Dcc train operation,model train stores albany ny weather,new york train station tickets 02,dcc equipped ho train sets nz - Videos Download

16.12.2013
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DCC Really Is Less Complicated Much Thomas More selective information on a lot less wire From DCC Made. It could be that the distance to the nearest power source is too far or that perhaps the quality of the joints between track sections has weakened the flow of power.Begin by tightening any loose joiners and if required, add a second set of wires from your power supply to the track in the problem area. I was able to get them programmed with the Bachmann base DCC system (E-Z?), but not the Dynamis. Mike Polsgrove has been written material Model Railroader powder store s DCC Corner column since 2003.
Take care to connect each wire to the correct rail.On larger layouts, especially with DCC setups, it is suggested a bus wire (with feeders) to multiple track sections be used. This will not cover technical instructions, but rather the basics for people who might be interested.Some facts here are valid for N-scale only. The first point to strain about wiring for DCC is that in many respects it is no unlike to wiring for Connectivity is hush king live frogs still have. Also, I am trying to figure out the configuration for wiring a double cross-over with Bachmann’s reversing loop modules. Generally, feeder wires are attached every 6 to 12 feet or so.Another option is to solder the rail joiners themselves.
Unless you buy a locomotive that already has sound, you can’t just “plug” a sound decoder in a locomotive, as you would with a standard NEM651 DCC decoder. Doing this should minimize any voltage drop, as well as help get rid of any kinks that could potentially cause a derailment.
Watch the video now.Railroad Technology Breakthroughs Learn how to use micro controls to add life, interest, new features, and efficiency to your railroad. But that doesn’t mean it’s impossible, just read on…Prerequisites for installing soundDCC is required…but analog (DC) is OKWhile there are some analog sound modules out there, the vast majority of decoders requires you to convert your locomotive or train to DCC. They go into quite a bit of detail about cementing the motor in being one way of insulating it from the chassis, or using black plastic electrician tape or other methods. However, and this is important, many DCC decoders including sound decoders still allow trains to run on an analog layout. Surely all you need is to ensure the motor windings are isolated?The windings connect to one side of the decoder and the other side is connected to each side of the track no matter how its picked up. What does it matter if the motor case, and the entire chassis of the locomotive connected to one set of wheels acting as pickup for one side and is electrically isolated from the set of wheels connected to the copper pickup(s), you still have 2 separate pickups. The same is valid for sounds during stops (doors, announcements…) because obviously, an analog layout does not provide power when the train is stopped.Make roomThe problem with sound, is that you will need lots of space in your engine to accommodate the necessary equipment. One big question, I have my own DIY dcc command station (DCC _Gen v 2c ) with ACK Detector, Booster R-CDE and a Feedback module S88. Although sound decoders have gotten smaller in the last years, they still are often much bigger than “silent” DCC counterparts.General principleThe general principle of installing sound in a train is simple. Should I run my bus wire from point A to halfway around one direction, and the other way to half way around, but not joined together at the halfway point?


It basically is a standard DCC decoder, controlling the motor and light, that also integrates a sound module. It replaces the standard DCC decoder.  You connect the decoder to the train as you would with any other decoder, which means often for European models, to a NEM-651 plug if your locomotive is equipped. Regular street talk will be best for me so I don’t get confused by all the tech talk thanks. Since DCC is supposedly AC power (or so I have been told), why are boosters needed since AC keeps a constant current regardless of the distance to the power supply (well, within reason…)?
I personally am a fan of the ESU Loksound Micro v4.0 that I have installed in many trains (see examples here, or here). Since I now have three power supplies does it matter where I place the boosters on the “L”? An older DC layout might have a very basic loop with 2 wires attached at one location, whereas a more complex DC layout might need insulated rails and more power wires leading off to extra sidings (and sections) where you would probably need to turn off one train on one track to run another.
Instead, it needs to be connected to an existing DCC decoder.  This requires a specific interface between the DCC decoder and the sound module, and this interface is named “SUSI”. If you wanted a couple of trains to operate on the same track you would more than likely separate the run into multiple sections.
That means that you cannot connect a sound module to any DCC decoder, your decoder needs to have a SUSI interface. In that way you could turn off one train to prevent it from getting in close proximity to the train a head of it. Some brands are known for integrating a SUSI interface on many decoders (Zimo, Doehler & Haass, Uhlenbrock), others never do (ESU). So, unless you have a setup with a double pole switch to an individual section – the trains would all run in the same direction. This connection is required, so that the sound module knows what the DCC decoder is doing (is the train running? If you have enough room, and a DCC decoder with a SUSI interface, then adding a sound module is not that hard. I personally think it is well worthwhile converting over, and it opens up new operational possibilities.
Indeed, a sound module is not that expensive, and you can piggy back the sound module on a function decoder (as opposed to a more expensive full-fledged engine DCC decoder). However if you are still operating DC, then just switch everything on (in the proper direction), and instead of the old transformer, link up DCC and you’ll have a DCC layout.
They are basically the same as the all-in-one decoders above, connecting directly to the track and the car. This decoder is actually a function decoder with a very limited sound functionality (only a few sounds likes doors), and no way to integrate new sounds or engine sounds. It is made to be installed in cars, but not in cars “supporting” a locomotive in which no sound decoder can be installed.Which sound?Until now we have focused on hardware. This content is often called a “sound project”, and contains everything the decoder needs to know. A sound project can be very specific to your engine, but there are also generic sound projects for whatever type of engine you have (steam, electric, diesel).Do not think you can “create” a sound project yourself, it is actually much harder than it…sounds. For example, driving sounds have to vary with the speed of the train, and you can’t do that easily by uploading a sound sample. Even with a strong technical background I haven’t figured out what I need to buy to get sound working in a NOS Aristocraft U25B Santa Fe locomotive. However, you need to know that some stores do NOT allow you to order all these different versions, this would require having hundreds of decoders in stock!Option 2: Ask the store to load the sound for youAs you have seen above, there may be hundreds of decoder article numbers, each describing a specific sound.
What was a starter set that was just for year-end holiday decor has become a mainline RR.I have a couple of locos, several cars, track and a couple of analog power supplies.
It has to exist!Keep in mind that sound projects are only compatible with their own brand of decoders!


My experience in Belgium and Germany is that it is a free service, if you buy the decoder there of course!
It is a three track oval, where one keeps passenger trains to the normal main line and runs freight around the inner goods loop. From my limited 14 year experience in the hobby there still seems to be some confusion with how DCC works, especially among some of the veterans, and those ‘newbies’ who we desperately need to attract and encourage into model railroading.Although the purists in the hobby might not approve of my following explanation of how DCC works, I’ve written it in very simple terms for everyone to understand. With the exception of some decoders than cannot be edited at all, you will be able in most cases, to upload or even change the sound project at will.
After all, for this hobby to continue successfully into the 21st Century, we need to encourage youngsters and ‘newbies’ into the hobby, without frightening them off with unnecessarily complicated terminology. However, to do that, you will likely need the programming device from the same manufacturer as the decoder (example: the ESU lokpogrammer reviewed here).
When they get comfortable with the basics, they’ll hopefully progress to understanding the more intricate stuff. You cannot change the sound with your standard DCC command station!Added to this, please beware SUSI modules usually require to be unplugged from the main DCC decoder, and connected to the relevant programming device. So here I go with my explanation of …How DCC worksBasically every locomotive operating on the DCC controlled rails will have a small decoder fitted inside.
The good news is that most “all in one” decoders can be reprogrammed without being disconnected, so you can change the sounds just as you would change CVs: without opening the locomotive again.How does that work? However each loco will have its own unique digital address, and when the digital signal is transmitted along the rails to a specific locomotive, only that loco will respond. You just download the project from the manufacturer, and then use the software provided with the programmer to upload the sound. The other locomotives on the layout will ignore any commands for the other loco, and continue operating in accordance with the last instructions that were sent specifically to them. So, if a loco had previously been told to “STOP”, or if the loco has not been given any instructions since turning on the DCC system, the loco will remain stopped.It is a bit like when you have children – you assign each child a name, and they will (hopefully) respond when their name is called.
Data will be sent to a specific decoder instructing it to act upon a command – be it turning on a light, starting an engine, or activating a whistle.
Try installing simple DCC decoders in old locomotives first.The truth is, installing sound decoders is not always much harder. The advantage is that the operator can send different commands to each loco by calling up the address number of each loco, just like a parent would call out to each child by name.Operating separate locomotives and accessories at the same timeHence the great benefit of DCC – several locomotives can be operated on the same track, at the same time, just by calling up an address number and issuing specific digital commands. The problem is that sound decoders are much more expensive: if you break one, your wallet will feel the pain. Train on €30 decoders first, and if you don’t feel at ease, ask a professional!European vs. The two locomotives can even be coupled together to pull a heavy load by using a temporary address number. Both loco motors would be set to be controlled by that one temporary address number.Depending on the system, there is generally an ‘ALL STOP’ button on the console or controller in case of an emergency. DCC provides more flexibility and control so increases the variety of possible functions on a model railroad.Thanks Roger for taking the time to write this article and for allowing me to share it with the 10,000 weekly readers to this blog.
That is obviously a disadvantage, but that means that European decoder manufacturers have had to come up with universal models, that can fit in and be programmed for any locomotive, as long as there is enough room. For example, ESU has a specific product for the North-American market, called “Loksound Select”, that is cheaper than the full fledged decoders sold in Europe (Loksound).
My DCC sound still works but I have not control of the engine functions until I shut down and reboot. ESU has an incredible database of custom sounds for hundreds of locomotives, you can listen to the sample via your browser.External linksSince sound projects are limited to their own brands, I have grouped them by manufacturer.



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