Book of secrets elizabeth joy arnold,silent meditation retreat colorado kid,change your caller id prank - Plans On 2016

Sign up for our Random House Readers Circle e-newsletter and you'll get the latest book buzz, plus our exclusive author interviews and tips for your reading group. When people describe their childhoods as magical, I’d guess they’re usually referring to backyard ball games, a lack of responsibilities, or a belief in Santa.
I was one of those kids who took books everywhere, along to dentist appointments to read while being fluoridated (I still do this), on car rides where I’d read for as long as the accompanying nausea let me, on walks down our street where I somehow managed to avoid bumping into trees. We were allowed to check out seven books at a time, one for each day till the next week’s trip, and I’d start reading on the drive home, as excited as if I was carrying armfuls of new toys.
I knew they couldn’t all be great books; of the hundreds of novels I read in those years, there were far fewer that resonated, and only about twenty books that changed me.
Of course children don’t just use books to learn about the world outside their own small circle.
I brought many of the books that changed me into this novel, most notably The Lion, the Witch and the Wardrobe, the book that really turned me, at eight, into a “reader,” just like it was the book that also first lured eight-year-old Chloe into reading. I’d read quite a bit before that; I was an early reader, starting when a broken leg kept me from being able to do much else, and throughout childhood my parents made sure there were always books available. I think it’s more than just the story, it’s the way Lewis writes; he’s like a kind grandfather in the way he explains without being condescending. I knew immediately that I’d use Narnia in my story to lure Chloe into reading, and pretty much everything she wrote about the experience was autobiographical.
I wasn’t all that hopeful when I asked Miss Sue whether she could find anything even remotely similar, but she introduced me to Edith Nesbit’s The Enchanted Castle, and then The House with a Clock in Its Walls, The Wolves of Willoughby Chase, and The Phantom Tollbooth. And then came A Wrinkle in Time, which still obsesses me so much that it appears in two of my novels.
And isn’t that one of the best things about books, that we can get inside people’s minds in a way we rarely do in life, and see that we aren’t alone? Of all the books Chloe and the Sinclairs read, it’s their conflicting interpretations of the Bible that affect them most throughout the story.
Now I’m seeing proof of how innate the love of story is in my daughter’s pretend play, as imaginative as science fiction, where a lost baby puzzle piece finds his mommy puzzle piece and the two rejoice, animals fly kites to the moon, and a plastic teacup helps a rubber duck who’s gotten stuck inside an underwater Lego village. Elizabeth Joy Arnold is the author of The Book of Secrets, When We Were Friends, Pieces of My Sister's Life, and Promise the Moon. Nate and Chloe play together first as small children acting out Narnia books and then as teenagers daring each other to do things for badges.
Loyalty plays a big role in this story, whether in the romantic relationship between Nate and Chloe or the parental one between Mr. Though they grew up in the same home, Grace, Cecilia, and Nate lead very different lives in part because of their very different personalities.
Chloe muses that one might be able to judge a potential partner’s compatibility based on favorite books. She’d come next door to play as she did every day, the two of us passing lazy, amiable afternoons filling pages of my Disney coloring book, and playing endless games of Crazy Eights or dress up. It was one of the many questions I was trying to explore in The Book of Secrets, and for Chloe at least it seems to have been a mix of life circumstances, personality, and something as simple as having found the right books, all of which were factors in making stories an essential part of my own life as well. But when I think back on the magic of my own childhood, the first thing I think of are books. Partly because I got to revisit my childhood favorites while writing about them, and partly because it has the fairytale structure of those favorites: a lonely girl with a difficult childhood who discovers a new, enchanting, and disquieting world.
The children’s section was in the basement, with blue fluorescent lights and only one high, rectangular window, and I recognized the crazy incongruity of it, that there was so much life hidden in such a completely lifeless room.

I remember standing in that small basement room worrying that I might finish every book in existence, and then what would I do? My aunt sent me a boxed set of Narnia books, and I remember looking at the covers, their muted foggy romance-novelish colors, and being unimpressed. We moved to the UK when I was six, a country that at the time had only three TV channels, and we brought hardly any toys with us, so I spent the vast majority of my free time curled up in the living room with a book. I devoured those books, a drug addiction; there was no sleep, barely time to eat or shower, and for the next three or four years (until adolescence changed my priorities), I stayed gripped by the addiction, looking for the next high. The image that sticks with me most is of the town on Camazotz with every house the same size, shape, and color, each with children bouncing balls and jumping rope to the same rhythm, not allowed independent thought. That everything we’ve stressed over or been embarrassed about, every unusual thought we have, isn’t quite as unusual as we’d worried it might be? In my own life, since we weren’t an especially religious family, when my mother read the Bible to us it was much as she would’ve read any collection of bedtime stories, not trying to make us believe it was real, but still explaining the lessons in morality that the stories were trying to teach. Life and the people around you don’t usually turn out the way you think they should, even though you know deep down that bad should be punished and good should be rewarded. I know it’s stretching metaphors too far, but when I’m first creating a story I feel like I imagine God might, inventing a new Earth and adding characters, giving them more or less free will, only reining them in when I absolutely have to, and they usually get what they deserve and come out stronger from the struggles.
She lives with her husband and daughter in Pennington, New Jersey, where she is at work on her next novel. Can you think of any childhood experiences or relationships that have greatly impacted you? Do you think these characters are better or weaker for forgiving their loved one’s failings? I don’t think I was a particularly happy child; I was lonely in spite of my friends, sure that I was different from them somehow, and I thought I should be more than I actually was, stronger, prettier, more heroic.
But I also feel close to this book because as a child I was Chloe in a way, full of a kind of chaotic energy and longing for somewhere epic to direct it. My mother took my sister and me every Saturday, and I don’t remember ever seeing other children. Until I was taken to a huge bookstore in Manhattan, seemingly endless shelves stacked so full they were straining, and the predicament became even more urgent. And that was one of the main themes in The Book of Secrets, the power of books to change not only the events in Chloe’s and the Sinclairs’ lives, but also the people they became. I had a love affair with each of them—that heady, hungry, won’t-sleep-till-I-see–you-again kind of romance.
I think it happens to all of us, but especially in childhood, and the book becomes part of us in a way.
It’s one of the main lessons from the book, the importance of uniqueness and creativity, and I’d been struggling with exactly that worry, of how different I felt from my friends. The Bible is full of absolutes, and children like absolutes—for people and events to be internally consistent. Maybe in the end that’s the real reason people are drawn to stories, because they make sense in a way life never does, and even when bad things happen to good people, by the end we usually understand that it’s led to something necessary.
In reference books on furthering your child’s development they mainly talk about the value of stories in enhancing vocabulary, but in my mind there are so many other subtler but more important benefits to a child’s future. What about if Nate, Grace, and Cecilia had been from the wrong side of the tracks like Chloe? So writing this novel, becoming Chloe and entering the world of the Sinclair children, I was reliving those days when I still believed finding that transforming new world was possible.

Thinking back on it, I’m guessing Miss Sue, the librarian (yes, I remember her name), must have loved having me there, the kind of kid she was probably envisioning when she decided to take her job. Frank Baum, and Francis Hodgson Burnett, and I lost myself in a gorgeously illustrated volume of Heidi, and The Annotated Alice.
And somehow that gentle, everyday language and the very human characters and struggles make everything he writes feel more authentic, like he’s talking about this magical world with real, firsthand knowledge. It took me over, reading, in a way I haven’t experienced since, and I’d feel devastated and desperate when each book ended. It might be the reason I can remember so much about the plots and characters from books I read before the age of ten, when I can hardly remember even the names of the books I’ve read over the past year. Maybe everybody goes through it at that age; it’s the age fitting in starts to become more important, but it really used to worry me. Despite my upbringing, I wanted to believe it was real life magic written by a higher power, its creation over the centuries like a story behind a story. I have no idea who I’d be now without hundreds of books behind me, but I’m pretty sure I’d be more two-dimensional, less empathetic, and much less informed about the world. Do you agree with the Thomas Wolfe quote Chloe cites that loneliness is an inevitable fact of human existence? A giant caterpillar had just bitten through the stem of a giant peach, sending it rolling down a hill. I’m guessing it’s what all children wish for at times, and it’s a theme so many popular children’s books seem to have in common, from Huckleberry Finn to Harry Potter, the discovery of something fascinating that can transform you. She’d sometimes set books aside for me that she thought I’d like, and I can still see the expectant look on her face when she described them.
But as much as I loved those books, there was something completely different about Narnia, and re-reading it as an adult last year, I felt exactly the same awe.
I wrote scripts for some of my favorites, the way Chloe and the Sinclairs do for Narnia, acting them out with friends, with my sister, or even alone, all in an attempt to keep the story going and get even closer to it by experiencing it firsthand. So I sit with my daughter to read The Big Blue Truck, a picture book centered around friendship, and imagine introducing her to The Outsiders in ten years. Aunts Spiker and Sponge were squashed, the peach was still on the move with James inside, and most of me was still rolling through town with them when I answered the door. I started getting stressed over what I might be missing, in the way I get stressed now when I don’t get a chance to see the news for a week, that sense that there might be something momentous out there that I need to know but have no idea about. I was a daydreamer, shy and overly sensitive to other people’s issues and emotions (in retrospect, all qualities that fit with becoming a writer!) I’d been trying all year to pretend I was cooler, somebody I wasn’t, and it was when I got to know Meg, even quirkier than me, and realized I really, really liked her, that I stopped worrying so much that the way I saw the world was often different from the people around me. Like I was saying earlier about all the best books, the Bible’s stories tell us about the world and about ourselves, with all the same archetypes and plot motifs that are in the novels we’re reading now. It was such an amazing gift she gave me, especially since this was before the days of the Internet and “Customers who bought this item also bought” links. It’s another thing that makes books so powerful for kids; they realize there’s so much for them still to learn, and getting to meet people very different from themselves, in circumstances very different from their own, gives them a sense of how huge the world is and how much they still don’t understand. And I imagine her face lighting up when she talks about her favorites, the way I think mine still does.

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