’s hopes and predictions. David Morrison, the director of the Carl Sagan Center for the Study of Life in the Universe, at the SETI Institute, in Mountain View, California, said, “Sagan thought we would have colonies on the Moon by now. He believed SETIwould have succeeded.” Tyson told the story of his encounter with Sagan in Ithaca, and of learning from Sagan the importance of engaging with students. Druyan told me that she hoped the new series would kindle an interest in science among young people, as the old one did, though she acknowledged that the practical impact of Sagan’s “Cosmos” had been limited. The new series casts Tyson in a Saganesque mold that differs somewhat from his own public persona: there is less joking and irony, more earnestness and awe. The first episode opens with Tyson standing on the same cliffs in Monterey where Sagan stood as he began his own odyssey. And the show brings back a number of the original series’ celebrated storytelling devices, including the Cosmic Calendar, which has been digitally enhanced, and the Spaceship of the Imagination, which originally resembled a dandelion head and now looks like the first flying Apple product.
Science geeks in Hollywood have been persuaded to work on “Cosmos” for considerably less than their usual rate, among them Bill Pope, who was the director of photography for the “Matrix” trilogy.
Courtesy of animators drafted by MacFarlane, the lives of historical figures have been rendered elegantly in pictures, instead of being represented by bewigged actors; it’s an inspired way to get a contemporary audience to stick with the story of, say, Giordano Bruno, the sixteenth-century philosopher who built on the Copernican view of the universe and was burned at the stake for heresy. The larger question presented by “Cosmos” is whether the series will merely entertain, or whether it might infuse young viewers with a grander view of technological progress.
The Carl Sagan who guided Americans through the original “Cosmos” would not, perhaps, have identified Sandra Bullock’s unmoving hair as the problem with “Gravity.” He might instead have identified the desperate efforts of Bullock’s character to return to Earth—“I hate space,” she mutters to herself at one point—as the problem, and diagnosed the earthbound fear of space that characterizes the movie as an expression of a larger cultural timorousness. War is becoming rapidly unpopular in the sixties, and yet nearly all the astronauts are drawn from the military. It was something that didn’t include me.” In any case, his mother told me, he used to get queasy in an elevator. To illustrate his point, he grabbed a schoolroom globe and a replica of the Moon that had roughly the circumference of a dessert plate. He asked me to guess how far away from the globe he would have to hold his moon to represent the true distance between them. Take me to Europa—I’ll sign up.” Tyson was warming to his theme, even with an audience of one.

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