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14.01.2016
Home is Where… is a theatre piece made of real stories collected from interviews with Third Culture Kids, people who grew up in a different culture than their parents and created their own hybrid identities. By connecting Third Culture Kids with each other and with audiences around the UK, we hope to change the stories our culture is telling about globalisation, belonging, and what it means to call this country home.
The core company of Hyphenated formed in 2014, and since then we have conducted more than a dozen interviews with Third Culture Kids. In January 2016 we presented a 20-minute scratch at Camden People’s Theatre after a short devising period with an expanded creative team (5 performers, director, writer, composer, and movement director).
Next, we’re looking for three additional collaborators, and pursuing opportunities to develop a full-length piece. Alongside the performance, we intend to run audience engagement workshops, which will explore the themes of belonging, home, and Britishness in each community we visit. Every January for the last eleven years, Improbable Theatre has invited theatre makers to an open space event called Devoted & Disgruntled. As always, I had some really interesting, abstract, socially-engaged, politically-charged, inspiring, mind-expanding conversations.
I started a company in San Francisco, called Inkblot Ensemble, so I could make my work and not be dependent on anyone else to give me permission to be an artist. Right now, this could mean I can apply for more funding from more varied sources, pay my collaborators, hire a producer, make things happen faster.
Joanna Greaney delivers a verbatim monologue via headphones while the cast improvises physical responses to the story.
What do you get when you combine verbatim interviews, improvisation, movement, original music, and a group of 9 new collaborators with rich cross-culture experiences? Home is Where… is a theatre piece made of real stories collected from interviews with Third Culture Kids, people who grew up in a different culture than their parents and created their own unique identities out of many influences.
I’m so delighted to be working with writer Guleraana Mir, movement director Paula Paz, and composer Yaiza Varona, along with performers Sharlit Deyzac, Joanna Greaney, Anna-Maria Nabirye, Mark Ota, and Kal Sabir. We have made huge leaps forward in just three short devising sessions, crammed into our busy December schedules, around other projects, day jobs, and holiday commitments. Tomorrow, writer Guleraana Mir and I begin shaping a script, weaving together the various interview texts, improvisations, movement ideas, and musical impulses we’ve discovered with the ensemble. At D&D 9 in January 2014, an annual open space conference of theatremakers, I called a session on Third Culture Kids (TCKs) and verbatim theatre, hoping to find some candidates for interviews and get started making a piece. At D&D 9, I found a core group of collaborators to take the idea forward, and now, 10 months later, we’ve launched a viral storytelling project to collect #TCKstories that will become the performance text for our verbatim piece.
When I submitted my 2007 version of Hyphenated to the University of California (where it probably still sits, unread, among other undergraduate thesis projects), I knew I wasn’t done with this idea. It’s about Ilayda Arden, Sharlit Deyzac, Susie Italiano, Guleraana Mir, and Natasha Phillips – fellow TCK artists convened at D&D 9 who became my collaborators for this newHyphenated. Hyphenated will begin as a viral storytelling project: a series of interview chains and an online oral history library. Despite directing a showcase of three short plays this month, I still managed to get to 12 other performances in September (6 of them in the same weekend!!). Three ensembles in New York, Oakland, and San Francisco applauding works in progress online via Google+ Hangout. Directors Lisa Szolovits, Wolfgang Wachalovsky and I met at Directors Lab West in May 2012.
A lack of material and financial resources made us consider how we could keep working virtually, in our own cities, without springing for plane tickets or taking too much time off from our day jobs. We learned a lot this week about what Google+ Hangout can do, how to use different cameras and angles, black-and-white effects, strong POV choices, music and sound, chat functions, and even silly hats on Google Effects. Better to be ignorant, to go into the future as intoa long tunnel, without ball of yarn or clear direction,to tiptoe forward like any fool or saint or hero,jumpy, full of second thoughts, and bravely unprepared.
It’s been a while since I last gushed about the sublime insanity of collaborating with Megan Cohen on The Helen Project. From there, we divvied up pieces that each of us would edit, and put those in the hands of actors for a few hours at our Laboratory Day.
Megan and I are getting pretty excited about our upcoming workshop of The Helen Project at DIVAfest this May!
Last night, we sat in a Mission cafe for three long hours (no kidding) and came up with three very short paragraphs that explain what the heck we’re doing. Finally we stumbled over the image of a kaleidoscope, and (after looking up how to spell it), everything clicked into place.
Interestingly, both disco balls and kaleidoscopes are basically cleverly-arranged mirrors – which has a lot in common with theatre, in a way. The Helen Project zooms in and out of the bedroom and the mind of the most beautiful woman in the world. Images of Helen from Homer and Goethe, from modern poetry, and even ripped from the headlines of our contemporary tabloids turn in a kaleidoscope of original and found text. As is the case with many female figures in ancient history and mythology, not much is known about Phoebe and Theia beyond the names of their husbands and the lists of their children.
Phoebe & Thiea, or How to Get to Tartarus imagines a new mythology in which the goddesses fall nine days to Earth and nine more days to Tartarus to spend eternity together with the secret truths about their loyalties and betrayals in the War of the Titans. The One-Minute Play Festival (OMPF) is a New-York based theatre company that works in partnership with theatres across the country. I’m very pleased to be directing ten one-minute plays by local superstars Erin Bregman, Megan Cohen, Victoria Chong Der, Jeffrey Lo, Kenn Rabin, Geetha Reddy, Kim Yaged, and Robert Johnson. Amy soon meets Jimmy, her mother's high school boyfriend's son, on a trip to visit Mimsy, her grandmother, and really likes him. Amy and Ricky run off to get married but don't go through with the wedding because the director of the chapel they go to is crazy.
Reason: Jimmy finds a condom in Amy's purse, and he's not really ready to be with her and John. Reason: Amy realized that Ben was not the one for her and that Ricky was while she was in Hudson University (Revealed by Brenda Hampton). Amy originally joined band because she had a crush on an unnamed boy, according to The Secret Diary of the American Teenager.
She had her first kiss, lost her virginity, and became pregnant to Ricky Underwood, all of this the same night. Amy does not know Ricky cheated on her twice after they agreed to start a relationship in New York. Proposed to Ricky Underwood in an attempt to compete with Adrian Lee and Ben Boykewich when she learns of their engagement.
Continued the competition with Adrian, until an incident in the hallway in the episode "Loose Lips". Angered Ben Boykewich in an attempt to insult his relationship with Adrian.  He turned the tables and also insulted her relationship with Ricky Underwood.
She keeps an e-diary where she admits to still wanting to be with Ben, being jealous of Adrian, and believing that Ricky and Adrian could have been happy if they'd stayed together. Amy Rose (???????, Emi Rozu?), also formerly known as Rosy the Rascal (???????????, Roji za Rasukaru?), is a fictional character from the Sonic the Hedgehog series. Amy is a cheerful, though slightly erratic girl, with a positive attitude and is full of energy. Amy Rose is one of the few main characters in the Sonic the Hedgehog series to have her first appearance outside the Sega games. In 1993, the manga character was adapted by the Sonic CD team to be used in Sonic's Mega CD debut. When Sonic Team reunited and started work on their three-dimensional follow-up to the classic Sonic games, Sonic Adventure, it was decided they would revive the pink hedgehog and give her a starring role in the game. Not much is known about Amy's early life except that she had always loved fortunes and other mystical things, and that she practiced some of it using her own tarot cards.[4] At some point, she learned about Sonic the Hedgehog, who became her biggest hero and eventually the one she wanted to marry. Prior to the events of Sonic the Hedgehog CD, Amy predicted from her tarot cards that she would have a "destined" encounter with Sonic on the small satellite known as Little Planet.[4] Excited, Amy traveled to Little Planet as it made its annual appearance.
In Sonic R, Amy saw from advertisement that the World Grand Prix, a racing competition to determine the fastest in the world was about to take place. In Sonic Adventure, Amy had returned to her home in Station Square where she lived a normal, albeit boring life.
While escaping, Amy and birdie briefly were taken into the past by a mysterious light where they saw Tikal have her first meeting with the Chao and Chaos at the Altar of the Emeralds. Arriving in Station Square, Amy discovered from birdie's pendant that it had a family and decided to help find its family which was in Dr. Using scripted dialogue alongside verbatim interviews, movement, and music, Home is Where… explores the complexity, absurdity, and joy of our multicultural lives. In February 2016 we will reprise this performance at the Cockpit’s Theatre in the Pound scratch night.
It will help if you can tell us a little bit about who you are, what you do, and why you’re interested in this project. Four core members explored big ideas for three years, made two work-in-progress shows, and grew tremendously as artists. It’s so much work to establish a name, a website, recognition among peers and potential collaborators.
But I’m not about to wait around for someone to come and save me from the hard work of getting a piece to the stage. It turns out that setting up a company in the UK is very different from the US models I’m familiar with. A fluid collective of artists led by Amy Clare Tasker, telling stories to change the world. Using scripted dialogue alongside verbatim interviews, movement, music, and multi-media, Home is Where… explores the complexity, absurdity, and joy of our multicultural lives. Add to that incredible raw material, the off-the-wall creativity of performers with impeccable impulses, and a creative team eager to experiment with new and unusual ways of presenting verbatim material, and we’re well on our way to the next stage of this ambitious project. For now, you can get a sneak preview of some of the interviews on our online Oral History Library. More than a dozen people responded to my invitation, others who had grown up in a mix of different cultures and created their own unique “Third Culture” out of many influences.
I have long been fascinated with Third Culture stories, and the themes of home, identity, and belonging that they bring up.
I always felt my Englishness tucked away somewhere safe – not hidden, but not shouted from the rooftops (that would be very un-English, wouldn’t it?). It’s about a whole community of Third Culture Kids, many of whom have never heard the term TCK and don’t know there are thousands of people just like them.
From this raw material, we will create a verbatim performance that we hope to tour around the UK. The Royal Court’s International Department hosted a series new play readings by Chilean playwrights, followed by panel discussion on the state of theatre in Chile.
The evening started off a little rocky with trying to find a place to stand among tipsy people watching football.


A showcase of four new plays by female writers, from a new company committed to redressing theatre’s pervasive gender imbalance. Time Zone Theatre‘s feminist take on The Taming of the Shrew begins with Bianca and Katherine perched in front of an alcove of mirrors, wearing short skirts, high heels, and angel wings. This was my first visit to the Tricycle Theatre, despite it being just up the road from my flat. I was really curious to see this play, which had a mixture of raves and puzzled luke-warm reviews from its run at the Edinburgh Fringe last month. Having known each other a grand total of four days, we began to make plans to collaborate on a piece together, brainstorming around themes, stories, and new forms that would allow three directors to collaborate.
We pulled together anything lying around that seemed useful, just like kids putting on a play in our back yards. There’s more to learn about how these pieces connect, and how our ensembles can connect within one larger work.
And a special thank you to our first-ever audience members Rebecca Longworth and Marilee Talkington, who tuned in on Sunday to our glitches and wild stabs in the digital darkness. We’ve been pretty busy gearing up for our developmental workshop at DIVAfest this May. But in the interest of writing a current update ever again, that glossy summary is all you get. Megan and I spent the entire weekend laying out more than a hundred fragments of text, one Helen at a time, putting 2-3 pieces together (and sometimes 8) into one larger piece that would be trimmed and reworked into something a larger.
In three groups, we tried out different staging ideas, different rules of Helen’s world: can she hear the other Helens? Burning through the rest of the editing, putting together a grab bag of found text fragments for The Face, hypothesizing some rules for the Kit, and building the First Edition of the text for the May 10 & 11 performances. I love this new image; it conjures a playfulness and curiosity along with a very directed view through lenses and mirrors. Creators Megan Cohen and Amy Clare Tasker will test their new Build-Your-Own-Helen Play Kit, constructing two different editions of the modular text to be performed over two weekends at DIVAfest.
We glimpse fleeting portraits of this mythic woman as each edition twists the mirrors to reflect a new Helen.
Today, the Titan goddesses of light are best known as the mothers and grandmothers of Olympian gods: Helios, Eos, Selene, Apollo and Artemis.
She quits Mount Olympus to “teach Zeus a lesson” by showing him just how it feels to have a mortal impregnated by your spouse. In each city, OMPF creates locally sourced playwright-focused community events which aim to reflect the theatrical landscape of local artistic communities by creating a dialogue between the collective conscious and the individual voice. And my stellar cast is Patrick Barresi, Molly Benson, Siobhan Marie Doherty, Sylvia Hathaway, Ryan Hayes, and Daniel Martinez. She is the older sister of Ashley Juergens and Robie Johnson. During season 1, Amy gives birth to her son, John Juergens, making her a teen mother at the age of 15.
However, when he doesn't return her call, Amy turns to Ricky for "kissing lessons," which her sister sees the beginning of.
Ricky later visits Ben at his home and takes him to see Amy in an attempt to get them back together. With Ricky's urging, Ben and Amy talk and decide that they would give their hopes and dreams to another after Adrian tries to tell Ben that she had a false alarm. She and Madison are no longer friends because she took Lauren's side after Madison slept with Jesse. While in The Secret Life of the American Teenager, Amy says it was to over come her fear of "the wolf" in the song "Peter and the Wolf" and to please her mother. However, she has a scary temper and her infatuation with Sonic makes her shortsighted and a bit obsessive about him as she follows him everywhere. She was created by Kenji Terada for the various Sonic the Hedgehog manga published by Shogakukan, where she was known as "Eimi" (????, Eimi?).
Yuji Uekawa, the man who would redesign all the classic characters, did the most drastic changes to Amy. There, Amy found Sonic and grabbed him in excitement, though Sonic did not reciprocate her advances.
Learning that Sonic would participate, Amy signed up in hopes of winning Sonic's heart.[5] At the World Grand Prix, Amy ended up facing not only Sonic, but also his friends, old and new foes and Dr.
While out shopping, reminiscing about her times with Sonic, Amy saw the Egg Carrier fly over the city, only for then to be knocked over by a Flicky with a pendant which she named "birdie." Soon after, ZERO appeared and chased after Amy and birdie, but they escaped the robot by hiding.
Continuing their escape, Amy and birdie came across Eggman, just as Sonic and Tails came to her rescue, who grabbed birdie from Amy and took a Chaos Emerald from its pendant.
Since my first London January, in 2014, I have kicked off my new year there, in a huge room full of new friends and some inspiring, challenging, electric conversations. We grew in different directions, so by the time I was moving to London, we agreed to let the company dissolve.
I do need a producer, but until the right collaborator comes along, I’m going to keep making things happen my own way. It turns out it’s a very good idea to separate myself as an individual legal entity from the legal entity responsible for the financial health of a production. I’m getting over my feelings of arrogance, selfishness, and guilt around wanting to create something so focused on ME. How do our personal experiences enrich our interpretation of the stories of Third Culture Kids we’ve interviewed? At that session, I found a deep and instant connection among fellow artists with complex identities. I insisted we have Thanksgiving dinner like the other kids in my class (the first year, we had turkey meatloaf in a tent trailer on a Northern California camp site). It was my love of puns, my aversion to spicy foods, my inability to get a tan.  And deeper things too, those can’t-quite-put-your-finger-on-it moments of identifying with a nation of people 6,000 miles away. People who grew up all over the world, who speak one language in school and another at home, who followed their parents from one mission, military base, or diplomatic post to the next. I’m pleased to report that my first London project has garnered my first London review!
The Camden Etcetera Theatre is over a pub, as many small theatres in London are, but some pubs are much more conducive than others to a pleasant and relaxed pre-show atmosphere. It was an undeniably dynamic, fresh, and surprising production, but I couldn’t help wishing they had put their energy into making their own new show, rather than making a bewildering two and a half hour adaptation of an old show which had even me scratching my head about what an audience was supposed to take away from the experience.
Their King Lear was at times breathtaking, and at times impenetrable (it’s performed in Belarusian, with short scene synopses rather than supertitles).
So it’s interesting to try to imagine how the play might have been originally performed in 1592, and a little difficult to know just how far the director has pushed the boundaries of the classic text.
This could have been a summer camp romance, a strong connection in a special, intense environment, followed by half-hearted promises to keep in touch. We initially envisioned bringing Lisa and her team out from New York, and meeting up in the Bay Area with Wolfgang’s Oakland collaborators and my San Francisco ensemble, renting a theatre space and training together to develop an Exquisite Corpse methodology inspired by victorian parlor games in which players draw the head, body, and feet of a monster without being able to see what the others have drawn. Only now instead of grabbing a broom handle to stand in for a sword and pretending a treehouse was a castle, we grabbed an iPhone to stand in for a video camera and pretended my bathroom was a prison cell. The goal was to reduce the number of movable parts in the Build-Your-Own-Helen Play Kit – and also to get the repetition of ideas under control. Plus, starting this weekend, bouncing over to something completely different for a week: an experiment in how to make live theatre online via Google+ Hangout with local collaborators and an ensemble in New York City. Having begun work on this sucker nearly three years ago, it’s a real mental stretch to read our descriptions as if we know nothing about The Helen Project.
It honors the complexity and sophistication of the structure of the piece, as well as its randomness. She is also Ricky Underwood's wife (she married Ricky after a couple of years, confirmed by Brenda Hampton)[1]. She has to attend summer school because she failed to complete some assignments due to her pregnancy. Amy soon confronts Jimmy about him not calling her back and the two make up, but it is too late for everyone else. Later on though, she gets betrayed by the two who become friends again and bond over their annoyance toward Amy.
Amy mentors Kathy, a pregnant freshman from Texas who gives birth to her daughter in the episode "Hedy's Happy Holiday House." She gives up her daughter to the adoptive parents. While in Italy Ben cheated on Amy with Maria, an Italian girl he met while on his trip to Bologna.
Since meeting Sonic on Little Planet, Amy has become his self-proclaimed girlfriend and has attempted to win his heart by any means during their adventures. She first appeared in the April 1992 issue of Shogaku Ninensei, written and illustrated by Sango Morimoto. She appeared infrequently thereafter, in ensemble spin-off games such as Sonic the Fighters, Sonic Drift, Sonic Drift 2, and Sonic R.
While Sonic, Tails and Knuckles all received minor design changes, Amy's clothing and hairstyle were completely revamped.
Standing up this threat, Amy entered a fighting tournament where the winner got to collect all the Chaos Emeralds which belonged to the other participants, hersef included.
Amy and birdie tried escaping ZERO, but it soon caught them and took them to the Egg Carrier where they were locked up. Gamma was then sent to eliminate them, but Amy got Sonic to let Gamma go before he destroyed him.
As their search took them to the Egg Carrier's remains, Amy found birdie's family only for ZERO to suddenly show up and hurt birdie.
I really wish there was another model, something in between being a precarious freelance individual artist and an artistic director bogged down with all the administration of a company. It turns out that it’s a lot simpler than I thought, with a lot less heavyweight infrastructure.
There are events throughout the year, as well as the annual 3-day brain-melting wonder-fest each January.
I interviewed my family and wrote a “one-woman play for five actors” that I called Hyphenated. My mum washed paint out of my dad’s hair with turpentine – the punch line is he’s now mostly bald. My Englishness was never a secret, more like a little piece of treasure that I would show only to people I trusted. Once in the theatre, though, I was amazed that I could no longer hear the hubbub (the pubbub?) from downstairs.
And I will be back to the Hen and Chickens Theatre, the spacious and well-equipped blackbox above an Islington pub. So maybe it’s no surprise that this lyrical chamber piece was deliciously well delivered in three different accents without the aid of any stage craft beyond a chair each and a soundscape of waves.
Director Pamela Schermann’s programme note suggests a relation to human trafficking, urging us to pay attention to the way the characters pursue marriage as a financial transaction. I’m looking forward to re-reading it, having as usual picked up the published play text at the theatre.


But since May, we met at least monthly via Google+ Hangout to keep talking about how we might make some theatre together. The experiment morphed to focus on the possibilities of live performance via Google+ Hangout, and within that frame, thinking about ways we could connect three pieces to feel like one whole.
Because why would I try out ridiculously complicated new ways of making a play just one at a time?
From a matriarchy begun out of Chaos by Eurynome, the Goddess of All Things, the Titan women were soon forgotten after the rise of Zeus as king of the gods. San Francisco’s OMPF has been produced in partnership with Playwrights Foundation since 2010. Having heard this news, Ben becomes guilty over the job in Italy he has been offered by his uncle who lives in Bologna, a city. The incident with Ricky has already spread and causes Ben and Adrian to have sex for both revenge and comfort. During all of this, she has a hard time during summer school balancing her large amount of work with her friends (from Chicago that she met in New York) and having fun.
Amy breaks off her engagement to Ricky Underwood and cancels their wedding, saying that while she loves him, she is not in love with him, nor is he in love with her, and he is only marrying her because of John. She also appeared in the unrelated series from Shogaku Ichinensei, Shogaku Sannensei, Shogaku Gonensei, Shogaku Rokunensei, and Coro Coro Comics Special, all of which were written and illustrated by different mangaka but based on Kenji Terada's initial concept.
She did not appear in any of the early TV series, although she was included in most comics, including the Archie Comics series, the British Sonic the Comic and the French Sonic Adventures.
She also had her entire figure redesigned to make her appear older, perhaps in an attempt to appeal to a different demographic than the rest of the Sonic characters.
This would earn her the right to use the Emeralds for Tails's single-seat Lunar Fox and travel to the Death Egg II and destroy it. There, Gamma came to collect birdie, but Amy refused to hand it over and instead pleaded it to release them. As the Egg Carrier began to lose altitude, Amy was taken back to the ground by Tails, though not before advising Gamma to stop following Dr.
Enraged, Amy finally destroyed ZERO and tended to birdie who recovered and happily flew off with its family. And it turns out that there’s a one-day course in how to get started, run by the Independent Theatre Council. But I’m looking at artists like Bryony Kimmings, Young Jean Lee, and Pina Bausch, who lead companies which facilitate their collaborative work. I was looking for some way to reconcile my Britishness with my Americanness, trying to figure out which one was “the real me,” wrestling with the invisibility of my hyphen, the privilege and identity crisis that comes with it.
I spent the first four years of my life in Hazel Grove, Stockport, where my parents lived in the 1980s after my dad graduated from the University of Manchester.  When I was five, we moved to California. Theatre has an important role to play in a society liberated from dictatorship just one generation ago, but the new state does leaves that work almost entirely in the hands of the artists, who host parties to fund small fringe productions in Santiago (home to a too-concentrated 80% of the nation’s theatres). There were two English-speaking characters, but I found that I became so used to not needing the words that I tuned out even the passages in English.
The mixed dress (some characters wearing grand robes and armor, others in skinny jeans and leather jackets) further adds to the juxtaposition of modern and medieval.
We researched residency programs and applied for a couple of small grants (which we didn’t get).
Fast forward to May 2012, at the Directors Lab, where we wondered, what would it be like to devise a piece of theatre, only being able to see a few moments of what the others have created? We put down spike marks on my kitchen floor where the laptop needed to be set up, and marked out where the actors could stand and still be in frame.
Lisa and Wolfgang and I are regrouping this week to talk about a second laboratory and how to proceed with making a piece of theatre in this new form. Amy got pregnant and in the first episode she takes a pregnancy test, which is assumed positive, since the writers didn't give us much info at that point. Amy becomes jealous and asks to go with him. However, her parents forbid her to go because of her responsibilities at home with John. As far as her love life at the beginning, she just goes through minor obstacles such as trying to get Ricky into college and to take her to the school dance.
Amy then feels pressured by Ricky, her friends and her family to set a date for this wedding. In these series, Eimi (no second name is given) is the girlfriend of Nikki, a nerdy young male hedgehog with the power to transform into the superhero, Sonic the Hedgehog. Fortunately, as Amy tied up in Stardust Speedway, she was saved by Sonic after he defeated Metal Sonic. At the end of the tournament, the victor used the Chaos Emeralds to go to the Death Egg II and made it self-destruct moments after escaping it. When Gamma could not understand Amy's devotion to birdie, Amy pitied his lack of emotions, but in a surprisingly twist, Gamma chose to free them. How do we make the piece accessible and interesting to people who haven’t had a cross-culture childhood? The conversation made me even more determined to do theatre that matters, and even more disappointed with the fluff that sometimes takes up space on our stages. If you’re a producer looking for a play that is an excellent vehicle for powerhouse female actors over 30 (or if you are a powerhouse female actor looking for monologues), you can find the script through Samuel French. Deliberately leaving style and tools to the discretion of each director, we ended up with three vastly different pieces to present at our mid-week showing. We shared techniques and called out strong images that could begin to tie the pieces together across our vastly different interpretations of the source material. I downloaded an app that made my webcam broadcast in black and white, and set up a laptop on the highest shelf of a cupboard, to look like a security camera feed. In the meantime, I’m walking around totally jazzed about the possibilities and new techniques to be discovered and refined.
Amy and Ben eventually break up due to the fact that he wants more out of their relationship.
Amy is accepted into a music program in New York, but insists she can't go because of John and her remaining schoolwork.
Yet, soon enough they get into a huge fight over Amy snooping on Ricky's phone to listen to the messages he saved from Adrian (who was trying to seduce him).
She also chooses to go to Hudson University in New York, where Leo offered her the basement floor and Ben the top floor of a three floor apartment while she's in school. After Sonic had defeated Robotnik and the doctor's base began to fall apart around them, Amy was safely carried back to earth by Sonic, where she only caught a glimpse of Sonic running away and setting Little Planet free. Later, Amy returned to Station Square, which had been destroyed by Perfect Chaos, a powerful creature who sought to destroy the world. Director Joe Hill-Gibbins is an associate at the Young Vic, so maybe I’ll have that chance soon.
Back in our individual ensembles, we rehearsed a second iteration of each piece, incorporating ideas from the pieces we’d seen at the first showing. Her best friends are Lauren Treacy and Madison Cooperstein who are the first to know about Amy. Amy begins to develop a relationship with Ricky that makes Ben uncomfortable, because he believes Ricky is using the baby to get closer to Amy.
Though she gets support from her friends and family including Ricky who decides to stay at her house while shes in New York to watch John. Further on in the season, Amy goes through a rough patch when a rumor goes around school that her mother, Anne, may be gay. She comes back to the butcher shop with her parents several times as she debates whether or not to leave, even though she knows she will be back.
Because of the vastly different styles of the illustrators for these series, Eimi's design was different in each.
After Perfect Chaos released the seven drain Chaos Emeralds, Amy found one and brought it to Sonic, while her other friends brought the other six. To end the lab, we shared again, each piece making even more ambitious attempts to push the technology and find out what we can do.
Amy and Ben later break up in the halls of Grant High even though Ben asks her to talk. She later visits Ben when he is with his Italian friend Maria, where Amy becomes jealous of her.
This leads the students to start a rumor that Amy herself may be gay as well, because they thought it was genetic.
She appeared most like her counterpart's later games appearances in the Coro Coro Comics Specials, written and illustrated by Tanaka Kouichi. Through their caring for each other, Amy watched Sonic use the Emeralds' positive chaos energy to become Super Sonic and defeat Perfect Chaos while neutralizing its evil. On the other hand, there was a group of 30+ school kids in the audience the night I saw the show, taking up more than half of the seats at the historic but tiny Rose Theatre. Later afterwords with his father, Ben goes to see Amy in New York to tell her about Adrian's pregnancy.
In addition to this, people were starting to say that she picked the 4th of July because it was a gay holiday, although this was completely untrue. Thankfully for her, the whole situation blew over due to a situation between Adrian and Grace. In episode 5, What Have You Done To Me? Ben asks Amy to marry him.He asked her due to her pregnancy, and she was emotional because of that. She is furious that Ben waited so long to tell her, and that she was the last person to know. Amy, Ben, and all of their friends get fake IDs and in episode 12, The Secret Wedding of the American Teenager, they get fake married and have a wedding reception.
They realize that they never tried to be together since Amy was always with Ben so they talked about trying to be together. After Amy comes home she explains to Ben that she and Ricky should try to be a family for their son. Amy decides to go back to Grant High School and Grace and the rest of her girls walk her down the hall in Back to School Special. Amy then persuades Ricky to ask her and John out on a date to try and make their relationship work.
The last moment of the season shows Amy, Ricky and John eating dinner at Ricky's apartment sharing yet another day together. Ricky sabotages the adoption interviews with Donovan and his partner because Ricky wants to keep the baby.
Amy finally decides to keep her son with the help of Ricky, Ben, and all her friends and family. In One Night At Band Camp it shows the back story of band camp and what happened between Ricky and Amy. In And Unto Us, A Child Is Born Amy gives birth to her son and everyone meets the baby for the first time.



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Comments to «Amy in the secret life»

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