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The Rats were the subject of animal research, described by the leader of the Rats as ?unspeakable tortures?.
A more subtle, but pervasive, topic in The Secret of NIMH is the ambivalence people show towards animals in general.
More evidence of Bluth?s general disinterest of humans can be found in the abomination that is the housecat, Dragon. One of the central themes of The Secret of NIMH is that of sacrifice, and its essential nature in group dynamics. For the animals in the world of the film, humans are giant and powerful but also ignorant and arrogant beings who are best avoided at virtually any cost.
If I were to hazard a guess, Don Bluth had a fair share of contempt for the human race and its inability to live as part of a natural system. What seals the recommendation for NIMH is that its imagery of the film flaunts both charm and visceral power. Rarely have the dynamics of a loving yet unhealthy relationship been explored with such tenderness and insight. Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. A report from a panel at Los Angeles Asian Pacific Film Festival about diversity in the light of the 2015 Oscar ceremony. Animated tale, produced by a staff of Disney-trained artists led by "American Tail's" Bluth; concerns a newly widowed mouse who discovers a secret agency of superintelligent rats (they've escaped from a science lab) who aid her in protecting her family. A strange thing happens when you revisit the movies you grew up on: you pick up all the mature themes you may have missed out on as a child. The Secret Of NIMH is dark, both visually and thematically, but definitely a rewarding watch.
There are a lot of truly frightening moments in The Secret Of NIMH, from ruthless murder rats to a monstrous cat to actual, animated blood when Mrs. I truly, deeply loved the book, which was pure science fiction, great characterizations, and a rip-roaring story. There's something very strange about the rats living under the rosebush at the Fitzgibbon farm. This unusual novel, winner of the Newbery Medal (among a host of other accolades) snags the reader on page one and reels in steadily all the way through to the exhilarating conclusion. On Friday, April 3rd, The Midnight Garden is holding their monthly classic Middle Grade Discussion, so today and later this week I’m bringing you my thoughts on both last month’s classic—Mrs. It was during my degree in Children’s Literature in England that I returned to Nimh, and remembered how fascinating this book has always been to me. Lab rats that turn the tables and become super-intelligent, a mouse willing to brave danger for her family, and animals ready to band together against….THE CAT! Of course, I remember the animated film from my childhood, which actually is a bit different than the book in some ways. My brother and I recently watched this one and we were reminded at what parts we had been slightly traumatized as children! If you like classic children’s literature and a good animal fantasy with rich dimensions and memorable characters, look no further than Nimh. I won’t include the entire essay here for you to read, but I do want to pull out some thoughts I had about Nimh from that essay I wrote over ten years ago! One thing I was really interested in when I wrote the paper and that I’m still interested in is the idea of “Journey” in the book. Frisby’s journey to discover more about who her late husband really was and his connection with the Rats of Nimh.
Let’s just say that I’ll probably be visiting the fantasy classic middle grade world of Nimh again next year, and who knows what new insight I’ll gain? I never read this one as a child but I’m planning to read it to my children this Fall. Okay, as many times as my kids watched this movie-and that was a lot-I have to confess that I never even thought of the book.

Words are minced as sparingly as the images, as you see massive needles puncturing the abdomens of various animal subjects with nauseating ?plunk? sounds. The animals are heroic, clever, smart, dumb, reckless, thoughtful, malevolent, or horny; none of them are indifferent to the fate of the meadow and its inhabitants.
Numerous examples can be found of characters who sacrifice a great deal for the common good, or even for the benefit of an individual.
The Rats violate this rule by stealing from them, sneaking electrical cords out to their home in an attempt to? well, I?m not sure what they have to gain by creating elaborately lit sparkle shows, but at least they?re having fun with it. Or perhaps the independence of the Rats was symbolic of his secession from Disney, and the success of the film was one final ?fuck you? to the old man. Most of the films that I feel are excellent for children to watch in order to avoid growing up selfish and insular have death and its randomness as a primary subject. The film sweeps effortlessly from the beauty of the meadow at dawn to the sinister cave of the wise owl (voiced by John Carradine), the view of the glittering garden of the rosebush is interrupted by the towering sentry, Brutus.
You will receive a weekly newsletter full of movie-related tidbits, articles, trailers, even the occasional streamable movie. As is usually the case with Bluth films, the animation is superb while the socially aware plot struggles to keep pace. You might also start to wonder how such an emotionally traumatizing story could have ever passed for a children’s movie. The Secret Of NIMH (1982) is probably the darkest movie of my childhood. Bluth’s stylistic goal was to return to the golden age of animation, since he believed other studios were cheapening the medium in an attempt to cut costs. Brisby (changed from Frisby in the book to avoid lawsuits from the makers of the Frisbee – it was the 80s, after all) injures herself trying to escape from a bird cage.
But I was SO disappointed that they screwed this very believable science fiction story by mucking it up with the magical aspect. Robert O'Brien has created a small but complete world in which a mother's concern for her son overpowers her fear of all her natural enemies and allows her to make some extraordinary discoveries along the way.
Trust me, O’Brien has a fabulous plot with this one, and you may have grown up watching the animated film (or not) and you may have read this one when you were younger (or not), but you really should treat yourself and re-read it as an older reader. You might be saying, Katie, why are you going all academic on us by bringing up your paper from graduate school?
That’s something I love about reading Classic Middle Grade books—there’s always something more you gain after each reading. DNA is restructured as a rat writhes in pain ? the result is that the rats and mice develop intelligence, enough to understand people. He is as big as a building, is missing one eye, and hates everything within impaling distance. One faction of the Rats wishes to move far away to a valley where farming is impossible, to live without depending on humans at all, perhaps a permeation of the Rats consider themselves superior to people in every way. Dragon casts a vicious shadow, and is probably the reason I hate housecats with every fucking atom in my body. His animation techniques are old school, yet even at 30 years old, the film doesn’t look dated. Most horrifying of all is the film’s title: NIMH stands for National Institute of Mental Health, from which the rats escaped after enduring disturbing experimentation that left them highly intelligent yet still dependent on human technology. It comes out of nowhere, it doesn’t fit the rest of the story, and it has a bit of a tacked-on moral about courage. Frisby, a widowed mouse with a sick child, is in dire straits and must turn to these exceptional creatures for assistance. O'Brien's incredible tale, along with Zena Bernstein's appealing ink drawings, ensures that readers will never again look at alley rats and field mice in the same way. Both are books I loved as a child and that I still love as an adult, so I’m looking forward to sharing my thoughts. It was fabulous to discuss it with the group, and that discussion reminded me of how much I appreciate chatting about children’s classics.
Frisby and her family, these characters are dealing with the challenges of homelessness and displacement and they journey to find a home and safety.

In fact, many of you may now want to go and enroll in a Master’s program in Children’s Literature yourselves.
Okay, the film is short on realism (all animals understand human language anyway, weapons are electrified, and why was Brisby living in an area that is plowed yearly, anyway?), but NIMH isn?t meant to spark reasoned debate on animal rights.
One of the few humans shown in the film resolves to bulldoze the rosebush that the Rats call home, even though he is well aware of their existence.
Brisby is killed while drugging the cat, an activity that allows the Rats to prepare for their eventual move.
The tractor rips the land and destroys everyone in its path, Dragon kills the hero?s husband, a Rat is crushed with a cinderblock and two others stabbed to death, and a host of mice are sucked to their deaths in a cavernous air passage. The animation is kinetic and gives every action scene tension as real as the movie is fantastic, escapist and an allegory. Frisby and the Rats of NIMH a decade earlier, and director Don Bluth began production in 1979 he actually lured eight animators away from Disney to found a new animation studio toand make the movie.
Not everyone finds classic children’s literature important, and that’s one reason why it’s so wonderful when I find other bloggers that do. In a way, a lot of us can relate to that—we may have a physical home, but we’re on a journey of sorts to find safety in authentic community (of friends or family) and a place of belonging. It is meant to evoke a point of view: animals subjected to testing are not interested in how people benefit from it. In fact, he wants the rosebush flattened because of the Rats and is obviously excited about it. Nicodemus is murdered and Rats are injured while they move the Brisby home, which benefits only Timothy, Mrs. A body count of at least 20 is respectable for an ?80s action movie ? for an animated film, the number is astonishing and for it the director deserves a medal. No matter how animation progresses technologically, this film will age remarkably well, because its agenda and intelligence are both timeless. In that other book I mentioned, The Mouse and His Child, the discovery of identity and belonging is a strong thread throughout the story.
What I saw in the movie pushed me to read up on animal research, and as an eight year old kid I learned what an LD-50 test is and how all pharmaceuticals are tested extensively, at lethal doses, on legions of lab animals before a person would ever ingest them. Regardless of how you feel about rats, the human characters here are bloodless and mindless, driven by mechanical concerns. Death comes to us all, and the only reasonable wish a person could have is that we meet it on our feet. Even cosmetic or cleaning products are injected, sprayed, or force-fed to entire warehouses full of animals to find out not whether the products are dangerous or lethal, but how much or little it takes of a given chemical to cause blindness, seizure, gastrointestinal bleeding, or death. The animals in the film might be anthropomorphized beyond recognition, but it?s done to create a world that bloodless and mechanical humans can understand and relate to.
Personally, even animal testing that is meant to medically benefit humans is hardly necessary ? we cover the earth, and members of our species live twice as long as our genetics intended.
Interestingly, the Rats are political, each attempting to edge out a rival, striving to make their ambitions that of the rest of the group.
Inscribed on the back: ?Courage of the heart is very rare? the Stone has a power, when it is there?, the Stone represents this quality of sacrifice, which is basic and sometimes a necessity for the survival of the animal community. The Secret of NIMH confronts this topic head-on; the generation of children who saw it were not to be excused an opinion on a contentious matter through pleading ignorance. In reality, gregarious animal groups have far more complex relationships than people often realize ? baboons, meerkats, elephants, rats, and even insect groups have their own complex rules of interaction with nuance approaching human behavior. It seems that everyone pays dearly for this quality, except for the humans, who show no such altruism.

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