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The retelling of the well-known fairy tale also contains a few other surprising updates (which I’ll be vague about to avoid spoiling).
Fast forward to Jolie as the adult Maleficent, who leads her people into battle against the king of the neighboring land who’s looking to expand his kingdom. The story then treads familiar territory with the cursing of the infant princess Aurora, who shall prick her finger on a spindle on her sixteenth birthday and fall into a death-like sleep and can only be awoken by true love’s kiss. The movie veers into kiddie land with technicolor magical creatures flitting about while the teenage Aurora (Elle Fanning) looks on in wonder, and some plot points are underdeveloped, but Jolie will keep the adults entertained. This is rated PG so it’s not too cute, though you will have to deal with magical creatures and pixies acting silly. Now I want to go back and watch the 1959 Sleeping Beauty film and pay attention to the Maleficent scenes.
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Perhaps my most anticipated film of the summer was Dawn of the Planet of the Apes, and with it hitting DVD in a few weeks, I figured there was no time like the present to marathon the original series, which I’ve only seen bits and pieces of. Charlton Heston proves to be just about the ideal deliverer of this style of dialogue, really selling lines that would come off as fatally cheesy from most other actors’ lips. I know this won an Oscar for makeup, but it took two more sequels for the actors to make it look like they are actually talking and not just chewing on the rubber insides of their masks.
Planet of the Apes shows up on every Best Sci Fi films list for a reason- it perfectly showcases the genre’s potential both as social commentary and imaginative headtrip. Movieboozer is a humor website and drinking games are intended for entertainment purposes only, please drink responsibly. Contributors include StarNews features editor John Staton, StarNews reporters Ben Steelman and Hunter Ingram, freelance writers Brian Tucker and Justin Lacy, and others. I reviewed this a while back after I saw it at the opening night of the 2012 Film4 Frightfest and I agree, it is a fantastic film, 2nd only to American Mary that year. The first half was really boring and I couldn’t continue watching it, i wish I read this article before I sat to watch this movie.
If you watch Andres Muschietti’s 3 minute short film Mama, good luck not releasing your bowels in fear. The crash leads the trio to an abandoned house where Jeffery decides to set up camp and debate a murder-suicide scenario. Muschietti’s visual rendering of Mama is so creepily fantastic that the image alone made me want to cross my chest and pray to the gods I don’t see her in my dreams… but I probably will.
However, the aforementioned accolades are short-lived, and much of the film doesn’t receive the same ingenious style of filmmaking.
So sometimes I can be a bit of a movie snob and my snobbery was in full effect while watching Mama. Viewers who scare pretty easily in films, but still get a thrill from horror, will likely be terrified during Mama, but for those of us horror purists who knows that a pan out in a dark room will likely reveal a creepy figure unseen to a character, Mama is pretty average.
Twenty-something film reviewer, social critic, and cultural analyst searching for a place in the sun. Based on the case files of paranormal investigators Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga), the movie opens with a nurse telling the story about a doll her mom had given her that has been possessed by what they believe is a seven-year-old girl.
Gorgeous, luscious chocolates are in nearly every frame of Chocolat and if you, like me, have a weakness for chocolate this movie will make your eyes rounder than a puppy begging at the dinner table.
This movie is an interesting blend – there is a fairy tale quality, without any overt magic, and nice romantic moments, without being a romantic comedy. Lasse Hallstrom’s film of Chocolat (Miramax, 2001, script by Robert Nelson Jacobs) is in many ways very true to the original.
In tiny Lansquenet, where nothing much has changed in a hundred years, beautiful newcomer Vianne Rocher and her exquisite chocolate shop arrive and instantly begin to play havoc with Lenten vows. Such is the case with Angelina Jolie in the titular role of Disney’s Maleficent, which provides back story for the villainess from the animated classic Sleeping Beauty. We start with Maleficent as a young fairy with big powerful wings who guards the moors, a place that’s home to all kinds of magical creatures.
The outcome of the battle leads to Maleficent being horribly betrayed by the boy she thought was her true love. At times, like during the battle scenes, I thought it might be too dark for really little kids (6 and under) but of course those were the more compelling scenes for the adults.
I think Disney’s cartoon Maleficient was one of the most iconic film villains, and (although I loved the casting and the early scenes frome the trailers) I feared the story would not live up to the promise.
The story has some holes and, as I said above to Eddy, contains moments obviously aimed at kids, but Jolie does such a good job giving emotional life to Maleficent that it’s worth seeing.

Schaffner oversees a beautiful film, from its shining production design to its intriguing cinematography from DP Leon Shamroy, full of Panavision vistas of its American Southwest location, shot so wide as to be almost fisheye at times, accentuating the alien nature of this stark landscape.
It was the first and last time I would ever read a book on which a movie was based before it came out. In IMAX the Tyrannosaur Rex sequence looms larger, putting you in the fear zone the film’s characters endure.
From theater and all manner of music to visual art, dance, festivals and more, The WAE is populated by people who are immersed in local A&E.
The fact that these things are paranormal and come from a place that isn’t a part of a natural world, is what makes them scary. The reason it is so disturbing is because it depicts a world that not only could happen, but definitely does happen. As if the things going on are not disturbing enough when they are implied, you have to see them.
Angel not only knows the entire layout of the house, but also knows how to traverse the duct work. I know a lot of hardcore horror fans that will probably not enjoy this movie, because of the realistic brutality. If you troll or post spam or act like a child we will send you to your room without dinner and take away your posting priviledges. It is a horror film in the truest sense because it is grounded in a horrifying, disturbing and tragic reality. If you watch Muschietti’s hour and 40 minute feature film Mama, good luck not dozing off in boredom. In his psychotic break, he rushes home to kill his wife and kidnaps his two toddler daughters, Lily and Victoria.
Just when he makes his decision a strange floating figure emerges, saving the girls from death. In fact much of Mama is done in your average, “we’ve seen these tropes a million and one times” style. With my nose turned up to the heavens and my pinky so high it tickled God, I constantly found myself huffing and puffing at how awful Mama’s cinematography is. It’s worth the viewing, though, for its horrific antagonist and pretty effed up, confusing, yet intriguing ending. Nominated for five Oscars, including best picture and best screenplay, this movie centers on Vienne, a new arrival to a small, conservative town whose way with chocolate and appreciation of indulgence threatens the established social order.
More than anything this is a movie about relationships and the ways Vienne’s arrival and fresh perspective forces the town to reevaluate them.
Johnny Depp has a small but important role to play (and many will swoon over his long locks), and Alfred Molina plays the rigid town leader who tries to drive Vienne away. It has been sweetened to some extent, and simplified to meet the needs of a cinema audience, but I think the adaptation is fair and remains close in spirit, if not always in detail, to the book. Her heart is bright and she falls in love with an orphan boy who declares someday he’ll live in the castle in the land adjacent to the moors. An actor with less screen presence might’ve been swallowed up by the dramatic costumes and horns and awesome wings, but Jolie wears them, not the other way around. Live action, G-rated, Disney movies that aren’t chimpanzee documentaries are always a big risk in the grown-up enjoyment area, but Maleficent sounds pretty good.
The silly pixies didn’t bother me, but you are right, I think that the battle scenes and some of the overall themes would be a little intense for kids.
It doesn’t hurt that many of CG sequences are at night or in the dark, but still, it’s a film that remains a roller coaster ride. But sometimes a horror film doesn’t have anything paranormal, and the monsters are human. Angel is a deaf mute, and has a birthmark across her face, rendering her useless as a prostitute. Loved the fact the wasn’t much dialogue in the first half and that the protagopnist was a mute, the imagery we are forced to watch just seem much more malevolent laced in silence.
Distraught by the events, he recklessly speeds around the curves of a cliff in icy, snowy weather, skidding off the road and sending his car crashing in the process… you know, because why wouldn’t that happen?
The figure soon gives the children food, thus beginning an unhealthy relationship with the girls that spans five years. Anytime the figure is on screen I couldn’t help but gasp and feel my mind immediately try not to invite it into my subconscious.
If you’ve watched at least five horror films in your life then you know the familiar elements used to score one. Mama spends so much of its time trying to uncover who, what, and why Mama is, that it neglects all the other main characters, making it difficult to understand who, what, and why they are.

It’s such an obnoxiously dark film that it gets weighed down because of how drab and bland everything looks.
If I have one critique, it would be that Sharlto Copley just didn’t seem to fit the character. Still, one can only imagine the delight of young kids seeing dinosaurs on that big screen in 1993, coming to life fully with computer generated imagery . Surprisingly, it felt a little tame now, especially in contrast to the numerous big action films that followed in its wake.
However, the crime boss that runs the house, Viktor, takes pity on her and allows her to be his assistant. Like I said before, the things that happen in this film are probably happening somewhere right now, half a world away. This film is a reminder that the world we live in is sometimes full of shocking violence, and humans are more frightening than anything the imagination can conjure. In Serbia, you had Serb and Croat animals that felt it was good to do this to the Muslim Bosnian girls AND boys, as well as to some Croat Christians.
It’s a film that seems to have been made by a very talented artist who just hasn’t reached his full potential.
In time, a search party funded by Jeffery’s brother Lucas finds the now feral, malnourished girls.
The standard high pitched strings, loud bang of a drum when a scene is in close up, and also blaring low horns.
In certain scenes, lights seem to be missing from the set just for the sake of creating a dim and shadowy aesthetic.
Soon the parish no longer cares, as it abandons itself to temptation, happiness, and a dramatic face-off between Easter solemnity and the pagan gaiety of a chocolate festival. There was a trailer for “Iron Man 3” preceding the movie (it looked great in 3D) and it was an example of how far, and how much, movies have changed since “Jurassic Park” came out. Having sat through other 3D conversions for “Thor” or “Alice in Wonderland” the mere mention of conversion can make a viewer gun shy.
During the turmoil in this part of the world, everyone felt the economic impact, including organized crime groups. I never think the Americans do the right thing anywhere, but killing the Serbs was the right thing for NATO to do.
After a custody battle with a devoted family member, Lucas and his apprehensive bass-playing girlfriend Annabelle take the girls in with the help of Dr.
A dream sequence involving Annabel is simply incredible as her tangible reality melts away in front of her and audiences and the apparition takes place in hyper-realistic color and movements. All the familiar sound effects that happen in horror films are present in almost every scene of Mama, you know to keep the tension up and distract you from the fact that it’s pretty boring overall. Colors seem to be sucked of all their life and everything is just so dark  that night scenes lose their punch. Chocolat‘s every page offers a description of chocolate to melt in the mouths of chocoholics, francophiles, armchair gourmets, cookbook readers, and lovers of passion everywhere. Long takes that often pan back and forth between objects or circle around characters while slowly walking through a scene without a single cut are further exceptional moments in the film.
Annabelle constantly complains that she didn’t sign up to raise two kids with Lucas, but responds to a friend’s suggestion of leaving by saying that she can’t leave him. A look at the films Sinister or Insidious will show how to properly create a dark aesthetic while keeping things well lit. As adaptations go, this seems to me to be a sensitive and faithful one; certainly not as dark as the book, but I like milk chocolate too. It’s a must for anyone who craves an escapist read, and is a bewitching gift for any holiday. What was Lucas’ relationship with his brother and the girls that made him so hell bent on finding them? Even more so, what convinced him that they were still in the area and not with Jeffery in Mexico with new identities?
The whole film constantly reminds us that these girls’ condition is exceptional and different yet it barely acknowledges the mental and physical discrepancies that would result from living in the wild and eating nothing but cherries.

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