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The video, entitled “Lynne Patton “The Trump Family That I Know” – A Black Female Trump Executive Speaks,” features audio of Patton reading a personal letter describing her experience with the business mogul’s family.
Patton goes on to defend several of Trump’s policies including the construction of a border wall and his call for a temporary halt to immigration from Middle Eastern countries known to harbor radical extremists.
The female executive states that her defense and support of Trump is linked not to her employment, but to the facts surrounding the presidential race.
The most popular way to create a black and white image from a color one is to 'de-saturate' the photo. The better way is to use just color to make your image, or adjust the levels of each color separately. Like in the color world, where colors can be slightly different depending on what white balance you set (and you can set the balance yourself to make the colors look how you want), the same is true when converting your image to black and white. What desaturation does is give equal weight to the red, green and blue parts of your color image when converting to B&W.
Remember how the red top and blue jeans of our lovely model blended together when the image was desaturated? The red and blue channel images show her top and jeans being completely different shades of gray.
Conversely, her blue jeans show as brighter in the blue channel image because that's what has most blue.
By choosing only one color channel, we can show that she is wearing two different color items even in a black and white image.
Choosing just one channel can be done by opening the "Channel Mixer" in Photoshop and switching the slider for your preferred color to 100% and the other two to 0%. Handy Tip 1: Cameras use a filter array on the CCS which can mean one color has better detail than another color.
Handy Tip 2: Once Ia€™m finished with the channel mixer layer, I like to wrap it up by adding a contrast layer on top of everything. In the very early days of photography, of course, everyone shot in black and white--because that was the only film technology available. Not all cameras give you the ability to shoot in RAW, which is an uncompressed format that includes the complete range of data your camera has obtained from its image sensor. Many cameras give you the ability to shoot in black and white, but it's generally not a good idea to use this setting.
High ISO film makes grainy pictures, and a higher ISO on a digital camera produces noise, the digital equivalent of grain. An overcast day is perfect for black and white photography, because the light is soft and you don't need to worry about blown out highlights or black shadows. Equally, a sunny day also provides a wonderful opportunity for black and white photography. Portraits may also look better in black and white, because black and white hides imperfections in the skin such as blemishes and uneven skin tones. More than color photographers, black and white photographers need to pay attention to contrast. A long exposure can make your black and white image look surreal, especially if you are photographing water or stationary object on an overcast day with a lot of moving clouds. Sometimes there is more of one color than another in an image (more blue sky, less red) so it can be better to accentuate the parts of the image with that color, or the color difference between two colors. Follow these tips and keep experimenting, and you'll soon have a beautiful portfolio of black and white images you can display alongside your color ones.
There are black and white modes available, but they won't always work the way you'd like them to work to produce a snazzy photo.

There's usually a saturation slider on your paint program that you can move that removes all the color from the photo. This allows us to fine-tune how much of the Red, Green and Blue colors that will appear in our final image. We can jazz our image up a bit by choosing just one color and creating a black and white from that. That's because in the red channel, parts of the original image that were red (like her top) will be brighter, whereas other parts with no red (her jeans) will be darker. The green channel shows similar dark colors for both pieces of clothing because neither have much green in them. Make sure you also check the "Monochrome" checkbox to tell Photoshop that you want a black and white image. It shows a contrast between the colors of her clothing, and also between her jacket and the background leaves. It doesn't work that well on the girl above, but it does work wonders in any scenes with a blue sky.
In the common Bayer filter, the green channel will show the best detail because it has the most dots. And it's such an interesting and helpful tip, I've been wondering how to best convert to B&W, I don't want to fall at the last fence. If your camera has a RAW setting, try using this format whenever you shoot in black and white.
You have more control over your final image if you do the processing after-the-fact, rather than allowing your camera to do it for you. Noise is really obvious in a black and white picture, so shooting at a low ISO will keep your photos looking clean and noise-free.
If you're a person who prefers to shoot in color you already know that flat, overcast days aren't desirable for color photography because they make colors look dull. The harsh shadows created by the bright sunlight creates contrast to emphasise textures in your subjects. Patterns look more compelling in black and white because color can distract the eye from the pattern. Every good black and white image contains a true black and a true white (and blown-out skies and highlights don't count as white). Look for subjects that will stand out in a black and white image, such as a light colored object against a dark background.
You'll find yourself taking better shots by using just two or three tips!Prepare to learn photography the fun way!Simple and effective tips and techniques. Well, sometimes there is more of one color than another in an image (more blue sky, less red) and it's better sometimes to accentuate the parts of the image with that color, or the color difference between two colors. Using different numbers tells Photoshop to mix different amounts of each color channels to make the final photo. If you find your black and white images are lacking detail, you can try choosing the green color (or add some of that channel into your final mix) to restore some detail.
Black and white photos are often seen as "timeless," and many photographers and viewers tend to think of them more artistic than their more popular color counterparts. RAW is not an image format that you can view with just any piece of software - it will need to be processed and then saved in a standard image format such as JPG. And in case you do love grain, you can go back and add that in post-production if you decide you want it. These don't just have to be geometric patterns--a row of trees in an orchard or worn cobblestones on an old street can make for interesting black and white compositions.

Think about how the contrast in the scene will bring out the patterns and lines in a black and white image, even though they may be subtle in the color version.
I sometimes use this by looking at each of the three channel images and ranking them from best to worst. A black and white image has a surreal and almost dreamlike quality, too; it looks cleaner and has greater depth than a color image. RAW images are also huge (if your camera shoots at 12 megapixels, each one of your RAW images will be 12MB in size). Plus, as I'll discuss later, you can convert a color photo into hundreds of slightly different B&W photos - so you can choose the one that looks best.
But be aware that your shutter speed will drop as your ISO does, so you can bend this rule as necessary whenever your subject is fast-moving or if you left your tripod at home. The classic "bowl of fruit" shot may be perfect for black and white because of its smooth, varying shapes, soft shadows and subtly different textures. Pay attention to texture--it's not as obvious in color but it can really become the focal point of a black and white image. In the black and white version, there is not a lot of difference between the shades of gray, so the image isn't as striking as the color one. Then setting the best color channel to 60%, the second best to 30% and the third best to 10%. At the very least, black and white is worth experimenting with, since it can give even the most devout color photographer a better eye for lines, patterns, contrast and texture. But the advantage is that your RAW images will contain all the available information your camera can capture from a scene, which means you can fix too-bright highlights and recover detail in the shadows. And as in all photography, pay special attention to light and how it will create highlights and shadows in your finished image. Make sure they all add to 100%, otherwise your image may be darker or lighter than the original. And RAW data files also contain all the color information from a scene, so if you change your mind later you can go back and turn your black and white shot back into a color one. Edit them carefully name the file them admire them discard them admire them, discaard more of them and refer to them more often. And it's a great question because there is more than one way to convert a shot taken with a color camera into black and white. If you're not sure of the tricks, your images might not end up looking as good as they could. It's made film unnecessary, which means that individual shots no longer cost anything and you are now free to take as many pictures as you want without fear of wasted film.
A related benefit is that you no longer need to choose a specific film to put in your camera--if you want to shoot at a higher ISO there's no need to go out and purchase that high ISO film--instead, you just select the correct ISO in your camera's settings. If your camera allows it, you can switch back and forth between black and white on the fly, or you can do as many conversions as you like in post-processing.
But there are still some things you need to remember to ensure that your digital black and white images are as beautiful as the black and white film photos taken decades ago.

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