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A side project of Funeral For A Friend frontman Matt Davies, The Secret Show released one album and are currently on hiatus.
In late December 2005, after six months of solid touring with his band Funeral For A Friend, Matt Davies returned to his home town of Maesteg. After Omar’s last release, Free As A Bird, this musician became a force to be reckoned with. Returning musicians from Omar’s prior success story include violinist Charlie Bisharat, guitarist Ramon Stagnaro, and on the wind instruments Pedro Eustache. Instrumentals always have to overcome the lack of lyrics to make their story strong and distinct. The mid tempo melancholy themes are prominent throughout the album but always trimmed in hope and optimism as reflected by tracks such as the Yanni influenced “Whispers In The Moonlight” and the mysterious “Mirage”, this track featuring Pedro Eustache on his wind instrumentation.
In contrast, there are a few exceptionally reflective moments which begin with the mid tempo ballad “Shimmering Star”. Omar Akram stated that “…we need to embrace aspects of each culture that make them unique and special”.
In the liner notes, Omar Akram states that he hopes his music can act as an international language that crosses cultural barriers, an admirable goal to be sure. Comparing favorably to such well-regarded works as Chris Spheeris’ Culture and Eros or Shahin and Sepehr’s, Secret Journey features pianist and keyboard player Akram joined by acoustic guitarists Ardeshir Farah and Ramon Stagnaro, as well as Gregg Karukas (keyboards, drum and percussion programming), Pedro Eustache (flute, duduke, Persian ney flute), Ron Wagner (ethnic percussion), and the always-in-demand violinist Charlie Bisharat (who graces nearly every song). As stated earlier, the music integrates world fusion elements (rhythms and musical signatures) with the jazz, new age and even electronica genres. What it all comes down to is that this CD celebrates music in its many forms, regardless of culture, ethnicity, or locale. Real Music is the world leader in new age music with artists like Grammy award winning Omar Akram, Liquid Mind, Kevin Kern, Karunesh and many more.
Heatbox, aka The One Man Entertainment System, is a Minneapolis based creative force known for his innovative live performance and uniquely diverse set of creative gifts.
It was called the Internet Underground Music Archive, or IUMA, and it was kind of a big deal in musician circles in the early 1990s, especially in Northern California. Writer Caleb Garling went back and interviewed one of the founders, Jeff Patterson, and talked to some of the musicians who used the early service. But back then, not enough people were willing to suffer through slow upload and download times to share their music. It's a great story of the early days of the Internet, and a reminder that new startup ideas rely as much on timing and luck as on vision. Soulwax and Django Django are amongst the names confirmed for this year's instalment of The Secret Garden Party. Soulwax are set to headline The Secret Garden Party, with the Belgian electro-rockers set to be joined by Mercury nominated indie types Django Django. Mixing established acts with newcomers, the event is set to welcome Wolf Alice, London Grammer, Public Service Broadcasting and Treetop Flyers.

The Temple of Boom will be curated by Eddy Temple-Morris, and the line up is dominated by the spectre of James Lavelle playing a very special UNKLE set.
Here's Head Gardener and programmer Fred Fellowes: "Every couple of years it seems that music bubbles up an endless host of new wonders in a relatively short space of time.
Secret Journey gives us the one-two combination hit that reflects a musician that is in full stride creating compositions laced with unbridled passion and poised grace.
But every now and then there are certain songs that are so powerful visually that words can be unspoken.
You don’t, as Omar shifts gears with his mid-paced moody yet exotic title track emphasizing the mystical world with an off beat bass line that will vibrate your soul. Intermingling with Omar on piano and Ardeshir Farah on guitar, it is a wonderful blend of West meets Middle East. Once again, interaction is the name of the game this time with Omar, Bisharet and Ramon Stagnaro (on guitar) creating soft and warm musical conversation.
Secret Journey expounds on this philosophical statement boldly integrating several musical cultures. If this CD finds its way into the hands of people who enjoy an assortment of uptempo and relaxed music, blending ethnic (primarily Mediterranean and Middle Eastern) influences with contemporary jazz, electronica, and new age elements, then Akram’s hopes will almost certainly be fulfilled. The CD’s twelve tracks are all ensemble pieces, the musicians either playing together in harmony, or taking turns soloing and providing skillful back-up.
If you are familiar with the artists mentioned earlier, or perhaps pianist Armen Chakmakian, they are good reference points.
Our music is beneficial for all types of health and wellness, healing and reiki, sleep, meditation (and guided meditation), relaxation, massage, spa treatments, yoga, t'ai chi, qui gong, fitness and bodywork. As we pause and listen, the Silence will speak, One of its wondrous voices is through the language of music. It was founded in Santa Cruz in 1993, before web browsers were even a mainstream thing and uploading a single song took forever.
There were some successes, like punk-ska band Sublime, which used the action it was getting on IUMA to get a label deal.
Then, as Napster took off, the business case for IUMA disappeared a€” nobody wanted to invest in a company that made it so easy to share music. Establishing itself on the festival calendar, the event has grown in capacity each year to become one of the summer's true highlights. Elsewhere, Bastille have confirmed their involvement while Irish rhythm 'n' blues newcomers The Strypes will also be taking part. In such a moment as this, we feel incredibly honoured to be hosting so many of these incredible new bands at the Garden Party. Rooted in world themes and layered in smooth jazz and new age influences, Omar’s music has become distinct yet highly accessible. Most importantly there is Gregg Karukas on drums and behind the production board bringing life, warmth and immaculate detail propelling us on Omar’s Secret Journey.

Charlie Bisharat is prominent and as always and does a stellar job in bringing style and elegance to the composition.
But from an introspective point of view the album winds down with the simple yet stunning ballad “Angel Of Hope”.
With elements of world, new age and smooth jazz he creates a rich harmonic musical tapestry that has become synonymous with his recordings. The mix and production of the CD (by Karukas) are textbook, especially where the drums, beats and percussion are placed in the mix. While I think the album is generally uptempo, some cuts are laid-back or gentle, such as the closing “Angel of Hope” (a tender and romantic, yet slightly mournful track featuring only Akram’s piano and Bisharat’s violin and some modest synth strings). I recommend the recording to musically-inclined travelers, armchair, virtual, or real, everywhere. This album has all the ingredients to be not only a chart topper but also a critic’s darling for 2007. It is here that Omar takes the lead on his grand piano with Bisharat adding mild embellishments. It’s this stressing of the lead melody (whoever is playing it) over rhythm and accompaniment that gives the album its perfect sense of balance.
The majority of songs on the CD will put a smile on your face and set your feet a tapping or, if you listen while driving, may inspire you to nudge that speedometer up a bit. As such, Omar’s Secret Journey begins with such a song courtesy of “Run Away With Me” that would add elements from both (mostly the former), slowly building in detail and pace that by the time you get to the chorus your toe will be tapping and your pulse racing. With no percussion to speak of Omar brings the Secret Journey to a peaceful and tranquil end. While Akram’s piano playing dominates the recording, he’s never overbearing or in your face, instead sharing the spotlight repeatedly with other musicians repeatedly.
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Like the first track, things kick into a higher gear with hand percussion and some electronica rhythms, along with an infusion of additional drama and passion from piano and violin.
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This song evokes the same sexy liveliness that the previously mentioned e (from Shahin and Sepehr) has in abundance. Another song I particularly enjoyed was “Caravan,” one of the higher energy tunes here and featuring great integration of contemporary electronica and jazz fusion elements with more traditional instrumentation and rhythms.

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