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23.06.2014
Feltmaking is still practised by nomadic peoples in Central Asia and northern parts of East Asia, where rugs, tents and clothing are regularly made. Mehmet girgic is a master Craftmen in Felt Making in Istanbul and we make our workshops in his Studio by himself or his assistants. History of Felts in Turkey,Felts have not been well preserved in Turkey as they were considered of little cultural significance. Felt is a non-woven cloth that is produced by matting, condensing and pressing woollen fibres.
Mehmet Girgic is a master Craftmen in Felt Making in Istanbul and we make our workshops in his Studio by himself or his assistants called Theresa May O'Brien. In the lesson you will make the whole stages of a Felt making process and by the evening, you will be able to finish 1 item like a hat, bag, shoe, a scarf or a design that you choose.. Please send us an e-mail if you are interested in participating our classes as individual or a student group. Mystical craft guilds, known as ahi, in Ottoman Turkey oversaw the production and quality of felt and the behavior of its makers. Many Turkish baths (hamamlar) had designated areas dedicated to felt production, as their extreme heat and moisture provided an ideal environment for feltmaking, especially during the winter months. In a hybrid of the two methods of patterning felt previously mentioned, Anatolian craftsmen use partially felted fabric of varying colors called “pre-felt” to cut the patterns that form the decorative elements of the carpet, resulting in a more clearly defined design than ala khiz.
Next, the rug is unrolled, the edges are trimmed, and the pattern is adjusted before it is placed in a steaming machine for the fulling. In the neighboring province of Erzurum similar red caps are worn in the villages, and in the northwestern province of Kirklareli you will come across men wearing maroon felt fezzes.
While some types of felt are very soft, some are tough enough to form construction materials.
Some of these are traditional items, such as the classic yurt, while others are designed for the tourist market, such as decorated slippers. But the writings of the seventeenth-century Turkish travel writer Evliya Celebi record many practical uses for felt. The craftsman placed his felt on raised platforms and exerted pressure by pounding his chest on the fleece in order to achieve the necessary shrinkage.
Once the pre-felt elements are laid in position on the reed mat, they are covered evenly with the background fleece using a forked tool of cherry wood called a cubuk . One of their most interesting products is the stiff felt cloak known as kepenek worn by shepherds. In Hakkari in southeast Turkey people wear slippers known as refik, harik or herik, sewn from layers of felt and wool. Felt can be of any colour, and made into any shape or size.Traditional Turkish Felt Making,Felt is a non-woven cloth that is produced by matting, condensing and pressing woollen fibres.
In the palace at Bitlis, lemons and oranges were preserved in winter by wrapping them in felt; and, in Amasya, near Tokat, felt was used as a strainer for mulberry, grape, and quince juices. The story of Saint Clement and Saint Christopher relates that while fleeing from persecution, the men packed their sandals with wool to prevent blisters.
In the Western world, felt is widely used as a medium for expression in textile art as well as design, where it has significance as an ecological textile. The last hamamlar that produced felt were in Konya and Urfa; by the last quarter of the twentieth century, many hand-felting processes were replaced by machines.
Additional layers of fleece follow, each sprinkled with water through a long-fibered straw brush before being rolled in the reed mat, wrapped in plastic, and sent to a mechanical “kicking” machine for hardening, the first stage of the shrinkage process. Every twenty minutes, the rug is removed and re-rolled both inside out and back to front to ensure even felting. These distinctive garments protect the wearer from heat in summer and from cold and wet in winter. In Erzerum, where winters were long and houses built of stone, felt and canvas treated with beeswax served as insulation under the roof.
At the end of their journey, the movement and sweat had turned the wool into felt socks.Feltmaking is still practised by nomadic peoples in Central Asia and northern parts of East Asia, where rugs, tents and clothing are regularly made. When an apprentice was ready to open his own shop, the masters were invited to a juried event, at which the apprentice demonstrated the making of a shepherd’s coat, prepared a meal for the judges, and gave a bar of olive oil soap to all in attendance. Today, in the wool bazaar of Konya, fleece is washed in vast pools of water, aided by a mechanized, rake-like fork that agitates the fibers, before they are rinsed and hung to dry. Here it is turned and pounded for three hours, or “kicked” by the feltmakers, who rhythmically roll the felt forward with their right foot and backward with their left, hands on their knees for pressure. This process continues for six hours, which causes shrinkage of forty percent and makes the felt impervious to moisture.
Indoors, plain felt blankets made of white wool are spread over cushions for sitting on in winter, and felt mats are laid over both seats and beds.
Felt can be of any colour, and made into any shape or size.Many cultures have legends as to the origins of feltmaking.
In Bursa, during the month of July, the snow sellers brought ice wrapped in felt to the cities on mules.
The Surname (Book of Festivities) of Murad Ill, a manuscript of text and miniature paintings, commemorates the circumcision of Crown Prince Mehmet in Istanbul in 1582. Carding—the aligning and separating of fibers—was originally done by hand, but is now accomplished by a machine with large steel teeth, that combs the fibers as they are fed through. While it is a dwindling tradition, feltmaking workshops in Konyo, Afyon, Tire, Balikesir, Urfa, and Mardin still produce shepherd’s cloaks and carpets.
Colourfully embroidered felt saddle cloths are spread beneath horses saddles to soak up the sweat. They also transported ice in felt bags for the court kitchens, harem, and Grand Vizier in Istanbul. In the Western world, felt is widely used as a medium for expression in textile art as well as design, where it has significance as an ecological textile.Traditional Turkish Felt Workshop by Mehmet Girgic,mehmet girgic is a master Craftmen in Felt Making in Istanbul and we make our workshops in his Studio by himself or his assistants. The imperial celebration lasted for fifty two days and nights and included a procession of the Istanbul guilds. Felt was once an indispensable part of daily life, also used to make saddle bags, shoes, headgear, mats, prayer rugs, and many other garments and household objects in various colors. Evliya also describes the clothing of the men making canons in the arsenal, who wore felt clothing to save their bodies from the “blazes of hell.”hakan hacibekiroglu,Mystical craft guilds, known as ahi, in Ottoman Turkey oversaw the production and quality of felt and the behavior of its makers.
The manuscript states, ”The felt makers were dressed in bizarre and fearsome costumes with robes and turbans made (made both inside and out) of colored felt.


In the eastern province of Agri you can still see men wearing the traditional kullik, a conical brown or white felt cap made from lamb’s wool. Maxwell will be deciding upon and after this illness passed we will take a look at producing these scripts into feature films or television productions. Betul is our professional Artist that is graduated from Mimar Sinan University department of fine Arts in Istanbul.
Maxwell is spending this time taking care of his wife, and not in production, he has plenty of time to read scripts.
They also pulled behind them a figure of a lion fashioned of felt.”Many Turkish baths (hamamlar) had designated areas dedicated to felt production, as their extreme heat and moisture provided an ideal environment for feltmaking, especially during the winter months.
She is professional in Ottoman Calligraphy - Tile Design & Turkish Motives - Ottoman Paper Marbling. Thus, this is a wonderful time to have him take a look at your script.i»?A This page is set aside to give us an opportunity to keep our visitor abreast of what is going on with Maxima Vision Films and our film school. Turkish Paper marbling is a method of aqueous surface design, which can produce patterns similar to marble or other stone, hence the name. At the same time we encourage our visitor to write us anything they feel may be of interest in film and television to our community.
The patterns are the result of color floated on either plain water or a viscous solution known as size, and then carefully transferred to a sheet of paper (or other surfaces such as fabric).
Many of these articles are written by our own CEO who is serious about keeping our whole community up to date with any breaking news and events we may be involved with. This decorative material has been used to cover a variety of surfaces for several centuries. In the event you write to us a story we find the community may want to know about we will post here on this page. Carding—the aligning and separating of fibers—was originally done by hand, but is now accomplished by a machine with large steel teeth, that combs the fibers as they are fed through.In a hybrid of the two methods of patterning felt previously mentioned, Anatolian craftsmen use partially felted fabric of varying colors called “pre-felt” to cut the patterns that form the decorative elements of the carpet, resulting in a more clearly defined design than ala khiz. It is often employed as a writing surface fo calligraphy, and especially book covers and endpapers in bookbinding and stationery. These stories may be of any kind pertaining to the film and television industry, from casting calls our community may want to know about, to events in the area, to a new story ideas you come up with you think might make for a good film or television production. Part of its appeal is that each print is a unique monoprint.Need a break from the hustle and bustle of tourist life in Istanbul?
Ottoman - Turkish Calligraphy, also known as Arabic calligraphy, is the art of writing, and by extension, of bookmaking. Randall Maxwell of Maxima Vision Films takes some of the backdrop of that particular White House, fictionalizes the story, orchestrates some look-a-likes and dramatizes a womana€™s lust for power who is willing to do whatever it takes to become the first lady president of the United States, including assassination, sex, love or war.
Upon completion, the pre-felt patterns are firmly felted to the fleece of the background.Next, the rug is unrolled, the edges are trimmed, and the pattern is adjusted before it is placed in a steaming machine for the fulling.
Its origin might ultimately hark back to China, where a document from the T'ang dynasty (618-907) mentions a process of coloring paper on water with five hues. While it is a dwindling tradition, feltmaking workshops in Konyo, Afyon, Tire, Balikesir, Urfa, and Mardin still produce shepherd’s cloaks and carpets.“The last remaining felt makers are to be found in such Turkish provinces as Afyon, Sanliurfa, Konya, Balikesir, Izmir, Kars and Erzurum. By carefully laying the paper over the bath, the floating picture on top of it is readily transferred to the paper; thus, each ebru is a one of a kind print. To obtain beautiful ebru results, one needs to have a light hand, refined taste, and an open mind to the unexpected patterns forming on the water. Patience and a good knowledge of traditional culture are characteristic of ebru masters.After the 1550's, booklovers in Europe prized ebru, which came to be known as ‘Turkish papers’. Many specimens in their collections and in the several album amicorum books are visible today in various museums. Also, early texts dealing with ebru, such as “Discourse on decorating paper in the Turkish manner”, published in 1664 by Athanasius Kircher in Rome, helped to disseminate the knowledge of this kind of marbling art. There is agreement amongst scholars that the so-called Turkish Papers played a colourful influence on the book arts in Europe.MATERIALS USED IN CLASSICAL TURKISH MARBLING Gum tragacath – Dye – Paintbrush – Basin – Water – Paper - Gall Gum Tragacant is obtained from trunk of a thorny plant growing naturally in Anatolian, Persian and Turkestan mountians and called “gaven”.
The sap coming out of scratches made on the branches dries up later and solidifies in bone white colored pieces . When three unlikely but well-intentioned groups of mighty people join forces to battle the demon, they face challenges within and without. Turkish is a very rich country in respect of such natural dyes.Any kind of earth may be first translated into mud then filtered and crushed to from a dye.
Their variegated backgrounds, including slavery, military, and commoners, must be overlooked if they are to stop Man Burnera€™s evil quest. The powerful and precious Atma stones must be kept secret if the world is to be saved.Will Man Burner be able to succeed on his quest to find the Atma stones? This delay is expected to last a couple of months, postponing production of every film by a couple of months.The reason for this suspension is due largely to the fact of us not yet having our film school, which is attached to our production company at the point where our investment group had wanted it by summer of 2013. Another large factor is not finding a large enough pool of talent here locally who have enough professional film experience or training to allow us to completely cast four feature films per year, let alone finding enough professionally experienced crew.Thus, one of the things we are now awaiting is hiring a casting director in Hollywood to cast any remaining major speaking roles for each film we have been unable to cast thus far.
In older times rainwater was favorite but because of acide rain in our times it is no longer advisable. Paper: The ideal paper is the one handmade and having a high absorbtion capacity and acid-free.
This is an all out effort to raise the bar in this region of professionally trained actors as well as crew.
At this summer feature filmA  consortium; Whether you are an aspiring producer, director, script writer, editor, animator, actor, cinematographer, or just want to learn the ins and outs of the film making industry, you may begin as early as the summer of 2013 building your working resume by participation in our Summer Feature Film Consortium! In order to increasethe absorbtion capaticy and to fix the dye on it(more durable) and alumina solution may be applied on the paper surface.
Well, we have serious investors who share our same passions who are willing to put their money where their mouths are. Let us commit ourselves then together to perfecting our craft of film making and television production by committing to professional training and stop spending money with so-called agencies who are simply in business to sell schools and photos, but have no real connections to even consider making even a feature film. It is a very sad thing that so many have been lured into such scams and have been taken advantage of, but now it is time for change and a part of this change is a must, raising the bar of excellence. It is now time for us to show our investors that we are willing to invest in our future so that very soon they will allow us the opportunity that all of us can make a very good living doing what each of us love doing and that we are extremely passionate about.A This film school has always been and will continue to be always a very specialA  part of our production company and our plans for the future as a means of keeping well trained professionals continuing to come on board with our production offices, from professionally trained actors to crew. This keeps fresh ideas coming through the doors, but more importantly it allows us to always know we have the most highly skilled actors and crew that money can buy.
Our investment group has always made the film school a stipulation on their investing in our feature films and will continue to do so.


For instance when blue yellow are simultaneously applied and mixed up as much as possible never green comes out.3.
A One of the biggest concerns of our investment group is to keep from happening here what happened in Louisiana, where their film makers were at least diligent in getting their law makers to raise the incentives to entice major film production companies like Maxima to come into their state to produce films in their state.
They were able to do this by quoting statistics which prove, when major film production companies come into your state and begin producing motion pictures, they bring with them literally millions of dollars into the local economy.
In Louisiana, they experienced tremendous success in enticing these companies into their state.A Unfortunately, these companies came by the droves, however, once there they found there was not enough professionally trained talent already there to produce the number of films they wanted to produce, causing them to have to hire the bulk of their needed talent out of state. MARBLING APPLIED TO PAPER PATTERNS,Marbling is similar to cooking; it is impossible to give the exact recipe.
Because these incentives are based on hiring local talent, these companies when they were forced to hire outside of state talent, they lost their incentives. Louisiana has since worked diligently trying to get professional instructors in their public schools and universities to train up a workforce of professionally trained film and television professionals to salvage what they can of the professional production companies who have remained and tried working with them.A At Maxima Vision Films, we have experienced the same thing in this region as far as finding sufficient professionally trained talent to do here what we had planned to do in this region. When I speak of this region, I am speaking of the region of Tennessee, Arkansas, Oklahoma and Louisiana.
The density of the gummed water and the relationships between the water and the dye, the dye and the tensioning agent (gall), the quantity of gall in the dye are all very important. We have two investment groups, one of which has already committed to funding four feature films or television productions per year over the next five years here in this region with Maxima. We want to shoot films that matter, films which can help to shape our culture positively as opposed to negatively. These films will be marketed directly to the Christian community, which when one considers 70% of the USA population are professed Christian, this is an enormous market. We are certain if we can keep our production cost down under a million dollars the odds are in our favor of at least breaking even if not making a few dollars, especially considering telling stories that matter. Now if this basic pattern is handled by parellel lines made by a thin pencil or chip moved back and forth you obtain “the back-and-forth”.
If we can keep our films under $500,000 the odds go up even further, and we know one film in 6-7 will make a substantial return. Our main goal though is telling stories that matter, that might help shape our culture positively, and we can all make a decent living while doing what we are all passionate about doing.
A To accomplish all of this though, we are going to have to raise the bar here in this Texas region as far as talent goes. When a convolute line is applied from the outer circumference towards the centre you obtain a “nightingale nest”. We are diligently seeking those individuals who have a real passion for film making and television productions, who are driven by this passion to do whatever it takes to one day be able to make a living in a industry that chances are very bleak in anyone getting to a point of making a living. In the event small colorfull dots are spotted on the back-and-forth or shawl design you get the “sprinkled marbling”. However, one thing is for certain, to have any chance at all, the more one is willing to do in the industry, whether it be sweeping the floors, taking coffee to the director, or being the lead role, or simply investment of time, energy, and money to keep perfecting their craft, all tends to lead to work, which gives us more exposure, that in turn leads to more work, etc, etc, etca€¦ A The point is this; we have investors, which is something, if not the one and only thing which keeps most from doing what they truly want to do in this industry! If, instead, you apply larger dots (which means with higher rate of gall contents) you obtain the “prophyry marble” which resemble most to marble.,Nonetheless above patterns may be divesified by selecting one of the above as a basis and making concentric drops of different colors. These investors are seeking individuals like yourself who are like minded, those who have a real passion for film making and television productions, but who are also just as passionate about telling stores that matter.
Mehmet Efendi (the orator of Saint Sophia, deceased in 1973) first formed flower and other patterns, wich were subsequenly called the “Orator pattern” (Hatip ebrusu). However, the real key is finding these like minded individuals who take this business very serious, as serious as our investors take it, those who are willing to invest into their own future, so as to help them to perfect their individual craft so that they are the very best they can become, so that as a collaborative art form we are able as a group of individuals creating a quality product.
The paper is then careflly lifted off the basin without stripping too much the gum off the surface. This infinity of colors and shapes quickly formed makes the marbling amazing at and fascinates the spectator (if any). Hikmet BARUTCUGIL,Mimar Sinan University paper marbling, fabric marbling, faux marbling, parrys graining and marbling, marbling paint, contemporary create design fabric marbling paper technique traditional, Turkish Marbling - Ebru Lessons in Istanbul.Turkish Paper marbling is a method of aqueous surface design, which can produce patterns similar to marble or other stone, hence the name. It is often employed as a writing surface for calligraphy, and especially book covers and endpapers in bookbinding and stationery. After he began his own recovery, he helped set up centers to help other addicts."I abandoned my old life to serve the Lord Jesus Christ," he said. Come take an art class with the remarkable Turkish artist Bahar !LEARN the secrets of creating the rich patterns of handmade marble paper . CONTEMPORARY create design fabric marbling paper technique designs on paper, glass or on silk fabrics .Our teacher that is shown in our pictures is Ms. One twin struggles with an addition to prescription drugs, while the other battles doctors whose prescription anti-psychotics are driving her sister to madness and death.a€?One is what I call a€?preachya€™ and more for the church community and affirming faith,a€? Maxwell said.
Contemporary artists in the Islamic world draw on the heritage of calligraphy to use calligraphic inscriptions or abstractions in their work.LEARN the secrets of creating the rich patterns of handmade marble paper . EXPERIENCE the sensuous flow of Ottoman Calligraphy,CONTEMPORARY create designs with Turkish patternts on tiles,Our teacher that is shown in the pictures are Mrs. With the first type of film we will focus on films which are considered preachy and on the nose which will be marketed directly to the Christian community.
The second types of films we will focus on are those designed to reach the un-churched with a message of hope for a hurting world, a film with at least a redemptive message. This investment group is especially interested in getting involved with projects where the project owner has some sort of invested interest in the project themselves or have some avenue to put together a split funded project somehow, thus splitting the risk as well.A A Thus, this investment group funded many trips around the country for Dr. Maxwell to travel and meet with other investment individuals, companies and groups who had expressed interest in partnerships with the films we were already in pre-production stage which were our films a€?Rachela€™s Gracea€? and a€?Sister Surrendereda€?, both of which had an estimated production budget of around $300,000. We had felt with partnering with others who could double the production budget we could add at least some actors with much experience as well as other talents. Unfortunately, at this point, though we met many such investment groups who had expressed interest in split funding our film projects, most simply had projects themselves who they wanted our investment group to invest in their film projects and did not show us even any interest what so ever in split funding our film projects after our investment group paid travel and lodging expenses for Dr Maxwell to meet with these people. A With this being said, this has been a very expensive summer for our investment group in trying to put together split funded film projects.



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