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THIS IS THE TEXT OF A SPEECH I GAVE FOR UCB’S WOMEN AND GENDER STUDIES GRADUATION IN MAY 2013. Thank you so much for this generous invitation to speak to you today as you, the class of 2013, prepare to go out into the world as graduates of the UC Berkeley’s Department of Women and Gender Studies. This day represents four years of hard work, hard play and the hard times of explaining to your parents over and over again what it is you do as a Women and Gender Studies Major; but now is the time to put all that you have learned into motion and to take responsibility for the privilege of having been afforded the opportunity to read, write, think and converse with others on arcane and whimsical topics alike.
In this film, a group of Scottish Vikings live out short days and long nights on the Island of Berk.
Like Hiccup on the back of Toothless then, you are about to blaze forward into a world that, like Hiccup’s world, is aflame with violent conflict, misunderstandings, amped up competitiveness, toxic Viking masculinity, and seemingly insurmountable divisions between people who care only about money, profit and security and the rest of us who really do want to wrestle with the hard problems of administering social justice, preventing environmental collapse, redistributing wealth and making health care and education available to all.
In my book The Queer Art of Failure, I argued that in an age when our formula for success has become fused with making money, failure might offer us a critique of capitalism.
Success and failure happen to all of us and it is time to start thinking about how to live and thrive without causing others to crash and burn. Indeed, a Women and Gender Studies major, once set loose upon the world, knows better than to “lean in” with Sheryl Sandberg and others who don’t care about corporate greed, but who just want to offer women a seat at the table.
In How To Train Your Dragon, the question Hiccup confronted head on was how to succeed as an alternatively gendered person in a male world. In this day and age, the point is not to kill the dragons, to refine forms of violence, to finesse the rise to the top.
My point is, there was less pressure on us in the 1980’s to make a living and to think of success only in terms of marriage and money.
A Women and Gender Studies major knows that transformation not accommodation is the real goal, and that terms like “equality,” “liberty,” “freedom” and “representation” often smuggle other inequities and other forms of bondage into the social contract. But from blazers back to blazing forward – from cliches to what it means to truly learn, from making war to living with dragons, let me conclude by returning to Hiccup and Toothless as they defy war, man and gravity. I know that you have chosen me to speak on account of my path-breaking work on decoding Dude, Where’s My Car? I thought deeply about your theme the other day as I sat watching “How To Train Your Dragon,” a Dreamworks animated feature film from 2010.
The village is periodically attacked by a multi-species alliance of fire-breathing dragons, and the villagers spend their lives training to ward off, capture and kill the creatures that fill their nights with terror.
The film allows Hiccup and Toothless to form a bond through their weaknesses and their outsider status, their injuries and their vulnerabilities and it shows how they grow together not by competing but by training each other, learning from each other and, ultimately, saving each other. And in an era when the only successful relationship is seen as one that lasts forever and is recognizable to the state, failure might offer us an avenue to alternative intimacies.
But having said that, can we think of ways to make success a more capacious category and to make failure less of a dumping ground for the toxic waste created by success and more of an alternative terrain – a training ground if you like – where people come to rethink their investments in static American Idol types of models of winning and losing and begin to expand their understandings of what it would mean to move forward. The questions Sheryl Sandberg crafts, however, are all about how to make your mark, your money, your individual path to success. That notion of “having it all,” like the recent anti-bullying slogan “it gets better” masquerades as an activist agenda while actually sneaking a neo-liberal agenda of freedom for the rich from regulation in the back door. We live in an era where your generation has said enough is enough – you don’t just want an occupation, you want to occupy. The Bay Area was a very different place then – Berkeley was more like Hiccup’s village of Berk than the upscale college town that it is today; and Berkeley was still alive with the after-glow of the radical movements of the 1960’s and 1970’s and was the site of a full-fledged divestment movement against Apartheid in South Africa. And so, as you leave here today, degree in hand, ready to go off and slay, befriend or train some dragons of your own, it might be a good time to reflect on what you want to be and to come up with some creative answers to the questions of your time. Having learned well how to maintain a healthy amount of skepticism, how to think beyond platitudes and how to smoothly escape from a mansplainer, the Women and Gender Studies Graduate can separate good from bad advice, knowledge from cliches, and she knows by now to mistrust anyone who tells you that you just have to be yourself, to follow your dreams or to seize the day.
After Hiccup has downed the Night Fury dragon he plunges into the woods to find the creature. Together, they explore the world beyond their home village of Berk, where dragon racing is now the preferred sport among young Vikings.However, even as Hiccup (literally) expands his horizons, dangerous foes emerge from the woodwork, in the shapes of Drago Bludvist (Djimon Hounsou) and his army of dragon hunters and war machines. Animated movies are different, they look real, emotional, special and adorable, they always leave us spellbound after giving a moral lesson we should learn from.

The above clip shows off a bit of the action (teased in the latest trailer), where teams compete by collecting the most sheep in their baskets. There are many lessons in “How To Train Your Dragon” that we can use here today to think about the future – there are also fire breathing animals so that connects nicely with your theme of “blazing forward,” and I will be returning to this text throughout my speech so don’t think that you will be enduring a long plot summary for nothing. The useless cycle of attack and defense claims lives and limbs until an enterprising young person, named Hiccup realizes, after wounding a Night Fury, a rarely seen but deadly bat-like dragon, that there has to be a better way. Toothless learns to fly with a broken tail and Hiccup learns to ride him with a broken foot.
Good advice all of it but, like the girl in How To Train Your Dragon, Astrid, who just wants to be as successful as the boys at killing dragons, this advice leaves the structures of inequity in place, never questions the project of making a killing at the expense of others, and finesses the models of success inherited from masculinist corporate culture rather than constructing new models, as Hiccup does, with different goals for cohabitation. When we promise white women that they can have it all, aren’t we actually saying that someone else can have nothing? You could still buy a house that you actually wanted to live in for less than a million dollars, and bohemian thinkers, writers and artists moved in and out of the area leaving their mark. If you are a lover of dragons then the movie I am going to talk about would be a treat to watch for you. Fox and other canonical texts and I know that you are unsure about my commitments to Lady Gaga, my critiques of gay marriage and my seemingly odd and perverse attachment to “the queer art of failure”; but I also know that you trust me to lead you astray, counsel you in the counter-intuitive and tell you what I think about life, love and sex toys. Hiccup, who is a disappointment to his father and a failure in the masculinity department, finds the wounded dragon and rather than killing it, he names it Toothless and befriends it. The film also has some pretty great scenes involving prosthetic body bits, leather harnesses, flight, invention and the physics of navigation.
Sexual hierarchies, as Gayle Rubin’s work demonstrated some thirty years ago, sustain all kinds of moral orders that more properly belong to religious systems and they maintain a social mistrust of sexual pleasure while inhibiting what she calls the possibility for erotic justice. When we promise white kids that “it gets better,” we might unwittingly be confirming that for many children facing futures of poverty, racial discrimination or deportation, it will definitely get much, much, worse. You don’t just want to pick up your degrees today and go on your way, you want to think long and hard about the contradictions that you are inheriting along with massive debt and global social unrest. There were women’s bookstores in Oakland and San Francisco, lesbian bars in the Mission, diverse populations lived side by side with different degrees of equanimity. I hope that the education you have received here has taught you to see through the contradictions of capitalism, the shallow freedoms of a neo-liberal free market and the narrow ambition of feathering your own nest. Will you get another helping of that wonderful flavor you remember, or a steaming bowl of disappointment?
The added bonus of a sport where dragons take part only makes everything more fun, especially if you’re considering checking this one out in 3D.
Hiccup helps Toothless, to fly again by designing and building a prosthetic tail for him—making for a queer and kinky alliance between boy and dragon—and he uses his friendship with Toothless to create peace between the dragons and Vikings. My generation has asked yours to go into debt to pay for something that should be free; we have expanded the individual human life span in developed countries and shortened the life span of the globe in the process. And I am not simply saying that those were the good old days…but they were different days, days before the property market boomed, before Silicone valley expanded, and before gay marriage engulfed all of our queer activist energies. I honestly wasn’t sure which to expect when I went to see the preview of How to Train Your Dragon 2. We also have a new batch of stills that once again highlight the film’s beautiful colors and designs. People on the right say they care about life when it comes to issues like abortion but then vote to bomb civilians using unmanned drones in the Middle East.
In those days there were lots of fights too – between sex positive and sex negative feminists, between lesbians and gay men, queer gentrifiers and poor communities of color renting their homes in neighborhoods like the Western Addition. Yes, I have brought down this mighty beast.” He approaches the dragon and, well taught by Sheryl Sandberg, he leans in, sword raised, eyes fixed upon his prey, ready at last to take his place, as a gender queer subject, at the Viking table of life.
Let us know what you think in the comments section!How to Train Your Dragon 2 opens in theaters on June 20th, 2014.How to Train Your Dragon 3 is currently scheduled for release on June 17th, 2016.
Notable 5 years are already passed ever since Hiccup and Toothless were able to bring together Vikings and dragons.

I was a diffident student at that time – I showed up for classes every now and then, I lived in the city, worked in a bookstore with a member of the Chinatown communist party, and I Dj’ed occasionally. He raises his sword, he prepares to plunge and then he catches the dragon’s eye as it waits to die. As we all know from the trailers, the second film introduces Hiccup’s mother and a new, super-evil villain. The whole gang in the movie are undertaking some challenging things consequently there would be a reveal of secret ice cave, where the inhabitants are countless other dragons.
I took my education for granted in a way you never can, and I chatted with other women studies majors about “smashing patriarchy” (See sometimes it does get better…). Hiccup pauses, drops his arm, leans back and says: “I did this…” This quiet moment of accountability is all that anyone is asking for as a prelude to another way of being in relation to others – I did this!
We coo and fuss over baby kittens and dolphins but then we trap, maim and slaughter animals in an industrialized food chain that produces waste, toxicity and obesity. I was more like Astrid than Hiccup, ready to fight every dragon, training to be the best fighter I could be and never questioning the whole project of fighting in the first place. They will work on the fact that only they are the two that can bring peace, calm, harmony and unity between dragons and men.Now I am so excited to explore with them the new horizons and wide vistas. This is a complicated world full of dangerous dragons and we cannot just keep killing things one at a time and training new generations to do the same.
I would like to think that nowadays we are training each other to be less conflict oriented and more inventive in our responses to the challenges we face; I would hope that we are in the game less to win than to make up new rules and new outcomes. In the first few seconds of the film, I was actually confused as the view skimmed along the surface of the ocean; it took me a moment to realize I was not looking at real water on film.
But I realize that pressures on you today are very different from the pressures your parents faced when they were in college. Once we reckon with what it means to do, to be and to act in relation to others, we are ready – ready to train and be trained, to ride and be ridden, to love and be loved, to give and be given, to accept and reimagine. You, Women and Gender Studies Majors of UC Berkeley, class of 2013, you are ready to ride your dragons, to ride with them, to blaze forward, to make change.
We wish you well, we are proud of who you are and want to be proud of who you will become but for now, take a moment to congratulate yourselves for the hard work you just completed: you did this, all of you and on behalf of all of us, I thank you. The villain, Drago Blodvist, looked like he didn’t belong in the same film as everyone else. But in this case, it wasn’t just that he was big, ugly, and misshapen, as villains so often are. All movie music lends to the mood of the film’s action, but this music was particularly effective and engaging. I’ll be looking for it on iTunes!The story was not the simplistic bit of happy fluff I was expecting. It had some genuine emotional depth to it, and Hiccup’s coming of age story rings true in a way that makes an adult cringe a little. As we would like to get a very large poster print done for her over her bed, we have suggested it to her and she loves the idea. Toothless is endearing as ever, and I’ll give one tiny spoiler in saying that there are baby dragons, whose antics are well-placed to add levity where it’s needed most. In all, it’s like the series itself is coming of age along with the characters, and How to Train Your Dragon 2 is a more mature film.

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