Childrens books on self esteem,the magic book by rhonda byrne free download pdf in hindi 2014,catholic lent meditations 2013,tibetan meditation bell necklace - Step 2

23.11.2013
Keep in touch with Crayon Freckles on Facebook to get daily post previews and hear about other great activities! I Don’t Want to Be a Frog, by first-time author Dev Petty, is great story to read with younger children about a young frog determined to be anything other than his slimy self. He stubbornly questions his father about why he can’t be several other animals. Why can’t he be a rabbit? For students in middle grades, a great book about self-acceptance is The Garden of my Imaan, by Farhana Zia. When a new teacher comes to school, Maleeka has trouble not staring at this tall, fat teacher with a man’s name.
TweetBuilding children’s self-esteem is important to their development and general well-being. The Dot: Part of effective self-esteem building is encouraging children to impart on a journey of self-discovery that will help them learn the most important truths about themselves. Beautiful Oops!: When children make a mistake, they can often be led to believe that they are a bad person as a result. I Like Myself!: A great combination of both silly and serious, this is a book that truly embraces how important it is to accept ourselves a€“ flaws and all! Spaghetti in a Hot Dog Bun: A charming and uplifting book, Spaghetti in a Hot Dog Bun is the story of Lucy, who is constantly teased by Ralph.
The Lovables in the Kingdom of Self-Esteem: This is a book that can teach both children and adults. Happy to Be Me!: Part of the adorable, a€?Elf-help Books for Kids,a€? series, this book is fun, fantastical, and full of adorable whimsy. The books on this list will help children understand that their differences are not disadvantages, but are advantages.
The problem with these questions is that we don’t have the data that might give us reliable answers. Anecdotal evidence and an ever more open community of self-published authors have caused some to suggest that owning one’s rights is more lucrative in the long run than doing a deal with a major publisher. When Amazon reports that self-published books make up 25% of the top 100 list, the reaction from many is that these are merely the outliers.
The first thing that jumped out at me when I opened my email was these next two charts, which our data guru had placed side-by-side. On the left, we have a chart showing the average rating of 7,000 bestselling e-books.1 On the right, we have a chart showing the average list price of the same 7,000 e-books. It’s interesting to me that the self-published works in this sample have a higher average rating than the e-books from major publishers.
This raises an interesting question: Are publishers losing money in the long run by charging higher prices?
It is common these days to hear that the quality of self-published work is hurting literature in general.
What this chart shows is that indie and small-publisher titles dominate the bestselling genres on Amazon.
Again, daily unit sales are estimated by sales ranking, using publicly shared data from dozens of authors who have logged the correlation between rank and daily purchases (included among those authors are the two involved in this study).5 Some obvious things immediately jump out. You may have heard from other reports that e-books account for roughly 25% of overall book sales. There’s a second and equally important reason to doubt a 25% e-book penetration number: The other 75% of those titles includes textbooks, academic books, cookbooks, children’s books, and all the many categories that are relatively safe from digitization (for now). We analyzed the overall Amazon bestseller lists for several categories and used the web spider to grab the text description of format type: paperback, hardback, e-book, or audiobook. Before we reveal the next results of our study, keep in mind that self-publishing is not a gold rush. A quick note on how we calculated author earnings for the Big Five publishers in the above graphs. We’ve seen that self-published authors are earning more money from genre e-books than traditionally published authors. Indie authors outnumber traditionally published authors in every earnings bracket but one, and the difference increases as you leave the highest-paid outliers. This suggests that the earnings discrepancy will grow greater over time, as self-published authors develop deeper catalogs.
What is presented here is but one snapshot of the publishing revolution as it stands today. If I had to guess what the future holds, I would say that the world of literature has its brightest days still ahead.
Author Earnings is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. 3 Across the top 1,000 bestsellers on the combined lists, these three genres accounted for 57% of titles. 4 As we go to press, a run on the top 50,000 bestselling titles on Amazon reveals that 69% of daily sales go to genre fiction, 22% are Nonfiction, 5% Fiction & Literature, 3% Children’s Books, while Comics and Foreign Language books round out the last percent. 5 Daily sales according to Amazon rank can be found in numerous places, including here, here, and here. 7 Those in the indie author community who fear Amazon might turn its back on them or adjust royalty structures might be comforted to see here that they are more important to Amazon’s bottom line than anyone suspected.
Well, all that information should definitely get folks thinking differently about self-publishing!
It’s not hard to see that for the three most popular genre fiction, the number is higher. These findings don’t surprise me one bit, but what a brilliant synopsis of what we self-published authors felt had to be true. Self-publishing requires hard work, determination, an eye for details, and an ability to run your career like a business.
I’ve always shaken my head at the stats most people are quoting, knowing that they were far from the reality for authors. I do think there are a couple ways that traditionally published authors make money that aren’t reflected here. 2) Traditional pub advances are often higher than are justified by royalties * sales, particularly for authors at the high end. I turned down a contract because the numbers didn’t check out in my favor but how many others, those who are selling low amounts, actually realize how short lived any boost with a publisher will be? Also…might there be one upcoming on the numbers of POD vice MM or Big5 paper sales coming soon? Not only do children and teens need to deal with school anxiety and their changing lives, they also struggle with peer pressure and maintaining a healthy self-image.
He can hop, but that doesn’t make him any less of a frog. This is a fun and funny story to share, while at the same time sneaking in a message about accepting yourself, even if you are a green, slimy frog. Flake, is an older young adult title with a message of self-acceptance that very much resonates today. In addition to all this, Miss Saunders also has vitiligo, a skin condition that causes the loss of skin color in blotches. This causes her to have a large white mark across her face. These books focus on helping them see that they are unique, special, and that they can contribute to the world around them. With a focus on kindness, respect, being fair, being responsible and being generous, this book shows kids how rewarding it can be to help out those who are in need. This book strives to show children that everyone makes mistakes, that it’s OK to make mistakes a€“ in fact, mistakes can be good!
Every day they do the same thing: they either put a gold star or a gray star on one another.
The book shows the power of positive thinking, and how important it is to believe in yourself.
The joyous, rhyming text is paired with wild, bold, and colorful illustrations, and the result is a sassy book that comes straight from the heart. Through acceptance and understanding, young children who are just learning to read can be inspired by this celebration of individuality. For Kids: Another book about kindness, this story follows a little boy named Felix, who goes about his day and runs into various people, including his sister, his grandpa, and other family and friends. With truly remarkable illustrations that are beautifully rendered, and an energetic and engaging rhythm, this book is truly a masterpiece. The book teaches children and parents alike that building strong self-esteem means giving yourself the power and the permission to truly be yourself. Regardless of which one your family will like more, there’s no question that this is a book that really gets its message across. They will understand that they are unique and that their uniqueness makes them a special, wonderful person. If writing your first novel is the hardest part of becoming an author, figuring out what to do next runs a close second. What used to be an easy decision (please, anyone, take my book!) is now one that keeps many aspiring authors awake at night. Luckily, I had charted my daily sales reports as my works marched from outside the top one million right up to #1 on Amazon.
We hear that authors stand no chance if they self-publish and that most won’t sell more than a dozen copies in their lifetime if they do.
We’ll conclude this report by looking at author earnings, but I don’t want that bombshell to drown out these equally important observations.
There are several reasons why this might be, ranging from the conspiratorial (self-published authors purchase their reviews) to the communal (self-published authors read and favorably rate each others works) to the familial (it’s friends and family who write these reviews).
I counter this notion with one of my own: Pricing e-books higher than mass market paperbacks used to cost is having an even more deleterious effect on reading habits. Rather than serving to protect print editions, publishers are creating a market for self-published works. We can clearly see that the demand from readers for more of these works is not being fully met by traditional publishing. The first is that Amazon has an incredible ability to market their own works, which shouldn’t be too surprising, considering it’s their storefront. This would be like the Cookie Council seeking a report on global cookie sales and polling a handful of Girl Scout troops for the answer—then announcing that 25% of worldwide cookie sales are Thin Mints.
Print remains healthy in these categories, but these aren’t the books most people think of when they hear that percentage quoted. When major media outlets began asking for interviews, my first thought was that they were burying the lead. Indie authors are earning nearly half the total author revenue from genre fiction sales on Amazon.
You can clearly see that for Big-Five published works, the publisher makes more than twice what the author makes for the sale of an e-book. These numbers are based on estimates of wholesale pricing for e-books (publisher’s net was modeled as 80% of Amazon price). Our first thought was that top self-published authors can put out more than one work a year, while Big Five authors are limited by non-compete clauses and a legacy publishing cycle to a single novel over that same span of time. We hope to answer questions like this as we run reports every quarter to track shifting trends. This choice has only grown more challenging as options have expanded and as conflicting reports have emerged on how much or how little writers can expect to make.


There is no absolute right or wrong way to publish; the path taken depends entirely on what each author wishes to put into their career and what they hope to get out of it. The author cannot know this with any certainty, and neither can an editor, agent, or spouse. The record margins they’re currently earning are certainly seductive, but taking advantage of authors is not a sustainable business model. Nearly every book in our sample has at least three stars, which makes the difference in rating nearly twice as sensitive as a 5-point scale would indicate. The reason for the drop (it was 70% across the top 100) is because many publishers fail to categorize their titles appropriately, not putting them in genre subcategories, but rather leaving them in parent categories.
So we feel confident that our analysis looks at the vast majority of books sold on the largest bookselling outlet in the world. For works priced above or below these thresholds, the distribution fee is 65%, which leaves 35% to the author. Also: The 30% Amazon takes to distribute their works is more than the 20% (or less) that the Big Five pays Amazon. I appreciate the restraint, because hyperbole and grand rhetorical flourishes, as entertaining as they can be, get in the way of seeing clearly. I naturally take people at their word, so when I hear about ebooks being 25% of book sales, I just accepted it. I’m sure legacy publishing will try to argue against this, but they can keep wasting their time. If so, then that means two of mine made it in there for at least a while…at least I hope so because that would tickle me pink. It seems that this sort of study is just what they need to see so that they know there is light available for them to share at the end of that tunnel so long as they don’t give up. These books for children and teens celebrate self-acceptance and focus on loving oneself no matter what religion you are, skin color you have, country you are from, or even if you are a frog and not a fluffy bunny. This tough-talking teacher does not let the taunts and snickers of the students bother her. While some are more subtle than others, each of the books on this list can provide children with an often needed self-esteem boost. It all starts with Vashiti, who follows her art teacher’s instructions and draws a mark to see where it goes. A mistake is a way to learn new things, to better understand ourselves and the world around us, and a way to embrace who we are. The beautiful, flawless smooth wooded people get gold stars, while the ones with a bit of chipped paint or other minor flaws get the dreaded gray dots. This book is designed to be a teaching tool in a number of ways: to increase emotional development, to celebrate multiculturalism, and to encourage character growth. Both narrators are bursting with life and happiness, and they show kids that it’s OK to feel good about yourself and to be proud of who you are. Initially Lucy lets his words get to her, but eventually when Ralph needs help, Lucy makes a courageous choice that will change their dynamic forever.
It showcases the importance of letting the special people in your life know how loved and cherished they are a€“ simply for being themselves. They will discover the skills they need to understand how to feel better about themselves, and how to improve the lives of others. At most, they comment on the extreme outliers, which is about as useful as sharing yesterday’s lottery numbers [link]. Manuscripts in hand, some writers today are deciding to forgo six-figure advances in order to self-publish [link]. As someone who has walked away from incredible offers (after agonizing mightily about doing so), I have longed for greater transparency so that up-and-coming authors can make better-informed decisions. This is less true for authors, and it creates unrealistic expectations for those who pursue writing as a career. I received an email from an author with advanced coding skills who had created a software program that can crawl online bestseller lists and grab mountains of data.
But the staggering number of reviews involved for most of these books (over a hundred on average across our entire sample) makes each of these highly unlikely.
If so, this might have some influence on long-term sales, and keep in mind that e-books do not go out of print. Books are not only in competition with each other, they compete with everything else a reader might do with their time. And harmful price practices is not the only way the Big Five are powering the self-publishing revolution. Publishers must be tuning in, as prices began to decline last year [link], and publishers such as Simon & Schuster have announced new genre imprints [link]. We see from this and the previous chart that their 4% of titles command an amazing 15% of the sales. It’s not entirely their fault; it’s just that the data they’re working with is fundamentally flawed. E-book distributors like Amazon, Barnes & Noble, Kobo, the iBookstore, and Google Play don’t reveal their sales data. E-book market share is generally spoken of in the context of the New York Times bestsellers, the novels and non-fiction works that are referred to as “trade” publications. Of course, we would be looking only at Amazon, which might skew toward e-books—but to reiterate, we are looking at the largest bookseller in the world, digital or print. It turns out that 86% of the top 2,500 genre fiction bestsellers in the overall Amazon store are e-books.
Here, we will see that publishers should cross their fingers and hope that the share of e-book sales increases rather than flattens. It is being told in anecdotes on online forums, in private Facebook groups, at publishing conventions, and in the comment sections of industry articles. My life had truly changed months prior, when I’d first started making dribs and drabs here and there. Keep in mind that the profit margins for publishers are better on e-books than they are on hardbacks [link]. That estimate could be off by 10% either way, but even if we adjusted it to assume a wholesale price of 120% of retail (which would mean Amazon is taking a loss on every traditionally published e-book sold), indie authors would still come out on top. This represents the most popular offerings from both self-published authors and their traditionally published counterparts, which makes it an extremely fair comparison.
The next thing we wanted to do was estimate yearly e-book earnings for all of these authors based on their daily Amazon sales. The scale is difficult to see, but the breakdown of authors earning in the seven figures is: 10 indie authors, 8 Amazon-published authors, and 9 authors published by the Big Five.
For now, the full data set for this study has been anonymized by removing the title and author info, and is available for download below this report. Our contention is that many of these reports are flawed, both by the self-selected surveys they employ, the sources for these surveys, and, occasionally, the biases in their interpretation. But as marketing falls more and more to the writer, and as self-published authors close the quality gap by employing freelance editors and skilled cover artists, the earnings comparison in our study suggests a controversial conclusion: Genre writers are financially better off self-publishing, no matter the potential of their manuscripts. It might get lucky a second time and fall into the lap of the right editor at the right publishing house. These outlier authors are already doing better via self-publishing, when compared one to one.
We take for granted changes in other mediums—the absence of that tall rack of CDs beside home stereos, the dwindling number of people who watch live TV, that missing thrill of opening a paper envelope full of printed photos. Only the top 1000 or so bestselling works were checked, as this was labor-intensive and became less important with the lower rankings. A future report will nail this number more closely and also comment on why publishers lose visibility by not understanding how best to categorize their e-books on Amazon. Keep in mind that the dollar figures and the exact sales are irrelevant to the ratio and percentages shown.
Instead of worrying about a reduction of the 70% rate, indie authors might start asking when that number might go up.
I believe this report could lead to a paradigm shift on how publishers approach their business. I was just relating to some people how Amazon made at least $11,000 off my books in January, which is perfectly acceptable — as long as I make more! I quit my day job after just a few months of self-publishing and 2014 looks like it will be a banner year for me.
This is the kind of stuff that new authors need to read before deciding on which path to take. Meanwhile, the rest of us can write and publish our genre books–and make more money to boot.
For some authors and some books, it will still make sense to look at traditional publishing as well. Throughout the book, Maleeka struggles to be tough like this and accept herself for who she is. Her initial mark is an angry one, but as she continues to follow it where it takes her, she realizes that anger is just on the surface, and there is much more underneath.
This book uses artful examples of mistakes that turned out for the better, such as spilled paint on a drawing that only serves to make it brighter and more vivacious.
This is a heartwarming tale that shows kids that no matter what others may think of you a€“ or what kind of star they think you deserve a€“ you are special in your own right. The little engine keeps trying, and he keeps believing, and in the end his belief in himself pays off when he makes it to his destination. It is a big, bold, and much needed addition to the genre of children’s books that seek to help children become better, more confident members of their schools and communities.
It encourages kids to realize that they are unique, and that their uniqueness means they have something to add to the world. This book shows kids the rewards of doing the right thing and of being proud of who they are a€“ even when it’s not easy to make the right decision and feel good about themselves. The Kingdom of Self-Esteem is full of animals, both big and small, who know how important they are, and how important their role is inside their kingdom. A cute, pint-sized elfin friend is the guide through this book, and he takes the reader through a fascinating process of self-discovery. Through the story we learn that every child is born with their own crown, and that crown represents their uniqueness.
A few individual authors have made their sales data public, but not enough to paint an accurate picture.
I imagine established writers who are considering their next projects share some of these same concerns. Now with every writer needing to choose between self-publishing and submitting to traditional publishers, the decision gets even more difficult. It wasn’t long before dozens of self-published authors were sharing their sales rates at various positions along the lists in order to make author earnings more transparent to others [link] [link].
All of this data is public—it’s online for anyone to see—but until now it’s been extremely difficult to gather, aggregate, and organize.
What emerges is, to my knowledge, the clearest public picture to date of what’s happening in this publishing revolution.


As I’ve seen with my own works—and as I’ve observed when watching other books spread organically—the sales come before the reviews, not after.
An average experience from both meals could result in a 4-star for the $10 steak but a 1-star for the $40 steak. What if in exchange for immediate profits, publishers are creating poorer ratings for their goods and a poorer experience for their readers? Creating a poor experience is a way to lose readers, not a way to protect a physical edition or a beloved bookstore. Hopefully this data will help accelerate these trends, for the benefit of both the reader and the newly signed author. Indie and small-press books account for half of the e-book sales in the most popular and bestselling genres on Amazon.
If we look specifically at this trade market, it’s quite likely that e-books already account for more than 50% of current sales (some publishers have intimated as much [link]). Authors are claiming to be making more money now with self-publishing than they made in decades with traditional publishers, often with the same books [link]. Other surveys have compared all self-published works to only those in the traditional route that made it past agents and editors.
The much higher royalties and other advantages, such as price, seem to counterbalance the experience and marketing muscle that traditional publishers wield.
By tweaking the values in the yellow areas of the spreadsheet, you are able to play around with the data yourself.
Our fear is that authors are selling themselves short and making poor decisions based on poor data. But what we may simplistically, and perhaps cruelly, call a “bad” manuscript stands only a slim chance of getting past an agent and then an editor.
Now consider that the authors with the greatest draw, the most experience, and possibly the best abilities, are not yet a part of the self-publishing pool.
There will be casualties in the publishing industry as the delivery mechanisms for stories undergo change. Publishers will likewise need to pay authors a fair share of the proceeds for e-book sales. Any change in those numbers impacts all books equally, so the picture of how authors are doing according to how they publish remains the same. Some agents are now buying small presses as they realize they can make more money publishing the authors they represent rather than waiting a year to get a book deal from a big house.
And I’d buy lots of them to give to the clueless writers I know who are still turning up their noses at self publishing. So the income bracket of a traditional pub author isn’t something you can readily compare to that of a self-pub author by scraping Amazon.
This book showcases how a community is a much better place to live when everyone treats each other kindly. Once she realizes how she really feels, she is able to embrace her feelings and improve her self-esteem.
Ultimately, it is a lesson about how our own feelings can affect the feelings of those around us and those we care about.
A book that’s perfect for both boys and girls, this is a story that will resonant with anyone who needs a self-esteem boost.
The reader will explore what makes them unique, will build a healthy self-image, and will get important tools for handling difficult situations. This is a soothing, beautiful, melodic story that’s a perfect way to send a young one off to bed with the message that they are truly magnificent.
Gradually, it became possible to closely estimate how much an author was earning simply by looking at where their works ranked on public lists [link]. This program, however, is able to do in a day what would take hundreds of volunteers with web browsers and pencils a week to accomplish. There are a number of more plausible explanations for the nearly half a star difference in ratings, and one in particular jumped out at me, again from seeing these two charts next to one another. That’s because overall customer satisfaction is a ratio between value received and amount spent. And high prices are a quick and easy way to create a poor reading experience, harming everyone. Our data guru ran a spider through overall bestseller lists and found that these three genres accounted for 70% of the top 100 bestsellers on Amazon and well over half of the top 1,000 bestsellers.3 Future earnings reports will look at all of fiction4, but for now, we started with a simpler data set that captured the vast majority of what readers purchase.
Instead of feeling any sort of confirmation bias, my immediate reaction was to reject these findings.
Factoring in self-publishing and further limiting the scope to fiction, I’ve seen guesses as high as 70%. Major publishers are taking in record profits [link], but they aren’t the big winners to emerge from this report. I’ve personally heard from nearly a thousand authors who are making hundreds of dollars a month with their self-published works. But that inspiring story was being buried by headlines about those whose luck was especially outsized (as mine has been). That is, they compared the top 1% of traditionally published titles to the entirety of self-published works. We ran another report to find out, and to our surprise, it turns out that only the handful of extreme earners have this advantage. That is the main purpose for fighting for earnings transparency: helping aspiring writers choose the path that’s best for them.
What will our graphs look like once more up-and-coming authors skip straight to self-publishing?
Other artistic endeavors have far greater data at hand, and practitioners of those arts and those who aspire to follow in their footsteps are able to make better-informed decisions. These daily sales figures are adjustable in our spreadsheet, which contains our full data set and which we are offering at the low, low price of absolutely zilch. Maybe your audience doesn’t read on ebook (based on your genre or or sub-genre or age group or whatever).
This is a book that will get kids excited, laughing, and ready to let off a little self-esteem. What data we do have often comes in the form of surveys, many of which rely on extremely limited sampling methodologies and also questionable analyses [link]. The first run grabbed data on nearly 7,000 e-books from several bestselling genre categories on Amazon. As someone who reads both self-published and traditionally published works, I can tell you that it’s getting harder and harder to tell the difference between the two.
And since ratings on e-books also apply to the physical edition on Amazon’s product pages, this pricing scheme ends up adversely affecting the very print edition that higher e-book prices are meant to protect [link]. I know many who are making thousands a month, even a few who are making hundreds of thousands a month. As a result, self-published authors as a group are making 50% more profit than their traditionally published counterparts, even though their books have only half the gross sales revenue. It is also worth remembering that all of our base data comes from publicly perusable bestseller charts, so there’s an added layer of transparency and reproducibility. A secondary goal is to pressure publishers to more fairly distribute a new and lucrative source of income.
Those that do sit spine-out on dwindling bookstore shelves for a few months and are then returned to the publisher and go out of print.
The works are heavily promoted, and if the author is one in a million, they make a career out of their craft and go on to publish a dozen or more bestselling novels in their lifetime. What will they look like when self-published authors have a decade or more of experience under their belts?
The expectations of these artists and athletes are couched in realism to a degree that the writing profession does not currently enjoy. So it’s a trade-off in some cases of greater potential reward for greater risk of no or very small reward. But these extreme outliers interest me far less than the mid-list authors who are now paying a bill or two from their writing. Here we have 7,000 e-books as they are selling on any given day, which also serves to move the discussion away from misleading outliers and into the more interesting midlist. The information was there all along; grabbing a useful quantity of it simply required someone like my co-author to come along and snag it. Operating in lockstep in offering authors only 25% of net is not just unfair but unsustainable, as more and more authors are going to jump to self-publishing. If publishers nurture their authors and work hard to satisfy their customers, they will see those average ratings go up and sales increase. This article is destined to become the bible of indie publishing, and spell even more headaches for the Big Five. Kids will giggle along with the funky rhymes and will remember the lessons in this book for years to come. You can ask this data some pretty amazing questions, questions I’ve been asking for well over a year [link].
And those who fear that these titles will crowd out other books are ignoring the vast quantities of books published traditionally—or the fact that billions of self-published blogs and websites don’t impede our ability to browse the internet, to find what we are looking for, or to share discovered gems with others.
Or when top traditionally published authors decide to self-publish, as artists in other fields are doing? They will see more people spending time with a book rather than on a video game or on the internet. If they’re paying twice as much for traditionally published books, which experience will they rate higher? You can price it right, hire the editor and cover artist you want to work with, release as often and in as many genres as you want, give books away, and enjoy a direct relationship with your reader.
Our data shows quite conclusively that mid-list titles earn more for self-published authors than they do for the traditionally published.
I marvel that there are so many who fight for higher prices for consumers and lower pay for authors, all to protect a legacy model.
And then the entire publishing industry, as well as those who love to read and those who hope to write for a living, will benefit. It isn’t for everyone, but you’re about to see a good reason why more authors might want to consider this as an option. And the advantage grows as the yearly income bracket decreases (that is, as we move away from the outliers). It is also worth noting again that self-published authors are earning more money on fewer titles.
Our data supports a truth that I keep running into over and over, however anecdotally: More writers today are paying bills with their craft than at any other time in human history.



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