Secret in their eyes movie review,buddhist retreat philadelphia,self esteem classes montreal - PDF 2016

24.03.2015
This film is based on an Argentinian movie that won the Oscar for Best Foreign Language Film in 2009. First let me tell you that I grew up in Los Angeles in the San Fernando Valley and Dodgers Stadium was and is a cathedral to me.
So for me to pick baseball which is a uniquely Americans sport and then to put it in a place that’s so well-known like Dodgers stadium with that great LA skyline certainly behind it, I just felt that that was going to be a great image and whatever we were going to do to get it we just had to do it. But someone invented this thing called the clouds cam which is a camera head that exists on a 30 foot long umbilical cord that hangs out of a helicopter so the helicopter could fly the camera head over the stadium and over the crowd but the helicopter would be high up above the cloud that they wouldn’t get the prop wash to blow their hair.
There’s a struggle in the film between those who want to pursue the person responsible for a horrible murder and those who are more concerned with preventing future catastrophes. When you juxtapose that against the necessity for justice for this one case you then have the makings of good drama because everybody in the room has a completely valid and urgent point of view and they can defend it with great authenticity. Movie Mom's full archives of more than 2,500 reviews (including her 200 best films for families), 400 interviews with filmmakers and 4,000 blog posts is now on Beliefnet for searching.
For Mother's Day, share some of these movies featured in my book, 50 Must-See Movies: Mothers. Justin Timberlake and the cast of DreamWorks Animation's "Trolls" perform his new song, "Can't Stop the Feeling." Watch for James Corden, Anna Kendrick, Kunal Nayyar, and Timberlake's mom!
In honor of Mother’s Day, my ebook 50 Must-See Movies: Mothers will be free on Amazon through Monday, May 6-9, 2016.


No one matters more to us than Mom and there is no one we can at the same time want everything and nothing from. Secret in Their Eyes is a remake of the 2009 Argentinian Oscar-winner of almost the same name, a movie about the prolonged hunt for a killer that has one memorably disturbing moment. It is the story of a horrific murder and its impact on the lives of three people, a prosecutor named Claire (Kidman), and two FBI investigators, Jess (Roberts) and Ray (Ejiofor). And every beat in the movie turns on the idea of obsession all the way down to how they find the bad guys through their own obsession.
So once I knew that we were going to be shooting the movie here in Los Angeles there was nowhere else I was going to put that scene except Dodgers stadium. I would love for this movie to be part of a larger conversation about the merits of this one case versus the needs of the public at large to be safe. It required a lot of begging, it was me personally hammering the LA Dodger organization, begging pleading, cajoling, doing everything I could to get them to say yes and eventually they did. We scouted dodger stadium eight times as a crew to make sure that that we know exactly what you are doing and that the camera was going to be in the right place. It was designed actually to fly in between the crevices of ice glaciers so that they can get documentary footage inside glaciers.
I felt it was really important that the DA played by Fred Molina and the character played by Michael Kelly, have a valid point of view.


And then of course we had to fight to make sure that we had the money in our budget to shoot it the right way which was its own challenge because we didn’t have an unlimited amount of money to spend on the movie. The trickiest thing in the world of course was that opening shot, the one that comes from behind hill and then over the parking lot over the stadium and then lands on Chiwetel and Dean and there was a lot of debate about how to do with that. But it was extremely important to me because there are certain moments in the original that I just felt had to be honored and that soccer stadium sequence was certainly one of them, you know you can’t do that in Los Angeles and put it in a soccer stadium it is not the same thing here in an American context. But they both know as well that it is inevitable that they’re going to walk into that minefield again. And I felt it was really important to paint a picture of how the steps that they are taking now in 2015 completely mirrored the steps that they were taking in 2002. I want the viewers of this movie to be actively in engaged in trying to piece together the puzzle of it. And part of that has to do with trusting your audience enough to know that it might take them 10 seconds into a scene to know exactly where they are but that they would be engaged by that.



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