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02.06.2015
SUPPORT: The conference receives financial support from CitiBank New York and United Nations Youth Commission etc. Advocates for Youth will not assume the responsibilities of any other costs other than those listed above. REGISTRATION PROCESS: To register to take part in this Conference, please request for the International Delegates Registration form and other conference information.
While we anticipate your earliest response, you are advised to contact the Secretary by email and we look forward to meeting up with you and your group in Washington DC and The Hague City to assert a new change for a stronger society. Disclaimer: The CAN-SPAM Act of 2003 (Controlling the Assault of Non-Solicited Pornography and Marketing Act) establishes requirements for those who send commercial email, spells out penalties for spammers and companies whose products are advertised in spam if they violate the law, and gives consumers the right to ask mailers to stop spamming them. Interesting, the root directory of googleones.in is open and this is where it gets complicated. The next fake site is under "eem" which advertises itself as "EEM MOURA & TEE BELLO Group of Companies".
There is perhaps a clue here under "Shipping" which could be advertising for a Parcel Mule job (i.e. The final fake site is filed under "tbello" (sounds familiar?) and is supposedly the "Hotel T. Perhaps the "Hotel T Bello" is a fake hotel for the delegates to the fake "Advocates for Youth" conference that was advertised in the original spam.. Chinese paintings, and may also be of some assistance even to the more sophisticated scholar or collector of Chinese paintings in bridging some of the diverse gaps that still exist in our collective assessment of individual works. Chinese ethnicity, and generally trained through the traditional private master-pupil relationship. This approach to learning by copying was the standard method by which all Chinese artists learned to paint.
Taipei Xiaozhong xianda album, does add some credence to the notion that the Taipei album may in fact be by Wang Shimin himself.
Based on the theories of scholar painters of earlier periods, chiefly Su Shi (1036,1101) and Mi Fu (1051-1107) of the Song, Zhao Mengfu (125-1322) of the Yuan, and Dong Qichang (1555-1636) of the late Ming, the Qing dynasty literati painters, who generally were also connoisseurs and collectors, established an orthodoxy of correct models, techniques of painting, and most important, standards for brushwork.
A A A  This approach to learning by copying was the standard method by which all Chinese artists learned to paint. A A A  In a remarkable set of twelve hanging scrolls, now in the Shanghai Museum, painted in 1670, Wang Jian transformed these compositions once again, but this time into full~size vertical scrolls of uniform dimensions. A A A  Based on the theories of scholar painters of earlier periods, chiefly Su Shi (1036,1101) and Mi Fu (1051-1107) of the Song, Zhao Mengfu (125-1322) of the Yuan, and Dong Qichang (1555-1636) of the late Ming, the Qing dynasty literati painters, who generally were also connoisseurs and collectors, established an orthodoxy of correct models, techniques of painting, and most important, standards for brushwork. The conference will be conducted on participatory bases with satellite plenary and simultaneous sessions followed by general and small group discussions.
Return Airplane travel tickets for selected delegates from their home countries to venues of the event in Washington DC ( United States of America ) and The Hague City (The Netherlands), then back to their home countries.


Hotel accommodations in Washington DC ( United States ) only for selected delegates and their friends. The above mail is in accordance to the Can Spam act of 2003: There are no deceptive subject lines and is a manual process through our efforts on World Wide Web. Incidentally, Rijswijk isn't very close to Groningen being a 233Km drive so the spammer's IP doesn't match the WHOIS details. Probably the obvious different to that the "Al-zaida" site has an "Apply For Loan" button which marks it out as some sort of finance scam. Following the model of the calligrapher, the best painters sought to master the styles and techniques of a number of different artists and gradually to synthesize the results into an individual personal style. 4 In either case, the album embodies the attitudes of early 17th century literati towards the artistic process. The assumption was that a skilled artist was capable of capturing the essence of each large-format model and recreating the essential stylistic features and spirit of the original through his scaled-down copies.
In the case of the literati scholar-painters, the student not only mastered the techniques of painting but also aligned himself, through the selection of appropriate models to copy, with the great masters of the past.
7 Wang ]ian probably painted this series, or other versions of the compositions depicted in this album, many times. The same composition could be ascribed to different artists, even by the same copyist, but this did not lessen the value of either the original or the copy.
Using calligraphy as a model, the Qing literati reinforced the notion that brushwork should be the principal criterion for judging quality in painting. It is crucial, therefore, that the visual templates themselves are accurate representations of the categories they purport to represent.
It is for this reason that it is useful to study copies and forgeries in addition to original works, using the former to chart the evolving image of early masters down through the subsequent ages. Today, we fly all over the world to view blockbuster exhibitions in Shanghai, Beijing, Tokyo, New York, London, and Taipei. Wai-kam Ho, editor, The Century of Tung Ch'i.ch'ang 1555-1636, volume 2, Seattle and London, 1992, p.
You can opt out by sending mail to email id mention here and we ensure you will not receive any such mails. They attempted to transform the methods of their predecessors and use them for their own creative ends. The copyist hoped to penetrate the internal essence of the original artist's creation and transmit the spirit of the large compositions through his small copies that duplicated the external forms of each composition.
Many artists of the same aesthetic persuasion as Wang Shimin produced versions of the same compositions featured in the Xiaozhong xianda album.
13) is a highly attenuated version of the now-familiar composition elsewhere ascribed to either Wu Zhen or Juran.


Ming scholar painters, such as Shen Zhou (1427-1509) and Wen Zhengming (1470-1559) had modeled their styles primarily after Zhao Mengfu and the Four Yuan Masters. The connoisseur must constantly update his visual database as new discoveries are made and new evidence is revealed. Moreover, connoisseurship in general has been increasingly de-emphasized in art history programs worldwide, in favor of less object-oriented approaches to art. 960~980) and Wu Zhen i??(1280-1354) in the album on paper, but curiously assigned to Wu Zhen and Xu Ben (d. Although Wang had to manipulate the proportions of the landscape elements in order to fit the vertical format, he retains all of the basic forms and compositional relationships among forms. In other words, a painter's individual personality was discernible and significant, but only within the context of a relatively narrow range of acceptable conventions of brushwork techniques and compositional modes. By adapting large vertical compositions on silk to smaller, less vertical formats, often on paper, the early Qing literati were able to expand the pantheon of acceptable models to include a broad range of artists from remote antiquity who worked in styles as diverse as those of Fan Kuan (c. We can exchange information twenty-four hours a day with colleagues halfway across the world by telephone, fax, and e-mail.
960~980) and Wu Zhen (1280-1354) in the album on paper, but curiously assigned to Wu Zhen and Xu Ben (d. 1403) in the silk versions, were most likely part of a complete album on silk, or perhaps silk and paper.
The harsh, raw strength of the brushstrokes and the intimidating angularity of the forms in the original are entirely lacking.
Chinese paintings are sold at public auction and in galleries, and are available for study in museums throughout the world.
6 In any case, Wang Hui's version reflects the same attitude of reverence towards the ancients and similarly attempts to faithfully convey the spirit and form of the original compositions. 1046-after 1100), and Gao Kegong (1248-1310), as well as the Four Yuan Masters and Zhao Mengfu. We have the tools to elevate connoisseurship to an unprecedented level of accuracy but, in order to do so, we must match the diligence, sensitivity, and passion of our predecessors. Historical differences in scale, function, and artistic intent were subordinated to the promotion of a universal aesthetic based on brushwork.



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