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History: The origins and early development of Freemasonry are a matter of some debate and conjecture. There is evidence to suggest that there were Masonic lodges in existence in Scotland as early as the late 16th century (for example the Lodge at Kilwinning, Scotland, has records that date to the late 16th century, and is mentioned in the Second Schaw Statutes (1599) which specified that "ye warden of ye lug of Kilwynning tak tryall of ye airt of memorie and science yrof, of everie fellowe of craft and everie prenteiss according to ayr of yr vocations"). Freemasonry is a fraternal organization that arose from obscure origins in the late 16th to early 17th century. The fraternity is administratively organized into independent Grand Lodges or sometimes Orients, each of which governs its own jurisdiction, which consists of subordinate (or constituent) Lodges. There are also appendant bodies, which are organizations related to the main branch of Freemasonry, but with their own independent administration. One of the most debatable Freemason symbols that you will find is the square and compass that is often depicted with the letter "G" in the center.
The most common explanations that you will find for what the letter "G" represents run the gambit from God, who would also be the Great Architect of the Universe or Geometry since as Pythagoras had said, all is number.
What is interesting to me is that the letter "G" you will find is non-existent in the buildings or symbolism of Blue Lodge Freemasonry, but in every Lodge of the Ancient and Accepted Scottish Rite you will find that the letter "G" is always prominently displayed, either hanging above the altar in the center of the lodge, or located in the East section over the Grand Master's chair. If we are going to find the truth behind this symbol, then we must ask ourselves the question, "Why is the letter "G" used extensively in the Scottish Rite, but not in Blue Lodge Freemasonry? The answer may be because of the goals of these two distinctly different Brotherhoods who are obviously both Masonic Orders, but with different degree systems, symbols, and possibly even end goals within their teachings. This would indicate that the Blue Lodge of Freemasonry is set up for more materialistic type goals which would be understandable, because like any fraternity or club, many candidates simply join their local lodge for social gain and or business networking. This will give free will to the Mason, to choose to further his education in order to acquire the higher degrees in the Scottish Rite through knowledge and the work necessary, or simply remain in the Blue Lodge. If someone who joins the lodge does not show an interest in knowledge, the esoteric, or upward advancement in the degree system of the Scottish Rite, their inaction or lack of motivation to excel as a mason and grow as a man shows their internal material intentions on why they had joined the organization. Hence, when you become an honorary 33rd Degree Scottish Rite Freemason you will have been voted by your fellow Masons as a worthy related Brother who is both a Gnostic and understands the secrets of procreation, the universe, truth, love and immortality. You will have been deemed by the Supreme Council to have what may be called a "Christ consciousness" or a "Reincarnated Buddha" Astral Body, where you may walk as both Jesus and Buddha had done by knowing THYSELF and also by using the knowledge you have gained for wisdom and reason in order to operate in the current moment of Truth. Therefor, the letter 'G' in Freemasonry signifies Gnosis, Generation and the Grand Architect. Generation (from the Latin generare, meaning "to beget"), also known as procreation in biological sciences, is the act of producing offspring.  Hence, it is from the blood that Gnosis or knowledge is transmuted through the act of procreation that then passes the knowledge encrypted within our DNA to our offspring. 33rd Degree Scottish Rite Freemason, Albert Pike and Master Occultist, Eliphas Levi agree with the Masonic facts I have stated, that the letter 'G' in Freemasonry signifies Gnosis, Generation and the Grand Architect.
In the Mysteries of Magic by Eliphas Levi and interpreted by Arthur Edward Waite, it is written; "All these magical theorems, based on the unique dogma of Hermes, and on the analogical inductions of science, have been invariably confirmed by the visions of ecstatics and by the convulsions of cataleptics under the supposed possession of spirits. The language of architecture climaxes in the Gothic cathedral, of which many have Triptych entrances, symbolizing the balance of opposites to find the Middle Way.
It is this same balance of opposites that was commemorated in the Triptychs of all ancient cultures. In this brief blog post you’re going to discover one powerful fact—the Shriners organization incorporated what I call the ancient “Triptych” design in their most important architectural works. They did this because the Shriners organization—the Ancient Arabic Order of the Nobles of the Mystic Shrine (commonly known as Shriners and established in 1870 is an appendant body to Freemasonry)—has the same ultimate purpose and meaning of the Freemasons, from whom it spun off.
This purpose is to quietly—or, better, “secretly”—preserve the ancient Triptych’s meaning, and to carry this powerful meaning into modern times. If you’ve been following my blog you already know that I’ve discovered that the ancient Triptych—a three-in-one architectural pattern formed by three arches or doorways, with the center arch or doorway larger than the two flanking it—symbolizes an enigmatic “Sacred Science” wisdom-teaching that was once mysteriously shared by history’s earliest civilizations.
There are plenty more examples of modern-day Triptychs built by and connected to the Shriners Organization.
Because the Shriners organization is just like the Freemasons—established to preserve and protect the same ancient Sacred Science wisdom-teaching.
I’m not talking about American history, European history, or even Western or Eastern history.
Their names in (modern) Freemasonry are “Boaz and Jachin,” with Boaz on the left and Jachin on the right. As the story goes, these two pillars were erected on either side of the entrance to King Solomon’s Temple in Jerusalem, which was built by King Solomon c. The symbolic significance of these twin pillars is not touched upon in Freemasonry, yet most modern authors say that in the original Hebrew of the Old Testament the word Jachin (the right hand pillar) means he will establish and Boaz (the left hand pillar) means strength.
You won’t hear anything even close to this explanation from me simply because I don’t believe any of it.
In fact, I call this a “substitute secret.” It was invented as a cover-up and it continues to be published in books and websites by an unsuspecting public. My research uncovers the true meaning of the twin pillars, which predate Solomon, the Jews, and even the Old Testament books by thousands of years. The answer is that the Twin Pillars form the foundation of an ancient “Sacred Science” once known worldwide.
This Sacred Science was encoded by the operative Freemasons into the design and architecture of the world’s most famous Gothic cathedrals. Mormons believe every word of the LDS church; scholars, on the other hand, ignore the entire history of the Mormon movement.
I believe the discovery of the Triptych on the Salt Lake Temple is provocative and powerful enough to open up a third school, a third point of view.
Today, the impact of Freemasonry in Mormon Church doctrine remains the subject of intense debate, and the Church of Jesus Christ of Latter-day Saints has a longstanding policy of maintaining no official position on Freemasonry.
However, many researchers have uncovered profound parallels and links between the two movements in practice, structure, and symbolism, which go back to the church’s origins. In the early 1800s, when the Mormon Church was headquartered in Nauvoo, Illinois, Smith and several of his followers—including his first four successors as church president—were already Freemasons. I will discuss more in future blog posts, and I plan to visit and videotape Masonic architectural elements of the Triptych on Salt Lake Temple.
Rumors of a connection linking Mormonism to Freemasonry have swirled for more than a century.

However, the most powerful and mysterious connection between these two movements has not yet been recognized. I’ve uncovered evidence that the Triptych architectural pattern holds an ancient, symbolic meaning. I’m writing a book called Written In Stone describing my discovery of the “Triptych” and the ancient wisdom it enshrines. This is because ancient cultures all knew the Triptych symbolizes a powerful and highly spiritual Sacred Science teaching, which they all once shared (exactly how is immaterial). Even more interesting, modern Secret Societies, like the Freemasons, seem to have been very well-versed not only with Triptych design but also with the ancient Sacred Science wisdom it symbolizes. So how, then, did the Triptych make its way onto the facade of the famous Salt Lake Temple? As always, my main goal here is the rediscovery of the ancient Triptych and how it symbolizes a powerful Sacred Science wisdom, now lost. But every now and then I come across a jewel of knowledge worth mentioning, which in some way is tangentially related to the Triptych. I think that if you can align yourself with this type of thinking, you can realize the secret of the Triptych—that you are powerful beyond what you’ve been brought up to believe, and that unimaginable energy is available to you right here and now (and has been all along) if only you have the ability to see it. People would walk around it marveling at its big pools of water, its little pools and the water flowing between. They would marvel at the very thin layer of gas surrounding it and the water suspended in the gas. The people would declare it as sacred because it was the only one, and they would protect it so that it would not be hurt. The ball would be the greatest wonder known, and people would come to pray to it, to be healed, to gain knowledge, to know beauty and to wonder how it could be.
People would love it, and defend it with their lives because they would somehow know that their lives could be nothing without it. These mosques clearly depict the same Triptych architecture that European Freemasons designed into the facades of Europe’s Gothic cathedrals.
Scholars have not yet recognized it, but mosque Triptychs are the mystical creations of “Arabian Freemasons”—just as cathedral Triptychs are the work of medieval European Freemasons.
My new book, Written In Stone, reveals how operative Freemasons purposely encoded Triptychs into cathedral architecture to secretly symbolize a powerful and ancient “Sacred Science of Three” they inherited from Antiquity. As European Freemasons encoded the Triptych into cathedral architecture to symbolize the ancient worldwide “Sacred Science of Three”…so Arabic Freemasons encoded the Triptych into mosque architecture to denote the same. After my previous post went live, I received a few emails from readers who identified themselves as Freemasons, questioning my conclusion that Freemasonry made its way into Arabia.
In fact, a well-known mainstream author named Albert Gallatin Mackey (1807 – 1881) wrote on this subject.
Mackey also gives us an important clue as to the possible source of Muslim Masonic architecture—the Mogul Emperor Akbar.
Now, rather than making you read a long, drawn-out explanation of history, I’d prefer to ask you to conduct your own study into the so-called “Mogul” Empire, also spelled “Mughal” (1526–1858). Study its culture, analyze its art and architecture, and see if you can identify the Moguls as a Triptych-building people, as possessors of the Sacred Science from Antiquity. The Mogul Emperor Akbar (who, as Mackey tells us in the quote above, died in 1605) was a close relative to a man named Shah Jahan. This is clear evidence that the Triptych was known to Arabic peoples, and was encoded into mosque architecture.
Finally, here’s a snippet of text from a book called Freemasonry in the Eastern Hemisphere by Ray V. My point for this post, and for my two previous blog posts, is simply to suggest that an “Arabian” form of Freemasonry surely existed, though scholars don’t recognize it. As evidence, we find Triptych architecture in mosques all over Arabia, just as we find Triptych architecture in cathedrals throughout Europe. Stay tuned for more evidence that reveals how the Triptych (and the Sacred Science it symbolizes) is the real-life Lost Symbol of the Freemasons. Before you read this post, scroll down a bit and look at the small group of mosque photos I put together.
I’m presenting these mosque photos because, in the last ten days I received two emails about my last post, both from skeptics.
First, I don’t think it’s far-fetched at all because Freemasonry is exactly an “international, intergenerational, and interfaith conspiracy” (or, instead of “conspiracy” let’s say “Secret Society”).
But the Triptych discovery I’m pointing out on the facades of mosques—which parallels Gothic cathedral Triptychs—will soon change that. Just think about it…The Freemasons built the Gothic cathedrals, according to scholars, right?
And the Freemasons have historically encompassed all the religions—not just Christianity—right? So, then, how much of a stretch is it to consider that the Freemasons are at the heart of all the world’s religious building traditions?—not just Christianity?
And how much of a stretch is it to believe that the operative Freemasons once understood an eternal doctrine of “truth” (an ancient “Sacred Science”) that’s more valuable than individual religions, and which they sought to preserve for posterity in the symbolic language of architecture?
And the solution lies in the most mysterious and important of all the Masonic numbers—Three. Hyped-up “Freemasonry’s Lost Secret Found” headlines, like the one I’ve used in the title of this post, are common nowadays. But, the trouble is, when you actually read the book, watch the program or skim the article, you end up no closer to actually understanding Freemasonry than before, right? This is because it is precisely the Lost Secret of Freemasonry that has been encoded in the architecture here. But, several years ago, while traveling abroad I realized that this Triptych entrance stands for something much different, something much more mysterious and much more powerful and esoteric.
Also, please stay posted to this blog as I unravel Gothic cathedral architecture in a way that I feel 98% of scholars have missed.

The Masonic builders of the Gothic cathedrals were surely trying to tell us something with the Triptych architecture, and with the entire cathedral itself. This secret wisdom is by far the most important thing you’ll ever learn, whether you’re a doctor, astronaut, physicist or mystic. I promise you that everything I show you from here on in will be rooted in scholarship, grounded in reason and written in stone. Instead, my research reveals how the ‘Great Secret’ of the Freemasons has been Written In Stone—written into the stone architecture of churches, castles, cathedrals and other Masonic buildings worldwide—by the Freemasons themselves. That is to say, the operative Freemasons encoded the same message, over and over again, in all of the medieval buildings they constructed. The message they encoded relates instructions on how to understand and master an ancient Sacred Science of the Soul now lost to the Western world. Even more than pyramids, the triptych three-door entry is evidence of a Universal Wisdom once shared worldwide. Modern-era Secret Societies that have been “spun off” from the Freemasons use the Triptych. A powerful Triptych appears on the facade of the Skull & Bones headquarters in New Haven, CT. Headquarters of the Ancient Arabic Order of the Nobles of the Mystic Shrine in Washington D.C. Since my last video post, The Masonic Wisdom Hidden In Gothic Cathedrals, I’ve started to receive a few emails (a couple from Freemasons) asking about Freemason symbols and their meaning. However, rather than spend 30 minutes replying to individual emails, I think it’s better that I think carefully about the answers and then either create an article or video reply. A poem known as the "Regius Manuscript" has been dated to approximately 1390 and is the oldest known Masonic text. Freemasonry now exists in various forms all over the world, with a membership estimated at around six million, including approximately 150,000 under the jurisdictions of the Grand Lodge of Scotland and Grand Lodge of Ireland, over a quarter of a million under the jurisdiction of the United Grand Lodge of England and just under two million in the United States. The various Grand Lodges recognize each other, or not, based upon adherence to landmarks (a Grand Lodge will usually deem other Grand Lodges who share common landmarks to be regular, and those that do not to be "irregular" or "clandestine"). It is this letter "G" that has garnished the most speculation from outsiders, and even initiated members of this Secret Brotherhood.
In both operative and speculative Masonry the use of math and mathematical symbols has always been at the forefront in the teachings of the craft. The founders of the Brotherhood had always known this ancient fact and this is why they had set up a degree system of advancement that one must undertake to advance up the ladder in the organization. It is simply not only what a man does that shows who he truly is, but also what he doesn't do. Gnosis (Greek for knowledge) in its simplest form is “knowledge of thyself” or the Great Arcanum, Daath (Da’ath - Hebrew for knowledge). The G which Freemasons place in the centre of the Burning Star signifies Gnosis and Generation, the two sacred words of the ancient Kabbalah. Evidence exists that can show how these temples all symbolized the pinnacle of all their ancient religions, a mysterious Sacred Science of the Soul.
Medieval Freemasons encoded the Triptych into the architecture of Europe’s high Gothic cathedrals. In fact, it’s well-known that his entire family was active in Freemasonry as early as 1816. Because there’s a deeper meaning behind the Triptych; it symbolizes a lost ancient Sacred Science perpetuated by the Freemasons. It is my belief that the builders of these mosques were operative (Arabic) Freemasons encoding a deeper wisdom in the architecture. A glimmer of this ancient wisdom is still visible in their signs, symbols, and ceremonies, though much of it has been distorted (while some has remained intact). However, they also understood the religions have served to “cover up” the truth about the Sacred Science (especially the so-called big three Western religions, Judaism, Christianity, Islam). The Freemasons became an “eating and drinking society” with a newfangled creed focusing on Faith, Hope and Charity.
Instead, it denotes “Geometry,” which is the Sacred Science of the authentic operative Freemasons. It’s nothing short of the real life “Lost Symbol of the Freemasons” (to borrow from Dan Brown).
In this article I would like to focus on what this letter actually symbolizes to help dispel the myths, and let you, the reader decide, if what I write is truth. This statement is by no means to offend, but to shed light on the facts of, not only what can be found inside a Freemason Lodge, but what is only human nature and a fact of life that can be found in any organization or fraternity. The number three degree (3rd) is the highest degree that you will find in the Blue Lodge, but in Scottish Rite Freemasonry, the honorary highest degree of the Supreme Council is the 33rd degree which is 3x3=9, which is the power of creation and the God of All or Truth.
It also signifies Grand Architect, for the Pentagram, from whatever side it may be looked at, always represents an A.
The “God” of the Bible is thought by most Masons to be the Great Architect of the Universe (key figure in Masonic ritual).
I once read that modern Freemasons can barely organize a picnic, let alone put together and fulfill a plan for world domination.
Our world-wide order is dedicated to the pursuit of knowledge, truth and real Gnosticism using both ancient and modern gnosis techniques such as science to not only KNOW THYSELF, but also to MASTER THYSELF.
Masonic symbolism is now centered around the “Temple of Solomon,” which once stood in Israel. To believe the “G” symbol stands for “God” is to completely misunderstand the true history of the Freemasons and the purpose of the Craft. All this serves to confuse rather than enlighten Masons on the Order’s founding secret—the ancient Sacred Science, and the powerful unified history of humanity.

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