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24.05.2015
May's wailing wall appears repeatedly in Gina Prince-Blythewood's The Secret Life of Bees, each time an invitation to reflect, to remember what was and hope for what might be. And so, when T-Ray’s physical abuse becomes too much (among other specialties, he makes her kneel in grits until her bare skin bleeds), Lily leaves home, imagining that the honey label will give her a clue as to why her mother married her father and, more importantly, who she was before she did it. While Lily develops particular relationships with August (who mothers her unconditionally) and June (whose need to be convinced of Lily’s trustworthiness is awkwardly hinted at in her apparent political activism, that is, her NAACP Youth Council t-shirt), Rosaleen finds solace and companionship with May. Cynthia Fuchs is director of Film & Media Studies and Associate Professor of English, Film & Video Studies, African and African American Studies, Sport & American Culture, and Women and Gender Studies at George Mason University.
I've Got You Under My Skin: The Constancy of Cloning and of Gamer Identity in 'Hardcore Henry' by G. ADC (pp 3 “as a permanent ADC to the Commissioner”)  aide-de-camp     A military officer acting as secretary and confidential assistant to a superior officer of general rank. Chequers (pp 9  “What’s wrong with Chequers?”) or Chequers Court is the country residence of the Prime Minister of the United Kingdom.  It is a country house near Ellesborough, to the south of Aylesbury in Buckinghamshire, England, at the foot of the Chiltern Hills. MI5  (pp 4 “… and a fresh-faced boy from MI5 who had been introduced as Colin Reeves”)   The Security Service (MI5) is responsible for protecting the United Kingdom against threats to national security.
At once simple and mightily symbolic, it’s made of earnest gray stones and marks the smalltown South Carolina property she shares with her sisters, August (Queen Latifah) and June (Alicia Keys).
In the kitchen, they create a brilliant mutual support system, seemingly premised on traditional housekeeping roles, but expanding beyond stereotypes.


The MPS is also referred to by the metonym Scotland Yard after the location of its original headquarters in and around Great Scotland Yard, Whitehall. Similar in appearance to a briefcase, they are primarily used to hold and transport official departmental papers from place to place. They are also referred to by some forces as Forensic Scene Investigators (FSIs), Crime Scene Investigators (CSIs) (although their job differs from that depicted in the CBS TV series), or Crime Scene Examiners (CSEs).
She was born in Albany, Georgia and raised in the tiny town of Sylvester, Georgia, a place that deeply influenced the writing of her first novel The Secret Life of Bees. The novel tells the story of fourteen year old Lily, who runs away with her black housekeeper in 1964 in South Carolina, and of the sanctuary they find in the home of three beekeeping sisters. The wailing wall also marks time: beginnings and endings, history and memory, perpetual motion. She does this by means of weekly meetings, where women gather to pay respect to the Black Madonna, a carved wooden figure in the Boatwrigthts’ living room. The Secret Life of Bees has sold more than 6 million copies, spent over 2 ? years on the New York Times bestseller list and been published in 35 countries. Lily is traumatized by stories: first, courtesy her rednecky father t-Ray (Paul Bettany), that her mother abandoned her, and second memory that, as she says over a dramatically blurry flashback, when she was four, she accidentally shot and killed her mother. Like May’s wall, the Madonna offers respite, a means for mourning and celebration, resisting and re-narrating.


The moment is also remarkable for its effect on Rosaleen: seeing this historic declaration of her right to vote, she determines to act on it. And it is May’s wailing wall that signifies the timely and timeless need for such learning.
She experiences how harmful racism can be especially against Zach when he is arrested, she must experience another tragedy when May commits suicide, and must learn to tell people the truth no matter how afraid she may be. Evidence collected is passed to the detectives of the Criminal Investigation Department and to the forensic laboratories. This community is close-knit and wondrous, the film proposes, to the point that the white community is pretty much evacuated from the women’s story.
When she’s harassed, arrested, and beaten nearly to death for her effort, Lily is moved to save her and in so doing, save herself. The wall is where May remembers her pain and loss, remembers it even though she hardly has to—pain and loss are everywhere in the South during the early 1960s.



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