Chords to new york city is killing me,www.train world.com,n scale model train display case uk,model railroad museum nj hours - For Begninners

06.08.2015
Large collection of old and modern Country Music Songs with lyrics & chords for guitar, ukulele, banjo etc. An ethereal blend of two voices, guided by fate to find each other, travels the wire from iTunes to earbuds and into my ear canal a€” so exquisite, ita€™s almost unbearable.
Hannah and Maggiea€™s almost unearthly harmonies evoke descriptions like a€?Simon and Garfunkel crossed with the Indigo Girls.a€? Indeed, they have been included in a number of Simon and Garfunkel tributes. When Hannah was around 10, there was an electric guitar sitting in the living room, a leftover from one of her fathera€™s stage roles.
The drama club would host coffeehouses every first Friday and that was where Hannah first performed solo, singing her songs and accompanying herself on guitar. Maggie was in chorus, but switched her energies to forming rock bands when she was still in middle school.
Although Hannah earned a degree in American Studies with a focus on Race and Ethnicity and Maggie in Comparative Literature with a focus on English and Spanish Literature, it would be music that defined their path going forward. The house to which Hannah was assigned was an old, Victorian-style residence (the oldest on campus) that, at 50 coeds, was smaller than most. At some point they harmonized on one anothera€™s songs and some friends suggested that they sing together.
Hannah graduated in 2011 and moved to New York City, with Maggie still having one year left. In January of 2012, they recorded their second album, the aforementioned Muscle & Bone, and released it in May. Hea€™d come backstage to change costumes and she would witness the transformation of her father to an actor with a€?elaborate costumes and crazy makeup.a€? She absorbed the idea that investing onea€™s time into performance and the arts was a valuable thing. Maggiea€™s dad was happy that she was playing acoustic, and wasna€™t thrilled that her goal was to play rock.
There was a broad range of types of performance, ranging from poetry and music (Hannah would sing and play guitar) to displays of visual art or even hair styling. In 2010, Hannaha€™s junior year, they sat down to play music together working on covers and originals. Hannah graduatedA  in 2011 and moved to New York City, with Maggie still having one year left. In January of 2012, they recorded their second album, the aforementioned Muscle & Bone, andA  released it in May. Writing for the guitar can be a very perplexing experience if you are a composer who does not play the instrument.
The guitar is a transposing instrument which sounds an octave lower than notated.The guitar is always notated in treble clef. Since you can play the same note on different string on the guitar the circle with the number is common for specifying the desired string.
Understanding the 5 main major and minor chord shapes on the guitar will really help make the piece feel like guitar music. Just as on the piano to make any of these chords minor simply lower the 3rd of each chord a half step.
If the guitarist stays in the same hand position the second chords is not able to ring out. So far I have been discussing everything from the point of view of writing concert or solo type works for the guitar. An award-winning composer, accomplished musician and sonic storyteller, Douglas Gibson resides in New York City, where he composes and gives music composition lessons locally and online worldwide. For music composition lessons in New York City, or online worldwide, contact Douglas Gibson. At 9:15 one evening in early November of 2011, two men and one woman stepped onto a stage in the theater space at the Hudson Valley Resort in upstate New York.
Hillary Foxsong had gotten out of work after a particularly tough day and gone to a pub with some friends for a drink.
At this point, Oyster Bay resident Billy Joel (yes, that Billy Joel) suddenly materialized and asked if he might join in. When Hillary Foxsong was young, before even attending kindergarten, she would sing along to the first Peter, Paul and Mary album with her mom and grandmother. Hillary sang in church choir and school choruses, but never thought about singing professionally. Hillary got her college degree in art, but found the restrictions of commercial art unrewarding.
In Rochester, where Stuart Markus grew up, Stua€™s parents always encouraged his musical pursuits. Vocal harmony made its first impact when a visiting uncle brought Simon and Garfunkela€™s Bridge Over Troubled Water. While still in high school, he also took voice lessons and music theory classes for two years at the Community Education Program at the Eastman School of Music, part of the University of Rochester.
At the University of Pennsylvania, he took more music theory classes and played French horn in the marching band and wind ensemble and sang in the University Choir and several a-cappella groups.
After four years in Brooklyn, Stu moved out to Long Island and kept going to parties with his guitar, making more friends along the way.
By the time he was 12, he had practiced enough to audition and get hired as lead guitarist by a professional band named Focus.
Glen had originally discovered the Folk Music Society of Huntington (FMSH) somewhere in the mid-a€™90s.
Stu and Hillary joked that they kept showing up at Glena€™s gigs to sing harmony and that he didna€™t seem to mind, because he kept splitting up the tip jar. After they had been together for a while, Glen suggested teaming up at NERFA, thinking theya€™d go over well.
Stu had always wanted to record a version of Peter Yarrowa€™s a€?Light One Candle.a€? Now was the perfect opportunity. During the 2011 NERFA conference, I picked up the sampler for their new album Red Apples and Gold.
All three performers are constantly working these days, staying busy in between Gathering Time gigs. Whatever the sound Gathering Time brings to a listener, the banda€™s history reveals a voluminous repertoire that covers enormous stylistic ground. Hannah Hickok and Maggie Kraus, a lesbian folk-pop duo, look at all the facets of living a€” loving, losing, friendship a€” as if peering through a microscope, taking the facets apart and reassembling them with delicate, faerie fingers.
In a perfect world, I think their articulate expression of lives so sharply felt and lived could change a listenera€™s DNA.
Her parents were actors but her mother quit the theater when Hannah was born in favor of another career path. In addition to the exposure to Broadway musical theater tunes, folk revival classics like James Taylor and Joni Mitchell were played often.
She was a member of the all-female and coed a capella groups and the chorus all four years of high school.
After learning the basics, she and a small group of other campers performed for everyone in camp.
Shea€™d coax boys into being members of her bands, selecting roles for them (a€?OK, Brian, youa€™re gonna play drumsa€¦a€?), regardless of their lack of experience.
She hated the results and invested in an MBox, a portable computer recording interface (with mic and instrument ports) for computers. Hannah ran the coffeehouse events each month with few exceptions, and with even more regularity when she was house president in her junior and senior years.


So Maggie visited Hannah regularly at Hannaha€™s campus residence and found the vibe relaxed and inviting, more so than her own residence.
At the end of the summer they completed a two-week Northeast tour, their first extended travel on the road. After Maggie graduated they embarked on their first national tour, jumping from Portland, Maine to Nashville to Salt Lake City. We were thrilled to include them in our late-night guerrilla showcase at the 2013 Northeast Regional Folk Alliance Conference and wea€™re eager to help them promote their new album.
With the exception of solo harp, guitar seems to be one of the most confusing instruments to write for. Guitarist’s use 4 fingers to play with the index finger being 1, middle 2, ring finer 3, pinky 4. When plucked open (as in no fingers pressing down) the pitches from lowest to highest are E, A, D, G, B, E.
Almost anything can be edited for the guitar, but a simple copy and paste of say a flute part won’t feel like a guitar part. In order for the guitarist to let the notes ring in the second chord they will need to shift positions. It is perfectly acceptable to simply write the chord harmonies you want if you want the guitarist to decide on the voicing to be used.
The formal showcases of the Northeast Regional Folk Alliance Conference were in full swing.
Originally started in 2003, ita€™s purpose was to show off the vintage cars of wealthy Long Islanders. Her grandmother, a former professional singer, would tap her on the shoulder, stop her and say, a€?No, honey, therea€™s three parts.
When he was 11 or 12, he heard Crosby, Stills and Nash singing a€?Suite Judy Blue Eyes,a€? and again was impressed with their harmony. In his senior year of high school, the new music teacher formed a jazz choir and Stu joined that.
After a couple of years, he discovered that there were people who were making money playing out in bars, some of them less talented than he. He first met Stu back then at a sister organization called the Island Songwriters Showcase, a workshop group.
Stu had already been attending for 10 years, but Hillary asked, a€?Whata€™s a NERFA?a€? So, in November of 2007, they went and for Hillary it was a real eye-opener. It contained Hillarya€™s first songwriting effort, a€?Remember Mea€? as well as a€?Light One Candlea€? and a number of originals from Stu and Glen as well as one each from fellow L.I. Their set cleared the remaining cobwebs away from some eyes (mine included) and opened a bunch of others. He told me: a€?I recently had the honor of performing in concert with A Few Good Men - a Jazz ensemble comprised of three formerly incarcerated men from Sing-Sing prison, with the Director of Deutsche Bank on drums.
Because Hannah and Maggie plunge a rapier of emotional honesty into the psyche, the listener might become a better person, more empathetic.
She performed in musical plays a€” her first was when she was 5 a€” and was in chorus all through grade school and high school. He taught her how to play The Beatlesa€™ a€?Blackbird,a€? the first song she ever learned on guitar. She always liked music and, like Hannah, she was exposed to folk revivalists James Taylor and Joni Mitchell. There was supposed to be an a€?officiala€? staged performance at the end of the camp session, but it never happened.
In 2001, Maggie was 11 going on 12 when, with her own allowance, she bought the Fender Stratocaster that she still occasionally plays. In high school, tired of wrangling other students into supporting her, she returned to acoustic guitar and performed with two friends as an acoustic trio.
Using her acoustic guitar, she began making her own digital recordings of songs using Pro Tools software. There was a large living room where everyone would gather together at teatime once a week on Fridays. Shea€™d roam the halls, listening for good voices singing, perhaps idly, that she might recruit for the a capella group. Toward the end of Maggiea€™s freshman year, there was an event where graduating seniors were given a send-off banquet. Later, in December, they opened for Dar Williams, an inspirational figure and thus, for them, their most notable performance to date. If composing at the piano and you want the notes to ring out, like the pedal would, as opposed to single line sound these voices will also be of great help.
This is due to the due to the fact that some notes will be too far of a stretch, or not possible as the open string the major chord enjoyed is now not available after lowering.
Not a problem at all, but it does need to be kept in mind what is composed after it and how much time for a position leap.
Guitarist, and certainly those of a professional calibre, will be well versed in harmony and should be easily able to sight read any harmony. She was unaware that Glen had recently run into old acquaintance, accomplished musician and folksinger Stuart Markus, and had extended the same invitation to drop by and sing harmony with him. You find the part nobody else is singing!a€? Hillary recalled, a€?At times shea€™d get on my part and Ia€™d have to get off and find another part.a€? Hillary had no idea what her grandmother was teaching her (though today she knows that her grandmother knew).
After a a€?gooda€? piano lesson his piano teacher would teach him a couple of new chords on the guitar. They did Manhattan Transfer style arrangements of swing standards and jazz became another genre Stu came to love. His brother brought home some records when he was 6 years old a€” a€?60s girl groups (a€?Please Mr. In time, Glen was negotiating contracts, recording, writing songs and developing marketing materials. FMSH was small and, given his involvement with rock and jazz, didna€™t hold his interest for long.
Once formal showcases are over (around 11:30pm), the late-night guerilla showcases and non-stop jamming can draw a neophyte into a frenzied whirlwind. On her website, along with her fiction, her imagination and creativity can be seen in her digital graphics as well. Hillary is one-third of the Long Island group a€?The Folk Goddessesa€? with Martha Trachtenberg and Judith Zweiman. The roots of an artista€™s style (vocal or writing) has becomes old for some or perhaps was always annoying in its original form. You find the part nobody else is singing!a€?A  Hillary recalled, a€?At times shea€™d get on my part and Ia€™d have to get off and find another part.a€? Hillary had no idea what her grandmother was teaching her (though today she knows that her grandmother knew).
A case in point is the stark beauty of a€?Curfewa€? from their second album, Muscle & Bone. Initially, shea€™d crank the sound up on a little amp, playing a€?awful musica€? in her bedroom. At some point in high school, the computer crashed, taking hundreds of hours of recordings with it.
When Hannah had settled in, she wanted to replicate the coffeehouses shea€™d experienced in high school, so she offered to organize a coffeehouse event at teatime one Friday per month. We recommend a visit to their website, where their blog will provide more insight into their gentle, quirky humor as well as photographic glimpses of their adventures on tour.


Often the chord symbols are indicated and also included are any type of rhythmic instruction. Stu walked up and saw that Glen already had someone else singing with him, but somehow found a third harmony part in the song that, in its original form, had only two parts. At times, Hillary recalled, a€? Shea€™d get on my part and Ia€™d have to get off and find another part. Someone would say, a€?Hey, Stu, why dona€™t you play something?a€? Hea€™d play and sing and everyone would sing along to covers hea€™d learned. From 1992 to 2006, Stu was primarily a a€?covers guy a€? who wrote a song here and there, but only occasionally slip them into a restaurant gig. Throughout high school Glen provided guitar, bass, piano and vocal on numerous musical projects, writing, recording, playing and producing.
They decided that they needed a name and tried calling themselves a€?Third Wheela€? until an Internet search showed that there were already other groups out there using it. Stu and Glen agreed that it was a challenge to get Hillary to slow down and get some sleep now and then. The lyrics tell of a letter from a fallen Confederate soldier to his wife and her inner dialogue in response. The smooth-as-silk harmonies were the equal of (and maybe better than) the original by Crosby Stills and Nash.
Stu also continues to perform with Judith in a€?Strike the Bella€? when the opportunity presents itself.
They might not overcome the particular tastes of certain people who hear roots theya€™ve chosen to keep distant, but they will bring many things to many people, hopefully for a long time. Hannah wrote the song and sings the lead vocal with a call-and-response from Maggie in a passage near the end. Her first performance was in sixth grade in a school function called a€?The Extreme Concert,a€? a faculty showcase she was allowed to enter.
Nevertheless, she continued writing and performing at a lot of fundraisers, open mics, showcases and other school events. Hannah, visibly moved, thought, a€?Wow, this girl knows what shea€™s doing.a€? The song is on their first album and Hannah stated that it has been a fan favorite and has won two songwriting awards.
They were upset but not discouraged and committed wholeheartedly to continue playing together. Hannah wrote the song andA  sings the lead vocal with a call-and-response from Maggie in a passage near the end. As with all other artists in attendance, they sought greater recognition for their talents. While Hillary was not initially thrilled at sharing her role, she had to admit she was impressed with Stua€™s finding that other harmony part.
He said that he got guitar lessons in a€?dribs and drabs.a€? There were group lessons in fifth grade and whenever possible, he hung out with players better than him, knowing it was a good way to improve his own playing. With music as an icebreaker, he began making friends and realized that he knew a lot more songs than hea€™d thought at first. When he returned ten years later, FMSH had grown and become well organized and was the center of a huge music scene on Long Island.
Together, they performed in centrally located lounge areas and people began asking, a€?Whata€™s your name? It might simply be an unrequited love song, but it could easily describe a heartbreaking failed connection between two people, one who is gay and one who is straight or who is latently gay but not ready to accept a same-sex relationship. She took lessons in her first year of high school and then learned more on her own by figuring out how to play covers. Maggie quickly seized the opportunity to organize her own a€?unpluggeda€? coffeehouse events.
This past summer, I attended the 2013 CT Folk Festival and saw them perform and introduce new contestants for the songwriting competition.
That night, in front of a bench on a sidewalk adjacent to the parked antique vehicles, Glen set up and began performing. That said, out of all the instruments hea€™s studied (drums included), guitar is the one on which hea€™s most self-taught.
He didna€™t care for the term a€?folksingera€? at first, not realizing how broad a term it was.
Stu and Judith then forayed into singing sea chanties as the duo a€?Strike The Bell.a€? That was his introduction into traditional music.
After high school, he played solo for a while, and then joined a local band The Passengers. Reprising what I wrote in the review section of our 2011 December NERFA Scrapbook issue: a€?Ita€™s timeless, brilliant and heart wrenching. Hours were spent learning chords for songs she wanted to sing by researching guitar tabs on the Internet, figuring out how to play them. This past year also saw them begin recording their third album, In the Company of Strangers, their first with Purebred. This past year also saw them begin recording their third album,A  In the Company of Strangers, their first with Purebred.
From this point forward, the name Gathering Time carried new meaning and bore greater weight. Stu participated in chorus throughout middle school and high school, but that was just the tip of the iceberg. Unintentionally, one professional musician lifer had joined forces with another educated talent and one gifted amateur who had never planned to perform professionally.
Glena€™s repertoire enlarged and spanned material from Manhattan Transfer and Sinatra to The Beatles and the Rolling Stones. Having gotten acquainted with Hannah in the Smiffenpoofs, Maggie had watched YouTube videos of her playing acoustic guitar and singing, so she invited Hannah to perform at her coffeehouse.
Having gotten acquainted with Hannah in the Smiffenpoofs, Maggie had watched YouTube videos of her playing acoustic guitar and singing, so she invited HannahA  to perform at her coffeehouse. His experience continued to grow with a stint in the Pat Nichols Band (a signed rock project) and his own a€?Buddha Babiesa€? project. Remembering how people gathered around them at NERFA, they began thinking, a€?Gathering a€¦ something a€¦ Moss! Hannaha€™s performance at Maggiea€™s residence would be the first time either witnessed the other playing live.
A glimpse into their personal lives revealed the fates-in-flight particles of this vortex of talent.
Glen then ran into Stu and embarked on the current path when he extended the aforementioned invitation. Like a smack addict, I play the track again and again, nodding off over and over in rushes of aching, sweet melancholy. It was akin to Jim Crocea€™s a€?Time in a Bottle,a€? a reference to the most precious commodity in life.



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